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Grenier, Jean
Music
le musée de poche, jacques goldschmidt, Paris, 1970. In-12, broché sous couverture illustrée en couleur et rempliée, 115 pp. Avant-propos de W. Sandberg -
Reference : 9458
Planches en noir et en couleur. --- Plus d'informations sur le site archivesdunord.com
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5 book(s) with the same title
ALHAMBRA. JANE BRETEAU présente ZIZI JEANMAIRE dans un grand spectacle de MUSIC-HALL.
Sans lieu sans nom 1962 Plaquette in-4° étroit (18 x 31cm), agrafée sous couverture jaune imprimée, non paginée (28 pp.). (discrètes marques de pliure en bordure de couverture). Programme de spectacle de music-hall illustré de photographies en noir d'artistes (J. Ferrat, J.M. Defaye, Zizi Jeanmaire..), de reproductions de dessins (costumes du spectacle réalisés par Yves Saint-Laurent) et de publicités.
Music Criticism 1950-2000
, Brepols, 2019 Hardback, xxiv + 420 pages, Size:220 x 280 mm, Illustrations:20 b/w, Languages: English, Italian, Spanish. ISBN 9782503584423.
Summary This book addresses the complex world of music criticism during the second half of the twentieth century, with particular emphasis on the relationship between music criticism and pivotal changes in politics, society, technology, and economics. The focus on music criticism should be understood in a very broad sense, as one of the various forms of communication and expression that contributes both to the formulation of judgments, and to a broader discourse on the constructions of music. In addition, the book deepens the topic of music criticism by addressing some defining aspects of the period, such as the development of music for the cinema, the growth of the music industry, and the new media that characterized the turn of the century. The articles are divided into five sections: 'Music Criticism and its Roles', 'Music Criticism and Italian Film Music', 'Music Criticism and Ideology', 'Music Criticism and the Web', and 'Case Studies' (Amiri Baraka, Astor Piazzolla, Louis Andriessen, Dieter Roth, John Cage, and Stravinsky). TABLE OF CONTENTS Massimiliano Locanto Introduction. Music Criticism and Musicology: Depolarising the Debate Aknowledgements Music Critics and Their Roles Abdullah Essa Jamal Khalaf Alan Rawsthorne: The Neglected Chopin Critic Massimiliano Locanto Brother Criticus : Stravinsky 'the Serialist' against Music Criticism H ctor Gasol Calvo Manuel R. de Llauder y la cr tica musical en Barcelona durante los a os '60. Un compositor y cr tico contempor neo de Xavier Montsalvatge David Hurwitz The Twentieth-Century Recording Explosion: Challenges and Opportunities for Criticism Music Criticism and Ideology Lee Ellen Martin Sing a Song of Freedom: Civil Rights and the Reception of Race and Gender in the Music of Lambert, Hendricks & Ross Carla Cuomo Massimo Mila e l'impegno: interazioni tra critica militante e musicologia dal dopoguerra agli anni Settanta Lada Durakovi! Musica e discorso ideologico: i testi sulla musica durante la formazione del socialismo in Croazia Marita Fornaro Bordolli Criticism, Power and Canon in Uruguay (1950-2000): Between Conservatism and Avant-Garde Music Criticism and Music for Film in Italy Umberto Fasolato Il contributo della critica cinematogra?ca militante italiana alla de?nizione del paesaggio sonoro nei ?lm degli anni Cinquanta Kristjan Stopar - Francesco Verona La musica per ?lm nelle riviste cinematogra?che italiane tra gli anni Cinquanta e Sessanta: i casi di Cinema e Filmcritica Antonio Ferrara La musica nel ?lm (1950): la prima monogra?a italiana sulla musica cinematogra?ca Roberto Calabretto Le pubblicazioni di Sergio Miceli quale parte del dibattito storiogra?co sulla musica per ?lm in Italia Music Criticism and the Web Pedro Ord ez Eslava Facebooking Musicology: apuntes para una ( nueva?) cr tica musical 2.0 Giacomo Albert How are Social Media Reshaping the Critical Debate around Contemporary Music? Stefano Lombardi Vallauri Il trattamento della musica nei blog culturali generalisti italiani Marida Rizzuti La critica musicale in Italia intorno al 2000 fra I lIke It e cinguettii Case Studies Siegwart Reichwald Making it in the Big Apple: Piazzolla's 1980s New York Experience in the Words of The New York Times Ryan Bruce Amiri Baraka's Black Music as an Avant-Garde Manifesto in Jazz Helena Mart n-Nieva Opening Pandora's Cage: 'Open Music' and John Cage in Barcelona, 1960-1970 Lorenzo De Donato Il suono 'inaudito'. Il fenomeno musicale nell'opera di Dieter Roth Eric Taxier Object-Oriented Music Criticism: On Louis Andriessen's De Staat Abstracts Biographies Index of Names
The New Oxford History of Music. III. ARS NOVA AND RENAISSANCE 1300-1540
London OXFORD UNIVERSITY PRESS 1960 Un fort volume grand in-8°, XIX 565 pp. Reliure toilée bleue à la Bradel, dos titré or (reliure éditeur). (jaquette manquante, reliure légèrement salie). Illustrations en noir.
Edition originale
Performing Rites: On the Value of Popular Music
Oxford university press 1996 360 pages 16 4x2 8x23 2cm. 1996. Cartonné. 360 pages.
bon état de conservation avec sa jaquette intérieur propre
COCTEAU, LE CIRQUE ET LE MUSIC HALL. Textes et documents inédits ou retrouvés de Jean Cocteau.
Passage du Marais - Cachiers Jean Cocteau_Nouvelle série N° 2 2003 un volume in-8°, 248 (2) pp., couverture illustrée. Illustrations.
