‎"LA QUESTION DE LA FINALITE EN PHYSIQUE ET EN BIOLOGIE - EN 2 VOLUMES : TOME I - PRINCIPES GENERAUX + TOME II - FAITS PARTICULIERS / COLLECTION ""ACTUALITES SCIETIFIQUES ET INDUSTRIELLES N° 467 ET 468."‎

‎HERMANN ET CIE. 1937. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 44 + 67 pages augmentées de nombreuses figures e nnoir et blanc in texte - Quelques souligneemnts au stylo in texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎SOMMAIRE : TOME I : PRINCIPES GENERAUX - Lois d'economie, d'extremum, de simplicité + TOME II : FAITS APRTICULIERS : dispositifs et phénomènes présentés par les Etres vivants - Examen critique des Théories. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Le mouvement scientifique contemporain en France.‎

‎ P., Payot, 1921-1924, 2 volumes petits in 12. ‎

‎Tome 1 - Les sciences naturelles avec 25 figures dans le texte, 160 pages, cartonnage de léditeur.Tome 2 - Les sciences physiologiques avec 30 figures dans le texte, 154 pages broché. ...................... Photos sur demande .......................... ‎

‎Le corps en thérapie‎

‎2011, Chronique sociale, in-8 broché, du plaisir douloureux de la dépendance au plaisir orgastique | Etat : très bon état (Ref.: ref99888)‎

‎Chronique Sociale‎

‎Les Mémoires de Socrate, d'après le manuscrit d'Athènes‎

‎Les Belles Lettres 1983 1983, ed Les Belles Lettres, coll'Confluents'. in-8 broché de 170 pages, couv ill en couleurs. Traduit du grec moderne par Pierre Comberousse. | Etat : TBE général. Occasion. (Ref.: ref8020)‎

‎Le Droit des données personnelles - N 'attendez pas que la CNIL ou les pirates vous tombent dessus !‎

‎2016, Eyrolles, in-8 broché de 230 pages, Le Droit des données personnelles - N 'attendez pas que la CNIL ou les pirates vous tombent dessus ! | Etat : Bon état (Ref.: ref86259)‎

‎Eyrolles‎

‎EX LIBRIS Negentien markante verhalen.‎

‎, private edition Mattelaer, 2023 hardcover, 159 pages, met prachtige illustraties in kleur.‎

‎Overzicht van een markante verzameling Ex Libris van 1530 tot heden.‎

‎Fallus in kunst & cultuur‎

‎, Groeninghe Uitgeveri 2000, 2000 Hardcover, 160 pagina's, Nederlands, 277 x 217 mm, mooi boek, diverse afbeeldingen, . ISBN 9789071868290.‎

‎H ros antiques : La tapisserie flamande face l'arch ologie‎

‎, Cinq Continents, 2014 Hardcover, 192 pages, FR. edition, 310 x 255 x 20 mm, Tres bien etat, illustrations en couleur / n/b. ISBN 9788874395200.‎

‎La tapisserie a longtemps repr sent le summum du raffinement et du faste en termes de d cor d?int rieur. Au-del de la qualit des mat riaux et du tissage qui donnait toute leur valeur ces ?uvres, la s lection op r e dans les collections du Mus e d?art et d?histoire de Gen ve et de la Fondation Toms Pauli de Lausanne montre que l?utilisation et l?interpr tation des grandes figures de l?Antiquit , d?Alexandre Constantin, ne sont pas anodines l? poque baroque. Que connaissait-on au xviie si cle de ces h ros antiques et de leur aspect ? Quel message v hiculaient-ils ? Comment et pourquoi les mod les suivis par les lissiers flamands, entre exactitude historique et allusions contemporaines, ont-ils t cr s ? Ces questions sont autant de d fis. Les ont relev s, avec les conservateurs des institutions mentionn es, des historiens de l?art, sp cialistes de l? poque baroque et de la tapisserie, ainsi que des arch ologues.Antiquit s in dites et moulages, estampes, livres et m dailles permettront d?acc der au monde fascinant des grands mod les de vertu politique et militaire que le si cle de Louis XIV se cherchait dans les h ros de l?Antiquit , apparemment en dehors des luttes religieuses qui avaient longtemps boulevers l?Europe.‎

‎Storia della lauda. Secoli XIII-XVI‎

‎, Brepols, 2021 Paperback, 511 pages, Size:178 x 254 mm, Illustrations:1 b/w, 6 col., Language: Italian. ISBN 9782503596273.‎

