‎La Science. Ses progrès, ses applications. TOME 1er : La Science jusqu'à la fin du XIXe siècle.‎

‎LAROUSSE. 1933. In-4. Relié. Etat d'usage, Couv. légèrement passée, Mors fendus, Intérieur frais. 384 pages. Nombreuses illustrations, gravures et photos en héliogravure, dans le texte et hors-texte. Quelques planches illustrées en couleurs. 1er plat de couverture brochée, conservé. Etiquette de code sur la coiffe en-tête et tampons de bibliothèque sur la page de titre et dans quelques marges.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Les grandes leçons de la vie, 20 vérités essentielles‎

‎2003, AdA, in-8 broché de 196 pages, couverture illustrée en couleurs, adapté de l'américain par Mathieu Fleury. | Etat : Bon état général (Ref.: KH4460)‎

‎AdA‎

‎Planetarium of Kiro Urdin. SIGNED !!‎

‎, Neways electronics International , 1997 Hardcover with dusjacket. unpag. Illustrated. text in English. . ISBN 9080386316.‎

‎ed. by Gerard Meulensteen; photogr. ill. in colour by Marin Dimeski; cloth, silver stamped SIGNED BY URDIN‎

‎UREDINEANA, TOME II.‎

‎Paul Lechevalier, 1946. Grand in-8 broché, 227 pages, illustré de nombreuses figures. Bon exemplaire.‎

‎Ma vie est fantastique‎

‎Pygmalion 1975 In-12 broché 24 cm sur 15,8. 221 pages. Pelliculage jauni, couverture écornée. Bon état d’occasion.‎

‎Il est considéré par ses détracteurs comme un prestidigitateur et un charlatan. Le premier sceptique à avoir démystifié ses prétentions est James Randi aux États-Unis en 1972, suivi en France par Gérard Majax en 1987 et le cercle zététique[ Bon état d’occasion ‎

‎SEINE-NORMANDIE. De l'usage de l'eau ‎

‎Paris Editions de la Martinière 1995 in 4 (31,5x25,5) 1 volume reliure cartonnée noire de l'éditeur, jaquette illustrée, 113 pages [3], avec de nombreuses photographies en noir et blanc hors texte par Fernando Javier Urquijo. Bel exemplaire ‎

‎Très bon Jaquette en très bon état Reliure ‎

‎SAGA. UNE VIE D'ART ET DE REGARDS de Eug ne Atget Tarrah Krajnak ‎

‎, Ludion, 2024 HB BOX, 300 x 240 mm, 576 pages, FR edition. ISBN 9789464781045.‎

‎Il y a vingt ans, Art Basel, Astrid Ullens a achet , plus ou moins sur un coup de t te, une photographie de Brancusi. Cette impulsion a t le premier pas dans la constitution d'une collection impressionnante, qui compte aujourd'hui plus de 5.000 photographies, dont certaines de professionnels aussi c l bres que Lewis Baltz, Lee Friedlander, Helen Levitt et Walker Evans, et d'autres de jeunes photographes comme Francesco Neri, Georges Senga, Massao Mascaro et Tarrah Krajnak. Astrid Ullens, qui a confi sa collection une fondation cr e cet effet, la Fondation A Stichting Bruxelles, n'a rien d'une chasseuse de troph es. Pour elle, seuls importent le regard et l'attitude du photographe, et sa collection s'inscrit dans un projet plus vaste, visant promouvoir la photographie comme mode de vision et de compr hension du monde, tout en contribuant soutenir ceux qui la pratiquent. Cet ouvrage substantiel constitue une excellente introduction la collection, avec pas moins de 2000 images repr sentant plus de 100 photographes. De ce fait, il entra ne le lecteur dans un voyage fascinant travers la photographie documentaire, autor flexive et conceptuelle, du vingti me si cle, de nombreuses surprises voisinant avec des points de rep re bien connus. Il brosse galement le portrait d'une cohorte de photographes qui ont tous cherch , d'une mani re ou d'une autre, faire mieux comprendre au spectateur le monde, la nature, l'humanit , la soci t et la photographie elle-m me - ce qui ne va plus de soi dans le flot d'images qui nous submergent aujourd'hui, remises en question par les progr s de l'IA. En plus des images et de br ves notices sur les diff rents photographes, l'ouvrage inclut plusieurs essais de chercheurs et d'autres, dont le conservateur Urs Stahel, l'auteur et journaliste Guy Duplat, et le directeur du Mus e de la Photographie de Charleroi, Xavier Canonne. Ouvrage indispensable tous les passionn s de la photographie, SAGA sera publi l'occasion de l'exposition When Images Learn To Speak, aux Rencontres d'Arles, durant l' t 2024.‎

