‎Jules Schmalzigaug Futurismo‎

‎, Hannibal Books, 2024 softcover, 270 x 220 mm, 144 Pages, Nederlands ed. ISBN 9789464941715.‎

‎Maak kennis met het werk van de enige echte Belgische futurist Jules Schmalzigaug (1882-1917) is voor velen een ontdekking. Deze enige echte Belgische vertegenwoordiger van het futurisme hoort helemaal thuis in het KMSKA, dat de grootste verzameling ter wereld van zijn werk beheert. Dit toptalent van de internationale avant-garde hield ook van Peter Paul Rubens en James Ensor, twee andere KMSKA-toppers. Hij experimenteerde met zingend rood en kleur pur sang. Dankzij een genereuze gift van Galerie Ronny Van de Velde in 2022 kan het museum de boeiende evolutie in Schmalzigaugs creatieve proces volledig ontsluiten. Van zijn vroegste academiestudies en aangezette stadstekeningen tot zijn futuristische arabeskenritmes die hij in Veneti maakte en de latere Haagse en Scheveningse pastels: dit collectieboek geeft deze jonggestorven kleurkunstenaar de erkenning die hem toekomt. De tentoonstelling Jules Schmalzigaug (1882?1917). Futurismo! loopt van 28 september 2024 tot 12 januari 2025 in het prentenkabinet van het Koninklijk Museum voor Schone Kunsten Antwerpen.‎

‎Quinten Ingelaere Paragon (Paintings)‎

‎Antwerpen , Oktober Publications, 2021 Hardcover, 160 pages, illustrated, 27x19cm, English Text. ISBN 9789082681956.‎

‎Quinten Ingelaere ( 1985, Gent) woont en werkt in Antwerpen en Rosciszow. Hij studeerde af aan de Koninklijke Academie voor Schone Kunsten Antwerpen in 2009 optie schilderkunst, en is er nu docent schilderkunst. Zijn schilderijen interpreteren, herdefini ren en hercontextualiseren klassieke thema?s, iconografie en gemeenschappelijke, collectieve beeldtaal. De titel Paragon verwijst naar ?vergelijking?. **** Quinten Ingelaere ( 1985, Ghent) lives and works in Antwerp and Rosciszow. He graduated from the Royal Academy of Fine Arts Antwerp in 2009 option painting, and now teaches painting there. His paintings interpret, redefine and recontextualize classical themes, iconography and common, collective imagery. The title Paragon refers to ?comparison‎

‎Paul Joostens Oeuvre - Works ‎

‎Oostende , MuZEE, Oostende , 2014 Hardback, 336 pages, English/ Dutch (NL) edition (deel 2). ISBN 9789074694124.‎

‎De tentoonstelling Cinema Joostens wordt begeleid door een tweeledige catalogus die in woord en beeld de neerslag vormt van nieuw kunstwetenschappelijk onderzoek naar het oeuvre en de beweegredenen van Paul Joostens. Het eerste deel verscheen op 1 maart, het tweede deel op 28 juni.Deel een bevat divers en vaak ongepubliceerd fotomateriaal, maar ook meer dan 400 illustraties van tekeningen, schilderijen, collages en assemblages. Deel twee belicht dan weer het oeuvre van Paul Joostens in relatie tot onder andere cinema, filosofie en psychoanalyse, en omvat eveneens onbekende teksten van zijn hand. ‎

‎P.L.Flouquet,J.L onard en L.Kass k: de architectuur van het beeld tijdens het Interbellum Modernisme‎

‎Oostende , Mu.Zee, 2018 Gebonden, Hardcover 351 pagina's, illustraties , 26,6 x 19,8 x 3,5 cm text in English + Nederlands . ISBN 9789074694285.‎

