Write to the booksellers
LAMARTINE A de
Raphaël
pages de la vingtième année,in 8 demi-chagrin vert à nerfs, titre,filets dorés,filets à froid.Faux-titre,titre,354 pages.Perrotin Furne & fils éditeurs 1849 rousseurs éparses habituelles,fortes à certaines pages.Edition originale vicaire IV,389.Renfort aux mors supérieurs cuir cassant. Initiales dorées en pied,ex-libris gravé
Reference : 6763
Bookseller's contact details
Charbonnel
M. Sylvain Charbonnel
2, rue du Champ de Mars
55000 Bar le Duc
France
03 29 79 40 63
Payment mode
Sale conditions
Les commandes se font de préférence par e-mail ou par courrier.Tous les livres proposés sont en bon état sauf indications contraires mentionnées dans la description.Les prix sont nets,port en sus à la charge du destinataire.Les envois,après entente concernant les frais de port pour la France s'effectuent dès réception par chèque bancaire,mandat ou virement bancaire.Pour la zone euro par virement bancaire. Me demander mon RIB-IBAN-BIC.Hors Europe Règlement par carte bancaire accepté uniquement par l'intermédiaire de pay pal,les frais sont à la charge de l'acheteur.Les livres voyagent aux risques et périls du destinataire,l'emballage soigné est gratuit.Afin d'éviter tout litige il est expressément conseillé l'envoi en recommandé.Passé un délai d'une dizaine de jours à partir de la date de commande,les ouvrages non réglés seront remis en vente.
5 book(s) with the same title
Des vertes et des pas mûres. Quarteron d'histoires rêches cueillies en Nivernais, illustrées par Raphael Diligent.
Nevers, Imprimerie fortin, 1938; grand in-8°, broché, couverture crème imprimée en vert et rouge, dos muet; 245pp., (2)ff. Nombreuses illustrations à mi-page dans le texte de Raphael Diligent.Infime accroc à la couverture au dos et très pale trace de mouillure en tête, très bon état intérieur.Ouvrage imprimé en vert , sauf la liste des souscripteurs imprimée en bordeaux, les illustrations de Diligent sont également tirées en bordeaux.
Truculentes histoires, parfaitement illustrées par Diligent, où l' on rencontre mariniers de Loire, bourgeois et industriels de Nevers, paysans des alentours, dont des " partageux", les animaux de la ferme, etc...Edition originale limitée à 260 exemplaires numérotés, celui-ci N° 227 , 1 des 250 sur vergé Ronsard des Papeteries Muller.( S2)
( MANUSCRIT AUTOGRAPHE SIGNÉ) - MONTOYA Gabriel (1868-1914), chansonnier, auteur dramatique, docteur en médecine.
Reference : 11420
ENSEMBLE de deux manuscrits autographes : Don Raphael comédie en 2 Actes en Vers tirée de Gil blas de Santillane / Damoiselle Berthe, pièce en 1 acte et en vers.
Don Raphael . Comédie en Trois 2 Actes En Vers tirée du Gil Blas de Santillane par M.M.Montoya (1897-1898). Manuscrit petit in folio cartonné, dos muet de toile noire; environ 60 pages autographes non chiffrées avec quelques ratures et corrections, (surtout au 2e acte), un passage du 1er acte biffé au bleu, inscriptions dans le texte au bleu. Les 2 actes sont respectivement de 19 et 13 scènes. Tout d'abord prévu en 3 actes, Montoya a rayé dans le titre "Trois" qu'il a remplacé par "2". 2 pages sont entièrement refaites et recollées sur les anciens textes. L'avant dernière - page (parties des scènes 12 et 13) est ronéotée. Le reste et donc presque totalité du manuscrit est autographe mais non signé. Au verso du dernier feuillet Montoya a pris des notes au crayon pour des conférences à venir. Don Rafael, comédie en 2 actes en vers (d'après Lesage), parut chez Fasquelle en 1912 ( in-18 de 72pp). / Damoiselle Berthe pièce en I acte en vers par Gabriel Montoya ; 34 bd de Clichy. ( adresse du cabaret des 4'Z'arts). Manuscrit autographe signé de 27 pages petit in folio. Un acte de VIII scènes. La Pièce s'appelait initialement Le Chevalier, titre rayé et remplacé par " Damoiselle Phèdre" . Couverture de papier gris Titre manuscrit à l’encre et rectifié au bleu d’imprimerie. Il s’agit d’une mise au propre par l’auteur sans rature, sauf sur la couverture où on a rectifié au bleu le titre. Dans le texte on a souligné ou encadré au bleu quelques rares mots et fait quelques annotations au crayon en marge. Ici le manuscrit est signé. Le Baiser de Phèdre, pièce en 1 acte, en vers... La pièce fut donné à la Comédie française le 21 décembre 1905 et parut chez Fasquelle en 1906 ( in-12 de 29pp.). Pour les deux pièces les titres ont légèrement changé lors de leur parution.
