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Charlemagne.
P., Hachette, 1938, in 8° broché, 64 pages ; illustrations.
...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
Sept Comedies Du Moyen Age
Paris Spes 1927 In8 252 pages - broché - couverture defraichie - etat satisfaisant
Satisfaisant
[KLEIN (Paul Georges)] - [BARROUX (Robert)] - [VALOIS (Jean de)].-
Reference : 52086
(1948)
Chansons de toile. Textes traduits par Robert BARROUX. Musique transcrite par Jean de VALOIS. Présentées et imagées par Paul G. KLEIN.
1948 Sans lieu, Editions du Galion, 1948, grand in 4° en feuilles sous couverture rempliée illustrée en couelurs, sous double emboitage de toile de jutte (petite tache d'encre rouge en queue du dos).
Très rare ouvrage, imagé par Paul Georges KLEIN, tiré à 195 exemplaires seulement, le notre un des 150 sur vélin de Rives (N°36), avec la siganture autographe de l'artiste sous l'achevé d'imprimé. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
Art, Music and Spectacle in the Age of Rubens
, Brepols - Harvey Miller, 2013 Hardback, VIII 351 p., 203 b/w ill. 35 colour ill., CD, 210 x 280 mm Languages: English, Fine copy. ISBN 9781905375837.
This volume presents an interdisciplinary study of the triumphal entry of the Cardinal-Infante Ferdinand into Antwerp in 1635, and pays special attention to Rubens?s monumental arches and oil sketches that ornamented the entry. This volume deals with the triumphal entry of the Cardinal-Infante Ferdinand, brother of King Philip IV of Spain, into Antwerp in 1635, one of the largest and most spectacular festivals ever mounted in an early modern city. The outdoor festivities in honor of the city?s new governor included a citywide procession, performances, fireworks, music, and political speeches. Along the processional route appeared nine richly ornamented stages and arches designed by Peter Paul Rubens and executed by a group of local painters and sculptors, including Jacob Jordaens, Theodoor van Thulden, and Jan van den Hoecke. To commemorate the event, the city commissioned a lavish festival book, entitled the Pompa Introitus Ferdinandi (1641), which contains learned commentaries by Jan Gaspar Gevaerts, a city official and Latinist, as well as folio engravings by Theodoor van Thulden after Rubens's stages. More than a simple description of the event, Gevaerts? volume offers a rich compilation of references to ancient writers and reproductions of ancient coins.While most literature on the subject has focused on Rubens?s nine monumental arches and his twelve preparatory oil sketches for the designs, this volume will examine the entry and its accompanying festival book as a whole. A group of highly distinguished specialists from different disciplines will discuss the entry and Gevaerts? book from a myriad of viewpoints, including art, architecture, music, theater, history, politics, classical knowledge, and economic and intellectual networks. It is the first time that the entry will be examined from a truly interdisciplinary perspective. The book draws on a wide variety of primary sources, including Rubens?s preparatory oil sketches, Gevaerts? festival book, pamphlets describing the entry, and political songs from the period. Contributors: Jonathan Israel (Princeton), Peter Miller (Bard Graduate Center), Bart Ramakers (Groningen), Louis Grijp (Utrecht), Anne