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Rafael Ortega, c, m,
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Couverture légèrement d'usage mais intérieur en bon état ; DX2-C104, Editorial "La Milagrosa", Salamanca, Madrid 1963
Reference : 1518393138
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5 book(s) with the same title
BIBLIA SACRA - N° 77 - JUXTA VULGATAM CLEMENTINAM DIVISIONIBUS,SUMMARIIS ET CONCORDANTIIS ORNATA / TEXTE EXCLUSIVEMENT EN LATIN [Hardcover] COLLECTIF
ED. 1956. Relié rouge bon état . Contenu très propre . Tranches légèrement piquées . 1956. 288 pages + annexes. BIBLIA SACRA - N° 77 - JUXTA VULGATAM CLEMENTINAM DIVISIONIBUS,SUMMARIIS ET CONCORDANTIIS ORNATA / TEXTE EXCLUSIVEMENT EN LATIN .
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Biblia cum concordantiis veteris novi testameti sacrouca...[In fine : Impressa autem Lugduni: per M. Jacobum Sacon. Expensis. Notabilis viri Antonii Koberger Nurembergensis. Feliciter explicit. Anno salutis Millesimo quingentesimo decimo octavo. Die vero decimo mensis Maii]. Belle édition de cette rare bible illustrée élégamment imprimée en 1518 sur les presses lyonnaises de Jacques Sacon (1472-1530) pour le célèbre imprimeur allemand Anton Koberger, l’imprimeur de la Chronique de Nuremberg.
Précieux exemplaire de cette rare bible illustrée du début du XVIe siècle. Lyon, Jacques Sacon, expensis Antonii Koberger, 10 mai 1518. In-folio gothique à 2 colonnes de (14) ff. pour le titre frontispice, la table, l’épitre et le prologue ; CCCXVII ff., (1) f.bl., (25) ff., relié sans le dernier feuillet (CC10) qui est blanc. Manchettes doubles. Pte. brulure marge inf. f. CCLXXXV. Titre imprimé en rouge au-dessus d’un grand bois à pleine page représentant Saint Jean-Baptiste, 2 bois à pleine page représentant les six jours de la Création (face au premier feuillet de la Genèse) et l’Adoration des bergers (au début du Nouveau Testament), nombreuses vignettes, nombreuses initiales gravées. Veau granité, encadrement de filets à froid autour des plats, dos à nerfs et coins refaits, tranches mouchetées. Reliure du XVIIIe siècle. 340 x 247 mm.
Belle édition de cette rare bible illustrée élégamment imprimée en 1518 sur les presses lyonnaises de Jacques Sacon (1472-1530) pour le célèbre imprimeur allemand Anton Koberger, l’imprimeur de la Chronique de Nuremberg. Rahir, Bibliothèque, p. 321 ; Baudrier, Bibliographie lyonnaise, p. 347 ; D & M 6101. Cette édition n’est pas dans Adams. OCLC 54974129 (deux exemplaires aux U.S.A.). Anton Koberger et Jacques Sacon collaborèrent pour imprimer une série de bibles illustrées telles que celle-ci entre 1512 et 1522. « Les figures de cette édition ont été gravées d’après celles de la Bible de Venise, 1498, in-4, dont nous avons parlé ci-dessus ; elles se retrouvent dans plusieurs réimpressions de la même Bible faites à Lyon, notamment dans celle de 1516, impressa Lugduni, per M. Jacobum Sacon, expensis notabilis viri Anthonii Koberger, en 1516, le 16 décembre, in-folio. On peut voir par cette souscription et par celles de cinq autres éditions de la Bible impr. dans la même ville en 1518, 1520, 1521 et 1522, que le célèbre imprimeur de Nuremberg a eu plusieurs fois recours aux presses lyonnaises, et nous remarquons même qu’après avoir employé l’atelier de Sacon pour ses éditions de 1516 et 1518, il se sert de celui de Jean Marion pour les deux éditions faites en 1520 ». (Brunet) « La grande vignette du titre représentant St Jean-Baptiste a passé dans la suite chez Corneille de Septgranges et a été utilisée par cet imprimeur dans le missel de Lyon de 1556. 