‎Bildhaueraufnahmestucke der Academie Royale de Peinture et de Sculpture in Paris 1700-1730.‎

‎Petersberg, Imhof, 2012 Hardcover, 22 x 30 cm, 264 Seiten, 12 Farb- und 224 S/W-Abbildungen, . German Text. New! ISBN 9783865686657.‎

‎Fur die begehrte Mitgliedschaft der 1648 gegrundeten Academie Royale de Peinture et de Sculpture in Paris reichten die sich bewerbenden Kunstler ein Aufnahmestuck ein. Es diente zur Ausstattung der Versammlungssale und fungierte als Lehrmaterial fur die auszubildenden Studenten. Das vorliegende Buch thematisiert die sogenannten ?morceaux de reception? der Bildhauer vorwiegend im Zeitraum von 1700?1730 ? eine Werkgruppe, die vielschichtige Erkenntnisse uber den kunstlerischen Schaffensprozess und die individuelle Gestaltungsfreiheit, aber auch uber institutionelle Abhangigkeiten prasentiert. Anhand von zahlreichen Beispielen werden Themen wie Sujetwahl, typologische Vorbilder, der Sockel als Buhne der Figur, die Darstellung von Bewegung und Schmerz u. v. m. behandelt.‎

‎Rinus Van de Velde: Inner Travels‎

‎, Hannibal Publishing / BOZAR, 2022 hardcover, 330 x 220 mm, 208 pages, EN-FR-NL edition.*nieuw in folie ISBN 9789464366167.‎

‎Expo: 18/02/2022 - 15/05/2022, Bozar Europalia Rinus Van de Velde in dialoog met internationale topkunstenaars In zijn internationaal gevierde werk cre ert Rinus Van de Velde ( 1983) een parallel universum waar elementen uit de realiteit en de verbeelding samensmelten tot een unieke vorm van visuele storytelling. Van de Velde neemt ons mee op een reis door zijn verbeelding, een plaats die tijd en ruimte overstijgt, waarin alle ontmoetingen mogelijk zijn en waarin elk pad bewandeld kan worden. Dit boek schetst een circulair verhaal van vertrekken en terugkeren, met de trein als metafoor, en biedt een overzicht van Van de Veldes recentste werken. Het geheel gaat in dialoog met moderne en hedendaagse kunstenaars zoals o.a. Pierre Bonnard, Joseph Cornell, Fischli/Weiss, Joan Mitchell, Claude Monet, Monster Chetwynd, Laure Prouvost, Josephine Troller en Jean Tinguely, van wie eveneens werk werd opgenomen. Inner Travels is het boek bij de gelijknamige tentoonstelling, die van 18 februari tot 15 mei 2022 plaatsvindt in Bozar, en verschijnt naar aanleiding van het EUROPALIA Arts Festival. Met tekstbijdragen van Ursula Str bele, Koen Sels, Stefaan Vervoort, Julie Verheye en Dirk Vermaelen. ///// Rinus Van de Velde in dialogue with leading international artists In his internationally acclaimed work, Rinus Van de Velde (b. 1983) creates a parallel universe in which elements of reality and the imagination are fused into a unique form of visual storytelling. He takes us on a journey through his imagination, a place that transcends time and space, where all encounters are possible and every path can be walked. This book presents a circular narrative of departure and return, using the metaphor of a train, and offers an overview of Van de Velde?s most recent works. It enters into a dialogue with the work of modern and contemporary artists such as Pierre Bonnard, Joseph Cornell, Fischli/Weiss, Joan Mitchell, Claude Monet, Monster Chetwynd, Laure Prouvost, Josephine Troller and Jean Tinguely. Inner Travels is the book accompanying the exhibition of the same name, which runs at Bozar from 18 February to 15 May 2022. Its publication coincides with the EUROPALIA Arts Festival. With text contributions by Koen Sels, Ursula Str bele, Julie Verheye, Dirk Vermaelen and Stefaan Vervoort.‎

