1564 books for « catalogue raisonne »Edit

‎Theodore Gericault. Etude critique, Documents et Catalogue raisonne - 7 volumes - 1987/1997 ‎

‎, Wildenstein Institute / Bibliotheque des Arts, 1987-1997 Catalogue raisonne in seven volumes in paperback, *new, in original shrink-wrap.‎

‎Catalogue raisonne in seven volumes, including a volume dedicated to the raft of the Medusa and the monomaniacs. These works, along with a booklet of annexes, resulted to identify, analyse and comment on the complete works of Theodore GERICAULT (1791-1824), precursor of romanticism because of his interest in the drama and his personal distance for academic art. Volume I : L'Homme. Biographie, temoignages et documents, 1987. 231 p., 186 fig. black and white, 8 pl. colour Volume II : L'oeuvre : periode de formation, 1987. 525 p., 585 fig. black and white, 11 pl. colour Volume III: La Gloire de l'Empire et la premiere Restauration, 1989. 265 p., 439 fig. black and white, 13 pl. colour Volume IV Le Voyage en Italie, 1990. 242 p., 401 fig. black and white, 15 pl. colour Volume V: Le Retour a Paris : syntheses d'experiences plastiques, 1992. 332 p., 497 fig. black and white, 17 pl. colour Volume VI : Genie et folie. Le Radeau de la Meduse et les monomanes, 1994. 196 p., 198 fig. black and white, 24 pl. colour Volume VII : Regard social et politique : le sejour anglais et les heures de souffrance. Accompanied by a booklet: Annexes to the seven volumes of the catalogue, 1997. 301 p., 658 fig. black and white, 17 pl. colour The books are paperback, new, in original shrink-wrap Catalogue Raissonne, vol.1 L'Homme. German Bazin (ed.). Wildenstein Institute 1987. French. 234 pages, mit zahlr. Abb. 26,9 x 32,6 cm. 2310 g. Cloth with dust jacket. 9782850470165. Ce premier volume, consacre a l'artiste lui-meme, est plus qu'une biographie. Dans la partie documents et temoignages, l'auteur rassemble 463 pieces (actes authentiques, correspondances, extraits de presse...); mais Germain Bazin ne se borne pas a cette enumeration de faits, il essaie de cerner la personnalite du peintre et etudie les influences de son milieu social et familial. Catalogue Raissonne, vol.2 L'?uvre: Periode De Formation. German Bazin (ed.). Wildenstein Institute 1987. French. 530 pages, mit zahlr. Abb. 26,9 x 32,6 cm. 2775 g. Cloth with dust jacket. 9782850470189. Ce second volume debute par la publication d'un carnet inedit de dessins que Gericault a realises dans sa prime jeunesse et se poursuit par l'etude de son oeuvre. Catalogue Raissonne, vol.3 La Gloire de l'Empire et la Premiere Restauration. German Bazin (ed.). Wildenstein Institute 1989. French. 271 pages, mit zahlr. Abb. 26,9 x 32,6 cm. 2655 g. Cloth with dust jacket. 9782850470332. Apres avoir decrit Gericault en tant qu'homme et artiste dans son premier volume, apres avoir consacre son deuxieme volume a ses debuts alors que celui-ci etait encore sous l'influence des maitres, Germain Bazin etudie dans ce troisieme volume du Catalogue raisonne de l'oeuvre de Gericault une periode allant d'environ 1810 a 1814 au cours de laquelle le peintre trouve deja son identite artistique. Catalogue Raisonne, vol. 4 Le Voyage en Italie. German Bazin (ed.). Wildenstein Institute 1990. French. 242 pages, mit zahlr. Abb. 26,9 x 32,6 cm. 2500 g. Cloth with dust jacket. 9782850471537. Avec ce quatrieme volume, Germain Bazin aborde la periode italienne de Gericault. Catalogue Raisonne, vol. 5 Le Retour a Paris: Synthese D'Experiences Plastiques. German Bazin (ed.). Bibliotheque des Arts 1992. French. 334 pages, mit zahlr. Abb. 26,9 x 32,6 cm. 3100 g. Cloth with dust jacket. 9782850471674. 1818. Gericault est de retour a Paris, apres un sejour en Italie qui lui a apporte la maturite artistique. L'entourage immediat de la rue des Martyrs lui inspire des portraits de ses amis, le monde du travail, mais aussi le contexte politique car il se sert de la lithographie pour exprimer les douleurs des soldats des armees de Napoleon, de grands paysages orientaux... Ce cinquieme tome analyse les oeuvres relatives a cette periode particulierement feconde par la variete des sujets et des styles et par l'exploration de nouvelles techniques: Lithographie et sculpture. Catalogue Raisonne, vol. 6 Le Radeau de la Meduse et les Monomanes. German Bazin (ed.). Bibliotheque des Arts 1994. French. 198 pages, mit zahlr. Abb. 26,9 x 32,6 cm. 2180 g. Cloth with dust jacket. 9782850472473. Le Tome 6 se rapporte a la periode de la plus accomplie et la plus connue de l'oeuvre de Gericault. Apres la naissance de son fils, qui fit decouvrir sa liaison amoureuse avec sa tante Alexandrine-Modeste Caruel, et la passion dechirante qui s'ensuivit, Gericault se jeta a corps perdu dans la realisation d'une oeuvre magistrale: Le Radeau de la Meduse. Germain Bazin avait redige l'integralite de l'etude critique de l'oeuvre de Gericault. La partie catalogue tient compte des derniers articles et ouvrages publies. Catalogue Raisonne, vol. 7 Regard Social et Politique: Le Sejour Anglais et les Heures de Souffrance. German Bazin (ed.). Wildenstein Institute 1997. French. 302 pages, mit zahlr. Abb. 26,9 x 32,6 cm. 3625 g. Cloth with dust jacket. 9782884530316. Voici le septieme et dernier tome du travail de Germain Bazin consacre a Theodore Gericault. Il est consacre au sejour en Angleterre et aux dernieres annees de la vie de Gericault.‎

