Paris, Editions Klincksiek, Tradition de l"Humanisme VII, 1967. Grand In-8, 396 p. Broché. PARFAIT ETAT.
Les fils d'Emile Deyrolle Les fils d'Emile Deyrolle, 1924. Plaquette In-98 brochée en feuillets, 37 pages + catalogue de l'éditeiur. Avec 17 figures das le texte. Bon état.
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
?Paris, chez Baillière et Fils ,1868, 2 vol. in-8 de 804-850 pages ,relié demi-basane à nerfs ,Etat correct ,dos du tome 1 abimé avec manque .(2 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 20 euros d'achat (Mondial relay )et 30 d'achat (colissimo suivi ). Pour l'étranger : tarif livre et brochure, colissimo international, DHL express
Paris, Arthème Fayard, 1875 in-8, 72 pp., texte sur deux colonnes, avec de nombreuses illustrations en noir dans le texte, broché. Dos uniformément renforcé, réparation maladroite à la première couverture.
Jules Trousset (1842-1916) était un fécond polygraphe qui dirigea de nombreux ouvrages de vulgarisation, dont le fameux Trousset (ou Nouveau dictionnaire encyclopédique universel illustré, ou Répertoire des connaissances humaines, 1885-1891).Thiébaud, 910. Un seul exemplaire au CCF (BnF). - - VENTE PAR CORRESPONDANCE UNIQUEMENT
2016, Dalloz, in-8 broché de 318 pages, Droit de la santé publique | Etat : Très bon état (Ref.: ref86631)
Dalloz
Washington, 1913. 4to. Orig. full cloth., gilt. VIII,399 pp., plates and 7 portraits in heliogravure. Clean and fine.
Akademie der wissenschaften und der literatur 1971 29 pages in8. 1971. Broché. 29 pages.
couverture défraîchie ternie intérieur propre
Nathan. 1994. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 175 pages.. . . . Classification Dewey : 570-Sciences de la vie
Classification Dewey : 570-Sciences de la vie
In-8, broché couverture bleue d'origine, (4), 84 p., vignette de titre gravée. Berne, Société Typographique, 1778.
Première édition française publiée simultanément à l'édition allemande quelques mois après la mort du médecin, poète et naturaliste suisse Albrecht von Haller.La biographie détaillée du médecin est suivie de plusieurs "Additions": Des voyages académiques de Mr. Haller - Des poésies de M. Haller - Du premier séjour de Mr. Haller à Berne (et à Göttingen) - Des ouvrages de Mr Haller - etc.(Conlon, 'Siècle des Lumières', 78:1560. France littéraire, IX, 570).La planche frontispice manque.Bon exemplaire.
Phone number : 33 01 47 07 40 60
, Brepols - Harvey Miller, 2020 Hardback IV+408 pages ., 227 colour ill., 220 x 280 mm. Languages: English. ISBN 9781912554027.