Woollett (Getty), Anna Knaap (Emmanuel College, Boston), Michael Putnam (Brown), Carmen Arnold-Biucchi (Harvard), Frank Fehrenbach (Hamburg), Caroline van Eck (Leiden), Ivan Gaskell (Bard Graduate Center) Table of Contents Introduction: Anna C. Knaap, Emmanuel College, Boston Part I: Historical Background and Intellectual Milieu 1. Rubens, Antwerp, and the Fight for Domination of the World Trade System (1572-1650)? Jonathan Israel, Institute for Advanced Study, Princeton 2. Peiresc, Rubens, and Visual Culture, c. 1620? Peter N. Miller, Bard Graduate Center, New York Part II: Music, Vernacular Theater and Performance 3. Ferdinand?s Triumph and the Vernacular Dramatic Tradition Bart Ramakers, University of Groningen 4. Music Performed in the Triumphal Entry of the Cardinal-Infante Ferdinand into Antwerp (1635)? Louis P. Grijp, Utrecht University Part III: Art and Enlivenment 5. The Unmoved Mover? Frank Fehrenbach, University of Hamburg 6. Animation and Petrifaction in Rubens?s Pompa Introitus Ferdinandi? Caroline van Eck, Leiden University Part IV: Classical Antiquity 7. Virgil and the Pompa Introitus Ferdinand ?Michael C. J. Putnam, Brown University 8. Coins and Classical Imagery in the Time of Rubens: The Stage of Welcome in the Pompa Introitus Ferdinand?Carmen Arnold-Biucchi, Harvard Art Museums Part V: Rubens?s Oil Sketches: Preparation and Display 9. The Burden of Invention: Rubens and the Stage of Welcome ?Anne T. Woollett, J. Paul Getty Museum 10. Being True to Rubens ?Ivan Gaskell, Bard Graduate Center, New York Appendix 1: Track list Audio CD performed by The Imperial Trumpets, La Caccia and Camerata TrajectinaAppendix 2: Explanation of Audio CD? Louis P. Grijp Appendix 3: Song texts of Audio CD with short introductions
Nicodemus Tessin the Elder. Architecture in Sweden in the Age of Greatness,
Turnhout, Brepols, 2009 Paperback, XII+275 pages., 146 b/w ill., 220 x 280 mm. *NEW ISBN 9782503528267.
Nicodemus Tessin the Elder was an architect, gentleman, and founder of the artistic dynasty that was immensely influential at the Swedish court in the seventeenth and eighteenth centuries. He was architect to the crown, to the nobility, and to the city of Stockholm, and he supplied buildings for a wide range of functions, from palaces to banks, courthouses, and fortifications. His unusually extensive travels in the Netherlands, Italy, France and Germany provided him with a comprehensive picture of contemporary European architecture, which he drew on as he synthesized a new group of buildings that would attract international attention as models for princely architecture. His productivity required a new approach to architecture, and he was part of the first generation of architects in northern Europe to develop the architectural studio, distinguishing the design process from the business of building, and in the process recreating himself as the modern architect. New.
Grelot mon chat
GRASSET JEUNESS 1989 24 pages 22 2x0 8x25 2cm. 1989. Broché. 24 pages.
Bon état
Knut Ivar Austvoll, Marianne Hem Eriksen, Per Ditlef Fredriksen, Lene Melheim, Lisbeth Pr sch-Danielsen, Lisbeth Skogstrand (eds)
Reference : 65484
Contrasts of the Nordic Bronze Age. Essays in Honour of Christopher Prescott
, Brepols, 2021 Paperback, 284 pages, Size:215 x 280 mm, Illustrations:61 b/w, 30 col., 16 tables b/w., Language: English. ISBN 9782503588773.