‎Summary La lauda, ovvero la poesia religiosa in volgare, soprattutto nella forma del canto collettivo di lode, di confessione e di supplica, un genere letterario-musicale di sfuggente classificazione. L'interpretazione che la vuole sempre arte popolare, priva di eloquenza formale, contraddetta da numerosi esempi di laude d'autore, da Guittone a Iacopone, da Bianco da Siena a Feo Belcari, da Leonardo Giustinian a Lorenzo de' Medici, di profonda raffinatezza intellettuale. Dopo la nascita in Italia centrale e settentrionale nel xiii secolo, nel quadro dei moti popolari penitenziali e alleluiatici e dell'espansione degli ordini mendicanti, la lauda non smette di accompagnare la storia della civilt italiana, generando una tradizione ininterrotta che interseca, nella molteplicit delle sue forme, la storie della letteratura, della musica e della spiritualit . Laude liriche e laude drammatiche, di corte e di piazza, meditative e pubbliche: la lauda si riveste d'abiti sempre nuovi, assecondando lo spirito mutevole dei tempi, capace d'intercettarne i gusti e le aspirazioni senza tradire la propria identit . Questo studio riannoda i fili della straordinaria storia della lauda, per apprezzarne la natura multimediale e proteiforme e la capacit dare voce anche a culture "di margine", dalla spiritualit dei laici a quella delle donne, costituendo una delle pi significative eredit consegnate dalla cultura medievale all'et moderna. TABLE OF CONTENTS 1. Introduzione 1.1 Gli studi sulla lauda, genere "multimediale" 1.2 I fili e la trama: per una storia della lauda 1.3 Nota filologica: il problema della "verit " del testo PARTE I. STORIA E GEOGRAFIA DELLA LAUDA 2. La lauda dal xiii al xvi secolo 2.1 La Preistoria: il retroterra monastico e confraternale 2.2. Da Montecassino all'Umbria: la fase "staminale" 2.3. Il secondo Duecento e la codificazione tra Disciplinati e Laudesi 2.4. La fioritura primotrecentesca: le direttrici di espansione della lauda 2.5. Il secondo Trecento: tra Gesuati, Bianchi e circoli cateriniani 2.6. Primo e pieno Quattrocento: tra Firenze e Venezia 2.7. Il secondo xv e l'inizio del xvi secolo: Savonarola, i Medici e i laudografi tosco-veneti 2.8. Serafino Razzi e la "rivoluzione Gutenberg" 2.9. Il secondo Cinquecento: la lauda "militante" dell'Oratorio 2.10. Le laude nelle scuole della Dottrina cristiana 2.11. L'illanguidimento del genere nel corso del Seicento PARTE II. LE GRAMMATICHE DELLA LAUDA 3. Il testo della lauda: una contaminazione di generi 3.1 Laudate Dominum: il retaggio biblico-liturgico 3.2 Vocazione volgare e osmosi con le letterature profane 3.3 La "predicazione" dello ioculator Domini. 3.4 La codificazione formale: ballata, modo pasquale e modo passionale 3.5 Lauda lirica e lauda drammatica: una categorizzazione sufficiente? 3.6. Le forme in movimento: sperimentazioni tre-quattrocentesche 3.7 Il "classicismo" primocinquecentesco e l'emergere di un "gusto nuovo" 3.8 La Parola in parole: l'irrisolta dialettica tra lauda e linguaggi profani 4. Laude "da vedere": l'intreccio tra parola, immagine e gesto 4.1 Levate gl'ochie et resguardate: il primato del senso della vista 4.2 Le miniature dei laudari di rappresentanza 4.3. L'ispirazione pittorica: la lauda come esegesi iconografica 4.4 "Parole dipinte" e "visibile parlare": la meditazione per immagini 4.5 Una "teologia dell'immagine"? 5. Laude "da cantare": bis orat qui bene cantat 5.1 La monodia due-trecentesca e l'adozione della ballata 5.2 Il pieno Trecento: la tradizione dei travestimenti spirituali 5.3 La nascita della lauda polifonica: tra ars e natura 5.4 Il secondo Quattrocento: fioritura frottolistica e "rassettatura" savonaroliana 5.5 Il primo Cinquecento: l'et del madrigale e la sintesi di Razzi 5.6. La lauda tridentina: le melodie "ariose e cantabili" 5.7 Musica angelorum o musica diaboli? 6. La teologia delle laude: una spiritualit esperienziale e affettiva? 6.1 Gustare e vedere Dio : cristocentrismo e nuove esigenze spirituali 6.2 Danza macabra : la spiritualit ascetico-penitenziale 6.3 Danza mistica : la spiritualit mistico-contemplativa 6.4 Dalla tradizione bonaventuriana alla devotio moderna 6.5 Orazione vocale e orazione mentale: tra formalismo e culto interiore 6.6 La lauda mariana: madonna Teologia 7. Fuori dal coro: voci di laici e di donne 7.1. Dopo lungo silenzio: voci nuove agli albori del basso Medioevo 7.2 L'ideologia delle confraternite: tra "liminalit " e renovatio 7.3 Spontaneit "dal basso" e istanze normative "dall'alto" 7.4 La stra-ordinaria emersione di una religiosit femminile 8. In conclusione Siglario Indice topografico dei manoscritti‎