The first detailed survey of the representation of music in the art of Renaissance Italy, opening up new vistas within the social and culture history of Italian music and art in the fifteenth and early sixteenth centuries. Visual representations of music were ubiquitous in Renaissance Italy. Church interiors were enlivened by altarpieces representing biblical and heavenly musicians, placed in conjunction with the ritual song of the liturgy. The interior spaces of palaces and private houses, in which musical recreations were routine, were adorned with paintings depicting musical characters and myths of the ancient world, and with scenes of contemporary festivity in which music played a central role. Musical luminaries and dilettantes commissioned portraits symbolising their personal and social investment in musical expertise and skill. Such visual representations of music both reflected and sustained a musical culture. The strategies adopted by visual artists when depicting music in any guise betray period understandings of music shared by artists and their clients. At the same time, Renaissance Italians experienced music within a visual environment that prompted them to think about music in particular ways. This book offers the first detailed survey of the representation of music in the art of Renaissance Italy, and in the process opens up new vistas within the social and cultural history of Italian Renaissance music and art. The authors formed the team for the three-year project 'Music in the Art of Renaissance Italy, c.1420-1540' at the University of Sheffield, funded by The Leverhulme Trust. Tim Shephard is Senior Lecturer in Musicology at the University of Sheffield and a specialist in music, art and identity at the Italian Renaissance courts. Sanna Raninen is a musicologist interested in the visual and material culture of music in Renaissance Europe. Serenella Sessini is an art historian specialising in Italian domestic art. Laura Stefanescu is an art historian working on Italian Renaissance art from the perspective of sensory perception and religious experience. Table of Contents Preface 0. Introduction 1. Convergence 1.1 Sister Arts? 1.2 Corporeal and Spiritual Senses 1.3 Perspectiva, Harmony, and Beauty 1.4 Istoria, Ethics, and Imitation 1.5 Leonardo and the Paragone 2. Divine Harmonies 2.1 Angels as Musicians2.2 Heaven on Earth 2.3 Returning to Heaven2.4 Angels in the Home 2.5 David and Christ3. Classicisms3.1 Music Among the Liberal Arts3.2 Apollo and the Muses 3.3 Orpheus the Orator3.4 Marsyas and Midas3.5 Bacchus and the Art of Noise4. People 4.1 In the Garden of Venus4.2 Harmonious Marriage4.3 Singing Shepherds4.4 Musica Triumphans 4.5 Portraits 4.6 Ensembles Epilogue Bibliography Review The fruit of a sustained and cutting-edge interdisciplinary collaboration among musicologists and art historians, this book reopens unresolved issues regarding the relationship between music and the visual arts, from both sides. The authors astute analysis and ability to connect a vast array of materials and concepts." Giovanni Zanovello, Indiana University "This richly detailed, wide-ranging book provides a valuable and evocative account of the relationships between musical and visual cultures in Renaissance Italy." Flora Dennis, University of Sussex
, C.A.U.R.J, 1998 Softcover, 164 pages, Illustrated. Edi o Portugu s. ISBN 8586505021.
, AsaMER, 2014 Hardback, 320x240mm, 122 pages, English edition, Fine copy. Including an index. FINE ISBN 9789491775413.
Tsuyoshi Maekawa ( 1936, Japan) is one of the few remaining members of the Gutai Art Association, Japan's most important avant-garde (1954-1972), which has been receiving a lot of international attention the last few years. This book is the first monograph about Maekawa. It brings together many historic images and documents of the Gutai period, found in the archives of the Ashiya City Museum of Art. The work of Tsuyoshi Maekawa ( 1936, Japan) is an ode to matter. From the beginning he chose jute as a his main material. As is common to the art of all Gutai artists, his practice entails an authentic and personal approach with great respect for the material in all its purity. Matter is his true vehicle of expression and represents nothing other than itself. The artist is entirely at the behest of the medium. The tactility he manages to convey is deeply moving. The catalogue contains many unpublished historic image of Maekawa's Gutai period as well as an interview with the artist by Koichi Kawasaki and an essay by internationally renowned Gutai connaisseur Shoichi Hirai
, AsaMER, 2017 Hardback, 320x240mm, 152 pages, English edition, Fine copy. Including an index. FINE ISBN 9789492321442.