‎Pierre-Louis Flouquet, Lajos Kass kand Jos L onard were three visual artists and graphic designers who shaped the interwar years by harnessing the endless possibilities of the line and the plane, and the circle, triangle and square.They shared the conviction that geometric abstraction could bea blueprint for a renewed society after the First World War.It was a message that was advanced through the international avantgarde network of magazines that included, amongst others, Kass k's MA, the Brussels-based 7 Arts with Flouquet as artistic director and Het Overzicht run by Jozef Peeters and Michel Seuphor in Antwerp, with L onard as an occasional contributor. For Constructivist artists there was no clear distinction between West and East, or centre and periphery. 'Connection' was the keyword, for example between the Belgian and Hungarian avantgarde movements in Antwerp, Brussels, Budapest and Vienna. Pierre-Louis Flouquet, Lajos Kass k en Jos L onard zijn drie beeldende kunstenaars en grafische ontwerpers die na de Eerste Wereldoorlog een nieuwe wereld wilden cre ren vanuit de eindeloze mogelijkheden van de lijn, het vlak, de cirkel, de driehoek en het vierkant. Deze tentoonstelling verbindt abstract, constructivistisch en (typo)grafisch werk van de Belgische kunstenaars L onard en Flouquet met de artistieke praktijk van de Hongaarse kunstenaar Lajos Kass k.‎

‎bladen voor de grafiek nr.2 jrg 3- MICHEL BRACKE‎

‎, Lier, 1970., In suite, originele uitgeversomslag, 21,5x28cm, z.p., geillustreerd met 10 originele houtsneden.‎

‎MICHEL BRACKE De bladen voor de grafiek nr.2 jrg.3‎

‎Panter praat : Adriaan Raamdonck in 12 postulaten‎

‎, Uitgeverij Vrijdag, 2023 PB, 126 pag. NL, 210 x 140 mm, Nieuw, illustr. in kleur / z/w. ISBN 9789464341928.‎

‎Adriaan Raemdonck praat als een Panter, lenig en ontembaar, in hoogsteigen maximes. Twaalf postulaten dienen als emblemen om meer dan vijftig jaar kunstgeschiedenis te markeren. Hij vertelt over bevrijding en verbinding. Over dromen en de elektriciteit niet kunnen betalen. Over het onzichtbare zichtbaar maken. Over Ensor en Richter, Cox en Bervoets, en al die andere Panters in crime. Het beroep ?galerist? bestond nauwelijks, dus heeft Adriaan het uitgevonden. Hij gaf het vorm en inhoud, en vocht voor de rechten van kunstenaars en verzamelaars. Als voorzitter van de Belgische Moderne en Hedendaagse Kunstgaleries (BUP) en van de Federation of European Art Galleries (FEAGA) inspireerde hij de hele kunstwereld met zijn veldwerk. Adriaan leerde zijn volk exposeren. Zijn galerie De Zwarte Panter in de Antwerpse binnenstad is de oudste van het land en een levend geheugen van de twintigste-eeuwse schilderkunst. Iedereen is en blijft er welkom. Adriaan kiest geen kleur. Hij gaat voor het volledige palet en het plezier van het mengen. Als je voor een werk van Magritte staat, denk je ook niet voor wie of wat die zou gestemd hebben. Guinevere Claeys en Johan Faes zijn journalisten en elkaars eerste lezers. Na Guineveres rake portret van Adriaan Raemdonck in De Standaard volgden talloze praat- en luistersessies waaruit Johan dit elixir d?Adrien distilleerde.‎

‎From Jesus to Christian Origins. Second Annual Meeting of Bertinoro (1-4 October, 2015)‎

‎, Brepols, 2020 Paperback, 534 pages, Size:156 x 234 mm, Illustrations:32 b/w, Languages: English, Italian, French. ISBN 9782503583273.‎