Cartonnage frotté pour Don Raphael, et petite tache brune en marge des feuillets, la couverture factice de Damoiselle Phèdre est salie, manque de papier angulaire au feuillet de titre, sans perte de lettres.( Reu-Bur)
Le Bon Plaisir. Bois originaux de Raphael Drouart.
1929 Paris, Editions du Trianon, 1929; in-8° broché, couverture rempliée beige, titre en noir au dos, décor en brun avec titre en noir au 1er plat; 320pp.,(1)f. Illustré de bandeaux, culs-de-lampe et hors texte gravés sur bois par Drouart. Exemplaire non coupé, en bon état (petites roussseurs marginales à 2 pages).
1 des XL exemplaires hors commerce sur différents papiers, celui-ci n° XXXVIII, sur velin de fil du Marais. Envoi autographe signé de Henri de Régnier au 1er feuillet blanc (nom du dédicataire gratté).(CHT17)
"(FIBIGER, MATHILDE) + (JULIUS CHRISTIAN GERSON) (+) (PETER VANDAL)
Reference : 63447
(1851)
Clara Raphael. Tolv Breve, udgivne af Johan Ludvig Heiberg. Andet Oplag (+) Fem Breve til Clara Raphael fra en Ung Hustru (+) Blik paa det verdenshistoriske Værk ""Clara Raphael"" og den derved fremkaldte Damelitteratur.
Kjøbenhavn, 1851. 8vo. In recent blue paper covered boards with white paper title-label to front board. Annotations in pencil to pasted down front end-paper. Internally with light occassional brownspotting. X, 110, 35, (1), 71 pp.
A most interesting sammelband containing the scarce second edition, published the same year as the first, of the first feminist novel in Denmark, the highly controversial and influential ""Clara Raphael"", which is the work that sparked the battle for women's rights in Denmark. Bound together is one of the most important responses to it from the same year (“Fem Breve til Clara Raphael”) as well as Drejer’s (under the pseudonym Vandal) critical commentary. Fibiger’s novel caused enormous controversy. The intellectual elite was in uproar. Within the first year of its publication, ca 25 responses to it were published in newspapers and periodicals and ca 10 brochures and pamphlets pertaining to it. The novel caused vexation in all political camps. The demands for equality between the sexes were scrutinized in all regards, and many politicians began singing the praises of “the woman of the home”. It is in this strain of thought that the famous author of children’s books, Julius Christian Gerson, wrote his significant contribution to the feud, “Five Letters to Clara Raphael from a Young Wife”, also published in 1851. Using the pseudonym “A Young Wife”, he claims, in the voice of this fictitious woman, that Fibiger’s novel had violated the female gender and that the emotions and the striving that are presented as those most pertinent for the woman, are completely foreign to the true woman. He lets his fictitious female author praise herself for being “a young mother who wishes for nothing and wishes to be nothing outside of her circle.” The debate that arose following the publication of ""Clara Raphael"" was very harsh indeed, and the whole public debate was hard on Mathilde Fibiger. Her views were lost on almost all notable men of the period, but she clearly needed to defend herself. ""Clara Raphael"" is the main work of feminism in Denmark and the first Danish governess novel. It founded an entirely new genre of women's novels hitherto unknown in Denmark. The work, which constitutes the break-through of feminism in Denmark, was greatly controversial and immediately caused great furore. It resulted in the so-called Clara Raphael Dispute, in which for instance N.F.S. Grundtvig defended Mathilde Fibiger. Due to the controversial contents of the work, Mathilde Fibiger published it anonymously, and only J.L. Heiberg (1791-1860, perhaps the most famous cultural persona during the Danish Golden Age. He played a more significant role than any other author or thinker during this period) is