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Pilon, Edmond
Bruges
henri Laurens, Editeur, collection "Les villes d'art célèbres", Paris, 1939. In-4, broché sous couverture illustrée en noir, 160 pp. Chapitre I. Vue d'ensemble - Chapitre II. Bruges depuis les origines jusqu'au Moyen Age - Chapitre III. L'art brugeois orné et fleuri. - Architecture et style. - La Renaissance et la civilisation bourguignonne à Bruges - Chapitre IV. Bruges et ...
Reference : 1346
Envoi autographe signé de l'auteur à Joseph Van Melle, qui fut directeur technique à l'imprimerie Berger-Levrault dès 1917, puis directeur du journal "Toute l'Edition" : "A Joseph Van Melle, avec la meilleure sympathie, cette description de la cité de Van Eyck, de la ville de Memlinc."Avec 117 illustrations en noir et blanc in texte. --- Plus d'informations sur le site archivesdunord.com
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Archives du nord - Librairie ancienne et moderne
M. François Legrand
01 42 73 13 41
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Vente uniquement par correspondance. Conditions de vente conformes aux usages de la librairie ancienne et moderne. Les prix indiqués sont en euros. Les frais de port sont à la charge de l'acquéreur.
5 book(s) with the same title
Le Charme de Bruges
L'Édition d'Art H. Piazza 1929 in8. 1929. Broché. Le Charme de Bruges de Camille Mauclair est un hommage littéraire et artistique à la ville de Bruges décrivant son passé glorieux et son statut de sanctuaire d'art impérissable. Publié en 1929 par les Éditions d'art H. Piazza il s'agit d'une édition originale illustrée par H. Cassiers avec des compositions en couleurs au pochoir souvent présentée dans des reliures d'art luxueuses
Etat correct couverture de bord déchirée rousseurs de livres intérieur propre
Bruges et la tapisserie
Louis de Poortere 1987 in4. 1987. Cartonné. Catalogue de l'exposition 'Chefs-d'œuvre de la tapisserie brugeoise' tenue à Bruges en 1987 rédigé par Guy Delmarcel et Erik Duverger. L'ouvrage abondamment illustré traite de l'art et du commerce de la tapisserie à Bruges du Moyen Âge au XVIIIe siècle
Bon état une ride sur le dos bonne tenue par ailleurs; intérieur propre
Connected Worlds of Bruges: 900-1550
Frankopan, Peter: Connected Worlds of Bruges: 900-1550. 2026. 304 pages, illustrated in colour. Hardback. 30 x 25cms. Catalogue for the inaugural exhibition at BRUSK, Bruges, covering the period 900-1550. 14 essays explore the role of Bruges and its connection to the North Sea World; brides and exiles in Flanders; markets of the early Middle Ages in North-Western Continental Europe, pilgrimage in the Christian East; relationships to the Latin Empire of Constantinople; rituals of the Bruges elite; and the Atlantic expansion and its significance for Bruges.
Catalogue for the inaugural exhibition at BRUSK, Bruges, covering the period 900-1550. 14 essays explore the role of Bruges and its connection to the North Sea World; brides and exiles in Flanders; markets of the early Middle Ages in North-Western Continental Europe, pilgrimage in the Christian East; relationships to the Latin Empire of Constantinople; rituals of the Bruges elite; and the Atlantic expansion and its significance for Bruges
Civic Group Portraits in Bruges (1650-1800) Windows on Urban History
Turnhout, Brepols, :2025 Linnen binding under illustrated dustjacket, vii + 458 pages, 216 x 280 mm, Illustrations:2 b/w, 122 col., 1 tables b/w., 7 maps color. ENG. *NEW. ISBN 9782503618395.
The patrons of civic group portraits were corporate organisations such as confraternities, craft and militia guilds, charitable institutions, and administrative bodies. Up until now, the painted civic group has been primarily seen as a product of the Dutch Republic. While the genre may have been exceptionally important in the Northern Low Countries, the present study shows that such paintings were also fundamental in the South, with Bruges playing a central role. From the late fifteenth century until 1800, both the urban elite and the artisan classes of Bruges commissioned institutional group portraits, and the forms that those artworks took responded to local conditions and needs. The patrons? self-representation in these works was meant to emphasize the internal cohesion and solidarity within their group, and to reinforce that group?s social status in the urban community. In looking carefully at these contexts, this research project has provided new interpretations for civic group portraits and has demonstrated their richness as both cultural heritage and historical sources. The Bruges works, however, represent just a portion of those produced in the Southern Netherlands during the early modern era. The author provides an updated inventory of 190 civic group portraits that he has been able to trace for the Southern Netherlands. All of these works, moreover, need to be set in a broader European context, as civic group portraits are also recorded in Venice, Paris, and England, and were likely produced elsewhere as well. Future researchers will be able to expand our understanding of the genre as a European phenomenon, continuing to reveal the significance of these remarkable artworks and use them to gain deeper insights into the past. TABLE OF CONTENTS Preface Bruges: An Urban History Chapter 1: Design and Methodology Chapter 2: Early Civic Group Portraits in Bruges, Before 1560 Chapter 3: Civic Group Portraits in Bruges, c. 1560?1650 Chapter 4: Civic Group Portraits in Bruges, 1650?1800 Chapter 5: Civic Group Portraits from Bruges in a Southern Low Countries Context, 1450?1800: A status quaestionis Conclusion Addendum: Civic Group Portraits in the Southern Netherlands, 1450?1800 Notes List of Illustrations Illustrations Photo Credits Bibliography Index
Convolute of three studies or pamphlets on the feasability of a sea-port in Bruges ( Zeebrugge ) (1) Bruges-Port de Mer. Simples Idées émises par Justin Lambin. (2) La Question des Ports de Bruges. (3) Union Syndicale de Bruges. Rapport sur la situation des diverses branches d'industrie en 1880 et 1881...dans la question de Bruges Port de Mer.
(1) Brugge, Imprimerie Houdmont, 1880, in-8°, 12 pp . (2) Bruges, Imprimerie Graphica, s.d. (no author), 14 pp. (3) Bruges, Imprimerie Jean Cuypers, 1882, 46 pp. Bound in blue cloth, leather label on spine, wrappers of (1) and (3) preserved. Rare convolute of three pamphlets or studies on the port of Bruges ( Zeebruges ). The second pamphlet not in De Le Court.