‎Adrien Dauzats, ou, La tentation de l'Orient. Catalogue raisonné de l'oeuvre peint.‎

‎ Musée Des Arts De Bordeaux 22 x 28 Bordeaux 1990 Broché, couverture rempliée illustrée, 227 pp. Nombreuses reproductions. Biographie, bibliographie. Catalogue de référence du peintre bordelais Adrien Dauzats (1804-1868). Exemplaire à l'état neuf.(VeiHome16). ‎

‎Catalogue raisonné - volume 2 : 1961 - 1968‎

‎ 1968 Couverture souple Paris, Könemann, 1999. Un volume in-4 (32 x 30 cm), reliure pleine toile grise, jaquette illustrée à rabats, dans son étui illustré. 512 pages, illustrées de 1027 illustrations dont 189 en couleurs. Catalogue dirigé par la critique d'art Anna Agusti, en collaboration avec l'artiste. Les oeuvres sont présentées dans l'ordre chronologique, de 1961 à 1968 pour ce volume 2. Edition française. Bel exemplaire, comme neuf.‎

5 Images

‎ Comme neuf ‎

‎Catalogue raisonné - volume 3 : 1969 - 1975‎

‎ 1968 Couverture souple Paris, Könemann, 1999. Un volume in-4 (32 x 30 cm), reliure pleine toile grise, jaquette illustrée à rabats, dans son étui illustré, quelques marques marginales à l'étui. 576 pages, illustrées de 1303 illustrations dont 253 en couleurs. Catalogue dirigé par la critique d'art Anna Agusti, en collaboration avec l'artiste. Les oeuvres sont présentées dans l'ordre chronologique, de 1969 à 1975 pour ce volume 3. Edition française. Bel exemplaire, comme neuf.‎

5 Images

‎ Comme neuf ‎

‎Dorny, Catalogue Raisonne de l'oeuvre gravé 1967-1980.‎

‎ 1981 Couverture souple Paris, Librairie Sources, 1981. In-4, broché, (22 x 30cm), couverture illustrée, couverture passée avec quelques marques marginales. 111 pages, illustrations en noir des 416 oeuvres décrites, une illustration en couleurs à pleine page, contient deux feuillets séparés d'errata. Texte de présentation de Bernard Gheerbrant. Tirage à 700 exemplaires. Un des 600 exemplaires numérotés. Bon exemplaire de cette édition originale.‎