3 suites de vignettes, 2 rectangulaires et une plus petite pour les évangiles. » (Baudrier) « ‘Biblia cum concordantiis’... Lyon, J. Saccon pour A. Koberger, 1516. In-folio gothique. Grande composition de titre de facture allemande, attribuée à Springinklee, représentant le Christ triomphant (270 x 182) ; suite de vignettes de G. Leroy (42 x 70), encadrés de motifs Renaissance et copiées sur celles de l’édition vénitienne de 1498. Au f. 244 verso, l’Adoration des bergers (200 x 168). Au Nouveau Testament, suite de vignettes non encadrées (58 x 38). -Id. Ed. de 1518. Apparition d’une suite de vignettes de style bâlois (59 x 86) ; le reste sans changement ». (Brun, Le Livre français illustré de la Renaissance, p. 123). Précieux exemplaire de cette rare bible illustrée du début du XVIe siècle. Provenance : ex libris manuscrit sur le titre « Bibliotheca collegii Viennensis ord. SSS. Trinitatis Redempti cap. ».
[J.P. Migne] - Collectif ; Jean de La Haye ; François Lucas de Bruges ; François Haraeus (Van der Haer) (Verhaer)
Reference : 40799
(1845)
Scripturae sacrae, cursus completus. Tome XXVIII : Editores : Nomenclature des ouvrages édités dans le cours d'Ecriture Sainte - Liste alphabétique des auteurs et titres des ouvrages contenus dans le même cours - Table statistique concernant les 238 auteurs dont les écrits composent les deux cours d'Ecriture Sainte et de théologie - Exposition sommaire de l'Ecriture Sainte - Conspectus totius cursus Scripturae Sacrae - Index generalis alphabeticus, analyticus et syntheticus auctorum, operum et materiarum qui in cursu completo Scripturae Sacrae continentur ; Biblia Haraei, Index biblicus ; Biblia Vitraei, Hebraicorum, Chaldaicorum, Graecorumque nominum interpretatio ; De La Haye : Explicatio idtiotismorum - Index Scripturae verborum ; Luca Brugensis : Romanae correctiones - Lectiones in latinis Bibliis ; De La Haye : De discrimine eorum quae de dictis Domini pertulerunt evangelistae ; Biblia Vitraei, Index epistolarum et evangeliorum quae in Ecclesia leguntur ; Editores, Synopticum compendium totius eruditionis sacrae ; Biblia Vitraei, Breviarium totius chronologiae sacrae
Ex. commentariis omnium perfectissimis ubique habitis, et a magna parte episcoporum necnon theologorum europe catholicae, universim ad hoc interrogatorum, designatis, unicè conflatus, plurimis annotantibus presbyteris ad docendo levitas pascendove populos altè positis. Annotavit vero simul et edidit J.P. Migne, 1 vol. in-4 reliure demi-basane bordeaux, Apud Editores, 1845, 668 pp. Contient : Tome 28 : Editores : Nomenclature des ouvrages édités dans le cours d'Ecriture Sainte - Liste alphabétique des auteurs et titres des ouvrages contenus dans le même cours - Table statistique concernant les 238 auteurs dont les écrits composent les deux cours d'Ecriture Sainte et de théologie - Exposition sommaire de l'Ecriture Sainte - Conspectus totius cursus Scripturae Sacrae - Index generalis alphabeticus, analyticus et syntheticus auctorum, operum et materiarum qui in cursu completo Scripturae Sacrae continentur ; Biblia Haraei, Index biblicus ; Biblia Vitraei, Hebraicorum, Chaldaicorum, Graecorumque nominum interpretatio ; De La Haye : Explicatio idtiotismorum - Index Scripturae verborum ; Luca Brugensis : Romanae correctiones - Lectiones in latinis Bibliis ; De La Haye : De discrimine eorum quae de dictis Domini pertulerunt evangelistae ; Biblia Vitraei, Index epistolarum et evangeliorum quae in Ecclesia leguntur ; Editores, Synopticum compendium totius eruditionis sacrae ; Biblia Vitraei, Breviarium totius chronologiae sacrae
Tome 28 seul. Agréable exemplaire de bibliothèque (anciens cachets d'institution religieuse et étiquette de cote en garde, bon exemplaire par ailleurs).
