‎Music in the Disruptive Era‎

‎, Brepols, 2022 Hardback, xii + 272 pages, Size:210 x 270 mm, Illustrations:34 b/w, Language: English. ISBN 9782503600796.‎

‎Summary Music in the Disruptive Era contains fifteen essays assessing the impact of today's revolutionary digital technologies on the ways audiences and industry professionals perceive, compose, consume, research, and communicate about music. After an initial assessment of ?the Disruptive Era? in a series of six snapshots offering a summary and review of some of the technological challenges (and opportunities) confronting both music producers and consumers, a group of international scholars considers the impact of the digital era in three major areas. First, there is the revolution in data storage and retrieval, with online archives and other digital resources making an unprecedented volume and diversity of information available to scholars and researchers for the first time ? all from the convenience of a home desktop. Second, three essays assess some of the myriad ways in which composers and music industry professionals have been influenced by the potentialities and discontinuities of the current age to find creative inspiration, attract new audiences, and reimagine traditional musical idioms. Finally, on the cutting edge of the digital divide, scholarly contributors examine two of the countless new genres birthed by the advent of the latest technological innovations: specifically, the ?meme? and the ?video loop.? TABLE OF CONTENTS The Disruptive Era Cande S nchez Olmos & Eduardo Vi uela ? The End of the Amateur Music Video Dream (as We Expected It): From YouTube to TikTok Christine Hine ? Audiences and Self-Calibration in a Digital Society Corinnna Herr ? Classical Musicians on YouTube: Online Performance Practice and the Digital Divide Pedro Buil Tercero ? Disruptive Technology in the Music Industry: Format Crisis and Consumption Habits in Spain in the Digital Age Simon Nugent ? The Inception of 'Time': Film Music and Participatory Culture in the Digital Age Sources and the Digital Nico Sch ler ? Online Research Methods for Rediscovering Forgotten Composers: Using Online Databases and Archives Michael Klaper & Thomas Radecke ? The Weimar Playbill Database, 1754-1990: Scientifically Disseminating Historical Sources of Music- and Theatre-Ephemera Material Online Andreas Helles Pedersen ? On Digital Music History: A Contemplation on Digital Archives and Musical Experience Creation and Musical Performance Joseph Jackson ? Adapting Music Business to the Digital Age: Grime Music, YouTube Algorithms and New Network Cultures Violetta Kostka ? Pawe? Szyma?ski and His Transformation of Musical Conventions Pedro Ord ez Eslava ? Disrupting the duende, from the cuarto to the Web 4.0 New Genres Joana Freitas ? 'Meme Is a New Music Genre': On the Role of Production, Transformation and Circulation of Music in the Digital Culture of Internet Memes Marjolein Wellink ? The Immaterial Record Sleeve? Engaging the Listener with Spotify's 'Canvas' Video Loop Jonas Wolf ? 'Meme Music'? Forms and Formats of Hypermemetics Re-Composition Index of Names‎

‎Ni réaction ni révolution‎

‎2013, L'Harmattan, in-8 broché de 340 pages, Ni réaction ni révolution, les intellectuels juifs, la critique du progrès et le scrupule de l'histoire | Etat : bon état (Ref.: ref91214)‎

‎L'harmattan‎

‎Nature's Palette - The science of plant color‎

‎The University of Chicago Press 2010 Broché - Couverture glacée illustrée éditeur - 409 pages Très bon état 890 g‎

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‎J. Samuel White & Co., Shipbuilders : An Illustrated History of the Oldest Shipyard on the Admiralty List‎

‎, The History Press Ltd 2012, 2012 Paperback, 175 pages, English, 235 x 165 mm, book in perfect condition , with much illustrations in b/w,. ISBN 9780752466125.‎

‎J. Samuel White & Company was the oldest firm on the Admiralty List and built 252 ships for the Royal Navy alone. The yard's closure in 1966 ended 300 years of shipbuilding during which time the company had gained acclaim from mercantile and naval customers alike. Famed early on for fast Revenue cutters and naval brigs, in its final years Royal Navy destroyers earned it great distinction. Highly innovative, it developed and patented many pioneering products while other innovations included semi-diesel engines, heat exchangers, air conditioners and compressors, besides a range of marine thruster units. Not only did the company build ships and boats but it also constructed a range of marine aircraft. During the First World War, White's production accounted for 100 ships, including twenty-seven destroyers, and 201 seaplanes. Production during the Second World War added up to 317 ships, among them twenty-six destroyers and a large minelayer. Illustrated with photographs of these and many of the company's other products, this book tells the story of J. Samuel White and its subsidiary concerns, a business built on a reputation of quality which earned it the slogan: White's-built - well-built! .‎

