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Maud FRÈRE
Guido
Couverture souple imprimée. Non coupé.
Reference : 78146
Paris Gallimard 1965 194 pp. In-12. Broché. Très bel exemplaire. 1 volume. ÉDITION ORIGINALE. Un des 50 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul grand papier.Exemplaire enrichi d'un ENVOI AUTOGRAPHE SIGNÉ DE L'AUTEUR.
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Librairie Koegui
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5 book(s) with the same title
Ciria Alberto - Lynch Marta - Orgambide Pedro - Guido Beatriz - Castillo Abelardo - Levinson Luisa Mercedes - Vanasco Alberto
Reference : 100135902
(1965)
CRONICAS DE LA BURGUESIA. Prólogo de Alberto Ciria. Selección y biografías de Julia Constenla Ciria Alberto - Lynch Marta - Orgambide Pedro - Guido Beatriz - Castillo Abelardo - Levinson Luisa M
Jorge alvarez editor 1965 in12. 1965. Broché. CRONICAS DE LA BURGUESIA. Prólogo de Alberto Ciria. Selección y biografías de Julia Constenla Ciria Alberto - Lynch Marta - Orgambide Pedro - Guido Beatriz - Castillo Abelardo - Levinson Luisa Mercedes - Vanasco Alberto
Bon Etat couverture défraîchie intérieur propre
GEZELLE GUIDO / KAREL VAN DE WOESTIJNE / JAN VAN NIJLEN / PAUL VAN OSTAYEN
Reference : 100132572
(1973)
Les étoiles de la poésie de flandre : gezelle guido / karel van de woestijne / jan van nijlen / paul van ostayen
La renaissance du livre 1973 in8. 1973. Broché.
Bon état sous papier de soie intérieur propre bonne tenue
Guido Gezelle Poete de Flandre Choix de poèmes et traduction par Walther Willems
La renaissance du Livre 1972 183 pages in-8. 1972. Broché. 183 pages.
Couverture légèrement usée par le transport a l'intérieur quelques points noirs éparpillés majoritairement en marge sur les quelques premières et dernières pages
Carlo Cesare Malvasia, Elizabeth Cropper (ed), Lorenzo Pericolo (ed)
Reference : 65997
Felsina Pittrice: Volume IX: Life of Guido Reni
, Brepols - Harvey Miller, 2019 Hardback, 2 vols, 1152 pages, Size:220 x 280 mm, Illustrations:9 b/w, 367 col., Languages: English, Italian. ISBN 9781909400696.
Summary Celebrated by Malvasia as the creator and promoter of the new maniera moderna, Guido Reni (1575-1642) introduces the fourth age of painting: a period marked by an original and sometimes bold elaboration of the notion of artistic perfection developed by the Carracci and embodied more specifically by Ludovico's "synthesis of styles." Art in Italy could have declined once again after the deaths of the Carracci, but thanks to Guido and Domenichino, Francesco Albani and Guercino, painting is restored to its full blossoming, and, as a result, the Carracci lesson spreads and triumphs throughout Italy. In assessing Guido's role in promoting this artistic vanguard, Malvasia finds himself in a theoretical impasse. On the one hand, he cannot resist his infatuation with Guido's work. Endowed with spellbinding powers, Guido's paintings constitute the greatest luxury of modernity insofar as they reflect an endless search for aesthetic refinement and transcendental beauty both in the representation of the human body and in the orchestration of light, color, and impasto. On the other hand, Malvasia balks at embracing Guido's "last manner." In Malvasia's eyes, Guido's final production is both exceedingly sophisticated and tainted by its very sophistication: delicacy verges on feebleness, transcendence coalesces into purposeless abstraction, divine vision engenders incompleteness, and sprezzatura turns into apparent negligence. Furthermore, for Malvasia Guido is both a paragon of virtue and the self-indulgent victim of the gambling demon. With acuity, Malvasia praises Guido the money maker, the self-confident artist able to overhaul the mechanisms of the art market by exponentially increasing the value of painting. And yet, Malvasia cannot help but condemn Guido the money squanderer, the indebted painter who gambles away his reputation and jeopardizes the quality of his sublime output. Illustrated with numerous color images, these two volumes provide a critical edition and annotated translation of Malvasia's life of Guido. Based on a radical reassessment of the historical documentation and a profound investigation of Malvasia's art criticism, these volumes offer the most thorough treatment to date of the artist's work.
Reference : 8877
Guido BiasiLot de 4 cataloguesItalie 1976-1978
1. Galleria La Margherita, Roma, 1977. [Guido Biasi, opere dal 1970 al 1977, 16 pp., texte de Giorgio Di Genova]2. Sorrento-Hotel Cocumella, 1978. [Guido Biasi. Schermi di memoria. 6 pp. Textes de Henry Martin, Vittorio Fagone, Guido Biasi et Renato Barilli]3. Studio Palazzoli, Milano, s.d. [Guido Biasi. Texte de Miklos N. Varga, 19 pp.]4. Comune di Alessandria, 1976 [Guido Biasi, 17 pp. Textes de Adriano Altamira et Marisa Vescovo] Trois in-8 agrafés et non paginés, un in-8 dépliant sous couverture illustrée [6 pp.]
Illustrations en noir et en couleur.Textes en langue italienne. --- Plus d'informations sur le site archivesdunord.com