‎Pourquoi me tutoyez-vous ?‎

‎2005, Flammarion, in-8 broché de 230 pages, couverture illustrée. «Examen clinique, par un pénaliste réputé, des dérives qui, si elles devaient se poursuivre, menaceraient notre démocratie. « | Etat : Bon état général, 1er plat un peu plié (Ref.: ref11343)‎

‎Flammarion‎

‎1 POCHETTE: 20 CAS DE TRAITEMENT ET PRATIQUE DE L INFORMATION- INFORMATION- VIE DE L ENTREPRISE- GESTION DE L ENTREPRISE‎

‎FOUCHER. NON DATE. In-4. En feuillets. Etat d'usage, Couv. convenable, Coiffe en pied abîmée, Intérieur frais. 1 POCHETTE contenant: 237 pages (3 pages complétées au crayon à papier) + 8 pages volantes de notes- 1 annotation au stylo bleu en tête du premier contreplat de la pochette. . . . Classification Dewey : 20-Bibliothéconomie et sciences de l'information‎

‎ Classification Dewey : 20-Bibliothéconomie et sciences de l'information‎

‎La démocratie et ses conditions morales.‎

‎ 1884 in-12, 288pp., br. Paris Plon 1884,‎

‎Couronné par l'Acad. des Sc. morales et politiques. ‎

‎ART NOW : 137 ARTISTS AT THE RISE OF THE NEW MILLENIUM‎

‎, Taschen 2002, 2002 Softcover, 638 pages, English, 255 x 205 mm, fine copy. ISBN 9783822814444.‎

‎This volume offers updated biographical information on 150 influential artists. It includes a section produced in collaboration with The Art Newspaper which lists museums, restaurants and hotels, and even gives the scoop on how much one can expect to pay for a Damien hurst or a Sharon Lockhart.‎

‎From Sun-Day to the Lord's Day. The Cultural History of Sunday in Late Antiquity and the Early Middle Ages‎

‎, Brepols, 2023 Hardback, 528 pages, Size:156 x 234 mm, Illustrations:8 b/w, 2 tables b/w., 1 maps b/w, Language(s):English, German. *new ISBN 9782503598260.‎