mentioned on the title-page, as the editor. No publisher had wanted to touch this highly controversial work, and it was only after the appearance of ""Jane Eyre"" that a publishing house dared take it on. As Mary Wollstonecraft had pioneered feminist philosophy with ""A Vindication of the Rights of Women"" from 1792 and argued for education as the means to liberate women, so Mathilde Fibiger surprised her Danish contemporaries with her groundbreaking novel ""Clara Raphael. Twelve Letters"", from 1851, in which she made the connection between the national-democratic movement and the liberation of women. With this book, which deals with the inequality of the sexes and the lack of possibility for women to develop themselves, Mathilde Fibiger became the first notable advocate of the emancipation of women in Denmark. It was not only the political controversy caused by the request of equality that made the book so extremely controversial, it was also the ability of the merely 20 year old author to clearly and precisely state and substantiate the essential problems. When reading the book, it is not difficult to see why it came to have the effect that it did, and why it caused the furor that it did. For instance, Clara Raphael, when despairing at the position of women in society, writes: ""Our position in society is tragic, and why? What right does man have to suppress us? For subjugated we are, despite the chains being gilded."" She understands that casting off these chains will be no easy matter, and that it will not only be a matter of politics, but also of consciousness and mindset: ""When the peasants were granted their freedom, some of them wept, begging for permission to keep things as they had been."" One of the beaming sentences of the novel is Clara's response to her friend when asked what she is actually fighting for: ""I will fight and live for what I understand by the emancipation of women."" Her hope of breaking with the existing patriarchal system of society required national and democratic self-awareness, which for her constituted a promise of freedom. In 1871, Frederik Bajer (1837-1922) and Matilde Bajer (1840-1934) founded the Danish Women's Society, the first women's organisation in Denmark. Mathilde Fibiger was one of the earliest members of the Society. When the Danish Women's Society was established, it did not demand female suffrage. It was not until 1906 that a majority of the members were in favour of making that demand the official policy of the Society. In Denmark, women were not allowed to vote in parochial church council elections until 10+3" not until 1908 were they allowed to vote in parish council and local council elections, and not until 1915 in the Folketing and the Landsting elections. It was not until then that women became fully-fledged citizens in a political sense.
RAPHAEL (after / d’après) / VOLPATO, Giovanni / MORGHEN, Raphael:
Reference : 136456aaf
1) Effigies cognitae in in Scholae Atheniensis... A key to some of the figures depicted in Raphael's School of Athens: 23 figures, all seen bust-length, and the explanatory key below. Etching - Giovanni Volpato (1733-1803) after Raphael - Italien school .
s.d. ca. 1760, 26x38 cm 4 leaves of orig. etchings,
2) Effigies cognitae in Montis Parnassi... A key to some of the figures depicted in The Parnassus, after the fresco designed by Raphael for the Stanza della Segnatura: eleven poets, all seen bust-length, and the explanatory key belowEtching- Raphael Morghen after Raphael - 1775 -3) (after Raphael) by Raphael Morghen (Naples 1758 - Florence 1833). 1.Cardinal Giovanni de' Medici, later Pope Leo X (1475-1521), 2. Pope Saint Leo I 'The Great' (d.461), 3. Perugino (c.1450 – 1523) and 4. Attila the Hun (d.453).4) Effigies cognita Julius Papa Secundus... Image disp.
(SLACES, NVVA)
Phone number : 41 (0)26 3223808
