‎Alix Du Frenes‎
‎Domino‎

‎Music and Liturgy for the Benedicamus Domino c.800-1650‎

‎, Brepols, 2024 Paperback, 398 pages, Size:178 x 254 mm, Illustrations:5 b/w, 18 col., 23 tables b/w., 65 music examples, Language: English. ISBN 9782503614861.‎

‎Summary For more than a millenium, singers in churches, monasteries, and private chapels across Europe have closed their worship with the joyful musical exclamation Benedicamus Domino ('Let us Bless the Lord'). This moment has sounded in song many times a day: at the end of the Mass, the Office hours, outside the church walls in celebratory processions, as well as in informal sacred, devotional, and festive contexts. Benedicamus Domino was uniquely associated with an unprecedented amount of creative freedom in the sacred rituals of the Christian West: plainchant melodies could be adopted at will from other parts of the liturgy, and this moment inspired a proliferation of poetic and polyphonic elaborations from the eleventh century on. This collection of essays brings together interdisciplinary contributions from eighteen scholars, illuminating the wide range of ritual, musical, poetic, manuscript, and generic contexts for the Benedicamus Domino versicle in the period c.800 -1650. Individual chapters engage with the evidence of liturgical commentaries and Patristic texts, Ordines, and hagiographies. They present and analyse musical and textual embellishments of the Benedicamus Domino, as well as their written traces and material contexts, with several sources discovered or discussed in detail here for the first time. Encompassing a wide geographical and generic scope, this volume reveals unsuspected continuities and contrasts in the history of the Benedicamus Domino versicle in medieval and early modern Europe. TABLE OF CONTENTS Introduction Catherine A. Bradley I. Song Organa, Neumae, and Dissent in Benedicamus Songs at the Abbey of Farfa in the Early Twelfth Century Sam Barrett The Benedicamus Domino and the Parisian Conductus: Distribution, History, and Structure Mark Everist Closing Formulae of Central European Cantiones: Witnesses to Tradition and Functional Fluidity in Fifteenth-Century Bohemia Jan Ciglbauer II. Hagiography, Theology, Liturgy St Nicholas and the Singing of Liturgical Versicles Mary Channen Caldwell The Augustinian Concept of Iubilus and Medieval Liturgical Theology Sigbj rn Olsen S nnesyn When Did the Benedicamus Enter the English Liturgy? Samuel Cardwell The Performance of the Benedicamus Domino according to the Libri ordinarii from the Ecclesiastical Province of Salzburg Gionata Brusa III. Early Plainchant Practices Early Benedicamus Domino Minitexts in the Margins: New Discoveries Giulio Minniti Benedicamus Plainchant Melodies and their Relationships with Kyrie Source Melodies Marit Johanne H ye A Norman Benedicamus Domino Tradition in the Twelfth Century: New Insights from St Albans Abbey Thomas Phillips IV. Female Communities Benedicamus Domino and the Order of Saint Clare in Fourteenth-Century Brussels Martha Culshaw Echoes from a Viennese Nunnery St. Maria Magdalena: Situating Benedicamus Domino Chants between Shared Traditions and Local Practice in the Later Middle Ages David Merlin The Unique Collection of Monophonic Benedicamus Domino Melodies and Tropes from Medieval Riga Laine Tabora V. Polyphony Polyphony for Benedicamus Domino and Deo gratias in Late Medieval English Sources James R. Tomlinson A Newly-Discovered Polyphonic Benedicamus Domino in Milan Antonio Calvia and Anne Stone Benedicamus Domino Polyphony in the Trent Codices Alessandra Ignesti The Renaissance Polyphonic Benedicamus Domino in the Iberian World Michael B. O'Connor Bibliography Index of Compositions Index of Manuscript Sources General Index‎

‎Seton-Thompson E. Domino. Stories. In Russian /Seton-Tompson E. Domino. Rasskaz‎

‎Seton-Thompson E. Domino. Stories. In Russian /Seton-Tompson E. Domino. Rasskazy. A child who has read Seton-Thompsons stories will never be a torturer of cats or dogs.We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available.SKUalb06d7c6429a8f7fef.‎

‎Domino n° 2 : Cavalcade pour Domino.‎

‎ Editions du Lombard / Collection Domino n° 2 de 1979. In-4 cartonnage éditeur souple de 48 pages au format 28,5 x 21,5 cm. Couvertures illustrées. Dos carré avec titre. Plats et intérieur frais. Couvertures et illustrations en couleurs de André Chéret sur scénario de Jean Van Hamme. Edition originale en superbe état de fraicheur.‎

‎ Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues‎

‎Pink Domino. Secrets of two clubs. In Russian (ask us if in doubt)/Rozovoe Domin‎

‎Pink Domino. Secrets of two clubs. In Russian (ask us if in doubt)/Rozovoe Domino. Tayny dvukh klubov. Short description: In Russian (ask us if in doubt).Novel in two parts with epilogue of St. Petersburg type. A. E. Vineque 1895. 4 n.s. + 383 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb1e9f8757354a420a‎

‎Domino! «Cheu nevez». Histoires et pratiques du jeu de domino dans le Léon‎

‎Suivi d’un recueil d’expressions bretonnes employées par les joueurs (rimadellou, troiou-lavar, lesanoiou…). Avec la collaboration de Guy Jaouen. Éditions Confédération Falsab (Fédération des amis de la lutte et des sports athlétiques bretons), Imprimerie du Viaduc, Morlaix, 2003, 88 p. ill. n&b, bibliographie. Broché. 15,8 x 23,9 cm. ‎

‎En français et en breton. Bon état.‎