‎Summary Within the contemporary renewal of the exegetical and historical research on Jesus and early Christianity, this book stresses the importance of new epistemological and methodological perspectives in exegesis and History of Christianity (from the point of view of Cultural Anthropology and Comparative Religion). The articles of the first section present a consequent interpretation of Jesus within Jewish culture of the First century. Jesus activity is located within the Jewish movement of John the Baptizer. His words and political attitude is interpreted in the Jewish context of the Land of Israel under Roman administration. His movement is seen as a sub-group within Jewish society. The section dedicated to the first groups of Jesus' disciples in the Land of Israel and in the ancient Mediterranean world mainly focuses on three constellations of questions: (a) the multiplicity and fractionation of Jesus' groups, for example in Jerusalem in the period between 30 an 70 of the First century, (b) the fact that the post-Jesus Movement was sociologically characterized by a multiplicity of sub-groups of Jewish groups and movements; (c) the radical modifications provoked by the abandonment of Jewish contexts when the majority of followers was composed by Gentiles with limited relation with the daily practice of Jewish life and religion. Particular attention is dedicated to the connection of contemporary research with the interpretations of Jesus and early Christianity developed in the modern age. TABLE OF CONTENTS Adriana Destro, Mauro Pesce, Questions about Christian origins. An introduction I. Methodology F. Remotti, A immagine di Dio. Dalla critica delle identit al nodo delle somiglianze F. Sbardella, Silence and Words: Monastic Soundscapes S. C. Mimouni, Les paroles et les actions de J sus de Nazareth dans le juda sme de son temps. Quelques remarques et r flexions d'un historien L. Arcari, "Alethurgical" Discourses on Jesus. The Gospel-Narrations as "True Discourses" R. Alciati, Contra fontes: una via d'uscita dalla crisi per la Storia del cristianesimo D. Ullucci, Sacrifice, Supersition and the Problem of 'Spiritual' Offerings II. From Jesus to His First Followers A. Destro - M. Pesce, The Groups of Jesus' Followers in Jerusalem. Fractionation and Divergencies (30-70 CE) F. Adinolfi, Jesus and the Aims of John: Abandoning the Underivable Jesus G. Massinelli, The Parable of the Two Sons and the Quest for the Authentic Parables of Jesus C. Facchini, Historicizing Jesus: Leon Modena (1571-1648) and the Magen ve-herev F. Bermejo Rubio, Was Von dem Zwecke Jesu und seiner J nger an Innovative Contribution? On Reimarus' Significance in the History of Jesus Research III. James, Peter, and Paul. Literature, Archeology, and Documentary Papyri C. Carletti, Archeological Investigations Under the Vatican Basilica: from Pope Pacelli's Project to Revisions of the 50s P. De Santis, La 'memoria' di Pietro in Vaticano: morfologia e funzionalit P. Artz-Grabner, Census Declarations, Birth Returns, and Marriage Contracts on Papyrus and Paul's Ideas on These Matters C. Antonelli, The death of James the Just according to Hegesippus (Eusebius of Caesarea, Ecclesiastical History 2,23,10-18). Narrative Construction, Biblical Testimonia and Comparison with the Other Known Traditions IV. Early Christian Groups and Literature A. Annese, The Gospel of Thomas and Paul: Status Quaestionis, Historical Trajectories, Methodological Notes T. Witulski, A New Perspective on Dating the Book of Revelation M. Sommer, How Jewish is the (Ethiopic) Apocalypse of Peter? G. Marchioni, Shepherds and Good Shepherd: Text and Images in Pastoral Metaphors E. Rubens Urciuoli, Tertullian, the Bishops of Elvira, and the Precession of Simulacra. Unpacking Strategies of a Christian Political Engagement before Constantine F. Berno, Erasing Apocalypticism: An Historical Trajectory from the "School of Valentinus" to Plotinus (and vice versa) L. Cerioni, Feminine and Bridal Imagery in the Book of Baruch of the Gnostic Teacher Justin‎

‎Wim Delvoye, Introspective.‎

‎Brux., mercaterfonds - fondsmercator, 2012 Hardcover ,Pagina's: 400 , Afmetingen: 29.75 x 24.5 cm geilustreerd in kleur.prachtig geillustreerde boek !! NL tekst ISBN 9789061535027.‎

‎Wim Delvoye Intropective bevat bijdragen van meerdere belangrijke auteurs als Adrian Dannatt, Bernard Marcade, Dirk Snauwaert en Bart Verschaffel, die het werk op een verschillende manier benaderen en interpreteren. De Brit Adrian Dannatt en de Belg Dirk Snauwaert die al sinds lang nauwe contacten hebben met de kunstenaar, werpen een kritische en persoonlijke blik op de kunstenaar, zijn leven en zijn werk. De Franse kunstcriticus Bernard Marcade interpreteert het werk op een eigenzinnige manier op basis van themas als de proliferatie, het barbaarse, de pragmatische utopie of het tactische conformisme. In een meer iconografische benadering, belicht de Belgische filosoof Bart Verschaffel het werk van deze uitvinder van de hedendaagse kunst vertrekkend van tien belangrijke werken. Het prachtig geillustreerde boek dat in nauwe samenwerking met de kunstenaar tot stand kwam, wordt vervolledigd met een levendige en geillustreerde biografie van de hand van Olivier Duquenne.‎

