‎McCullough Colleen‎
‎Tim‎

‎Petit Livre Blanc, Debut, Tim van Steenbergen.‎

‎Antwerp, company Mitzlavv PRIVATE EDITION , 2002 Bound, special design white hardcover, 64 pages with illudstration and an frontispiece with litho. "Le Petit Livre Blanc", a publication on Tim is a booklet printed on hand-layered paper evokes his special story. tirage limite no. 36 / 600.‎

‎Tim Van Steenbergen graduates Magna cum Laude at the Antwerp Royal Academy of Fine Arts (fashion department, textile creation and theatre costume). Subsequently he takes classes in drapery and couture techniques and works as the first assistant of Olivier Theyskens. His first collection is launched in 2002 in Paris and in the same year he sets up his own Meanwhile he's up to his twelfth collection/fashion show and the label Tim Van Steenbergen is being sold in various exclusive boutiques all over the world. His style evolves into a refined pureness, female elegance, but is still very comfortable and wearable. He is a master of contemporary drapery and every detail, high quality standards, tradition and craftsmanship are being cared for. Tim Van Steenbergen also creates jewellery for Swarovski UK, shoes for Novella Italia, a "Barbie" outfit, a jean for Xfit by Lycra, an haute couture dress for the Museum of Fine Arts and Lace in Calais (France) and the bag "le Seau Elsa" for the french label Lancel. He presents a fashion show for Prince Philippe and Princess Mathilde on the Belgian Gala Night during an economic mission in Warshaw (Poland). Further Tim Van Steenbergen exposes four haute couture dresses within the project "Framed", in The Groeninge Museum in Brugge and at the occasion of the motion pictures festival in Cannes. He also sets up an installation "Stills" at the Biennale of Venice in 2003, besides several other expositions into which he participates. He creates the costumes for the opera "Hanjo" , directed by Anne Teresa De Keersmaecker for the Festival Lyrique d'Aix-en-Provence and the Monnaie Opera in Brussels. as artistic director of the fashion company Donaldson he designs 3 collections Tim Van Steenbergen designs the costumes for "Hersenschimmen" of the RO Theatre in Rotterdam and for ?D?Un Soir Un Jour?, a dance creation by Rosas / Anne Teresa De Keersmaecker in collaboration with De Munt Brussels. He works as costume designer for ?Mefisto? By het Toneelhuis Antwerp in corporation with artistic director Guy Cassiers and for ?Steve Reich Evening? by Rosas / Anne Teresa De Keersmaecker. For more information you can consult www.timvansteenbergen.com‎

‎In Der Minne Photography by Tim Tronckoe.‎

‎, Tim Tronckoe featuring, 2023 Hardcover, Collector's edition, limited to 600 copies. and SIGNED. Size: 31 x 30 cm Pages: 104 pages, including foldout. FINE!‎

‎In Der Minne, the highly anticipated photographic art project by Tim Tronckoe featuring Colin H. Van Eeckhout (Amenra), honouring the works by Belgian sculptor and draftsman George Minne. In Der Minne is a black and white photography project, focusing on human tragedy. Being an undeniably relevant theme, Tim starts from the sculptural work by 19th century Minne, to transpose his themes onto the photographic medium, using Colin as a medium to echo the feelings of pain, loss and grief. Tim's ambitious project has landed him into this book, a museum launch and a gallery show most creatives can only dream of.‎

‎Kazalis A. Mouse Tim doesnt want to eat. Mouse Tim doesnt behave well. Mouse T‎

‎Kazalis A. Mouse Tim doesnt want to eat. Mouse Tim doesnt behave well. Mouse Tim doesnt want to go to kindergarten. Mouse Tim comes up with the never-before-seen 4 books In Russian /Kazalis A. Myshonok Tim ne khochet est. Myshonok Tim plokho sebya vedet. Myshonok Tim ne khochet v detskiy sad. Myshonok Tim pridumyvaet nebylitsy-4 knigi Ill.Kompanella M. Rosman 2006. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb5612abedd0a2129c.‎

‎Tim Volckaert : Archivist : An Introduction to The Work of Tim Volckaert‎

‎, MER - Borgerhoff & Lamberigts, 2017 Hardcover, 320 pages, ENG. edition, 335 x 245 mm, NEW, illustrations in colour. ISBN 9789492321695.‎

‎Re-itinerating the artist's projects from his early beginnings till today, this volume offers an exhaustive overview of 'the work of Tim Volckaert'. A hybrid between canonical cataloguing and artist-driven exhibiting. The work of Tim Volckaert translates a world vision where duality ? which characterises and dominates the history of Western thought ? is central. In his drawings, sculptures and actions the image of ?the landscape? is often the starting point. The landscape in the qualification of ?world space? that serves as a backdrop to comment on the struggle of man with his environment.‎

‎Franz West (Tim Van Laere Gallery) Tim Van Laere, Interview Franz West by Andreas Reiter Raabe‎

‎Antwerpen -, Tim Van Laere Books , 2017 Bound, Hardcover, 96 pages, Illustrated. NL/ENG. ISBN 9789082714531.‎

‎The catalog to the third solo exhibition by the internationally acclaimed Austrian artist Franz West (°1947, Vienna 2012, Vienna) at Tim Van Laere Gallery. West is without doubt one of the most important sculptors and environment artists of contemporary art. His oeuvre is characterized not only by the forms he invents, but also for the communicative quality with which he directly addresses the viewer, urging him/ her to participate. The exhibition brings together various aspects from the broad oeuvre of Franz West. Both collages, sculptures from papier-mâché, plaster and polyester, furniture, an outdoor sculpture in aluminium and installations from different periods of his career are shown. In the mid-1970s, West made his so-called Paßstücke (Adaptives), movable sculptures made of plaster and metal that were intended to be moved, touched, and handled ? transforming viewers into participants. For West, the essence of the artwork is not the aesthetic quality, but how the work is used. These objects stimulate the ingenuity of the public and disrupt conditioned behavior in the exhibition space. From the 80s, he incorporated more fragile materials, such as papier-mâché and glass bottles in his sculptures, which he combined in the Labstücke (Refresher Pieces). As a consistent continuation of the Paßstücke, West has been working since 1987 to construct furniture for sitting and reclining, using prefabricated elements and discarded industrial products which he covered by stretching fabrics or carpets over them. His work makes us think about our living space and the social and personal activities that are happening there. The artist aims to create a certain interaction between artwork and viewer, between object and subject. An interaction that must ensure that art becomes an open and interactive process. Later in his career, Franz West also focuses on sculptures in the public space. In fall 2018, a major retrospective will open at the Centre Pompidou, Paris, and will travel to the Tate Modern, London the following year.‎