‎Le miracle face à la science ‎

‎ Famot Famot 1984. In-8 pleine reliure éditeur de 250 pages; Bel exemplaire‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Poetry in Motion. Languages and Lyrics in the European Middle Ages‎

‎, Brepols, 2019 Paperback, 295 pages, Size:178 x 254 mm, Illustrations:2 col., 4 tables b/w., Language: English. ISBN 9782503582221.‎

‎Summary The medieval courtly lyric, the site for the first extended literary exercises in Occitan, French, Italian and German, is one of the foundations of how we think about European literature. Since the nineteenth century it has in many accounts underpinned a system of linguistically-informed national traditions. David Murray shows in 'Poetry in Motion' how categorizing poetry under headings like 'French' or 'Italian' poetry can obscure the thinking of medieval poets and scribes about what constituted a language. Rather than existing within a series of rigidly distinct linguistic systems, Murray demonstrates that song moved in a fluid environment where linguistic boundaries could be easily crossed. Aided by its melody, metrical form or quotation in a larger text, a song could travel and elicit meaningful reactions and interactions far from 'home'. Combining literary studies with philology, manuscript studies and musicology, 'Poetry in Motion' shows the truly European reach of song in the Middle Ages. TABLE OF CONTENTS Abstract Table of Contents Acknowledgements Abbreviations Introduction Chapter 1: On the Wings of Song: The European Afterlives of Bernart de Ventadorn's 'Can vei la lauzeta mover' Chapter 2: 'Or chanson, puez aler par tout le monde' : Multilingual Lyric and Linguistic Boundaries Chapter 3: Poetry in and out of Context: Quotation and the Value of Lyric Chapter 4: Making a Language for Song: The Lyric Beyond Conclusion: Lyrics, Languages, and Poetic Community in the European Middle Ages Bibliography Index‎

‎Le Lama aux cinq sagesses. Roman tibétain.‎

‎ Paris, Plon, 1977. In-8, cartonnage toilé de l'éditeur, 351 pp. ‎

‎ Photos sur demande.‎

‎La théorie de l'évolution - une logique pour la biologie - Collection champs université sciences n°3008.‎

‎Flammarion. 2000. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 312 pages.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Collection champs université sciences n°3008. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎SOCIOBIOLOGY AND BEHAVIOR‎

‎ELSEVIER. 1977. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 378 pages. Nombreuses illustrations en noir et blanc, dans le texte.. Avec Jaquette. . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Un Légendier romain du temps d'Innocent IV et d'Urbain IV.-‎

‎Paris. Picard. 1936. In-8 (165 x 250mm) broché, couverture orange imprimée, 25 pages. Bon exemplaire, non coupé.‎

‎LA SCIENCE VIVANTE LES HORMONES VEGETALES‎

‎PRESSES UNIVERSITAIRES DE BORDEAUX. 1952. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 187 pages - quelques illustrations en noir et blanc dans et hors texte. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Les hormones végétales‎

‎Presses Universitaires de France. 1952. In-12. Broché. Etat d'usage, Tâchée, Coiffe en tête abîmée, Quelques rousseurs. 187 pp., quelques figures noir et blanc, coiffe en pied abîmée, plats salis - 1 PHOTO DISPONIBLE.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎Les hormones végétales.‎

‎Paris Presse universitaire de France 1952 187p 1 volume In12 broché.Ouvrage orné de figures en noir in-texto. ‎

‎Paolo Veronese‎

‎, Brepols - Harvey Miller, 2023 Hardback, Pages: 376 pages, Size:225 x 300 mm; Illustrations:2 b/w, 357 col. Language:English, Italian, Latin. ISBN 9781909400986.‎

‎David Rosand's Paolo Veronese is a masterly account of the Venetian painter's artistic achievement, demonstrating a complete command of the literature and scholarly issues, insightful interpretations of individual paintings and drawings, and a marvelously elegant prose style. Rosand's reading of each painting judiciously considers how Veronese brought his pictorial intelligence to bear on the formal qualities of his work to create his own personal rhetoric of visual expression, one that embodies the ?dignity and nobility of painting and resonates with viewers and readers today. Rosand?s arguments are not solely visual, however, but are buttressed by extensive quotations from scripture and textual sources. The author synthesizes decades of research and careful reflection, refining his own approaches, which have themselves stood the test of time. Careful readings of specific paintings, including the celebrated Wedding Feast at Cana, the frescoes at the Villa Barbaro, and the church of San Sebastiano, where Rosand played an integral part in the recent restoration by Save Venice Inc., are all accompanied by lavish illustrations, providing the reader the opportunity to put into practice the author?s conviction that our own responses to paintings will guide their interpretation.‎

