1965 / 253 pages. Relié. Editions Club des femmes
Reference : HIS513M
Très bon état.
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Paris, Jardin de Flore, 1977. 4 prints, each ornately depicting Western-style palaces from within the Yuanmingyuan, inscribed with the name of the palace and location and the numerical sequence, 87.8cm x 50cm (34,5 inc. x 19 inc.).87.8cm x 50cm (34œin x 19Ÿin) (20). Price is for one print only. 4 prints will cost 1440 euros. Each print is sold separately. Please inquire before ordering.
Nouvelle édition de 4 planches gravées en taille douce, de 1783 à 1786, par des artistes chinois et représentant les palais, pavillons, jardins et pièces d'eau édifiés pour l'empereur K'ien-Long, par les jésuites de la Cour de Chine, sous la direction de Giuseppe Castiglione, de 1737 à 1766. La composition du titre et du texte a été exécutée entièrement à la main par le maître imprimeur Dominique Viglino, à Bourg-la-Reine. Le papier utilisé est un vélin à la forme, en pur chiffon, spécialement fabriqué par le Moulin du Gué.Tirage : 250 exemplaires numérotés.The present set of prints was reproduced in 1977 as a limited edition of 250 copies from the original 1786 edition of copper-plate engravings, commissioned by the Qianlong Emperor.The Qianlong Emperor realised his vision of a new European-style palace with the construction of the Yuanmingyuan (Garden of Perfect Brightness), designed by the Jesuits Giuseppe Castiglione and Michel Benoist. During the height of the Emperor's reign (1736-1795), the Yuanmingyuan was part of an architectural complex which boasted a sheer grandeur of over 320 hectares of land, more than ten times larger than the entire precinct of the Forbidden City. These grounds were known as the 'three hills and five gardens' because they comprised the Yuanmingyuan, Changchunyuan and Qingyiyuan on Longevity Hill; the Jingmingyuan on Jade Fountain Hill; and the Jiyuyuan on the Fragrant Hills.The Qianlong Emperor so adored the Yuanmingyuan that from his reign onwards, the Imperial Court moved to the Yuanmingyuan every year after the Spring Festival (Lunar New Year) and resided there until the sixth month when the heat set in.These key locations and architectural marvels are depicted in the present 20 engravings.
Paris, Jardin de Flore, 1977. 4 prints, each ornately depicting Western-style palaces from within the Yuanmingyuan, inscribed with the name of the palace and location and the numerical sequence, 87.8cm x 50cm (34,5 inc. x 19 inc.).87.8cm x 50cm (34œin x 19Ÿin) (20).
Nouvelle édition de 4 planches gravées en taille douce, de 1783 à 1786, par des artistes chinois et représentant les palais, pavillons, jardins et pièces d'eau édifiés pour l'empereur K'ien-Long, par les jésuites de la Cour de Chine, sous la direction de Giuseppe Castiglione, de 1737 à 1766. La composition du titre et du texte a été exécutée entièrement à la main par le maître imprimeur Dominique Viglino, à Bourg-la-Reine. Le papier utilisé est un vélin à la forme, en pur chiffon, spécialement fabriqué par le Moulin du Gué.Tirage : 250 exemplaires numérotés.The present set of prints was reproduced in 1977 as a limited edition of 250 copies from the original 1786 edition of copper-plate engravings, commissioned by the Qianlong Emperor.The Qianlong Emperor realised his vision of a new European-style palace with the construction of the Yuanmingyuan (Garden of Perfect Brightness), designed by the Jesuits Giuseppe Castiglione and Michel Benoist. During the height of the Emperor's reign (1736-1795), the Yuanmingyuan was part of an architectural complex which boasted a sheer grandeur of over 320 hectares of land, more than ten times larger than the entire precinct of the Forbidden City. These grounds were known as the 'three hills and five gardens' because they comprised the Yuanmingyuan, Changchunyuan and Qingyiyuan on Longevity Hill; the Jingmingyuan on Jade Fountain Hill; and the Jiyuyuan on the Fragrant Hills.The Qianlong Emperor so adored the Yuanmingyuan that from his reign onwards, the Imperial Court moved to the Yuanmingyuan every year after the Spring Festival (Lunar New Year) and resided there until the sixth month when the heat set in.These key locations and architectural marvels are depicted in the present 20 engravings.