‎Summary Ever since the Christianization of the planetary week in Late Antiquity, the notion of Sunday as a day of rest, as well as the rhythm of a seven-day week, has been a constant. Yet the cultural history of Sunday in Late Antiquity and the Early Middle Ages is complex. Detailed research reveals a greater diversity than appears at first glance. For example, Sunday did not simply replace the Sabbath, nor was the Jewish Sabbath commandment directly adopted. Furthermore, the Sunday laws of Emperor Constantine officially gave the inhabitants of the Roman Empire a day of rest free of work, but the effect and reception of the laws is hard to grasp, even among Christian authors. Moreover, Sunday was by no means a central theme in the history of late antique Christianity, so that the scattered references must be interpreted. This edited collection, based on a conference in Vienna in 2019, investigates the relevance of Sunday and the weekly rhythm in Late Antiquity and the Early Middle Ages in the everyday life of people, in monasticism, in synods, in further imperial and ecclesiastical laws, and in disciplinary and liturgical developments. It also covers controversies with the Jewish Sabbath as well as reflections on the aspect of rest, freedom, and of charity. While exploring different views and regional differences, the contributions show the growing importance of the Lord's Day, especially since the sixth century, as part of the Christianization of society and the sacralization of the calendar. TABLE OF CONTENTS From Sun-Day to the Day of the Lord: Introduction ? Uta Heil Imperial Legislation Christianisation of the Empire or Power Struggle with Licinius? The Sunday Legislation of Constantine the Great and Its Historical Context ? Fritz Mitthof Missachtung der Sonntagsruhe als Kapitalverbrechen. Einige Bemerkungen zu dem Neufund einer sp tantiken Kaiserkonstitution aus Anaia ? Uta Heil / Fritz Mitthof The Emperor Never Rests ? Sofie Remijsen Parting of the Days Sabbath or Sunday? Rabbis and Church Fathers in Dialogue ? G nter Stemberger Redefining the Sabbath Rest in the Sermons of Augustine: Of Heart, (Re)Quies, and Time ? Marie-Ange Rakotoniaina Structuring of Time Business as Usual? Sunday Activities in Aphrodito (Egypt, Sixth to Eighth Century AD) [evidence mainly from papyri] ? Sofie Remijsen In Search of Synodical Activities on Sundays ? Thomas Graumann Sunday in Late Antique Arabia and Palestine according to Epigraphy and Hagiography ? Basema Hamarneh The Sunday in Palestinian Monasticism ? Andreas M ller Discipline and Punishment The Christian Sunday in the Sixth Century: The Sunday Discourse in Politics ? Mischa Meier Hagiography and the Canons on Sunday Work ? Ian Wood Sunday and the Organisation of Freedom in Late Roman Law and Early Medieval Liturgy ? Els Rose Sunday Observance ? Norms and Norm Deviation in Late Antiquity ? Wolfram Kinzig Liturgical Celebration Remarks on Sunday in the Early Church ? Michael Durst Sunday Celebration in the Early Church:A Review of Basic Structures, Characteristic Elements and Significant Developments ? Harald Buchinger Not Every Sunday Is the Same:Observations on the Development of the 'Sunday propria' in the Liturgies of the Old Gallican Rite in the Early Middle Ages ? Volker Drecoll Propter magna mysteria: Some Observations on Sunday and on Numerology in Walahfrid Strabo's Handbook ? Richard Corradini *** Indexes Bible Passages Sources Names and Places Councils/Synods‎

‎sicut commentatores loquuntur. Authorship and Commentaries on Poetry / Autorproblematik und antike Dichterexegese‎

‎, Brepols, 2023 Paperback, 480 pages, Size:156 x 234 mm, Illustrations:7 b/w, 6 tables b/w., Language(s):English, German, Italian. ISBN 9782503605340.‎