5 Images

‎ Bon ‎

‎Piet Mondriaan Catalogue Raisonne, 2 VOLS. Piet Mondriaan catalogue raisonne of the naturalistic works (until early 1911) ; Catalogue raisonne of the work of 1911-1944 ‎

‎, Mercaterfonds - fondsmercator, 1998 Hardcover with dusjacket, slipcase, 2 volumes set. 1153 pages. Illustrated. Text in NL / ENG. **FINE! ISBN 9789066116214.‎

‎Piet Mondriaan catalogue raisonne of the naturalistic works (until early 1911) ; Catalogue raisonne of the work of 1911-1944 . Piet Mondriaan (1872-1944) is clearly best known for his abstract paintings with red yellow and blue expanses of colour. Yet in the course of his fascinating life the artist explored many style trends which eventually around 1920 led him to the pure abstraction of Neo-Plasticism. This catalogue of his work is unique in that for the first time it offers a review of the whole of Mondrian's oeuvre from his first figurative paintings right up to his abstract neo-plastic work. This Catalogue raisonn includes a chronological list of exhibitions and an extensive comprehensively illustrated chronology of Mondriaan's life and career. The information on exhibitions literature and provenance has been assembled from a wide study of the original documentary sources supplemented by information acquired from numerous interviews with Mondriaan's contemporaries. The catalogue notes (in English) are chronological; as well as the usual technical data there is a detailed discussion of each work and a black-and-white illustration. The book also contains a register of his work with cross-references to the Seuphor-Ottolenghi catalogue and an index. With financial assistance from the Grant Program of the J. Paul Getty Trust many of the paintings have been re-photographed in colour especially for this book so that full justice can be done to Mondrian's works.‎

‎Van Dyck, a complete catalogue of the paintings catalogue raisonne Sir Anthony Van Dyck ENG. edition ‎

‎, YALE , 2004 Hardcover, 692 pages, English, 320 x 260 mm, fine. 632 b/w + 202 color illus. catalogue raisonne. FINE!! ISBN 9780300099287.‎

‎Sir Anthony Van Dyck (1599-1641) is among the greatest portrait painters of all time. The 1990s opened and closed with major exhibitions devoted to his work, and now the long-awaited catalogue raisonne of his painted oeuvre is complete. A native of Antwerp, Van Dyck also lived and worked for long periods in Italy and England, where his brief, productive life ended. He is best known for his work at the court of Charles I. His full-length portraits of aristocrats in the Caroline court and in Genoa, Antwerp, Brussels, and The Hague influenced the history of Western portraiture into the twentieth century in the work of John Singer Sargent. Handsomely designed and illustrated, the volume includes a reproduction of every known authentic painting by the artist as well as the provenance and the significant facts and literature on each. This catalogue raisonne is, fittingly, the collaborative work of an international team devoted to the study of this major international artist. Susan J. Barnes, an independent art historian, co-curated a Van Dyck exhibit in Washington, D.C., 1990. Nora De Poorter is director of the Rubenianum, Antwerp. Oliver Millar, Surveyor Emeritus of The Queen?s Pictures, organized an exhibition of Van Dyck?s English work at the National Portrait Gallery, London, 1982?83. Horst Vey, former director of the Kunsthalle, Karlsruhe, is author of the standard work on Van Dyck?s drawings. ‎

‎Van Dyck - A Complete Catalogue of the Paintings. Catalogue raisonne. Sir Anthony Van Dyck‎

‎, Yale University, 2004 Hardcover in dusjacket, 792pp, 632 b/w + 202 color illus. catalogue raissone. ISBN 9780300099287.‎

‎Sir Anthony Van Dyck (1599-1641) is among the greatest portrait painters of all time. The 1990s opened and closed with major exhibitions devoted to his work, and now the long-awaited catalogue raisonne of his painted oeuvre is complete. A native of Antwerp, Van Dyck also lived and worked for long periods in Italy and England, where his brief, productive life ended. He is best known for his work at the court of Charles I. His full-length portraits of aristocrats in the Caroline court and in Genoa, Antwerp, Brussels, and The Hague influenced the history of Western portraiture into the twentieth century in the work of John Singer Sargent. Handsomely designed and illustrated, the volume includes a reproduction of every known authentic painting by the artist as well as the provenance and the significant facts and literature on each. This catalogue raisonne is, fittingly, the collaborative work of an international team devoted to the study of this major international artist. Susan J. Barnes, an independent art historian, co-curated a Van Dyck exhibit in Washington, D.C., 1990. Nora De Poorter is director of the Rubenianum, Antwerp. Oliver Millar, Surveyor Emeritus of The Queen?s Pictures, organized an exhibition of Van Dyck?s English work at the National Portrait Gallery, London, 1982-83. Horst Vey, former director of the Kunsthalle, Karlsruhe, is author of the standard work on Van Dyck's drawings. ‎