‎Gio Ponti Fascination for ceramics ‎

‎, Silvana Editoriale, 2011 Softcover, 160 pages illustrations, 23,9 x 17,3 x 1,5 cm.( book = new in cellophane ) ISBN 9788836620647.‎

‎One of the last century?s leading architects and industrial designers, Gio Ponti (1891?1979) was at the helm of Italy?s massive design renaissance in the years following World War Two, becoming particularly celebrated for his incredibly lightweight ?Superleggera? (?Superlight?) chairs of the late 1950s. Ponti initially studied architecture but abandoned it upon graduation to take up a position as art director at the Milanese ceramics manufacturer, Richard-Ginori. He remained at the company for the rest of the decade, designing ceramic, porcelain and majolica vases, bowls, figurines and trays that infused a Wiener Werkst tte elegance with his own love of visual storytelling. Ponti embellished his works with images of shapely women enveloped by tufts of clouds or resting upon classical architecture, animals in flight, and boats sailing upon rough, wave-filled seas. This volume appraises Ponti?s ceramic oeuvre for the first time.‎

‎Loanwords and Native Words in Old and Middle Icelandic. A Study in the History and Dynamics of the Icelandic Medieval Lexicon, from the Twelfth Century to 1550‎

‎, Brepols, 2022 Hardback, 332 pages, Size:156 x 234 mm, Illustrations:1 b/w, 5 col., 36 tables b/w., Language: English. ISBN 9782503598154.‎

‎Summary Anyone familiar with the Modern Icelandic language will know that the country's policy is to avoid borrowing lexemes from other languages, and instead to draw on their own vocabulary. This often results in the formation of a word pair, consisting of a loanword and its respective native equivalent, as the process of borrowing systematically eludes the tight tangles of language policy. But how did this phenomenon develop in the Middle Ages, before a purist ideology was formed? This volume offers a unique analysis of a previously unexplored area of Old Norse linguistics by investigating the way in which loanwords and native synonyms interacted in the Middle Ages. Through a linguistic-philological investigation of texts from all medieval Icelandic prose genres, the book maps out the strategies by which the variation and interplay between loanwords and native words were manifested in medieval Iceland and suggests that it is possible to identify the same dynamics in other languages with a comparable literary tradition. In doing so, new light is shed on language development and usage in the Middle Ages, and the gap between case-study and general linguistic theory is bridged over. TABLE OF CONTENTS List of Figures List of Tables Preface Abbreviations Languages Icelandic Prose Works, Skalds, and Poems Other Abbreviated Bibliographical Sources Abbreviated Dictionaries, Lexica, and Corpora Other Introduction Aim and Scope Review of Previous Research Research Hypothesis Loanwords in Old and Middle Icelandic: A Brief Sketch Theoretical Framework and Methodology of Analysis Corpus, Rationale, and Data Elicitation Terminology Structure of the Present Work Chapter 1: Religious Texts Introduction The Icelandic Homily Book The Old Norse Translation of Honorius Augustodunensis's Elucidarius Stj rn I Oddur Gottsk lksson's Translation of the New Testament Comparative Analysis and Conclusions Chapter 2: Law Texts and diplomata Introduction Gr g s J nsb k and Relative r ttarboetr Diplomata Comparative Analysis and Conclusions Chapter 3: Treatises Introduction Grammatical Treatises (1-4) Medical Texts Algorismus Astronomical and Computistic Texts Comparative Analysis and Conclusions Chapter 4: Historiographical Texts Introduction slendingab k Veraldar saga Kristni saga Comparative Analysis and Conclusions Chapter 5: Hagiographical Texts Introduction Hungrvaka orl ks saga helga Laurentius saga byskups Nikul ss saga af T lent n Comparative Analysis and Conclusions Chapter 6: Sagas of the Icelanders Introduction Egils saga Droplaugarsona saga G sla saga Gunnlaugs saga Grettis saga V glundar saga Comparative Analysis and Conclusions Chapter 7: Kings' Sagas Introduction Sverris saga lafs saga helga (Heimskr.) Kn tlinga saga Comparative Analysis and Conclusions Chapter 8: Chivalric and Legendary Sagas Introduction Alexanders saga Erex saga Fl res saga ok Blankifl r Gibbons saga Sigur ar saga ?gla Sigrgar s saga froekna D nus saga drambl ta V?lsunga saga orsteins saga V kingssonar Hr lfs saga kraka Comparative Analysis and Conclusions Conclusions General Results Word Pair Dynamics Lexical Strategies through the Centuries Word Pairs from 1550 Onwards General Bibliography Manuscripts Primary Sources Dictionaries, Lexica, and Corpora Secondary Works Index verborum‎

‎Iesu (Chris)ti passionis et resurrectionis ere signata monume(n)ta Ad modu(m) ill(ustrissimi) et R.P.D. Evangelista Ballato Montis Olivieti Abbati meretissimo Mattheus Florimus D. D.-‎