‎Summary Ancient commentaries on poetry - due to their heteronomous nature, their miscellaneous character, and the fact that most of them are transmitted in abridged and anonymous form - are usually not considered 'authorial' texts in the same way as poems or literary prose are. Nevertheless, as didactic texts, they rely on authority to convey their interpretation, and they also often seem to have been perceived as products of authorial activity, as paratexts, references and pseudepigraphic attributions demonstrate. The aim of this volume is to explore this tension and to examine commentaries and scholia on poetry in terms of authorship and 'authoriality'. The contributions use several Latin and Greek corpora as case studies to shed light on how these texts were read, how they display authorial activity themselves, and how they fulfil their function as didactic works. They provide reflections on the relationship of author, authorship, and authority in 'authorless' traditions, explore how authorial figures and authorial viewpoints emerge in an implicit manner in spite of the stratified nature of commentaries, investigate the authorial roles adopted by commentators, compilers and scribes, and elucidate how commentators came to be perceived as authors in other exegetic traditions. TABLE OF CONTENTS Introduction: Authorship and Commentaries on Poetry (Ute Tischer, Thomas Kuhn-Treichel & Stefano Poletti) 1. Author, Authorship, and Authority as a (Critical) Problem Memoriae suae causa: Some Considerations on the Relationship between Author and Commentary in (Late) Antiquity (Luigi Pirovano) The Commentator as Curator: Parathesis, Authority, and Anonymity in the Greek Tradition (Joshua Smith) The Author(s) and the Authorship of the 'Philargyrian' Exegetical Corpus (Fabio Stok) Hucusque Iunilius. Autorfiguren und auktoriale Strategien in drei Textzeugen des Servius und des Corpus Bernense (Ute Tischer) 2. Authorial Viewpoints in Stratified Texts Per un lessico dei commenti tardoantichi a Virgilio. Il caso di Servio (Massimo Gioseffi) In Addition: The Rhetoric of Copia in Servius (Auctus) (D niel Koz k) Eine Frage der Perspektive. Servius und Servius auctus ber Vergils subjektiven Stil (Stefano Poletti) Respexit, transtulit, imitatus est: An Authorial Perspective on Dynamics of Allusion and Imitation? (Camilla Poloni) 3. Authorial Roles and Authority Aristarch aber?: Evokation von Autorschaft durch namentliche Verweise in den Pindarscholien und dar ber hinaus (Thomas Kuhn-Treichel) Alii dicunt... Servius and Virgil's Anonymised Readers (Frances Foster) Der Dichter und sein Richter - Die Autorit t des Dichtungskritikers in den kommentierenden Scholien zur ?????? ????????? des Dionysios Thrax (Markus Hafner) 4. Commentators as Authors within Exegetical Traditions M thodes grammaticales et auctorialit s ex g tiques dans le commentaire de Servius (Daniel Vallat) Il magister Servius nella tradizione scoliastica tardoantica (Concetta Longobardi) Asper's Commentary in Servius and the Scholia Veronensia: Between Authority and Anonymity (Janyce Desiderio) Index locorum About the Authors‎

‎ut pictura poeta. Author Images and the Reading of Ancient Literature / Autorbilder und die Lekt re antiker Literatur‎

‎, Brepols, 2022 Paperback, 378 pages, Size:156 x 234 mm, Illustrations:16 b/w, 5 col., 2 tables b/w., Language(s):English, German. ISBN 9782503598666.‎

‎Summary The leitmotif of this volume is the concept of ?author images?, which is used in modern literary studies to describe processes of production and reading of literary works and is here applied for the first time to the study of ancient works. As a means of analysing ancient literature, it captures the aspect of personification, which is characteristic of ancient author concepts, and at the same time points to the fact that there is a difference between ?image? and ?author? and that it is only an image and not the author himself that can be seen and grasped by readers. This makes the ?author image? particularly suitable for examining the intersections of material, rhetorical and mental representations of literary authorship that form the subject of this volume. Using selected examples from Latin and Greek literature, the contributors explore the fields of cultural experience that nourish authorial images. They discuss the manifold possibilities of visualising and representing a person's quality of being an author in general or being an author of specific works, be it physically through artworks or pictures, metaphorically through evoked authorial figures, through thematised representations of authors in a text, or through the combination of authorial images and texts. These issues are addressed in four overlapping sections, each focusing on different areas of the metaphor's application, namely material images in the form of artworks, knowledge about persons, textual images as authorial strategies and images in reception. TABLE OF CONTENTS ut pictura poeta. Author Images and the Reading of Ancient Literature / Autorbilder und die Lekt re antiker Literatur (Ute Tischer, Ursula G rtner & Alexandra Forst) The Cultural Imagination of Authorship (Wolfgang Hallett) I. Images of Authors and Author Images as Material Representations Pliny the Elder and the Portraits of Ancient Authors (Eva Falaschi) Menander daheim. Die pompejanische Casa del Menandro als Autorbild (Katharina Lorenz) sequens philosophos fecit. Abbildungen griechischer Philosophen und Dichter und deren Rezeption in der antiken Literatur (Margit Linder) II. Authorial Images between Text and Biography Symmachus als pagane Galionsfigur. Die dritte relatio und ihre Bedeutung f r ein wirkm chtiges Autorbild (Alexandra Forst) Servius velut latenti similis. Das Autorbild des Vergilkommentators Servius (Ute Tischer) III. Authorial Images as Created by Authors Medial Representation of the Author ?Naso?. Rhetorical Strategies of Self-dramatization in Ovid?s Epistulae ex Ponto (Therese Fuhrer) Aesopi ingenio statuam posuere Attici. The Author Image in Phaedrus's Fables (Ursula G rtner) Autorbild und Autorfiktion bei Babrios und Minoides Mynas (Lukas Spielhofer) Nobody's Home. Surrogacy, Substitution, and the Failed Search for ?Calpurnius Siculus? (Tom Geue) IV. Authorial Images from a Historical Perspective Author as Audience. Staging Virgil in Tacitus's Dialogus de oratoribus (Talitha Kearey) Virgil the Wise. Genesis of a Myth (Fabio Stok) Fathers and Sons - and Daughters. Genealogical Co-authorship, Offspring Metaphors and the Language of Legitimacy (Markus Hafner) Index locorum‎