‎Illustrated Medieval Alexander-Books in French Verse‎

‎, Brepols, 2019 Hardback, 639 pages, Size:216 x 280 mm, Illustrations:260 col., 10 tables b/w., 1 maps b/w, Languages: English, French. ISBN 9782503581057.‎

‎Summary The core of this book on the French verse Alexander in France and Italy was written by eminent Alexander specialist David J.A. Ross, who left an incomplete typescript at his death. The baton was taken up by an international team of specialists in medieval literature and art history, Maud P rez-Simon, author of Les manuscrits du Roman d'Alexandre en prose, and Alison Stones, author of Manuscripts Illuminated in France: Gothic Manuscripts 1260-1320. In its emphasis on illustration, this book complements the volumes of the Alexander Redivivus series and offers new perspectives on the reception of one of the most popular medieval heroes of history and legend. It forms a sequel to Ross's collected essays and his Illustrated Medieval Alexander-Books in Germany and the Netherlands, to the work of the editors in the field of medieval manuscripts, and to the first volume in the Manuscripta Illuminata series, on the illustrations of Valerius Maximus in French.‎

‎Llanthony Stories. A Translation of the Narrationes aliquot fabulosae‎

‎, Brepols, 2021 Paperback, x + 173 pages, Size:152 x 229 mm, Language: English. ISBN 9780888443090.‎

‎Summary Compiled in the early thirteenth century, The Llanthony Stories is a fragmentary collection of exemplaria gathered by an anonymous canon at the Augustinian priory of Llanthony Secunda, Gloucester. While intended primarily for the edification of readers and those who heard the stories preached in sermons, many of the thirty-five exempla offer humorous (even ribald) glimpses of life in the Severn watershed and beyond. Filled with short tales of greedy archdeacons, licentious monks, pious laymen and prelates trying to navigate their world with decorum and piety, the work expands our knowledge of ecclesiastical politics and evangelical priorities in the Anglo-Norman church. Although the work survives in a single manuscript witness, it has long been known to historians and scholars of medieval literature. This volume makes the collection available in modern English for the first time. The translation, accompanied by extensive notes, is complemented by a contextualizing historical introduction and an edition of the Latin text.‎

‎Flowers, rock plants.‎

‎ 1939 1 Paris, Hyperion, 1939, in-folio relié demi-toile sous jaquette tachée éd., ill. ‎

‎L'Heure qu'il est: Les horloges la mesure du temps et la formation du monde moderne‎

‎Editions Gallimard 1987 17 4x3 4x21 4cm. 1987. Relié.‎

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‎Bon état‎

‎David Smith, A Centennial‎

‎, Guggenheim Museum, 2006 Hardcover with dusjacket, 447 pages, very richly illustrated with coloured illustrations, English text. ISBN 9780892073436.‎

‎Deemed the "foremost sculptor of his generation" by art critic Clement Greenberg, David Smith, who lived from 1906 to 1965, is about to be celebrated in his first retrospective since 1969--to be held at the Guggenheim Museum, New York, from February through May of 2006. David Smith: A Centennial features new photographs of nearly every selected sculpture--110 pieces dating from 1932 to 1965, including important examples from each period, many rarely seen in public. Essays from writers including David Anfam, Michael Brenson, Rosalind Krauss and Paul Hayes Tucker tackle key areas, such as Smith's relationship to the painters of the New York School, the dual development of his family life and series sculpture through the 1950s and 60s, and his use of the landscape outside his studio in formulating his late works. Perhaps most importantly, David Smith: A Centennial also features the most comprehensive research on Smith yet published, including a newly compiled and extended bibliography; a comprehensive exhibition history; a chronology; and an illustrated checklist tracking provenance, exhibition history, and bibliographic references for each featured sculpture, finally bringing scholarship on Smith to the level of that on other important American artists of his generation, such as Barnett Newman, Jackson Pollock and Mark Rothko. David Smith: A Centennial considers Smith's oeuvre as a totality, and offers readers the chance to understand the complexity of his aesthetic concerns as well as his impact on the course of American sculpture, and American art at large.‎

‎Tervuren in de Brabantse geschiedenis vanaf 1200 tot 1450‎

‎Tervuren , Gemeentebestuur , 1975, Oorspronkelijk uitgevers omslag, 224 pag .‎

‎*exemplaar gesigneerd door de auteur.‎

‎Constant Permeke monografie‎

‎, Hannibal, 2024 Gebonden, Hardcover, 208 pagina's met afbeeldingen in kleur, 27.5x21cm, nieuw. ISBN 9789464666977.‎