Summary The Bronze Age in Northern Europe was a place of diversity and contrast, an era that saw movements and changes not just of peoples, but of cultures, beliefs, and socio-political systems, and that led to the forging of ontological ideas materialized in landscapes, bodies, and technologies. Drawing on a range of materials and places, the innovative contributions gathered here in this volume explore the disparate facets of Bronze Age society across the Nordic region through the key themes of time and trajectory, rituals and everyday life, and encounters and identities. The contributions explore how and why society evolved over time, from the changing nature of sea travel to new technologies in house building, and from advances in lithic production to evolving burial practices and beliefs in the afterlife. This edited collection honours the ground-breaking research of Professor Christopher Prescott, an outstanding figure in the study of the Bronze Age north, and it takes as its inspiration the diversity, interdisciplinarity, and vitality of his own research in order to make a major new contribution to the field, and to shed new light on a Bronze Age full of contrasts and connections. TABLE OF CONTENTS List of Illustrations Preface Contrasts of the Bronze Age - Time, Ritual and Encounters in the Nordic World: An Introduction - IVAR AUSTVOLL, MARIANNE HEM ERIKSEN, PER DITLEF FREDRIKSEN, LENE MELHEIM, LISBETH PR SCH-DANIELSEN AND LISBETH SKOGSTRAND Part I. Time and Trajectory in the Nordic Bronze Age The Nordic Bronze Age Rose from Copper Age Diversity: Contrasts in the Cimbrian Peninsula -JOHANNES M LLER AND HELLE VANDKILDE On the Periphery of an Agricultural Society: Traces From the Formative Agricultural Period in Norway - A Case Study From ygarden in Hordaland, Western Norway - ARNE JOHAN N R Y The Contrasting Region of Hedmark, Southeast Norway: A Border Zone Through Three Millennia - BERNT RUNDBERGET AND HILDE RIGMOR AMUNDSEN Lithic Production in Bronze Age Norway: The Legacy of a Neolithic Mosaic - ASTRID J. NYLAND Places to Be, or Places to Live? Transformations in Prehistoric Dwellings in the North-western Iberian Peninsula - M. PILAR PRIETO-MART NEZ A History in Prehistory: The Making of a Migration Period 'Technology of Remembrance' in South-West Norway - PER DITLEF FREDRIKSEN AND ELNA SIV KRISTOFFERSEN Part II. Ritual and Everyday Life: Ontologies, Images, and Place-making Practices Together or Apart? Identifying Ontologies in the Nordic Bronze and Iron Age through the Study of Human-Horse Relationships - JACOB KVEIBORG The Stacked, the Partial and the Large. Visual Modes of Material Articulation in M laren Bay Rock Art - FREDRIK FAHLANDER Ritual or Mundane? Scandinavian Tar Loaves from the Bronze Age - CAMILLA C. NORDBY AND KRISTINE ORESTAD S RGAARD Identifying and Investigating Diversity: New Perspectives and Possibilities Within Scandinavian Rock Art Research - JAMES DODD Patterns or Contrast? A GIS-based Study of the Landscape Context and Localization of Southern Rock Art Tradition in Stj rdal, Mid-Norway - ARNE ANDERSON STAMNES AND HEIDRUN STEBERGL KKEN Knapped Quartz in Finnish Bronze Age Cairns - JARKKO SAIPIO Bridging Perspectives: Social Dynamics of Houses and Households in the Nordic Bronze Age - MARIANNE HEM ERIKSEN AND KNUT IVAR AUSTVOLL Part III. Encounters: Identity, Things, and People on the Move A Safe Harbour: Identifying and Theorizing Harbours in Late Neolithic and Bronze Age Norway - H VARD KILHAVN What Can Artefacts Tell Us About Societies? Foreign Objects in Bronze Age Central Europe and Scandinavia - LUKAS WIGGERING Clay, Burial Urns, and Social Distinction in Late Bronze Age Southern Scandinavia - SERENA SABATINI, TORBJ RN BRORSSO, AND PETER SKOGLUND The Contrasts Within: Intersecting Identities in the Luseh j Mound, Denmark - LISBETH SKOGSTRAND Contrasting the Women in the Rege and Molkhaug Mounds: Poised Between the Here and the Beyond - KRISTIN ARMSTRONG OMA Thy at the Crossroads: A Local Bronze Age Community's Role in a Macro-Economic System - KRISTIAN KRISTIANSEN, LENE MELHEIM, JENS-HENRIK BECH, MORTEN FISCHER MORTENSEN, AND KARIN MARGARITA FREI
La guerre au Moyen Age. Traduction de Paul Alexandre.
1987 Sans lieu, Editions PML, 1987, in 4°, cartonnage noir de l'éditeur, jaquette illustrée en couleurs, 255 pages ; très importante iconographie en noir et en couleurs ; index.
Bel exemplaire. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
DER GUDE SENTE SERVAS. DE SERVATIUSLEGENDE EN DE SERVATIANA : EEN ONDERZOEK NAAR DE BEELDVORMING ROND EEN HEILIGE IN DE MIDDELEEUWEN. DE GESCHIEDENIS VAN DE KERKSCHAT VAN HET SINT-SERVAASKAPITTEL TE MAASTRICHT, DEEL 1,
, Maastricht, Van Gorcum - Assen, 1985, Gebonden, zwart linnen met goudopdruk onder geillustreerde stofomslag, frontispice, 205 x 255mm., 357pp., uitgebreide z/w illustratie.
