Gründ 1990 96 pages 1990. 96 pages.
Reference : 300026083
ISBN : 9782700055009
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SOWINSKI (Albert) - [MOZART (Wolfang-Amadeus)] - NISSEN (Goerg-Nikolaus, d'après).
Reference : 16615
(1869)
Paris, chez Garnier Frères, 1869. Un vol. au format in-8 (243 x 158 mm) de xxiii - 448 pp., 2 planches in fine n.fol. et 1 f. bl. Reliure de l'époque de demi-chagrin maroquiné cerise à coins, filets à froid portés sur les plats, dos à nerfs orné de filets gras à froid, doubles filets dorés sur les nerfs, filets et filets en pointillés dorés, titre doré, toutes tranches mouchetées.
Edition originale rare de la première biographie d'envergure consacrée à Mozart. Exemplaire revêtu d'une agréable reliure du temps, s'ouvrant sur un frontispice figurant le compositeur et recelant en outre in fine deux planches. Traduction de la biographie de Nissen, ici augmentée de ''nouvelles lettres et documents authentiques. Angles et coupes légèrement élimés. Très rares rousseurs dans le texte. Nonobstant, très belle condition.
Paris, Chez Auguste Boulland et Cie, 1824. 2 parties en un volume in-8 de VIII-306 et [4]- de 305 à 623-[1] pages. Demi-chagrin brun, dos (passé) orné de filets et fleurons dorés.
Illustré de 2 beaux portraits pour chacune des parties: celui de Rossini dessiné et gravé d'après Léopold Beyer, gravé par A. Tardieu, en premier et de Mozart pour la seconde partie. Édition originale, ici en reliure fin XIXème. Quelques rousseurs, coupes frottées. Cordier, Bibliographie stendhalienne, n° 64. HORAIRE ESTIVAL : DU LUNDI 27 JUILLET AU SAMEDI 21 AOUT NOUS SERONS OUVERTS UNIQUEMENT SUR RENDEZ-VOUS.
Paris, Chez Auguste Boulland et Cie, 1824. 2 volumes in-8 de VIII-306 et [4]- de 305 à 623-[1] pages, demi-veau brun, dos lisse orné de filet et fleurons dorés, étiquette de titre et tomaison verte, plats de papier marbré brun.
Illustré de 2 beaux portraits de Rossini et Mozart. Édition originale en reliure d'époque. De la bibliothèque du Dr. R. Koenig, avec son ex-libris dans les deux volumes, et sous le premier, timbre de la poste française (4fr.), portrait de Stendhal. Très bel exemplaire, hormis les deux coiffes supérieures légèrement frottées. Cordier, Bibliographie stendhalienne, n° 64. HORAIRE ESTIVAL : DU LUNDI 27 JUILLET AU SAMEDI 21 AOUT NOUS SERONS OUVERTS UNIQUEMENT SUR RENDEZ-VOUS.
Leipzig, 1828. 8vo. (leaves: 207 x 125 mm). Two volumes bound together in a contemporary half calf with gilt title to spine and decorative instrumental ornamentations. Spine worn, and upper capital torn. Also wear to extremities and covers.Inner front hinge a bit weak. Occasional brownspotting, mostly to first few leaves. Frontispiece-portrait, XLIV, 702 pp + (1) f. (Book binder instructions) + 7 plates (a family portrait (laid in loose, originally belonging between pp. 44 and 45) portrait of 7-year-old Mozart façade of the “Hagenauer House”, Getreidegasse 9, Mozart’s birthplace portrait of Mozart as a man portrait of Constanze Mozart’s sons illustration of Mozart’s ear in comparison to a generic ear) + 8 folded leaves of musical scores" (Appendix:) 219, (1) pp. + 2 folded leaves of musical scores + 1 folded double-leaf with instruction for the binder. The family portrait, which is here laid in loose, is almost always missing. The present portrait is a little brownspotted and has a marginal tear, just touching the outer left edge of the illustration, but overall in very nice condition.