‎Slnd. Probablement début XVIIe. Petit in-4 (175 x 222 mm) ensemble de 14 gravures légendées représentant la Passion du Christ, découpées à la cuvette et remontées sur feuilles blanches. Auteurs Andreas Boscolus Pictor, Petro De Iode, scalat. Mattheus Florimus fecit. Dos remonté, première page poussiéreuse, plusieurs taches brunes dans les marges. Ouvrage en assez mauvais état mais fort peu courant.‎

‎Reading Dante with Images: A Visual Lectura Dantis‎

‎, Brepols - Harvey Miller, 2021 Hardback, 416 pages, Size:220 x 280 mm, Illustrations:8 b/w, 224 col., Language: English. ISBN 9781912554508.‎

‎Summary This volume contains an unprecedented meeting of two major traditions, each of which are forms of careful engagement with Dante's Commedia: the Lectura Dantis, and the illustrations of this work. The Lectura Dantis, initiated by Giovanni Boccaccio in the fourteenth century, consists of a canto by canto study of Dante's poem. The history of Commedia illustration has equally deep roots, as illuminated manuscripts of the text were being produced within decades of the work's completion in 1321. While both of these traditions have continued, mostly uninterruptedly, for more than six hundred years, they have never been directly brought together. In this volume, Dante scholars take on a single canto of the Commedia of their choosing, reading not just the text, but also exploring the illustrations of their selected text to form multifaceted and multi-layered visual-textual readings. In addition to enlivening the Lectura Dantis, and confronting the illustrated tradition of the poem in a new fashion, these studies present a variety of approaches to studying not just the Commedia but any illustrated literary work through a serious inquiry into the words themselves as well as the images that these words have inspired. TABLE OF CONTENTS MATTHEW COLLINS Experimenting with Traditions K.P. CLARKE Inferno 1: Openings and Beginnings GIANNI PITTIGLIO Inferno 6: Una fiera crudele e tanto diversa. Cerberus Illustrated in the Early Manuscripts and Incunabula of the Divine Comedy MICHAEL PAPIO Inferno 10: Heretics in Fiery Tombs PETER S. HAWKINS Inferno 26: Tongues on Fire CHRISTIAN Y. DUPONT Inferno 33: The Power of Grief SILVIA ARGURIO Purgatorio 2: The Angel on the Water DARIO DEL PUPPO Purgatorio 5: An Experimental Visual Interpretation ARIELLE SAIBER Paradiso 28: Entruthing the Image SANDOW BIRK Accidental Dantista: Los Angeles is Not Hell, New York is Not Paradise ROBERT BRINKERHOFF Una selva oscura: Midlife and Metaphor BARRY MOSER On Illustrating the Divine Comedy‎

‎Pierre Bonnard Die Farbe der Erinnerung‎

‎, Hirmer / Kunstforum Wien, 2019 Hardcover 239 pages; Deutsch. 240 Seiten, 200 Abb. (davon 200 farbig). 24,5 x 26,4 cm. 1,5 kg. ISBN 9783777431987.‎

‎Pierre Bonnard (1867?1947) ist einer der geheimnisvollsten Maler des Postimpressionismus. In ber 100 Beispielen von 1900 bis 1947 wird die Vielfalt seines Werks vorgestellt: von den fr hen, im Geiste der Nabis entstandenen Arbeiten bis zu den sp ten, rein aus Farbe aufgebauten Kompositionen, die bis an die Grenze zur Abstraktion gehen. Der Band verdeutlicht die Entwicklung des herausragenden Koloristen zum Meister der Moderne. Bonnards Bilder, komponiert aus den subtilen Mitteln der Farbe, bleiben der Gegenst ndlichkeit verhaftet. Das raffinierte Spiel der Farbwerte ist f r ihn Mittel, um eine ? berwindung der Natur durch die Kunst? zu finden. In seinen farbenfrohen Landschaften und intimen Szenen scheint er die Harmonie der Natur zu preisen ? und stellt sie durch seine differenzierte Auseinandersetzung mit ihr wieder und wieder in Frage. Bonnard wird neu und im Kontext seiner Zeit verstanden. Die Auseinandersetzung mit seinen Malerfreunden und seine Reaktionen auf das politische Geschehen pr sentieren ihn als aktuellen K nstler des 20. Jahrhunderts.‎

‎Carolingian Experiments‎

‎, Brepols, 2022 Hardback, 298 pages, Size:156 x 234 mm, Illustrations:17 col., Language: English. ISBN 9782503594101.‎