‎Adrian Ghenie. expo 2020‎

‎Antwerp, Tim Van Laere Books 2020, 2020 Hardcover, unpag. (ca. 90pp), illustr. throughout in col., 25.5x20.5cm., as new. Tekst in Dutch and English. ISBN 978464004052.‎

‎15 october 2020 - 15 january 2021‎

‎Taste and the Antique The Lure of Classical Sculpture: 1500-1900. Revised and Amplified Edition. 3 vols‎

‎, Brepols - Harvey Miller, 2024 hardcovers, 3 vols, 1684 pages, Size:220 x 280 mm, Illustrations:186 b/w, 1592 col. Language(s): English . ** new condition. ISBN 9781909400252.‎

‎For several hundred years, until about 1900, a limited number of antique sculptures were as much admired as are the Mona Lisa, Botticelli's Birth of Venus or Michelangelo's David today. They were reproduced in marble, bronze and lead, as plaster casts in academies and art schools, as porcelain figurines for chimneypieces and as cameos for bracelets and snuffboxes. They were celebrated by poets from Du Bellay and Marino to Byron and D?Annunzio, and memorably evoked by novelists as diverse as Marcel Proust and Nathaniel Hawthorne, George Eliot and Charles Dickens. Copies of some of these statues can be seen at Pavlosk and Madrid, at Stourhead, Charlottenburg, Malibu and Versailles, and in countless gardens, houses and museums throughout the world. How and when did these particular sculptures achieve such a special status? Who were the collectors, restorers, dealers, artists, dilettanti, scholars and archaeologists who created their reputations? Under what names (often wildly fanciful) did they first become famous? How were they interpreted, and how and when and why did their glamour begin to wane? These are some of the problems that are confronted in Taste and the Antique. Taste and the Antique has become a classic of art history since its original publication in 1981. This revised and amplified edition significantly updates the information based on new research undertaken in the last several decades, as well as expanding examples of the reception and influence of these works by artists and collectors from the Renaissance through to contemporary art. The original edition has been expanded into three volumes: Volume 1 is a revised and amplified version of the 1981 edition. Fifteen chapters trace in narrative form, with the support of a wide variety of plates, the rise and decline of this highly important episode in the history of taste. These chapters are followed by catalogue entries for 95 of the most celebrated sculptures, all of them illustrated, which provide information on when and where they were discovered, changes of ownership and nomenclature, as well as a record of varying critical fortunes designed to complement the more general discussion in the earlier chapters. Volume 2 contains especially commissioned new photography of over 90 statues catalogued in Volume 1. Volume 3 is entirely devoted to a visual survey of the full range of replicas and adaptations of the works catalogued and illustrated in the previous volumes. The book is indispensable for historians of taste, and to art historians concerned with the debt owed by numerous artists from the Renaissance onwards to the art of ancient Greece and Rome; and it is also of great value to students and collectors of the many surviving copies of the sculptures discussed. TABLE OF CONTENTS Volume I: Text Preface to the Revised and Amplified Edition An Updated Note on the Presentation of the Essay and Catalogue Introduction I. ?A New Rome? II. The Public and Private Collections of Rome III. Plaster Casts and Prints IV. Control and Codification V. Casts and Copies in Seventeenth-Century Courts VI. ?Tout ce qu?il y a de beau en Italie? VII. Erudite Interests VIII. Florence: The Impact of the Tribuna IX. Museums in Eighteenth-Century Rome X. The New Importance of Naples XI. The Proliferation of Casts and Copies XII. New Fashions in the Copying of Antiquities XIII. Reinterpretations of Antiquity XIV. The Last Dispersals XV. Epilogue Notes to the Text Updated Bibliography Catalogue Appendix Bibliography Index Volume II: Originals Volume III:Replicas and Adaptations‎

‎Infanticide, Secular Justice, and Religious Debate in Early Modern Europe ‎

‎, Brepols, 2016 Hardback, 407 pages, 156 x 234 mm, EN. *New. ISBN 9782503531748.‎