‎THE PAINTINGS OF HENDRICK GOLTZIUS (1558 - 1617) A Monograph and Catalogue Raisonne.‎

‎, Davaco, 2013 Cloth bound with dust jacket, 4to. 466 pp. text, 207 plates and ills. (145 in colour). NEW. ISBN 9789070288281.‎

‎This long-awaited volume is a comprehensive study of the paintings of Hendrick Goltzius (1558-1617), the most important artist in the Netherlands at the turn of the seventeenth century. A poem published in Haarlem in 1617 lamented the death that year of the most artful master Hendrick Goltzius, in his life [a] skillful painter, draftsman, and artful engraver. The fact that "painter" heads the list of his accomplishments is significant, for although Goltzius enjoyed international fame as a draughtsman and engraver, to his contemporaries he was equally renowned for his skill in the art of painting, which was considered the highest artistic calling. This volume on his paintings, the first since Hirschmann's short study of 1916, finally completes a full assessment of this artist of Haarlem, whose drawings were the subject of Reznicek's publication of 1961 and whose prints were catalogued by Leesberg in the New Hollstein series that appeared in 2012. Goltzius abandoned his engraver's burin and turned to painting in the year 1600. Exploring the new medium, he worked on small coppers, as well as large canvases and panels. Goltzius's determination to work in oil, after acquiring international fame as a printmaker, was a deliberate decision to embrace an even greater challenge and to seek greater recognition for his artistry. Although archival records show that Goltzius painted more portraits than has previously been assumed, it was the depiction of the human nude that was his primary goal. He mostly chose to paint biblical and mythological themes: the same subject matter, in fact, that he had treated in his engraved histories. The difference, however, was that Goltzius now began to paint figures that were nearly life-size. His manner of depicting figures may be considered an extension of what he had learned during his stay in Rome (1590-91) and subsequently pursued in his prints of the 1590s. Only rarely are traces of his Spranger-inspired, anti-classical past encountered in his paintings. Instead, Goltzius strove with his brush to portray human forms at once idealized and naturalistic. His points of departure were antique Roman sculpture, the sixteenth-century masters - Michelangelo, Raphael, Titian, Veronese, Durer, and Van Heemskerck - and Rubens, his contemporary. Four chapters are dedicated to a consideration of the reasons for Goltzius's conversion to painting, his biography in the years 1600 to 1617, an examination of the style and iconography of his works in oil, and a thorough review of the critical appraisal of his paintings from his day to the present. The extensive catalogue discusses 59 paintings by Goltzius, and also includes 160 pictures known only from descriptions and 38 rejected works. A lengthy appendix - the result of extensive archival research - includes, in the original language, all known sources that mention Goltzius and every known inventory listing of his paintings.The catalogue of accepted works is ordered iconographically, whereas the color plates of Goltzius's entire extant oeuvre are arranged in chronological order, visually demonstrating the development of his career as a painter. In addition to the color plates, 121 black-and-white figures provide material for comparison. A complete bibliography and three indexes enhance the accessibility and usefulness of this volume. ‎

‎RASSENFOSSE 1862 - 1934. Armand Rassenfosse. Catalogue Raisonne De L'Oeuvre Grave ‎

‎, Bruxelles, Van Loock, 1984, Relie, hardcover, couverture illustree, frontispice, 175 x 255mm., 152 pages illustree, bon etat.‎

‎Frans Mortelmans, 1865-1936, oeuvrecataloog, Catalogue Raisonne.‎

‎, Stichting Mortelmans, 2022 Hardcover, dusjacket, 405 pages, Text in NL/FR/ENG. with 900 illustrations in color. Fine! ISBN 9789464070088.‎

