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Marijnissen, Roger-H.
Bosch
Editions Arcade, Bruxelles, 1972. Fort in-4, reliure pleine toile éditeur sous jaquette illustrée en couleurs, bien complet de son coffret rigide, titre doré sur le dos, 561 pp. Avant-propos, par Xavier de Salas - Introduction, par Roger. - H. Marijnissen - Le problème Jérôme Bosch : Sources écrites. - Catalogue. - Formation artistique et sources. - L'interprétation : Le Chariot de foin. - Le Jardin des délices. ...
Reference : 5185
Nombreuses illustrations en noir et en couleurs d'après les photographies de Max Seidel. --- Plus d'informations sur le site archivesdunord.com
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Archives du nord - Librairie ancienne et moderne
M. François Legrand
01 42 73 13 41
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5 book(s) with the same title
Hieronymus Bosch e l'altro Rinascimento
Aikema, Bernard: Hieronymus Bosch e l'altro Rinascimento. Exhibition: Caserta, Palazzo Reale, 2022. 352 pages, colour illustrations throughout. Hardback. 28x24cms. An exploration of Hieronymus Bosch and his influence on a Renaissance parallel to that in Italy. Eighteen chapters trace Bosch's success in southern Europe, incoming influences from France, Italy, and Spain, Bosch's own influence on artists including Breugel, and consider common themes in Bosch's oeuvre with a chapter dedicated to 'The Temptation of Saint Anthony', and contextualise his work within the culture of the Wunderkammer. Text in Italian.
An exploration of Hieronymus Bosch and his influence on a Renaissance parallel to that in Italy. Eighteen chapters trace Boschâs success in southern Europe, incoming influences from France, Italy, and Spain, Boschâs own influence on artists including Breugel, and consider common themes in Boschâs oeuvre with a chapter dedicated to âThe Temptation of Saint Anthonyâ, and contextualise his work within the culture of the Wunderkammer. Text in Italian
[Hieronymus Bosch] - Ilsink, M.; Koldeweji, J.; Spronk, R.; Hoogstede, L.
Reference : 108938
(2016)
ISBN : 9780300220148
Hieronymus Bosch, Painter and Draughtsman: Catalogue Raisonne
Ilsink, M.; Koldeweji, J.; Spronk, R.; Hoogstede, L.: Hieronymus Bosch, Painter and Draughtsman: Catalogue Raisonne. New Haven: 2016. 500 pages; 350 colour and 100 black and white illustrations. Hardback. 32.4 x 24cms. Published on the 500th anniversary of the artist's death, this definitive publication focuses on Bosch as an innovative image maker. Features new photographs and research into iconography, techniques and conservation history of his paintings.
Published on the 500th anniversary of the artist's death, this definitive publication focuses on Bosch as an innovative image maker. Features new photographs and research into iconography, techniques and conservation history of his paintings. Text in English
L'Opera Completa di Hieronymous Bosch. Classici dell'Arte
Cinotti, Mia: L'Opera Completa di Hieronymous Bosch. Milan: Rizzoli, 1977. Series: Classici dell'Arte. 120pp with 64 colour plates and over 70 monochrome illustrations. Cloth, 31.5x24cms. Text in Italian.
Text in Italian
The Flemish Primitives III: The Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen Van der Weyden Groups. Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium. Vol 3. Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium
Stroo, Cyriel et al: The Flemish Primitives III: The Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen Van der Weyden Groups. Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium. Vol 3. Brussels: 2001. Series: Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium. 392pp with 24 colour and 31 monochrome plates, 116 colour and 179 monochrome illustrations. Boards. 30x21.5cms. Third in the series covering the Museum's collection of 15th century painting, this volume focuses on 17 works by Bosch, Bouts, David, Colijn de Coter and Goossen van der Weyden.
Third in the series covering the Museum's collection of 15th century painting, this volume focuses on 17 works by Bosch, Bouts, David, Colijn de Coter and Goossen van der Weyden. Text in English
Luuk Hoogstede, Ron Spronk, Robert G. Erdmann, Rik Klein Gotink, Matthijs Ilsink, Jos Koldeweij, Hanneke Nap, Daan Veldhuizen
Reference : 48073
Hieronymus Bosch Painter and Draughtsman - Technical Studies
, Fonds Mercator/ Mercatorfonds, 2016 Hardcover, 464 pages, ENG , 330 x 255 x 35 mm, NEW, dustjacket, 300 bw and col. illustrations ISBN 9789462301153.
Based on six years of study done by the Bosch Research and Conservation Project, this book represents the most comprehensive study ever done of the materiality of Hieronymus Bosch's paintings. In het verleden hebben de kunsthistorici zich vooral toegespitst op de onderwerpen en betekenissen van Bosch' werken, terwijl aan aspecten als schildertechniek, de medewerking van een atelier en de bewaringstoestand van de nog bestaande schilderijen aanzienlijk minder aandacht werd besteed. Sinds 2010 bestudeert het Bosch Research and Conservation Project de werken aan de hand van moderne onderzoeksmethoden. Het team heeft Bosch' bewaard gebleven schilderijen zo grondig mogelijk gedocumenteerd met infraroodreflectografie en digitale macrofotografie in ultrahoge resolutie, zowel bij infrarood als bij zichtbaar licht. Rontgenfoto's werden gedigitaliseerd en de volledige fotografische documentatie werd in een coregistratieproces verwerkt. Dat alles, samen met de microscopische studie van de schilderijen, verschafte het team de mogelijkheid om uitvoerige en kritische onderzoeksrapporten te schrijven over de techniek en de conditie van de werken. Hun bevindingen, die in dit buitengewone boek voor het eerst worden gepubliceerd, zullen bijdragen tot een beter inzicht in het oeuvre van Bosch. In the past, scholars have traditionally focused on the subjects and meanings of Hieronymus Bosch's works, whereas issues of painting technique, workshop participation, and condition of extant pictures has received considerably less attention. Since 2010, the Bosch Research and Conservation Project has been studying these works using modern methods. The team has documented as thoroughly as possible Bosch's extant paintings with infraredreflectography and ultra high-resolution digtal macro photography, both in infrared and visible light. X-radiographs have been digitized, and the complete photographic documentation processed via co-registration. Together with microscopic study of the paintings, all of this has enabled the team to write extensive and critical research reports describing the techniques and condition of the works, published in this extraordinary volume for the first time, all of which can further inform our understanding of Bosch's oeuvre. Luuk Hoogstede is a paintings conservator at SRAL, Maastricht. Ron Spronk is professor in art history at Queen's University, Kingston, Ontario, Canada and Radboud University Nijmegen, The Netherlands. Matthijs Ilsink is the project coordinator of the Bosch Research and Conservation Project and teaches art history at Radboud University Nijmegen, The Netherlands. Jos Koldeweij is professor in art history of the Middle Ages at Radboud University Nijmegen, the Netherlands Authors: Bosch Research and Conservation Project: Luuk Hoogstede, Ron Spronk, Robert G. Erdmann, Rik Klein Gotink, Matthijs Ilsink, Jos Koldeweij, Hanneke Nap, Daan Veldhuizen