‎On 5 December 1709, in Bologna, Lucia Cremonini is accused of a terrible crime: the murder of her newborn son. This tragic episode, exhumed from the depths of time, is placed at the centre of an enthralling study by one of the leading scholars of modern history and the history of religious beliefs. During the course of a dramatic trial the crime is debated by representatives of religious, philosophical, moral, and scientific culture, all characteristic of the formative period of the modern world and all seeking a convincing answer to fundamental questions. When does life begin? When can a human being first be described as such, so that his or her killing is a crime punishable by the maximum penalty? What is the true role of baptism in the formation of the human person? These are all highly topical questions in an age like our own, where belief is subject to the powerful assaults of scientific research and new questions are being raised about the essence and the limits of human existence. TABLE OF CONTENTS: Acknowledgements Part I. The Story Chapter 1: From the Trial Records Chapter 2: Infanticide as an Obsession Chapter 3: Infanticide as a Social Practice: From a Sin to a Crime Part II. The Mother Chapter 4: Una figliola grande, giovane fatta (A Grown Girl, a Mature Young Woman) Chapter 5: ?A young priest? Chapter 6: Il Carnevale prossimo passato (The Last Carnival past) Chapter 7: ?He robbed me of my honour and took my virginity? Chapter 8: ?I was always on my own? Chapter 9: M?indussi col detto cortello a dare la morte a detto mio figlio partorito vivo mettendoli la punta di detto cortello nella gola (I Forced Myself with the Said Knife to Kill my Said Son whom I had given Birth to Alive, by putting the Point of the Said Knife into his Throat) Part III. The Son: The Seed and the Soul Chapter 10: Un puttino maschio (A Baby Boy) Chapter 11: Ben compito in tutte le sue parti (Well-Formed in All Its Parts) Chapter 12: A ?Creature? Without a Name, or When a Man is not a Man Chapter 13: Baptism Chapter 14: To Die Without a Soul Chapter 15: Ensoulment Chapter 16: The Person Part IV. Justice Chapter 17: The sentence: Ut moriatur et anima ab eius corpore separetur (That She Die and Her Soul be Separated from Her Body) Chapter 18: Accolta e Consolata (Received and Consoled) Chapter 19: Repentance and Forgiveness Afterword Bibliography‎

‎Adrian Wiszniewski, Man Tied Up in His Own Composition‎

‎Edinburgh/ Gent / Antwerp, Talbot Rice Gallery , 1996 Softcover, 105 pages, illustrations in colour., text in NL / ENG. . ISBN 9781873108123.‎

‎catalogue expostion Wiszniewski, Adrian. ( Duncan Macmillan-Essay).‎

‎Lettre autographe‎

‎Adrien-Antoine de Blocquel de Croix de Wismes (1697-1778), mayeur d'Arras, élu d'Artois, membre fondateur de l'Académie des Sciences, Lettres et Arts d'Arras. L.A., Paris, 6 février 1734, 3p in-4. A Charles d'Aumale (1688-1750), militaire, directeur général du Génie, chargé des fortifications, son beau-frère (qui a épousé son unique soeur). Longue lettre donnant des nouvelles, tant militaires (guerre en Italie) qu'amicales (mort de M. de Salmon) ou matérielles (livraison de vitres, d'une chaise de poste). Beau document avec cachet armorié au dos. [476] ‎

‎Art Oceanien, L' Art Oceanien.‎

‎, Citadelles & Mazenod, 1993 Hardcover+dusjact+slipcase, Couverture reliee sous jaquette, 637 pages, Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte,** tres bon etat. ISBN 9782850880612.‎

‎Pour les grands voyageurs du XVIe au d but du XIXe si cle, l'exploration des les du Pacifique avait t une aventure exceptionnelle, pour de Queiros, Cook, La P rouse, Bougainville et Dumont d'Urville qui avaient brav ces mers inconnues pour d couvrir ce qu'ils crurent tre le paradis. Aujourd'hui, le voyageur peut suivre leurs traces, et pourtant de nombreux aspects de ces cultures insulaires demeurent aussi peu familiers qu'autrefois. Parmi ces aspects m connus, l'un des plus int ressants est l'extraordinaire richesse artistique cr e par les habitants de ces les. Le monde oc anien recouvre des milliers d' les, de l'immense Nouvelle-Guin e de simples atolls coralliens. Les indig nes y d velopp rent plus de cultures autonomes et vari es que partout ailleurs dans le monde. Dans la plupart d'entre elles, les arts tiennent une place fondamentale car ils sont un facteur essentiel d'int gration la vie sociale et religieuse. Ils incluent non seulement l'architecture, la peinture et la sculpture, mais aussi la musique, la danse, la pri re, et l'ornement du corps. Presque tous les mat riaux disponibles sont utilis s, durables ou ph m res. Cependant, pour des raisons principalement historiques, l'art des les du Pacifique a t relativement n glig . Si un grand nombre de publications sp cialis es, techniques ou anthropologiques existent, principalement sous forme d'articles, aucune synth se d'ampleur n'a t publi e depuis trente ans. Et cela en d pit des nombreuses d couvertes importantes et des tudes approfondies sur l'art de ces communaut s pass es et pr sentes. Pr senter au grand public l'art oc anien partir des recherches et des th ories contemporaines sur cet ensemble complexe de soci t s et de cultures, c'est ce qu'accomplit cet ouvrage travers des textes de grande qualit et une iconographie qui r unit les chefs-d'?uvre dont un bon tiers d'?uvres in dites. Une documentation pr cise sur les principaux groupes culturels apportent le compl ment indispensable pour une bonne d couverte de ce continent parpill entre ciel et oc an.‎