‎Dit nieuwe en lijvige kunstboek is opgemaakt in vierkleurendruk en telt meer dan 400 bladzijden. Hij is drietalig opgemaakt 'Nederlands-Frans-Engels', en bevat een volledig aangepaste en herziene ?uvrecataloog, en voorzien van ongeveer 800 herziene en kwalitatief verbeterde foto's. ----- This new and bulky art book is drawn up in four-colour printing and has more than 400 pages. It is in trilingual format 'Dutch-French-English', and contains a fully adapted and revised oeuvre catalog, and provided with approximately 800 revised and qualitatively improved photographs. ------ Ce livre d'art nouveau et volumineux est r dig en quadrichromie et compte plus de 400 pages. Il est au format trilingue 'n erlandais-fran ais-anglais', et contient un catalogue d'oeuvres enti rement adapt et r vis , et fourni avec environ 800 photographies r vis es et qualitativement am lior es. Catalogue Raisonne.‎

‎Alex Katz Prints, catalogue raisonne, 1947-2011‎

‎, Hatje Cantz Verlag, 2011 Hardcover with dusjacket, 304 pages, 615 illustrations. fine condition. ISBN 9783775727662.‎

‎As a means of clarifying or condensing his pictorial compositions, Alex Katz's prints occupy an outstanding place in his entire body of work. The artist is not only motivated by the opportunity to distribute the results of his work in larger numbers, but also by being able to achieve the best visual effects by means of the tenacious, innovative exploitation of print technologies. In the course of his artistic career, Katz has exhausted all of the possibilities: from traditional craftsmanship to state-of-the-art reproduction processes. Be it by tracing existing source materials, practicing strict simplification and graphic design, studying nature and the fleeting qualities of light, or adapting modern photographic or filmic vision-Katz's visual themes always make reference to visible reality. ‎

‎Jean Tinguely. Catalogue Raisonne Sculptures And Reliefs/ Werkkatalog Skulpturen Und Rliefs 1954 - 1968/ 1969 - 1985. 2 Volumes.‎

‎, Galerie Bruno Bischofberger, 1982 Hardcover with dusjackets, 2 volumes; Clothbound with dustjacket. 324 and 272 pages throughout with factory illustrations. in b/w. Text in English + German. FINE.‎

‎Jean Tinguely. Catalogue Raisonne Sculptures And Reliefs/ Werkkatalog Skulpturen Und Rliefs 1954 - 1968/ 1969 - 1985. 2 Volumes‎

‎Raoul Dufy: Catalogue raisonne des aquarelles, gouaches et pastels. Volume 2 ‎

‎, Paris: Louis Carre, , 1982 Hardcover with dusjacket, 437 pages with illustrations. col. & b/w pls. .‎

‎Catalogue raisonne des aquarelles, gouaches et pastels. Volume 2 only‎

‎Auguste Rodin ? Catalogue Raisonne 1840-1886 , Vie et ?uvre - Tome 1.‎

‎, Wildenstein Institute 1989, cartonnage illustre de l'editeur, 204 pages, 320 ill. 29 x 28.8 cm. 2,6 kg. ISBN 9782908063042.‎

‎The first volume of the catalogue raisonne of the work of Auguste Rodin (1840-1917) covers the period 1840-1886, treating his apprenticeship at the Ecole imperiale speciale de dessin et de mathematiques, his collaboration with the sculptor Carrier-Belleuse, his first trip to Italy, the difficulties of his early career, and his first successes. The volume closes with an evocation of his meeting with Camille Claudel and the elaboration of his Portes de l'Enfer, both events announcing the decisive turn that Rodin's life, art and thinking were about to take.‎

‎JAN DAVIDSZ. DE HEEM, The complete catalogue of de Heem's oeuvre / catalogue raisonne.‎

‎, Waanders Uitgevers, 2024 Hardcovers, 2 VOLUMES BOXED, 290 x 240 mm, 760 pages, throughout colour illustrations, ENG. edition, FINE!. ISBN 9789462625563.‎