‎Summary Carolingian Experiments presents essays exploring how the Carolingians (ca. 700-ca. 900 CE) ? a regime known especially for concerns over imperial power, order, and moral correction ? fostered a remarkable era of experimentation in medieval Europe. The scholars featured here ask new questions and conduct their own methodological experiments to uncover some of the many ways that people innovated within the Carolingian world. To that end, numerous themes are covered in this volume: culture and society, family and politics, religion and spirituality, literature and historiography, law and hierarchy, epistemology and science. This array of scholarly experiments reveals some of the range and depth of Carolingian invention. Furthermore, the essays consider how Carolingian innovation can be found in places both more and less known today, employing novel approaches to unearth some unexpected, even uncanny phenomena. This volume consequently offers a defamiliarizing view of the Franks, unveiling them as a people whose seemingly straightforward imperialism and reform were effective precisely because they stimulated and nurtured potent, creative impulses. In fact, one might argue that the Carolingian world's conservative, moralizing authorities ? despite, or perhaps at times because of, their determination to instil correct thought and behaviour in their subjects ? fostered many varieties of experimentation. Collectively, the authors of this volume seek to inspire new thinking about the Carolingians, while modelling alternative approaches and potential avenues for future research. Carolingian Experiments overall encourages readers to see that much remains unexplored, unknown and even unexpected about the Carolingians and their world. TABLE OF CONTENTS Introducing: Carolingian Experiments ? Matthew Bryan Gillis Part One: Structures Familiar and Otherwise Carolingian Boyhoods ? Valerie Garver Carolingian Experiments with Family ? Paul Edward Dutton The Paper Chase: The Pursuit of Carolingian Legal Innovations ? Abigail Firey Carolingian Imperial Biography and the Memory of Spain ? Anne Latowsky The Historian Hrabanus Maurus & the Prophet Haimo of Auxerre: Experiments, Exegesis, and Expectations Emerging from the Ninth Century ? Matthew Gabriele Strange Natures: Theodulf's Letter to Moduin In Context ? Andrew Romig Part Two: The Struggle Against Sin The Call of the Siren: Sex, Water, and Salt in the Sacramentary of Gellone ? Lynda Coon By the Body Betrayed: Blushing in the Penitential State ? Courtney Booker Why the Carolingians Didn't Need Demons ? Martha Rampton Pleasures of Horror: Florus of Lyons's Querela de divisione imperii ? Matthew Bryan Gillis‎

‎Manuscripts of Leo the Great?s Letters. The Transmission and Reception of Papal Documents in Late Antiquity and the Middle Ages‎

‎, Brepols, 2022 Hardback, 516 pages, Size:156 x 234 mm, Illustrations:36 tables b/w., Language: English. ISBN 9782503589664.‎