‎Dictionnaire des sciences‎

‎puf. Non daté. In-8. Relié toilé. Bon état, Couv. convenable, Dos fané, Intérieur frais. 325 pages.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎DICTIONNAIRE DES SCIENCES / MATHEMATIQUE, MECANIQUE, COSMOGRAPHIE, PHYSIQUE, CHIMIE.‎

‎PRESSES UNIVERSITAIRES DE FRANCE. 1956. In-4. Relié toilé. Etat d'usage, Coins frottés, Coiffe en pied abîmée, Intérieur acceptable. 325 pages - Pages 3 et 4 scotchées sur le coin - Quelques annotations au stylo rouge et au crayon a papier sur les pages de garde - Titre et illustration dorés.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Traduction de jacques D'HERMIES. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Dictionnaire des Sciences : Mathématiques, Mécanique, Cosmographie, Physique, Chimie.Adaptation, mise à jour et compléments de Marie-Elisa Cohen et René Taton, avec un tableau des symboles et unités et un index des termes scientifiques anglais.‎

‎ Paris, Presses Universitaires de France 1956, 250x155mm, 325pages, reliure d'éditeur. Titre doré au dos. Dos et haut du premier plat légèrement décolorés par le soleil. Bel exemplaire.‎

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‎Dictionnaire des sciences - Mathématiques, Mécanique, Cosmographie, Physique, Chimie.‎

‎ P., Presses Universitaires de France (PUF), 1956, 1 vol. in-8 cartonné sous jaquette ill., de 325 pp. ‎

‎Traduction de Jacques d'Hermies, adaptation, mise à jour et complément de Marie-Elisa Cohen et René Taton.Avec un tableau des symboles et unités et un index des termes scientifiques anglais.Texte sur deux colonnes.Etat d'usage. ‎

‎Dictionnaire des sciences. Mathématiques, mécanique, cosmographie, physique, chimie. Traduit par Jacques d'Hermès. Adaptation, mise à jour et compléments de Marie Elisa Cohen et René Taton.‎

‎ P., PUF, 1956, in 8° relié pleine toile de léditeur, 325 pages. ‎

‎Avec un tableau des symboles et unités et un index des termes scientifiques anglais. PHOTOS sur DEMANDE. ...................... Photos sur demande .......................... ‎

‎Early Engravers and their Public The Master of the Berlin Passion and Manuscripts from Convents in the Rhine-Maas Region, ca. 1450-1500‎

‎, Brepols - Harvey Miller, 2004 Hardcover with dusjacket, 384 pages ., 178 b/w ill. + 67 colour ill. + + ills., 225 x 300 mm, Languages: English. ISBN 9781872501529.‎