‎Jan Davidsz. de Heem (1606-1684) was one of the best still-life painters of the seventeenth century. His work, which is enchanting to the eye, has always enjoyed international fame. Throughout his painting career of nearly sixty-years, de Heem continued to search for new and better ways to depict his subjects. He trained several pupils and had countless followers and imitators, in the Netherlands as well as abroad, and throughout the centuries. The fact that he was active in both the Northern and Southern Netherlands enhanced his success and fame. He worked successively in Leiden, (presumably) in Amsterdam, in Antwerp, in Utrecht and again in Antwerp. De Heem is perhaps best known for his exuberant floral still lifes, which, however, were mainly created after 1660. By then, already for decades, he had painted still lifes of many themes and motifs, and in a variety of sizes, modest as well as luxurious. In Antwerp he had developed the large, rich still lifes which earned him part of his renown. This comprehensive monograph written by Fred G. Meijer, contains the complete catalogue of de Heem's oeuvre. Volume 1 includes an introduction, a biography and description of the development of his work. Volume 2 contains the catalogue raisonn of all paintings now known by de Heem, as well as several appendices. Fred G. Meijer (1955) graduated from the Reinwardt Academie in 1980 and shortly after started at the RKD, Netherlands Institute for Art History, in The Hague, where he worked until mid-2017, lastly as Senior Curator in the department of Old Netherlandish Painting. Subsequently, he founded Fred G. Meijer Art History providing art-historical advice and texts. His main field of interest is still-life painting from the 17th and 18th centuries, but his specialist knowledge concerns many areas of painting and drawing from c.1600-1850, and related subjects. He published numerous articles, (contributions to) catalogues of exhibitions and collections, and wrote the catalogues of still-life collections in Rotterdam (1989) and Oxford (2003) and published A Dictionary of Dutch and Flemish Still-life Painters [.] with A. van der Willigen (2003). In 2016 he was awarded the degree of doctor for his research concerning Jan Davidsz. de Heem on which this book is based‎

‎Bildniszeichnungen Von J. A. D. Ingres Portrait Drawings 5 volumes; Catalogue Raisonne Catalog Raisonne Complete Works Leben Werk Oeuvre Katalog Kritischem Oeuvrekatalog Jean Auguste Dominique;‎

‎, Benteli Verlag, 1977- 1980 Hardcover with dusjackets, 5 volumes; Text in German. Volume 1: 588 pages; Volume 2: 590 pages; Volume 3: 550 pages; Volume 4: 470 pages; Volume 5: 550 pages. very richly illustrated with illustrations. ISBN 3716501220.‎

‎Good copy.‎

‎Jacob Duck Catalogue Raisonne (c.1600-1667)‎

‎, University of Haifa, 2017 Hardcover with dustjacket, 294 pp., 120 bl/wh ills. + 151 full color ills. ISBN 9789027249685.‎

‎The painter Jacob Duck (c.1600-1667) was active mainly in Utrecht, and his rise to success and recognition paralleled the phenomenon known as the Dutch Golden Age. His style of painting is a unique blend of the humor and eroticism found in the works of the Utrecht Caravaggisti with that of the Haarlem painters of Merry Company scenes. He painted mainly genre themes and was a central contributor to the rise and assimilation of both the Guardroom and the Brothel Scene. His paintings are striking due to their high level of theatricality, humor and sexual innuendo, traits he bestowed upon the following generation of Dutch genre painting. This book is the first ever monograph study of Jacob Duck and includes a complete critical catalogue of all his known works of art. ‎

‎Odilon Redon. Catalogue Raisonne De L'Oeuvre Peint Et Dessine set 4 volumes. complete‎

‎, Wildenstein Institut et Bibliotheque des Arts, Paris et Lausanne], 1998 Hardcovers with dusjackets, 4 volumes, Reliure editeur cartonnee pleine toile sous jaquette illustree. 34,5 x 29 cm, TOME 1 : 342 pages , 29 plates. couleurs, 729 fig. noir et blanc. TOME 2 : 384 pages , 71 plates. couleurs, 606 fig. noir et blanc -- TOME 3 : 419 pages., 103 plates couleurs, 627 fig. noir et blanc. -- TOME 4 : 433 pages avec 60 planches couleurs et 698 figures noir et blanc. / Texte en Francais / **Tres belle exemplaire !. **NEUF. ISBN 9782908063127.‎