Volume 5: Maaslandse Monografieen. I. De sociaal - culturele betekenis van Sint - Servaas te Mechelen II. De Servatiuslegende III. De Servatiana IV. De Sint - Servaaskerk en de schatkamer van het Servaaskapittel in reis- en plaatsbeschrijvingen. In goede staat.
Meestertekeningen van Jan Van Eyck tot Hieronymus Bosch
Antwerpen, Rubenshuis, 2002 softcover , 300x240mm, 192p, 55 colour illustrations, 120 bw illustrations, Dutch (NL) edition, als nieuw. ISBN 907670414713978.
Het belang van de schilderkunst van de zogenaamde Vlaamse Primitieven en het nieuwe realisme dat zij introduceerden wordt sinds lang onderkend, maar hun tekeningen blijven tot vandaag vaak verhuld in het duister van de prentenkabinetten. De delicate en met zorg gekoesterde bladen zijn meestal slechts bekend in een kleine kring van deskundigen. Voor dit project selecteerden de tentoonstellingsmakers 55 bladen, een kleine maar wezenlijke keuze van de mooiste en meest representatieve tekeningen. Het overzicht van bijna 100 jaar tekenkunst van de Vlaamse Primitieven voert langs vier kunstenaars die tot de verbeelding spreken: Jan van Eyck, Rogier van der Weyden, Hugo van der Goes en Hieronymus Bosch, telkens met hun groep van navolgers. Bij de tentoonstelling verschijnt een uitvoerig geillustreerde catalogus, verzorgd door Blonde Art printing International. Het boek verenigt net zoals de tentoonstelling hoogst origineel en zeldzaam materiaal voor een kunstminnend publiek. Bij de spraakmakende bruiklenen die naar het Rubenshuis komen, is Jan van Eycks beroemde Heilige Barbara uit het Koninklijk Museum voor Schone Kunsten, Antwerpen. Andere voorname bruikleengevers zijn de prentenkabinetten van Londen, Parijs, Wenen, Berlijn, Rotterdam, New York en Amsterdam. Er komen ook tekeningen uit Luik, Braunschweig en Oxford, waaronder het prachtige blad met De ontmoeting van Jacob en Rachel van Hugo van der Goes.
Meestertekeningen van Jan Van Eyck tot Hieronymus Bosch
Antwerpen, Rubenshuis, 2002 Hardcover , 300x240mm, 192p, 55 colour illustrations, 120 bw illustrations, Dutch (NL) edition, als nieuw. ISBN 907670414713978.
Het belang van de schilderkunst van de zogenaamde Vlaamse Primitieven en het nieuwe realisme dat zij introduceerden wordt sinds lang onderkend, maar hun tekeningen blijven tot vandaag vaak verhuld in het duister van de prentenkabinetten. De delicate en met zorg gekoesterde bladen zijn meestal slechts bekend in een kleine kring van deskundigen. Voor dit project selecteerden de tentoonstellingsmakers 55 bladen, een kleine maar wezenlijke keuze van de mooiste en meest representatieve tekeningen. Het overzicht van bijna 100 jaar tekenkunst van de Vlaamse Primitieven voert langs vier kunstenaars die tot de verbeelding spreken: Jan van Eyck, Rogier van der Weyden, Hugo van der Goes en Hieronymus Bosch, telkens met hun groep van navolgers. Bij de tentoonstelling verschijnt een uitvoerig geillustreerde catalogus, verzorgd door Blonde Art printing International. Het boek verenigt net zoals de tentoonstelling hoogst origineel en zeldzaam materiaal voor een kunstminnend publiek. Bij de spraakmakende bruiklenen die naar het Rubenshuis komen, is Jan van Eycks beroemde Heilige Barbara uit het Koninklijk Museum voor Schone Kunsten, Antwerpen. Andere voorname bruikleengevers zijn de prentenkabinetten van Londen, Parijs, Wenen, Berlijn, Rotterdam, New York en Amsterdam. Er komen ook tekeningen uit Luik, Braunschweig en Oxford, waaronder het prachtige blad met De ontmoeting van Jacob en Rachel van Hugo van der Goes.
