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ORLIAC (Antoine).
Véronèse.
Paris, Hypérion,1939 ; in-4°,pleine toile éditeur grège ;168pp.; environ 100 illustrations en noir et en couleurs. Bon état général, Couv. convenable, Dos satisfaisant, Intérieur frais.
Reference : art3415m
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Librairie du Levant
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5 book(s) with the same title
Sur quelques théorèmes de la géométrie de position (Cayley) (+) Behandlung der projectivischen Verhältnisse der Räume von verschiedenen Dimensionen durch das Princip des Projicirens und Schneidens. 2 vols. - [THE CAYLEY-VERONESE CLASS OF CONFIGURATIONS.]
Berlin, G. Reimer, 1846. - Leipzig, B.G. Teubner, 1881. 4to and 8vo. Cayley's paper in ""Journal für die reine und angewandte Mathematik. Hrsg. von A.L. Crelle, Bd. 31: Drittes Heft.1846"". Pp. (179-)268,(2) and 1 plate. The whole issue (Drittes Heft) present with titlepage, stitched without wrappers. Cayley's paper pp. 213-226. - Veronese's paper in ""Mathematische Annalen. In Verbindung mit C. Neumann...hrsg. von Felix Klein und Adolph Meyer. XIX. Band. 2 Heft. 1881."" Pp. (161-)234. The whole issue (2. Heft) present with orig. printed wrappers. No backstrip. Veronese's paper pp. (161-)234.
Both papers first edition and first apperance in print of these two main papers in the history of projective geometry.""Cayley, in his paper ""Sur quelques théorèmes de la géométrie de position"", (the paper offered) first calls attention to the figures obtained by taking the section, by a plane or 3-dimensional space, of the complete n-point (viz., n points, and the (n/2) lines, (n/3) plans etc. dtermined by them) in a flat spaceof v dimensions. Later Veronese discusses more fully the nature of this class of configurations thus obtained in r dimensions (the second paper offered). Both Cayley and Veronese state that these same configurations can also be obtained as projections of higher-dimensional figures."" (Walter B. Carver). Veronese ""in particular may be considered the main founder of the projective geometry of hyperspaces with n dimensions, which had previously been linear algebra presented geometrically, rather than geometry.""(DSB). - An: Veronese-paper see Sommerville Bibliography of Non-Euclidean Geometry, 1881:3.This issue of ""Crelle's Journal"" contains one more paper of Cayley: ""Problème de géometrie analytique."", pp. 227-230.
L'OEIL HORS SERIE - VERONESE PROFANE - véronèse entre classicisme et maniérisme - la sérénissime au coeur de l'histoire - la manière de véronèse - l'architecture dans les toiles de véronèse - l'harmonie musicale - véronèse dessinateur etc.
ARTCLAIR. 2004. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 66 pages - nombreuses illustrations en couleurs dans et hors texte .. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
Sommaire : véronèse entre classicisme et maniérisme - la sérénissime au coeur de l'histoire - la manière de véronèse - l'architecture dans les toiles de véronèse - l'harmonie musicale - véronèse dessinateur etc. Classification Dewey : 70.49-Presse illustrée, magazines, revues
Grace and Grandeur: The Portraiture of Paolo Veronese
, , 2008 Cloth binding under dustjacket, 268 pages, 220 x 280 mm, illustrations: 135 b/w, 52 col. English text. *fine copy. ISBN 9781905375233.
Of the triumvirate of sixteenth-century Venetian painters, Titian, Veronese, and Tintoretto, Paolo [Caliari] Veronese (1528-1588) best conveyed Venice?s civic splendor. His masterpieces in the Doge?s Palace conferred on the Republic a magnificence and authority that was rapidly dwindling by the end of the Renaissance. But on a private level, he also reshaped the fashions of the Serenissima through a steady stream of portrait commissions. Many members of Venice?s most elite families sat for Veronese, as did notable artists and authors, including Titian and Sir Phillip Sidney. Once regarded as Venice?s best portraitist, his talents in this genre unfortunately remain largely unknown to modern audiences. This book offers the first comprehensive study of the approximately forty portraits that survive. Shedding new light on early works, such as the pendants of the Da Porto and the frescos of the Barbaro in the Palladian villa at Maser, Professor Garton also examines Paolo?s images of women within the larger polemics surrounding the anonymous beauties of Giorgione, Palma il Vecchio, and Titian. The author analyzes Veronese?s innovations in martial portraiture, melancholic portrayals of artists and nobility, and evocations of the antique. Relevant issues of social history, class insecurity, and poetic convention are all brought to bear in deciphering the meanings of these images and what they reveal about the painter and his clientele. This layered study of Venice?s golden age of painting ends appropriately with a glance at the ?moderns? who profited most from the study of Veronese?s portraits: Jean-Baptiste Carpeaux, Henri Fantin-Latour, Mary Cassatt, and Henri Matisse. A complete catalogue of Veronese?s portraits follows the chapters. John Garton, Ph.D., is assistant professor of liberal arts at the Cleveland Institute of Art.
Reference : alb359e82abceb545d9
Tout. Veronese. Veronese. In Russian /Tout. Veroneze. Veronese.
Tout. Veronese. Veronese. In Russian /Tout. Veroneze. Veronese. Paris. Flammarion Publishing House. 1970. 160 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb359e82abceb545d9.
Reference : alb4badc9af8ec7ae13
Piovene Guido. Veronese. Paolo Veronese. In Italian /Piovene Guido. Veronese. P
Piovene Guido. Veronese. Paolo Veronese. In Italian /Piovene Guido. Veronese. Paolo Veroneze. Album in Italian. Presentazione di Guido Piovene. Apparati critici e filologici di Remigio Marini. Series: Classici della Arte Milano Rizzoli Editore 1968 144c. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb4badc9af8ec7ae13.