‎Odilon REDON (1840-1916) consacre une part aussi belle au fusain et au pastel qu?a la peinture et au crayon. Au noir et a l'obscurite correspondent des sujets empreints d?un fantastique visionnaire aux accents funebres ; a la couleur et a la lumiere repondent les themes symbolistes, les paysages, la longue serie des vases de fleurs et les grandes decorations. Redon datait peu ses ?uvres, une division en themes et sujets a donc ete retenue pour le classement et l?analyse de l'oeuvre peint et dessine (2657 numeros) repertorie en quatre volumes, chacun accompagne de plusieurs index‎

‎HENRI DE BRAEKELEER 1840-1888 catalogue raisonne NL /FR.‎

‎Brussel, ludion / Ronny van de Velde, 2019 Hardcover, 325 x 245 mm, 440 pages; NL/ FR edition. ISBN 9789493039261.‎

‎Nieuwe kennismaking met een weerbarstig oeuvre In 1872 bezocht Vincent Van Gogh - toen nog een jonge medewerker van de kunsthandel Goupil & Cie - de grote driejaarlijkse zomertentoonstelling in Brussel. Hij werd er getroffen door drie "prachtige" schilderijen van de hand van Henri De Braekeleer. Van Gogh noemde zijn werk "curieus mooi", en de kunstenaar "een fameus kolorist" die "niet bang is voor een franke techniek" en die "rigoureus analyseert - Manet-achtig, althans even oorspronkelijk als Manet". Van Goghs grote belangstelling voor de kunstenaar is tekenend voor de houding van de avant-garde. Zij herkende in De Braekeleer een voorloper die zich van de klassieke artistieke conventies wist te bevrijden. Vandaag is er nood aan een hernieuwde kennismaking met De Braekeleer, die in het verleden vaak eenzijdig werd voorgesteld als een miskend genie. Het Mus e Rops in Namen brengt deze herfst de eerste retrospectieve over De Braekeleer sinds 1988 en toont naast een reeks klassiekers ook onbekend werk uit het Koninklijk Museum voor Schone Kunsten in Antwerpen, de Koninklijke Musea voor Schone Kunsten van Belgi in Brussel, het Mus e des Beaux-Arts in Tournai en verschillende priv verzamelingen. Herwig Todts is kunsthistoricus en is verbonden aan het Koninklijk Museum voor Schone Kunsten in Antwerpen. Hij organiseert tentoonstellingen, zowel in het museum in Antwerpen als op andere locaties, en publiceert over negentiende- en twintigste-eeuwse kunst. Het oeuvre van James Ensor is zijn belangrijkste onderzoeksgebied. /// / //// / / / Nouvelle connaissance d'une ?uvre obstin e En 1872, Vincent Van Gogh - alors jeune employ de la concession d?art Goupil & Cie - visita la grande exposition estivale de trois ans Bruxelles. Il a t frapp par trois "belles" peintures de Henri De Braekeleer. Van Gogh a qualifi son travail de "curieusement belle" et l'artiste "de coloriste c l bre" qui "n'a pas peur d'une technique franche" et qui "analyse de mani re rigoureuse - la Manet, au moins aussi originale que Manet". Le grand int r t de Van Gogh pour l'artiste est caract ristique de l'attitude de l'avant-garde. Dans De Braekeleer, elle a reconnu un pr curseur qui a r ussi se lib rer des conventions artistiques classiques. Il faut aujourd'hui renouer connaissance avec De Braekeleer, qui, dans le pass , a souvent t pr sent unilat ralement comme un g nie incompris. Cet automne, le mus e Rops de Namur pr sentera la premi re r trospective de De Braekeleer depuis 1988 et pr sentera non seulement une s rie de classiques mais galement des ?uvres inconnues du mus e royal des beaux-arts d'Anvers, des mus es royaux des beaux-arts de Belgique Bruxelles, du mus e des Beaux. -Arts Tournai et diverses collections priv es. Herwig Todts est un historien de l'art et est affili au Mus e royal des beaux-arts d'Anvers. Il organise des expositions, la fois au mus e d'Anvers et ailleurs, et publie sur l'art des XIXe et XXe si cles. L'?uvre de James Ensor est son domaine de recherche le plus important.‎