‎Summary This book explores the transmission of the letters of Leo the Great (pope, 440-461). After setting out the contours of Leo's papacy and the factors contributing to the sending and subsequent transmission of his letters to posterity, it deals in detail with around sixty collections of Leo's letters and over 300 manuscripts ranging in date from the sixth up to the sixteenth century. Each period of the Middle Ages is introduced as the context for collecting and copying the letters, and the relationships between the letter collections themselves are traced. The result is a survey of the impact of Leo the Great upon Latin Christendom, an impact that was felt in theology and canon law, especially from the age of the Emperor Justinian to the Council of Ferrara-Florence, and moving through the major monasteries of Europe from Corbie to Clairvaux. At every cultural Renaissance, Leo was a presence, being copied, rearranged, interpreted, and eventually printed. This book is a testament to the legacy of one of the mid-fifth century's most influential figures. TABLE OF CONTENTS Introduction Chapter 1: Leo's Letters in History, Canon Law, and Theology 1.1 Leo's Letters in History and Canon Law; 1.2 Leo's Letters and the History of Theology Chapter 2: Editing Leo's Letters 2.1 Giovanni Andrea Bussi; 2.2 The Sixteenth Century; 2.3 The Seventeenth Century; 2.4 Pasquier Quesnel; 2.5 Giacomo and Pietro Ballerini; 2.6 Epistolae Arelatenses genuinae (MGH Epist. 3), ed. Gundlach; 2.7 Collectio Avellana I (CSEL 35), ed. G nther; 2.8 The Tome of Pope Leo the Great, by Blakeney; 2.9 Eduard Schwartz; 2.10 Carlos Silva-Tarouca; 2.11 Hubert Wurm; 2.12 Benedikt Vollmann; 2.13 Corpus Fontium Manichaeorum Series Latina 1; 2.14 The Case for a New, Complete, Critical Edition Chapter 3: Pre-Carolingian Canonical Collections 3.1 The Earliest, Unknown Period of Transmission 3.2 Pre-Carolingian Canonical Collections and the renaissance g lasienne: a. Collectio Frisingensis Prima (F); b. Collectio Diessensis (Di); c. Collectio Quesnelliana (Q); d. Collectio Vaticana (L); e. Collectio Sanblasiana (Sa); f. Collectio Dionysiana (D); g. Collectio Dionysiana Bobiensis (D-b); h. Cresconius, Concordia canonum; i. Collectio Teatina (Te); j. Collectio Corbeiensis (C); k. Collectio Pithouensis (P); l. Collectio (ecclesiae) Thessalonicensis (T); m. Collectio Avellana; n. Collectio Arelatensis (Ar); o. Collectio Albigensis (Al); p. Collectio Remensis (Re); q. Collectio Coloniensis (K); r. Collectio Sancti Mauri (M); s. Collectio Vetus Gallica; t. Epitome Hispana; u. Collectio Hispana (S); v. Collectio Hispana Systematica; w. Ragyndrudis Codex (Codex Bonifatianus II) Chapter 4: Chalcedonian Collections Context of the Collections; 4.1 Latin Chalcedonian Collections: a. Ballerini Collection 17 (Early Latin Acta; Ac); b. Collection of Vat. lat. 1322 (A); c. Rusticus' Acta (Ru); d. Versio Gestorum Chalcedonensium antiqua correcta (Ch); e. Collectio Novariensis (N); f. Collectio Casinensis (Ca); g. Collectio Grimanica (G); h. Codex Encyclius; i. Verona LIX (57); j. A Carolingian fragment of the Tome 4.2 The Greek Transmission of Leo's Letters: a. Collection M; b. Collection B; c. Collection H Chapter 5: The Carolingian Tradition of Manuscripts 5.1 The Carolingian Context 5.2 Carolingian Canonical Collections: a. Collectio Dionysio-Hadriana (D-h); b. Collectio Hadriano-Hispanica (H-s); c. Collectio Dionysiana adaucta (D-a); d. Collectio Hispana Gallica (S-g); e. Collectio Hispana Gallica Augustodunensis (S-ga); f. Pseudo-Isidorus Mercator, Decretales (I); i. Context; ii. Hinschius' Classification System; iii. Hinschius A/B & B (Ballerini Collection 10; I-b); iv. Hinschius A1 (I-a); v. The Cluny Recension, or Yale Pseudo-Isidore (Y); vi. Hinschius Class C (I-c); g. The canon law manuscript Vat. Reg. lat. 423; h. Systematic as well as Unorganised Collections of Extracted Canons 5.3 Other Carolingian Collections; a. Collectio Bobbiensis (B); b. Collectio Ratisbonensis (E); c. Ep. 28 in the Roman Homiliary; d. Ep. 28 in the Homiliary of Agimond Chapter 6: Post-Carolingian Collections and the Age of Reform 6.1 Introduction to the High and Late Mediaeval Contexts 6.2 Post-Carolingian Canonical Collections: a. Collectio Lanfranci; b. Collectio Britannica; c. The Collection of William of Malmesbury; d. Systematic as well as Unorganised Collections of Extracted Canons Before Gratian; e. The Concordia discordantium canonum (Decretum) of Gratian 6.3 Other Post-Carolingian Collections: a. Ballerini Collection 20; b. Ballerini Collection 21 (Y-a); c. Ballerini Collection 22 (22); d. Ballerini Collection 23 (23); e. Ballerini Collection 24 (24); f. Collectio Florentina (Ballerini Collection 13; m); g. Collection of 73 Letters (73); h. Ashburnham 1554; i. Collection of Vat. Reg. lat. 293; j. An eleventh-century pair of Leo's letters; k. Milanese Sermon Collection D; l. Ambrosiana C.50.inf.; m. Vat. Ross. 159; n. Eugenius IV's collection; o. Later Manuscripts of the Tome; p. Other high and late medieval manuscripts with only one Leo letter Chapter 7: Conspectus of the Letters of Pope Leo the Great Conclusion Appendix: Proto-Collections Analysed in this Book Bibliography of Primary Sources Bibliography of Secondary Works‎

‎Préparer autrement les sandwichs et amuse-gueule . Par les rédacteurs des éditions Time-Life‎

‎ ,Amsterdam, Editions Time-Life Collection 'La bonne cuisine santé' 1988, 144 pp., 1 vol. in 4 relié cartonnage éditeur avec couverture illustrée, nombreuses illustrations in texte en couleurs.‎

‎DIX PRELUDES A LA BIOLOGIE‎

‎F. Rouge & Cie S.A.. 1945. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 226 pages. Illustré de dessins et photos en noir et blanc dans et hors texte. Annotations en page de garde.. . . . Classification Dewey : 570-Sciences de la vie‎

‎Sciences et Médecine, Série des Sciences Naturelles, Dir. par Robert Matthey. Classification Dewey : 570-Sciences de la vie‎

‎Dix préludes à la biologie‎

‎masson. 1945. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 221p, illustré de planches noir et blanc hors texte, de schémas dans le texte.. . . . Classification Dewey : 570-Sciences de la vie‎

‎2 ème tirage., collection Sciences et medecineLa cellule, détermination des sexes, les jumeaux, parthogénèse.. Classification Dewey : 570-Sciences de la vie‎

‎Douze Préludes à la biologie- 2ème édition‎

‎F. Rouge et cie S.A.. 1947. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Papier jauni. 280 pages. Quelques illustrations en noir et blanc, dans et hors texte.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎ENCORE LES HETEROCHROMOSOMES DES APODEMUS‎