‎Een nieuwe kijk op Constant Permeke, Hoewel het werk van Constant Permeke (1886-1952) doorgaans tot het expressionisme wordt gerekend, exploreerde de kunstenaar een veelheid aan registers. Al vanaf het begin van zijn loopbaan kreeg hij ruime internationale erkenning met terugkerende onderwerpen als huiselijke taferelen en mensen in hun alledaagse handelingen. Zijn landschappen en zeegezichten stralen een verstilde, soms sublieme warmte uit. Voor Permeke waren kunst en leven nauw met elkaar verbonden. Zijn oeuvre zindert van levenslustige, rauwe energie maar ademt ook weemoed. De techniek van het schilderen ? met krachtige borstelstreken, toetsen, vegen, krassen en vlekken ? combineerde hij met tekenen en omlijnen. Volledig in de lijn van het modernisme zocht hij hoe hij het academisme kon doorbreken en hoe hij de schilderkunst telkens opnieuw kon uitvinden. Dit collectieboek is prachtig ge llustreerd met tientallen schilderijen, beelden en tekeningen. De vele archieffoto?s bieden een diepgravende kijk op het leven en werk van de meester.‎

‎biografie van Felix de Boeck (1898-1995) Sterven in het bed waarin ik geboren ben.‎

‎NL, Verloren Publishers, 2021 softcover, 400 pagina's met illustraties. ISBN 9789087049164.‎

‎De schilder en boer Felix de Boeck (1898-1995) presenteerde zich graag als mystiek aangelegde eenling. Op zijn boerderij in Drogenbos, nabij Brussel, leefde hij op afstand van de artistieke ontwikkelingen in de hoofdstad. In tv-programma?s als Ten huize van of in zijn memoires ?Mijn leven en werk? benadrukte hij dat hij wilde ?sterven in het bed waarin ik geboren ben?. Toch verwierp hij het romantische beeld van de schilderende boer. Het boerenbestaan was voor hem juist een manier om zijn onafhankelijkheid als kunstenaar te waarborgen. De Boeck maakte als volwassene twee wereldoorlogen mee. Hij ontving een groot aantal schilders, dichters en politici op zijn boerderij en maakte portretten van Gandhi, Roosevelt en zelfs van Hitler. De ontwikkeling van De Boeck van figuratieve naar abstracte kunst is in dit boek verweven met de politieke ontwikkelingen in Vlaanderen. De wijze waarop de Belgische overheid na de oorlog omging met het verleden frustreerde hem sterk. Hij zocht aansluiting bij een alternatieve, Vlaams-katholieke kunsttraditie. David Veltman kreeg voor dit boek inzage in het omvangrijke priv -archief van De Boeck, maar hij raadpleegde ook talrijke archieven van collega-kunstenaars, kunstinstellingen en het naoorlogse krijgsgerecht. Zo wist hij het turbulente leven van De Boeck tot een samenhangend verhaal te smeden. David Veltman werkte aan deze biografie als doctoraatstudent bij het Biografie Instituut (Rijksuniversiteit Groningen). In diverse bundels en tijdschriften publiceerde hij artikelen over Belgische 20e eeuwse biografie en geschiedschrijving. Hij was acht jaar werkzaam in het Haarlemse veilinghuis Bubb Kuyper.‎

‎Jan Saverys en de groep Art Abstrait.‎

‎Antwerpen, Callewaert-Vanlangendonck Gallery, 2016 Gebonden, half linnen, 128pp., illustraties in kleur 24.5x30.5cm. Nieuwstaat. ISBN 9789082482607.‎

‎Historicus David Vermeiren werkt op Saverys? archief en gaat via deze lyrisch-abstracte kunstenaar in op het ontstaan en het reilen en zeilen van deze kunstenaarsgroep. Vermeirens tekstgedeelte wordt aangevuld met archiefstukken en illustraties van kunstwerken door de Art Abstrait-leden (onder wie Pol Bury, Jo Delahaut, Jean Milo en Jean Rets). Vervolgens is er een catalogusgedeelte met werk door Saverys uit01950-1975.‎

‎L'EXPLORATION DES OCEANS‎

‎HACHETTE. 1979. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 60 pages augmentées de nombreuses illustrations et photos en couleurs dans et hors texte. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎Superforce. Recherches pour une théorie unifiée de l'univers.‎

‎ Broché, 22X14 cm, 1987, 321 pages, collection espace des sciences, éditions Payot. Bon exemplaire.‎