Maekawa II presents the work of Japanese artist Tsuyoshi Maekawa ( 1936) during the 1970s. In contrast to Maekawa I, which highlights his art of the previous decade made within the directives of the Gutai Art Association, Maekawa II sheds light on the artist's unremitting efforts to overcome the sudden death of Gutai's leader Jiro Yoshihara in 1972. In this volume, the ceaseless innovations and impulses Maekawa instigated in his post-Gutai practice are brought to the fore. They show the profound exercises and manipulations of sewed and dyed burlap that he shaped into oftentimes highly tactile squares, lines, triangles, and a multitude of colourful yet sober wavy patterns; at times stretched over boxes or loosely draped over walls. The result is a singular exploration of fabric, texture, colour and the possibilities of the canvas at its roughest core. Tsuyoshi Maekawa ( 1936, Japan) is one of the few remaining members of the Gutai Art Association, Japan's most important avant-garde (1954-1972), which has been receiving a lot of international attention the last few years. This book is the first monograph about Maekawa. It brings together many historic images and documents of the Gutai period, found in the archives of the Ashiya City Museum of Art. The work of Tsuyoshi Maekawa ( 1936, Japan) is an ode to matter. From the beginning he chose jute as a his main material. As is common to the art of all Gutai artists, his practice entails an authentic and personal approach with great respect for the material in all its purity. Matter is his true vehicle of expression and represents nothing other than itself. The artist is entirely at the behest of the medium. The tactility he manages to convey is deeply moving. The catalogue contains many unpublished historic image of Maekawa's Gutai period as well as an interview with the artist by Koichi Kawasaki and an essay by internationally renowned Gutai connaisseur Shoichi Hirai
Préface du Prof. L. Bugnard.. Paris, Masson. 1950. Grand in-8 (25x16). IX-388 (1) pages. Broché, couverture rose imprimée.
84 figures dans le texte, tableaux, très bon état, imprimé sur papier couché.
2012, Michel Lafon, in-8 broché de 254 pages, «Insecticides, OGM, alimentation, pollution, radioactivité, énergie nucléaire, antennes de téléphones portables.... Ne croyez pas les nouvelles alarmistes.» | Etat : Très bon état général, occasion (Ref.: Ref95195)
Michel Lafon
Zaragoza Escuela de Estudios Medievales - Instituto deEstudios Pirenaicos 1970 in 8 (24,5x17) 1 volume broché, couverture à rabats, CLVI et 425 pages, avec des illustrations hors-texte, et 2 cartes in fine. Collection '' Fuentes para la historia del Piineo '', VII. Rare. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon Broché
Eyrolles Paris, Eyrolles 1952. Grand in-8 broché de 350 pages. Bon état
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Villeselve (France), Editions Ramuel, 1996. 15 x 21, 179 pp., quelques dessins, broché, très bon état.
traduit de l'américain par Andréana.
D'après des documents inédits par Alexandre Tyetey, avec une préface par M. Alfred Maury, 1 vol. in-8 reliure demi-percaline mauve, A. Vernier-Arcelin, Dôle, 1886, X-94 pp.
Bon état (dos passé, lég. traces d'usage, bon exemplaire par ailleurs) pour cette monographie peu commune.
W.B. Saunders company 1938 in8. 1938. Relié.
Bon état (BE) intérieur propre couverture un peu frottée sur les bords
Lea & Febiger 1949 in8. 1949. Cartonné.
Bon état (BE) intérieur propre
Tulard Jean Damien André Bruley Yves Collectif Raffarin Jean-Pierre
Reference : 500143957
(2005)
ISBN : 9782854434644
Tulard Jean Damien André Bruley Yves Collectif Raffarin Jean-Pierre
Reference : 500144068
(2005)
ISBN : 9782854434644
Tulard Jean Damien André Bruley Yves Collectif Raffarin Jean-Pierre
Reference : 500146661
(2005)
ISBN : 9782854434644
1950 Markinch Fife (Scotland), Tullis Russell and Co. Ltd, 1950. Ouvrage technique contenant 24 planches dont 12 sont des gravures sur bois représentant des plantes et 12 des dessins monochromes représentant les fibres vues au microscope. Chaque illustration est accompagnée d'un texte explicatif en regard. Grand in-8, 20 x 26 xm., 59 pp., imprimé en deux tons et orné d'un frontispice. Index in fine. Bien complet du rhodoid imprimé pour l'utilisation en micrographie ("transparent grid enclosed for use with the Micrographs"). Reliure de l'éditeur, cartonnage bleu orné d'un écusson argenté sur le premier plat, jaquette imprimée. Jaquette légèrement usagée. Le livre lui-même est en très bon état. EN ANGLAIS.