[Giovanni Benedetto Castiglione called il Grechetto] - Clayton, Martin and Standring, Timothy
Reference : 097140
(2013)
ISBN : 9781905686773
Clayton, Martin and Standring, Timothy: Castiglione: Lost Genius. The Royal Collection, 2013. 192 pages with 100 colour illustrations. Hardback. 25 x 23cms. A re-assessment of the work of Giovanni Benedetto Castiglione (1604-1664), aiming to restore the reputation of this innovative Italian painter and draftsman as a great Baroque artist, and inventor of the monotype.
A re-assessment of the work of Giovanni Benedetto Castiglione (1604-1664), aiming to restore the reputation of this innovative Italian painter and draftsman as a great Baroque artist, and inventor of the monotype
Principe Don Luigi GONZAGA DI CASTIGLIONE - Luigi GODARD - Giovanni VOLPATO
Reference : 91097
(1777)
s. n. | s. l. [Lu à la Royal Society de Londres, 1777] | 18.1 x 22.9 cm | Relié
Curieuse édition originale complète de son frontispice, représentant l'auteur gravé par Giovanni Volpato d'après Domenico Corvi, et de son poème introductif par l'abbé Luigi Godard. Exemplaire absent des bibliothèques non-européennes (selon WorldCat). Reliure dépoque en plein veau raciné glacé fauve, dos lisse à cinq caissons dorés délimités par des roulettes dorées, pièce de titre en maroquin brun, triple filet doré en encadrement des plats, double filet doré sur les coupes, tranches cailloutées bleues, contreplats et gardes marbrés en coquille. Coiffe inférieure manquante, épidermures au dos et aux coins, mors du premier plat légèrement fendu sur plusieurs centimètres, quelques discrets trous de vers et manques de cuir aux plats, frottements aux coupes, très bel état intérieur. Déchirure en marge de la p. 51 affectant très légèrement le texte et tâche marginale à la p. 47. * Le siècle des Lumières se reflète admirablement dans cet essai sur les réussites de l'esprit humain par un "prince éclairé", dernier descendant de la branche cadette de la dynastie Gonzaga, qui vendit ses terres en échange d'une rente viagère annuelle, par ailleurs écrivain éloquent admirateur des philosophes anglais et français, notamment de Montesquieu, qu'il cite à plusieurs reprises dans ce volume, et grand libertin, à l'image de son temps, qui fut l'amant de la poétesse Maria Maddalena Morelli. - Photographies et détails sur www.Edition-Originale.com -
Phone number : 01 56 08 08 85
MILANO EDOARDO SONZOGNO EDITORE 1890
Edizione del 1890 della celebre opera dell'umanista e letterato Baldassarre Castiglione (1478-1529). L'opera è ambientata alla Corte d'Urbino. Prefazione a cura di Lodovico Corio. Firma al frontespizio. Antiche note manoscritte. In mediocri condizioni. Copertina editoriale in mediocri condizioni generali con lievi usure ai margini e dorso. Piatto anteriore staccato. Legatura quasi assente. All'interno le pagine si presentano in buone condizioni con fioriture. In 16. cm 18,5x12. Pp. 297Edition of 1890 of the famous work by the humanist and man of letter Baldassarre Castiglione (1478-1529). the work is placed in the Court of Urbino. Prefation by Lodovico Corio. Signature in the title page. Antique handwritten notes. In poor conditions. Copertina editoriale in mediocri condizioni generali con lievi usure ai margini e dorso. Piatto anteriore staccato. Legatura quasi assente. All'interno le pagine si presentano in buone condizioni con fioriture. In 16. cm 18,5x12. Pp. 297 In good conditions and complete. Editorial cover in poor general conditions with wearings. Front plate detached. Binding almost lacks. Inside pages are in good conditions with foxings. In 16. cm 18,5x12. Pp. 297