De la série “Les artistes célèbres”. Broché. Paris Librairie de l’Art 1888 1 volume grand in-8°.
Reference : 3158
Librairie Seigneur
Martine Seigneur
Conforme aux usages de la profession.
Editions Faton. Dec 99-Janv 2000. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 118 pages. Nombreuses illustrations en couleurs dans et hors texte.. . . . Classification Dewey : 700-LES ARTS
Sommaire : Pour une meilleure connaissance de Velazquez par Jeannine Baticle, La jeunesse de Velazquez par Jean Louis Augé, Velazquez, peintre de cour par Jean Louis Augé, Velazquez, peintre religieux par Odile Delenda, La facture de Velazquez par Jean Louis Augé Classification Dewey : 700-LES ARTS
GOWANS & GRAY LTD 1908
In 16. Dim. 15x10,5 cm. Pp. (8)+69+(3). Delizioso volumetto del 1908 sui capolavori del pittore spagnolo Diego Velazquez (1599-1660). Velazquez fu l'artista più importante alla corte di Felipe IV nel periodo barocco. All'interno 60ì4 planches fotografiche dei quadri di Diego Velazquez e alla fine lista delle fotografie dei quadri con relativo formato prezzo di vendita e ubicazione dell'opera al tempo (quale museo e collezioni private). In buone condizioni. Copertina in carta pergamenacea editoriale in buone condizioni generali con lievi usure ai margini e dorso. Legatura in buone condizioni. All'interno le pagine si presentano in discrete condizioni con rare fioriture. Gore d'umidità e mende. Nice little volume of 1908 about the masterpieces by the spanish painter Diego Velazquez (1599-1660). Velazquez was the most important artist in the court of Felipe IV in baroque period. Inside there are 64 photographic planches of the paintings of Diego Velazquez and at the end list of the photographies of paintings with relating size and sell price and place of provenance of the work (museum and private collections). In good conditions. Parchment editorial cover in good general conditions slightly worn in the edges and spine. Binding in good conditions. Inside pages are in fair conditions with occasional foxings. Usage signs and humidity stains.
[Diego Velazquez] - Sanchez, Alfonso E. Perez
Reference : 070256
(1985)
ISBN : 9071450015
Sanchez, Alfonso E. Perez: Velazquez en Zijn Tijd. Zeventiende-eeuwse Spaanse Schilderkunst uit het Prado. Exhibition: Amsterdam, Rijksmuseum, 1985. 150pp, illustrated throughout in monochrome and colour. Wrappers, 26x21cms. Velazquez and his circle. 17th century Spanish paintings from the collection at the Prado.
Velazquez and his circle. 17th century Spanish paintings from the collection at the Prado. Text in Dutch
VALENZUELA VELAZQUEZ (Joannis Baptistæ) [VALENZUELA VELÁZQUEZ (Juan Bautista de)]
Reference : 52330
, Coloniæ Allobrogum [Genève], Sumptibus Perachon & Cramer 1727, 2 vol. in-folio, plein vélin, tit. manuscrit au dos, lettrines, bandeaux, vignettes et culs-de-lampe, (rel. fragiles avec plats partielt détachés, des rousseurs sur certaines pages, papier parfois acidifié et fragile, qq. trous de vers traversants à l’int., rares annotations à l’encre), [22]-654-[84]/ [6]-554-[92]-84-10p.
Phone number : 01 43 29 46 77
, Brepols - Harvey Miller, 2019 Paperback,196 pages ., 11 b/w ill. + 98 colour ill., 240 x 280 mm, Languages: German, English, Italian. ISBN 9783990201558.
A thematically and methodologically diverse collection of papers on the work of Diego Velazquez presented on occasion of the seminal exhibition of the artist?s oeuvre at the Kunsthistorisches Museum in Vienna. Encompassing a broad spectrum of methodological approaches and aims, the scholars contributing to this volume offer renewed perspectives on the multifaceted oeuvre of Diego Velazquez. The seventeenth-century artist?s exceptional religious works as well as his numerous portraits are examined within the social and historical context of Velazquez?s milieu which included both the Spanish court as well as circles comprising important intellectual figures of his time. Following a close investigation of his works, which also includes the results of recent technological examinations on his paintings, the contributors to this volume offer new, exciting findings and discussions on the inspirations, sources and possible intentions of Velazquez