First edition of this important work, which is considered the first real, full-length biography of Mozart (1756-1791). This magnum opus in Mozart literature was the reference for later biographies and is still a crucial source for Mozart scholars. ""This work made public for the first time many unknown documents and details of Mozart's life... and has worked as a basic source ever since"" (The new Grove XIII, 253). “An unsuspected wealth of fresh resources was brought to light by the ‘Biographie W. A. Mozarts,’ by G. N. v. Nissen. Leipzig, 1828” (Jahn, vi) The author of the biography was the Danish diplomat Georg N. von Nissen, who married the widowed Constanze Mozart in 1809. In 1824, they settled in Salzburg, Mozart’s hometown, and in 1828 – two years after Nissen’s death – Constanze published the biography composed by Nissen. According to Jahn, “[w]e ought to own ourselves deeply indebted to him [Nissen], for without his care the most important documents and traditions would have been hopelessly lost.” (Jahn, p. vi). Nissen, being married to Constanze and living in Salzburg, had access to authentic documents and close connections of Mozart, amongst them his sister, Maria Anna Mozart (Nannerl), and Constanze’s sister, Sophie Weber. Among these documents are the transcribed correspondence between Mozart and his father, letters to his mother, etc. as well as miscellanea such as a dedication to Haydn. The second volume is an appendix comprising a chronological list of Mozart’s work, a description of “Mozart and the peculiarity of his works” including a comparison of Mozart and other composers – Haydn, Beethoven (“der Tag und die Nach”, s. 55) – and other artist (such as Shakespeare). Additionally, there is a characterization of Mozart’s operas (pp. 66-134) and pianoforte compositions. The appendix also includes poems dedicated to Mozart. “Nissen, who came to Vienna, after Mozart's death, as a Danish diplomatist, became acquainted with his widow, and interested himself in her unprotected condition. He had a great turn for business matters, and was fond of arranging papers, writing letters, and even copying, without understanding what it was that he was occupied about. He therefore willingly undertook to put Mozart's effects in order, to assist the widow in all her business arrangements, and to carry on her correspondence. A long series of letters which he wrote in her name show him to have been a well-meaning, sensible man, somewhat over-circumstantial in his style of writing. After his marriage with Mozart's widow he felt it his duty to labour with the same conscientious care for his memory as he had formerly done for his property, and he employed the leisure of his remaining years, which were spent at Salzburg, in carrying out this design. We ought to own ourselves deeply indebted to him, for without his care the most important documents and traditions would have been hopelessly lost. Mozart's sister was then living at Salzburg" her recollections, and those of his wife, afforded an abundance of characteristic traits, and the carefully preserved papers and family correspondence, were a mine of authentic documents.” (Jahn, vi) See: Jahn. (1882). The Life of Mozart (Pauline D. Townsend, Trans.).
LIBRAIRIE PLON. MAI 1956. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 185 pages.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
Sommaire :JACQUES DURON : Mozart.GEORGES PIROUÉ : L'humain Mozart...PIERRE BARBIER : Mozart et les siens.HANS KÜHNER : Mozart secret.ROLAND-MANUEL : Mozart et Vesprit français.H.-H. STUCKENSCHMIDT : Mozart européen.YVES. FLORENNE : Don Juan à n'en plus finir. BRONISLAW HOROWICZ : Mozart homme de théâtre. J.-M. GAUTIER : Mozart fut-il un musicien d'église? ROBERT POULET : Mozart et les intellectuels.J.-J. KIM : Mozart et les Muses.CLAUDE ROSTAND : Mozart et le disque.FÉLIX RAUGEL : Paris fidèle au souvenir de Mozart.CHRONIQUES par LOUIS HIPPEAU - JEAN YARIOT - C. MURCIAUX.GILBERT LÉLY : L'évasion du marquis de Sade à Valence. ROGER GRENIER : Tra los montes.J. DE RICAUMONT : Sur quelques romans de l'adolescence.UAGENDA DE LA TABLE RONDELe Journal d'un écrivain, par EMMANUEL BERL Vérités Littéraires, par ANDRÉ THÉRIVE Classification Dewey : 70.49-Presse illustrée, magazines, revues