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Walsh, John et Sonnenburg, Hubert von
Vermeer
The Metropolitan Museum of Art Bulletin, volume XXXI, Number 4, Summer 1973, New York. In-4, agrafé sous couverture illustrée en couleurs, s.p. [50 pp. env.] Outstanding Recent Accessions, by Thomas Hoving, Director - Vermeer, by John Walsh, Jr. Curator, Departement of European Paintings, The Metropolitan Museum of Art :1. Life, Obscurity, Rediscovery. - 2. Survey of Vermeer's Development. - 3. Symbols and Warnings. - 4. ...
Reference : 890
Avec 100 illustrations en noir et blanc et en couleurs in et hors-texte. --- Plus d'informations sur le site archivesdunord.com
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Archives du nord - Librairie ancienne et moderne
M. François Legrand
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Vente uniquement par correspondance. Conditions de vente conformes aux usages de la librairie ancienne et moderne. Les prix indiqués sont en euros. Les frais de port sont à la charge de l'acquéreur.
5 book(s) with the same title
Tout Vermeer de Delft
Paris, Gallimard, 1952. Coll. "La Galerie de la Pléiade", vol.4. In-folio cartonnage souple remplié, 132 p. Cet ouvrage reproduit pour la première fois la totalité de l'oeuvre de Vermeer de Delft. L'introduction est composée des "Pages sur Vermeer" de Marcel Proust et de "Un artiste à jamais inconnu..." d'André Malraux. Illustrations en noir in-texte. Planches en couleurs hors-texte. contrecollées et souvent sous serpentes. Excellent état
Reference : 43077
Vermeer de Delft. La Pléiade.
Nrf.1952-53. In-folio cartonné crème avec chemise à rabats ,au centre du 1er plat, sigle de la Nrf. 128 p.+ Table.Nombreuses reproductions en noir et couleurs contre-collées protégées par des serpentes.TBE.
Le dix-septième siècle - Les tendances nouvelles en Europe, de Caravage à Vermeer
Genève, éd. d'Art Albert Skira, 1951. Coll "Les Grands Siècles de la Peinture". In-4, cartonné vert, sous jaquette illustrée, 137 p. 64 reproductions en couleurs contrecollées : Le Caravage, Rembrandt, Velasquez, Rubens, Poussin... Très bon état.
Vermeer and the Delft School
Liedtke, Walter: Vermeer and the Delft School. Exhibition: New York, Metropolitan Museum, 2001. 626pp with 87 colour plates, 138 colour and 301 monochrome illustrations. Hardback. 31x24.8cms. Portrait, interior, landscape, townscape and history paintings by De Hooch, Fabritius, van Aelst, Pynacker and de Witte are exhibited alongside lesser known artists, such as van Couwenbergh, Houckgeest, van Miereveld and Vosmaer in this superbly illustrated volume. The aim of the exhibition is to ascertain to what extent Vermeer was indebted to the artistic traditions of his native city, Delft, and to the character of its society. It also brings into question the significance and influence of Vermeer in the development of the Delft School, and concludes whether or not the Delft 'school' existed in any meaningful sense. The paintings are complemented by examples of contemporary decorative arts, drawings and prints, all of which have been drawn from major international museums. Detailed bibliography, index.
Portrait, interior, landscape, townscape and history paintings by De Hooch, Fabritius, van Aelst, Pynacker and de Witte are exhibited alongside lesser known artists, such as van Couwenbergh, Houckgeest, van Miereveld and Vosmaer in this superbly illustrated volume. The aim of the exhibition is to ascertain to what extent Vermeer was indebted to the artistic traditions of his native city, Delft, and to the character of its society. It also brings into question the significance and influence of Vermeer in the development of the Delft School, and concludes whether or not the Delft 'school' existed in any meaningful sense. The paintings are complemented by examples of contemporary decorative arts, drawings and prints, all of which have been drawn from major international museums. Detailed bibliography, index. Text in English
Closer to Vermeer
Closer to Vermeer. 2025. 320 pages, 200 illustrations. Hardback. 26.5 x 21.5cms. Looking at the research conducted during and after the Rijksmuseum's blockbuster 2023 Vermeer exhibition, this study discusses new insights into Vermeer's creative process, materials and painting techniques, exploring the meaning of his works and his evolving fame. It also addresses questions about the maps in his interiors, the role of the camera obscura, his choice of materials and newly discovered documents related to his patrons.
Looking at the research conducted during and after the Rijksmuseumâs blockbuster 2023 Vermeer exhibition, this study discusses new insights into Vermeerâs creative process, materials and painting techniques, exploring the meaning of his works and his evolving fame. It also addresses questions about the maps in his interiors, the role of the camera obscura, his choice of materials and newly discovered documents related to his patrons.
