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Paris, Editions du "Studio" 1913. 4°. 248 p., illustrée. Broché.
Französische Ausgabe der wichtigen Übersicht des europäischen Kunstgewerbes aufgeteilt nach Länder: England, Deutschland, Frankreich, Österreich und Ungarn. - Einband mit einigen Einrissen.
Paris, Editions du "Studio" 1914. 4°. 244 p., illustrée. Broché.
Französische Ausgabe der wichtigen Übersicht des europäischen Kunstgewerbes aufgeteilt nach Länder: England, Deutschland, Frankreich, Österreich und Ungarn. - Einband mit einigen Einrissen.
London: The Studio,May. Vol.7 No.38 with original etching by E.W. Charlton,May. Vol.7 No.38 June 15, 1896. Good in original wraps, which are detached. Contains Whistler’s original lithograph "Savoy Pigeons." Way 188; Levy 164. Also contains a design in four colours by R. Anning Bell entitled "Herodias." Over 100 illustrations. The Whistler lithograph has very good,London: The Studio, June 15, 1896 Grasset E : studio winter 1896/7 The Studio, London,1896;Bound without advertisements. Many illustrations. All Complete. Includes supplements (plates) by - E Aman-Jean, R Anning Bell, E Borough Johnson, Mortimer Menpes, J Pennell, F Skarbina, P Sturdee, and J McNeil Whistler. Articles include - Charles Dana Gibson - with 1 full-page and 4 small b+w illustrations, Works of J J Shannon, Posters of Louis Rhead, English Domestic Architecture - featuring "Redroofs" Streatham; Buchan Hill, Sussex; Shiplake Court, Henley; North Mimms, Hertfordshire; and Rawdon House, Hoddesdon; and lots more. A Mountain Town in France: Some Lead-Pencil Drawings Made in the Neighbourhood of Monastier, France, by Robt. Louis Stevenson The Studio, 1896. published in THE STUDIO (Special Winter Number 1896-97), pp. 1-24; other contributions include Some French Artists at Home by Gabriel Mourey; Bushey Models by R. Morton Nance; Art at the Champs Elysees,
texte complet,dos reliure manquant,rare,qques rousseurs- Eugène Grasset (Lausanne, 1845-Sceaux 1917) Remise de 20% pour toutes commandes supérieures à 200 €
Gottingen, Steidldangin, 2008 Half-linen, pages not numbered, 32.5 x 28 cm, b/w photographic reproductions. *very fine condition ISBN 9783865217585.
ISBN 10: 3865217583 / ISBN 13: 9783865217585 Studio features nearly two decades of Paolo Roversi's hugely influential studio portraiture. Now released in an unlimited edition, Studio promises a closer look at this distinctive body of work, as striking as it is hauntingly familiar. Within the confines of his Paris studio, Roversi photographs subjects in 8x10 Polaroid format, often allowing his images to fade before fixing them to their substrate. His long exposures at close range harness an aesthetic from the earliest days of studio photography, but with a renewed urgency that wavers somewhere between history and apparition. Stripped of the usual accoutrements of studio portraiture, Roversi's subjects push back with a vulnerable intensity that reveals as much of the photographer as of the model. The ccollected here function not only as a series of individual portraits, but also as a collective self-portrait of the artist and the place that stands at the center of his work. Beautiful images - Roversi looks deeply into his model's soul This is a simple demonstration of his studio design and a reflection of his skill and philosophy, expressive and honest.
Gottingen, Steidldangin, 2005 Softcover, foldout images, pages not numbered, 33 x 30 cm, b/w photographic reproductions. (757/1000) *very fine condition, missing slipcase ISBN 386521164x.
Studio features nearly two decades of Paolo Roversi's hugely influential studio portraiture. Now released in an unlimited edition, Studio promises a closer look at this distinctive body of work, as striking as it is hauntingly familiar. Within the confines of his Paris studio, Roversi photographs subjects in 8x10 Polaroid format, often allowing his images to fade before fixing them to their substrate. His long exposures at close range harness an aesthetic from the earliest days of studio photography, but with a renewed urgency that wavers somewhere between history and apparition. Stripped of the usual accoutrements of studio portraiture, Roversi's subjects push back with a vulnerable intensity that reveals as much of the photographer as of the model. The ccollected here function not only as a series of individual portraits, but also as a collective self-portrait of the artist and the place that stands at the center of his work. Beautiful images - Roversi looks deeply into his model's soul This is a simple demonstration of his studio design and a reflection of his skill and philosophy, expressive and honest.