Biblia Det er Den gantske Hellige Scrifft paa Danske igien offuerseet oc Prentet effter vor allernaadigste Herris oc Kongis K. Christian den IV. Befaling. Mett Register/ alle D. Lutheri Fortaler ghans Udledning i Brædden oc Viti Theodori Summarier. Cu... - [THE CHRISTIAN IV BIBLE - THE THIRD AND LAST OF THE GREAT DANISH FOLIO BIBLES]
Kiøbenhaffn, (Melchior Martzan og Salomon Sartor), (1632-) 1633. Folio. Bound in a splendid recent full calf pastish binding with five raised bands. Gilt floral ornamentation to spine and boards ruled in gilt. End-papers renewed. First 10 leaves with marginal repairs. A few leaves in the New Testament (last part) closely trimmed in upper margin, occassionally touchly text. Last 10 leaves with marginal repairs. Internally with occassional miscolouring and brownspotting, but an overall nice copy. Engraved title-page and the engraved portrait of Christian IV, all by the royal engraver Simon the Pas. Without the half-title, which merely contains the printed words ""BIBLIA / Paa Danske"", which is almost never present. (21 - not counting the engraved title-page and the portrait), 353 (i.e. 354 due to the erroneous double pagination 353), 226, 159 ff.
A nice copy of the scarce first edition of the last (i.e. the third) of the Danish folio-bibles, known as ""Christian IV's Bible"", being a slightly revised edition of the Bible of 1589 (Frederik II's Bible). Christian IV is the most famous Danish king ever to have lived, and the Christian IV bible is extremely sought-after. The numerous woodcut illustrations are the same that were used for the Frederik II's Bibel from 1589. The four engraved leaves - the portrait and the three title-pages - are by Simon de Pas. Despite already having two beautiful folio-bibles, Denmark's supply of Bibles was insufficient for the nation's needs. In many parishes only the church had a copy, with a few more in the homes of the wealthy. This shortage was particularly severe in Norway due to its distance from the capital, which limited the benefits of initiatives from the King. Funds were raised from churches in Zealand and Norway, with Norway contributing generously. Two printers, Melchior Martzan and Salomon Sartor, were employed, with Martzan overseeing corrections and sales. Norwegian churches' significant contributions were rewarded with copies equivalent to their donations, while Zealand's lesser contributions received no compensation. Biblioteca Danica I, 9. Thesaurus II, 378. Birkelund, 41. Darlow and Moule, 3160.