‎Druck und Verlag: Art. Institut Orell Füssli A.-G.. 1947. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Plaquette paginée de 86 à 92, illustrée de dessins en noir et blanc sur planches hors texte. Légère tache et annotation sur le 1er plat.. . . . Classification Dewey : 570-Sciences de la vie‎

‎Separatabdruck aus: 'Archiv der Julius Kaus-Stiftung fue Vererbungsforschung, Sozialanthropologie und Rassenhygiene, Band XXII, 1947, Heft 1/2. Classification Dewey : 570-Sciences de la vie‎

‎Christoph Steinmeyer : The Long Goodbye‎

‎, Snoeck Verlaggesellschaft 2008, 2008 Paperback, 50 seiten , Deutsch, in guten zustand, . ISBN 9783936859805.‎

‎The D?sseldorf artist born in 1967 and who also resides in Berlin belongs to a generation of painters who question the authenticity of the medium as much as the provenance of its pictorial compositionality. Since the mid-1990s Christoph Steinmeyer has devoted himself to a magical symbolism, which leads both his subject matter and style of his painting into an area of hybridism, yet creating a dangerous but well-founded liaison. One might say that the surfaces of the luxurious interiors or the surfaces with their synthetic effect or the bold, colour-field still lifes of flowers look as though they have been melted in the flame of a Bunsen Burner. However, they aren't amalgamations in which mass-media images are merely transformed into painting or the ?stories? are faded out, but rather the artist refers to collective ideas of medially transmitted patterns and models that he transfers into a new and likewise imagined ideal type. nIn the most recent group of works this brand of magical symbolism takes an astonishing turn. The film sets that are made up of scenery from different scenes are embellished with symbolic props. These pointed image-within-an image constellations interrupt the time-space continuum of the interiors after having been additionally charged with titles such as ?Gilda?, ?Rebecca? or ?Violet?. Christoph Steinmeyer counters the apparent authenticity of his filmic black and white painting with grisalle, which upon closer inspection reveals a fine and detailed chromaticism. This style of painting convulses the beautiful appearance of the compositions like peristalsis- as if we were dealing with dream sequences that can only occur in films or indeed in the way Christoph Steinmeyer shows them to us. It is indeed a rarity to find such fantastical potential in painting. nThe book complete with its unusual format is the first publication to date on Christoph Steinmeyer's work.‎

‎DE VLAAMSE MEESTERS Van Eyck tot Bruegel.‎

‎, ludion, 2023 HB, 290 x 235 mm, 280 pagina's, 200 illustraties,NL edition nieuw!. ISBN 9789493039919.‎

‎Het rijk ge llustreerde kunstboek De Vlaamse meesters: van Van Eyck tot Bruegel beslaat bijna anderhalve eeuw schilderkunst, van omstreeks 1430 tot de dood van Pieter Bruegel de Oude in 1569. In die tijdspanne kwam de schilderkunst in de Nederlanden tot een ongekende bloei. De Vlaamse Meesters: Van Van Eyck tot Bruegel biedt een representatief overzicht van de belangrijkste en meest invloedrijke schilders van die periode en van alle schildergenres die ontwikkeld of vernieuwd in de regio. Soms, als iets heel vertrouwd lijkt, verlies je uit het oog wat het zo bijzonder maakt: Vlaamse Meesters. Van van Eyck tot Bruegel wil dit effect tegengaan en opent opnieuw de ogen voor de revolutie die in de 15e en 16e eeuw in de Lage Landen plaatsvond en de koers van de Europese kunst bepaalde. In 48 rijkelijk ge llustreerde analyses onderzoekt Matthias Depoorter hoe schilders als Van Eyck, Van der Weiden, Massys, Bosch en Bruegel ongekende hoogten bereikten en tot op de dag van vandaag met recht als vernieuwers worden beschouwd. De bepalende factor was hun perfectionering en beheersing van de olieverftechniek, evenals hun baanbrekende aandacht voor optische lichteffecten. De nieuwe technische mogelijkheden boden een andere manier van kijken naar de wereld en uiteindelijk een nieuwe manier van schilderen. Niet minder vernieuwend was het detailniveau. Deze schilders kenden elkaars werk door en door - dit boek toont de fundamentele artistieke kruisbestuiving. Een must-read voor iedereen die opnieuw verliefd wil worden op de oude meesterwerken. MATTHIAS DEPOORTER (*1980) is schrijver en kunsthistoricus. Hij was een van de curatoren van de baanbrekende tentoonstelling Van Eyck: een optische revolutie in het Museum voor Schone Kunsten in Gent en co rdineerde de bijbehorende wetenschappelijke publicatie. In deze publicatie onderzoekt hij wat deze schilderijen zo nieuw en bijzonder maakte. Deze benadering is zowel genre- als thematisch, en onthult iets over de verschillende artistieke stijlen, formats, functies en stromingen, evenals de artistieke en maatschappelijke context waarin ze zijn ontstaan. Deze schilders kenden elkaars werk goed. Ze leenden regelmatig elementen van een collega en deden er iets nieuws mee. Artistieke kruisbestuiving was fundamenteel.‎