‎This is a book about the production and reception of engravings and metalcuts in the Rhine-Maas region during the second half of the fifteenth century. The Master of the Berlin Passion played a pivotal role in the printmaking industry of the Lower Rhine during this period. He, together with the engravers working in his ambit, specifically targeted their prints at the growing market for illustrated devotional manuscripts, doing so to an extent unparalleled by engravers elsewhere in Europe. As a result, experimental hybrid books combining manuscript and engraving were a phenomenon that flourished particularly in the Rhine-Maas region during the fifteenth century. The first part of this book deals with the production of engravings and metalcuts for the manuscript market, concentrating specifically on the Master of the Berlin Passion and the engravers and metalcutters in his circle. The motives of these printmakers related to broader cultural and social changes during the latter half of the fifteenth century. These were critical years of transition in methods of book production as printmakers and manuscript-makers across Europe strove to exploit the potential of new print technology combined with traditional craft skills. The second part of the book concentrates on the public for whom these printmakers worked. Prints that were pasted, bound or sewn into contemporary manuscripts, and which still remain in position, provide an unparalled opportunity to study the audiences of engravings and metalcuts. The vast majority of fifteenth-century prints no longer survive, and most of those that do are divorced from the original contexts in which they were used. These manuscripts thus provide an invaluable insight into the production, reception, circulation, meanings and functions of prints in the Rhine-Maas region at this time. The predominantly female ownership of Rhine-Maas manuscripts with inserted engravings is a major theme of the book. Most of the manuscripts discussed are vernacular prayerbooks or Books of Hours that belonged either to nuns or to members of the lay female gentry in the Low Countries. In many cases the books can be linked to the pietistic reform movement of the Devotio Moderna suggesting that, as in other areas of Northern Europe, there was a link between the use of prints and movements of monastic reform. This book contributes to our understanding of an important circle of print artists and their public; early uses of printing during the period of transition from manuscript to print; the functions of, and aesthetic attitudes towards, engravings in the fifteenth century and the role of engravings in religious devotion prior to the Reformation, particularly among women. Review "Tant pour l'analyse exemplaire d'une production parfaitement localis e, que pour la clart de la m thode utilis e, la rigueur de la d monstration comme de la documentation, et l'importance des probl matiques soulev es, cet ouvrage sera d sormais une r f rence essentielle sur l'illustration et l'usage du livre la fin du Moyen ge, et les mutations artistiques, intellectuelles, religieuses et sociales qu'il r v le" (C. Heck dans le Bulletin Monumental, N 164-III, 2006, p.324-326) "This book is to be highly recommended to historians of visual art, late-medieval and early-modern culture, and gender studies. this excellent book is richly illustrated."A. Stewart in Speculum, April 2006, p. 627-628)‎

‎Icari ‎

‎, Podium, 2018 Hardcover, 445 pagina's, NL, 210 x 145 mm, in prima staat, . ISBN 9789057599255.‎

‎Duitsland, april 1945. De oorlog is verloren, geallieerde troepen rukken op langs totaal verwoeste steden. De Amerikaanse officier Michael Hansen keert terug naar zijn geboorteland om in opdracht van de geheime dienst uit te zoeken welke rol de vooraanstaande rassenhygi nicus dr. Alfred Ploetz heeft gespeeld in het Derde Rijk. Hansen verricht zijn werk vanuit een geconfisqueerde villa, legt beslag op een luxe cabriolet en wordt verliefd op de jonge Duitse weduwe Molly. Met Icari laat Uwe Timm eens te meer zien dat hij een meesterverteller is. Op indrukwekkende wijze verweeft hij feit met fictie, en verwoesting met romantiek in een grandioze roman waarvoor hij meer dan veertig jaar onderzoek deed.‎

‎La Fin des livres‎

‎DOMEC 2015 32 pages 0x21x13cm. 2015. Broché. 32 pages.‎

‎Très Bon Etat de conservation‎

‎La Locomotion à travers l'Histoire et les Mœurs‎

‎Illustrations dans le texte et hors texte de Eugène Courboin. Exemplaire numéroté sur vélin teinté. 1/2 chagrin rouge à coins, dos orné, doubles filets dorés aux mors et coins, tête dorée. Inscription "Offert par le Ministre des Travaux Publics" sur le plat supérieur. Bon Paris Soc. D'Éditions Littéraires et Artistiques / Ollendorff 1900 1 volume grand in-8°‎