‎LES ESTAMPES DES WIERIX Catalogue raisonne. three parts in 3 volumes.‎

‎Bruxelles, Bibliotheque Albert Ier, 1978-1983 3 parts in 3 volumes no -complete , in-4 , 25,5 x 18,5 cm, Part I,II,IIIa, IIIb, sewn, orig. stiff wrappers, black/white illustrations. *******last volume part IIIb, *volume 4 is not available !!‎

‎Catalogue raisonne of the engravings of the Antwerp engravers family Wierix ; Antoine (1520-1572), Jan (1549-1618), Jerome (1553-1619), Antoine II (1555/59-1604), Antoine III (1596-1624). Bruxelles, Bibliotheqye Royale, 1978 - 1983 , 3 parts in 3 volumes , ******** last volume part IIIb, volume 4 is not available !! in-4? , 25,5 x 18,5 cm, Part I,II,IIIa, sewn, orig. stiff wrappers, black/white illustrations. Catalogue raisonne of the engravings of the Antwerp engravers family Wierix ; Antoine (1520-1572), Jan (1549-1618), Jerome (1553-1619), Antoine II (1555/59-1604), Antoine III (1596-1624). CONSERVEES AU CABINET DES ESTAMPES DE LA BIBLITHEQUE ROYALE ALBERT IER. CATALOGUE RAISONNE ENRICHI DE NOTES PRISES DANS DIVERSES AUTRES COLLECTIONS.‎

‎Jean Pierre Raynaud: Catalogue Raisonne 1962 - 1973, Volume 1 / ‎

‎, Editions du Regard, 1998 Hardcover with dusjacket. 250 pages, Volume 1. Text in French and English. . ISBN 9782841050055.‎

‎Tome 1 [Catalog Raisonn , Complete Works, Life And Work, La Vie Et L'?uvre, Oeuvre, Raisonnee]‎

‎Odilon Redon - Catalogue raisonné de l'oeuvre peint et dessiné - Volume I - Portraits et figures + Odilon Redon - Catalogue raisonné de l'oeuvre peint et dessiné - Volume II - Mythes et légendes + Odilon Redon - Catalogue raisonné de l'oeuvre peint et dessiné - Volume III - Fleurs et paysages.‎

‎Paris, Wildenstein institute / La Bibliothèque des arts, 1992 - 1994 - 1996 3 volumes 28 x 33,5cm Reliure éditeur pleine toile verte sous jaquettes vertes aux 1ers plats illustrés couleurs, en étuis carton muets. Vol.1: XX + 342p., 1feuillet; Vol.2: XV + 384p.; Vol.3: XVIII + 419p., 1feuillet; très nombreuses illustrations en noir et en couleurs, vignettes et pleines pages, dans les 3 volumes. Très bon état.‎

‎Catalogue raisonné de l'oeuvre d'Odilon Redon (1840-1916) par l'historien d'art Alec WILDENSTEIN: 1959 oeuvres répertoriées avec vignettes en noir, descriptions, expositions, bibliographies et historiques, souvent accompagnées en outre d'un commentaire et d'une reproduction couleurs à pleine page; textes et recherches par l'historienne d'art Agnès LACAU ST GUILY; documentation (des volumes 1 et 2) par Marie-Christine DECROOCQ: tableau des signatures; index, expositions et bibliographie dans chaque volume. Les 3 volumes bien complets de leurs jaquettes et étuis carton. (un supplément sera publié en 1998: "Etudes et grandes décorations"). ‎

‎Catalogue raisonné de la Bibliothèque elzevirienne 1853-1865‎

‎A. Franck 1866 1866.‎

‎Bon état‎

‎Herman Van Der Hem (1619-1649), un dessinateur hollandais à Bordeaux et dans le Bordelais au XVIIe siècle - Catalogue raisonné de dessins. Deux Volumes‎

‎ Les Editions de l'Entre-deux-Mers 32 x 23,5 2006 Deux volumes sous étui cartonné illustré, format à l'italienne, couvertures illustrées à rabats, 117 et 159 pp. Préface d'Anne-Marie Cocula. Présentation de 139 dessins du Hollandais Herman van der Hem qui s'installa une dizaine d'années à Bordeaux. Etui et volumes à l'état neuf. Dédicace manuscrite d'un des auteurs.(VeiHomme39) ‎