Biblia Det er Den gantske Hellige Scrifft paa Danske igien offuerseet oc Prentet effter vor allernaadigste Herris oc Kongis K. Christian den IV. Befaling. Mett Register/ alle D. Lutheri Fortaler ghans Udledning i Brædden oc Viti Theodori Summarier. Cu... - [THE MAGNIFICENT CHRISTIAN IV FOLIO BIBLE]
Kiøbenhaffn, (Melchior Martzan og Salomon Sartor), (1632-) 1633. Folio (binding: 37 x 25 cm.). Bound in a spledid, contemporary full calf binding over wooden boards. Rich, elaborate gilding to both boards and spine. The gilding is vague, especially on the front board, but the tooling is very sharp, and the binding overall is magnificent. With four beautiful, ornamented brass edges to each board and two large ornamented brass clasps. All edges are gilt and beautifully blindtooled. Wear to capitals, where the cords are loosening a bit, and with a bit of loss of leather. A bit of wear to hinges, at the cords, which are showing. But overall the binding is in splendid condition. Also internally extremely well preserved. The title-page has a tiny restored hole to lower right corner, and the first four leaves might have been inserted. They are slightly smaller at the outer margin than the other leaves. But that might also be due to restoration, as the binding has not been tampered with at any point and is completely unrestored. The text is unusually nice, clean and fresh, by far the nicest copy we have ever come across. Pasted-down front end-paper with the ownership signature and lacquered coat-of-arms seal of Severin Svanenhielm (Severin Seehusen (1664-1726) ) as well as the ownership signatures of Søren Schiøtz (1796-1863) (with names of members of his family), C. Th. Zahle and Erik Zahle. With the book plate of William Davignon (d. 1924). The brass corners carry the initials HL and are depicted in Johannes Rudbeck's Svenska Bokband I (fig. 26, p.53). The binding there is dated 1622, whereas our binding is from 1633 or right after. The brass fittings were a commercial merchandise for sale in Germany and probably also in both Sweden and Denmark. Engraved title-page as well as the engraved portrait of Christian IV, all by the royal engraver Simon the Pas. Without the half-title, which merely contains the printed words ""BIBLIA / Paa Danske"", which is almost never present. (21 - not counting the engraved title-page and the portrait), 353 (i.e. 354 due to the erroneous double pagination 353), 226, 159 ff.
A magnificent copy of the scarce first edition of the last (i.e. the third) of the Danish folio-bibles, known as ""Christian IV's Bible"", being a slightly revised edition of the Bible of 1589. Christian IV is the most famous Danish king ever to have lived, and the Christian IV bible is extremely sought-after. An unusually fresh and complete (apart from the always lacking half-title) copy of this splendid bible, printed by the first royal printer Melchior Martzan and Salomon Sartor (part 2). The numerous woodcut illustrations are the same that were used for the Frederik II Bibel from 1589. The four engraved leaves - the portrait and the three title-pages - are by Simon de Pas.Bibl. Dan.I,9 - Thesaurus II, 378. - Birkelund, 41. - Darlow and Moule, 3160. Provenance: Svanenhielm was a family of Danish and Norwegian nobility. Morten Hansen Seehuusen (1629-1694) was a merchant from Bredstedt in Schleswig-Holstein, who re-located to Stavanger, Norway. His son, Severin Seehusen (1664-1726) was an official in Bergen as well as in Stavanger and Northern Norway. He owned, among other properties, Damsgård Manor outside Bergen, Svanøy in Sunnfjord, and Arnegård in Stavanger. In 1720, Severin Seehausen was ennobled under the name Svanenhielm. Søren Daniel Schiøtz (1796-1863) was a Norwegian bailiff and judge, who was also very much engaged in religious matters and came to play an important role in the history of theology in Norway. He was one of the founders of the Norwegian Mission Society and the Norwegian Israeli Mission. He translated several important upbuilding pieces from German, among them a comprehensive bible history. Carl Theodor Zahle (1866 – 1946) was a highly important Danish lawyer and politician. He was prime minister of Denmark from 1909 to 1910 and again from 1913 to 1920. In 1895, he was elected member of the lower chamber of the Danish parliament, for the Liberal Party. A campaigner for peace, in 1905 he co-founded the Social Liberal Party (Det Radikale Venstre). He stayed on as a member of Parliament for Det Radikale Venstre until 1928, when he became a member of the upper chamber of Parliament (Landstinget). In 1929, he became Minister of Justice , a post which he held until 1935. Zahle was instrumental in starting negotiations for a new Danish–Icelandic Act of Union in 1917, which resulted in Iceland being recognized as a sovereign nation in a personal union with the king of Denmark the following year. Erik Zahle (1898-1969) was a famous Danish art historian, author, and museum director.