Nouveau (Le): - TRADUIT DE L'ALLEMAND **** JUNIOR
FLAMMARION 2001 192 pages 11x1 2x15 8cm. 2001. Broché. 192 pages.
Bon état
Kozikoglu Tülin Sönmezay Hüseyin Duteil Julie
Reference : 500080824
(2022)
ISBN : 9782354135799
En route pour lima
FLAMMARION 2004 224 pages 1x17x11cm. 2004. Broché. 224 pages.
Très bon état
Benjamin le Père Noël du jardin
GALL JEUN GIBOU 2003 28 pages 18 8x0 8x19 4cm. 2003. Relié. 28 pages.
Bon état
Carole la Luciole
GALL JEUN GIBOU 1995 32 pages 18 6x0 8x19 2cm. 1995. Broché. 32 pages.
Bon état
Lorette la Pâquerette
Gallimard 1999 28 pages 18 8x0 8x19 2cm. 1999. Relié. 28 pages.
Bon état
Léon le Bourdon: Leon Le Bourdon
Gallimard 1995 32 pages 19 4x0 8x19 2cm. 1995. Broché. 32 pages.
Bon état
Krings Antoon Andréani Isabelle Garcia Camille Poisson Alix
Reference : 500215381
(2010)
ISBN : 9782070695577
Histoires d'Édouard le Loir Grace la Limace les couleurs de Siméon le Papillon
Gallimard 2010 84 pages 19 8x1 2x19 8cm. 2010. Relié. 84 pages.
Bon état
Krings Antoon Pef Donaldson Julia Scheffler Axel
Reference : 500113417
(2017)
ISBN : 9782075079389
3 histoires de voyage
GALLIMARD JEUNE 2017 96 pages 17 6x21 2x1 8cm. 2017. Relié. 96 pages.
Très bon état
Krings Antoon Pef Donaldson Julia Scheffler Axel
Reference : 500116674
(2017)
ISBN : 9782075079389
3 histoires de voyage
GALLIMARD JEUNE 2017 96 pages 17 6x21 2x1 8cm. 2017. Relié. 96 pages.
Très bon état
Krings Antoon Pef Donaldson Julia Scheffler Axel
Reference : 500120168
(2017)
ISBN : 9782075079389
3 histoires de voyage
GALLIMARD JEUNE 2017 96 pages 17 6x21 2x1 8cm. 2017. Relié. 96 pages.
Bon état
Krings Antoon Pef Donaldson Julia Scheffler Axel
Reference : 500182408
(2017)
ISBN : 9782075079389
3 histoires de voyage
GALLIMARD JEUNE 2017 96 pages 17 6x21 2x1 8cm. 2017. Relié. 96 pages.
Très bon état
De quelle autorité
1928 A Paris, Les Editions de l'Etoile - 1928 - Edition originale - Petit in-8, broché couverture rempliée - 51 pages - Exemplaire tiré sur Hollande Pannekoek, numéroté N° 195 / 200
Bon état - Couverture très légèrement piquée - Menus frottements sur le dos et la couverture
Fierabras, chanson de geste, publiée pour la première fois d'après les manuscrits de Paris, de Rome et de Londres/Parise, la Duchesse, chanson de geste, deuxième édition ,revue et corrigée d'après le manuscrit unique de Paris. Les anciens poètes de la France, 4.
Paris, Chez F. Vieweg, 1860. 10 x 17, lix-204 + xliii-114 pages, bandeaux, lettrines et culs-de-lampe, exemplaire non rogné, reliure d'édition pleine percaline brune, dos : titre et tomaison, doubles filets dorés et orné de l'effigie de la collection (cheval surmontant un heaume), plats gravés à froid, bon état (quasi pas de rousseurs).
2 titres de la même collection reliés en 1 seul volume.
