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CHAUSSINAND-NOGARET (Guy)
1789
Editions Hervas 1988 1988.
Reference : 300014877
ISBN : 9782903118501
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Démons et Merveilles
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5 book(s) with the same title
[Jean-Etienne Liotard] - Stouleg, Claire
Reference : 075990
(2002)
ISBN : 2850565490
Jean-Ãtienne Liotard 1702-1789 dans les collections des MusÃe d'art et d'histoire de GÃneve
Stouleg, Claire: Jean-Ãtienne Liotard 1702-1789 dans les collections des MusÃe d'art et d'histoire de GÃneve. Exhibition: Geneva, MusÃe d'Art et d'Histoire, 2002. 121pp with 4 colour plates and 89 colour illustrations. Wrappers. 29x23cms. This 18th century Swiss pastellist and miniaturist, (1702-1789) contemporary of La Tour and Chardin, focused on genre and society portraits and was renowned for his realist style and refusal to flatter his subjects. He was greatly influenced by his travels in Turkey and was in much demand by the European courts of the day. This collection of his work (which has never before been displayed in its entirety) is the most comprehensive in the world. Text in French.
This 18th century Swiss pastellist and miniaturist, (1702-1789) contemporary of La Tour and Chardin, focused on genre and society portraits and was renowned for his realist style and refusal to flatter his subjects. He was greatly influenced by his travels in Turkey and was in much demand by the European courts of the day. This collection of his work (which has never before been displayed in its entirety) is the most comprehensive in the world. Text in French
French Precious Metal Hallmarks from 1789 to date
Fieggen, Michael: French Precious Metal Hallmarks from 1789 to date. Paris: 2024. 191 pages, illustrated throughout. Hardback. 22x16cms. Comprehensive chronological account of gold-and silversmiths' hallmarks in France, from 1797 to 1994. Including title hallmarks from Paris and the other regions, census marks, assay office marks, and weight mark rules. Features a table listing all the assay office marks with opening and closing dates, even those in fifty-eight French occupied European cities.
Comprehensive chronological account of gold-and silversmiths' hallmarks in France, from 1797 to 1994. Including title hallmarks from Paris and the other regions, census marks, assay office marks, and weight mark rules. Features a table listing all the assay office marks with opening and closing dates, even those in fifty-eight French occupied European cities. Text in English
Prints of a New Kind Political Caricature in the United States, 1789-1828
Stagg, Allison M.: Prints of a New Kind Political Caricature in the United States, 1789-1828. 2023. Hardback.
[Jean-Etienne Liotard] - Humbert, Edouard ; Alphonse Revilliod & Jan Willem Reinier Tilanus
Reference : 038725
(1897)
La vie et les oeuvres de Jean Etienne Liotard (1702-1789). Ãtude biographique et iconographique
Humbert, Edouard ; Alphonse Revilliod & Jan Willem Reinier Tilanus: La vie et les oeuvres de Jean Etienne Liotard (1702-1789). Ãtude biographique et iconographique. Amsterdam: C M Van Gogh, 1897. 222pp with 2 heliogravure plates and 74 monochrome illustrations. Cloth. 30x21cms. Some foxing inside. Text in French.
Some foxing inside. Text in French
[Jean-Etienne Liotard] - Bailey, Colin B and Kristel Smentek
Reference : 086025
(2006)
ISBN : 285056947X
Jean Ãtienne Liotard (1702-1789). Masterpieces from the MusÃes d'Art et d'Histoire de GenÚve and Swiss Private Collections
Bailey, Colin B and Kristel Smentek: Jean Ãtienne Liotard (1702-1789). Masterpieces from the MusÃes d'Art et d'Histoire de GenÚve and Swiss Private Collections. Exhibition: New York, Frick Collection, 2006. 120pp, fully illustrated in colour. Cloth, 29x23cms. First American exhibition on the 18th century Swiss pastellist and miniaturist, who was a contemporary of Quentin de La Tour and Chardin, focussing on his society portraits, some of which were deliberately unflattering. He was greatly influenced by his travels in Turkey and was in much demand by the European courts of the day. The collection of his work from Geneva is the most comprehensive in the world and is supplemented by those from private collections in Switzerland. Introduction by Marcel Roethlisberger.
First American exhibition on the 18th century Swiss pastellist and miniaturist, who was a contemporary of Quentin de La Tour and Chardin, focussing on his society portraits, some of which were deliberately unflattering. He was greatly influenced by his travels in Turkey and was in much demand by the European courts of the day. The collection of his work from Geneva is the most comprehensive in the world and is supplemented by those from private collections in Switzerland. Introduction by Marcel Roethlisberger. Text in English