‎Transcultural Approaches to the Bible. Exegesis and Historical Writing across Medieval Worlds‎

‎, Brepols, 2021 Hardback, viii + 254 pages, Size:156 x 234 mm, Illustrations:19 col., Language: English. ISBN 9782503592855.‎

‎Summary This volume, the first in the new series Transcultural Medieval Studies, draws together scholars from around the world to offer new insights into the importance and role of the Bible across the varied cultures of medieval Europe. The papers gathered here take a comparative and multidisciplinary approach to the subject, focusing on the biblical background of perceptions of the religious and cultural 'Self ' and 'Other' in the Mediterranean, in Latin Europe, and in the Baltic. In doing so, the contributions identify commonalities and differences of the 'uses of the Bible' in these various worlds, combining and contrasting studies on Bible manuscripts, their exegesis, and their use for historical writing. TABLE OF CONTENTS Scientific Challenges in a Changing World: Transcultural Medieval Studies in the Twenty-First Century - MATTHIAS M. TISCHLER Bible, Exegesis and Historiography in the Medieval Worlds: Crossing Histories from a Transcultural Point of View - MATTHIAS M. TISCHLER AND PATRICK S. MARSCHNER Part I: The Iberian World Reframing Salvific History in a Transcultural Society: Iberian Bibles as Models of Historical, Prophetic and Eschatological Writing - MATTHIAS M. TISCHLER The Bible of Vic (1268): Textual and Theological Value of its Glosses in the Context of the Barcelona Disputation (1263) - EUL LIA VERNET I PONS The Chronicle of Sampiro, the Arabs, and the Bible: Eleventh-Century Christian-Iberian Strategies of Identifying the Cultural and Religious 'Other' - PATRICK S. MARSCHNER Part II: Latin Europe and the Near East Scripture, Hierarchy, and Social Control: The Uses of the Bible in the Twelfth- and Thirteenth-Century Chronicles and Chansons of the Crusades - SINI KANGAS Condemned Sisters, Effeminate Brothers, and Damned Heretics: Ezekiel 23 and the Negotiation of Clerical Sexuality in the Thirteenth Century - LYDIA M. WALKER Part III: The Baltic World How to Fit the 'Livs' into Sacred History? Identifying the Cultural 'Other' in the Earliest Latin Sources Depicting the Livonian Crusade - PETER FRAUNDORFER Wolves in the Wilderness: Biblical Typology and the Envisioning of Lithuanian Pagans in the Thirteenth and Fourteenth Centuries - STEFAN DONECKER‎

‎British Royal Weddings: From the Stuarts to the Early Twentieth Century‎

‎, Brepols, 2022 Hardback, xv + 367 pages, Size:216 x 280 mm, Illustrations:32 b/w, 40 col., Language: English. ISBN 9782503596969.‎

‎Summary This generously illustrated volume is the first in-depth study of the history and ceremonial at British royal weddings from the late sixteenth century onwards. With its over 70 illustrations it is also the most complete pictorial record of these ceremonies. Focusing on the actual wedding service, it follows the three main aspects of the choice of venue, the structure of the ceremonial, and especially the music of these events up to the early twentieth century. Being so closely linked with the performance of these ceremonies, music presents itself as an intriguing aspect for discussing the ceremonial details. Since the eighteenth century, at least some royal weddings have also been notable musical occasions and since Victorian times they have influenced the choices at other weddings. Many newly discovered sources have allowed for new insights and conclusions about the historical facts and interpretations of these ceremonies. Overall, this study presents the most complete account to date of how these magnificent occasions were celebrated. With its holistic approach and interdisciplinary character, replete with numerous illustrations and tables, this study is an extensive resource for historians and musicians alike - and for all those with a wider range of interest in British royal ceremonies. A second volume "British Royal Weddings: The House of Windsor" is scheduled to appear in 2023 by the same author and is the first in-depth discussion of how the British Royal Weddings since 1919 have been celebrated. TABLE OF CONTENTS Illustrations and Figure Preface Acknowledgments Abbreviations and Conventions 1 Setting the Scene 2 From Elaborate to Modest: The Seventeenth Century 3 The 'Concert' Weddings I: The Children of George II 4 The 'Concert' Weddings II: The Later Eighteenth-Century Georgians 5 Home Weddings: The Early Nineteenth Century 6 'State Marriages': The Early Victorians 7 The 'Windsor Castle' Weddings: The Mid-Victorians I 8 Routine and Innovation: The Mid-Victorians II 9 The Choral Weddings: The Late-Victorians 10 The Last 'of the Old Age': The Early Twentieth Century 11 The 'Pomp of Old Days': Three Centuries of Royal Weddings Appendices A Chronological List of British Royal Weddings B Texts and Transcriptions C Royal Weddings and their Music Sources and Bibliography Printed Orders of Service and Ceremonials Manuscript and Archival Material Published Material (including Dissertations) Index‎