‎Scarlett Hooft Graafland Mesmerizing‎

‎, Waanders Uitgevers, 2025 Flexi (Pb luxe) Dimensions 280 x 240 mm Illustrations 40 col.ill. 96 Pages, Language(s) Eng/ NL ed. *new. ISBN 9789462626164.‎

‎Zoutvlaktes, ijskappen en woestijnen: Scarlett Hooft Graafland (1973) fotografeert magische landschappen in de meest afgelegen gebieden ter wereld. Scarlett Hooft Graafland werkt altijd nauw samen met de lokale bevolking, en legt hun verhalen vast. Haar persoonlijke levensinzichten komen terug in haar werk. Met humor en verwondering raakt ze actuele onderwerpen aan, zoals klimaatverandering, ongelijkheid, of de positie van vrouwen. ‎

‎Byzantine Century Political, Colonial, and National Uses of Neo-Byzantine Architecture, 1820s-1920s‎

‎, Brepols, 2026 Paperback, 258 p., 210 x 270 mm, Illustrations:44 b/w, 146 col., Language(s):English. *New . ISBN 9788028007973.‎

‎This volume explores what it meant to invoke Byzantium during a century of restless political, cultural, and imperial transformation. From the 1820s to the 1920s, the ?Neo-Byzantine? style was more than a matter of architectural taste in an age of eclecticism. It became a language of power and identity, called upon to serve colonial empires such as Britain, France, Russia, and Austria-Hungary, as well as contested regions like the Caucasus, the Balkans, and the Ottoman capital itself, where Byzantium was at once heritage and provocation. Far from being a marginal curiosity, the Neo-Byzantine revival was a crucible in which nations, religions, and empires negotiated their pasts and imagined their futures. Monumental churches, synagogues, and civic buildings across Europe, North Africa, and Western Asia were not simply constructed in a borrowed style: they materialized competing dreams of Byzantium, becoming instruments of political ambition, religious authority, national mythology, and cultural colonization. Through a series of case studies ranging from Dublin to Istanbul, from Marseille to Tbilisi, and from Prussian churches to diasporic Armenian projects, the contributors move between the macro and the micro, situating the style within broad historical currents while grounding it in the specificity of local histories. Together, they demonstrate how Byzantium was not only reinvented but actively contested ? its image refracted through the shifting concerns of a global century.‎

‎Re-Thinking Late Antique Armenia: Historiography, Material Culture, and Heritage‎

‎, Brepols, 2023 Paperback, 191 pages, Size:210 x 270 mm, Illustrations:30 b/w, 125 col., 2 maps color, Language: English. ISBN 9788028003067.‎

‎Summary This book questions the place of Armenian visual and material culture in the period known as Late Antiquity, at a time when Armenia is usually presented as an in-between space defined by surrounding external entities: the Roman and the Persian, and later Arab world. The volume includes articles that confront this notion both from the perspective of art history, architecture, and archaeology, and from a historiographical point of view, which examines the reception of Armenian arts by scholars from Italy, Russia, and France. The articles in this richly illustrated volume aim to reposition Armenia as one of the forces of artistic creation and mediation to be reckoned with within the Mediterranean and Eurasian space of Late Antiquity. This project draws on the papers presented at the conference ?Re-Constructing Late Antique Armenia (2nd-8th Centuries CE). Historiography, Material Culture, Immaterial Heritage? that took place in February 2022 at the Center for Early Medieval Studies in Brno, Czech Republic. TABLE OF CONTENTS Introduction Ivan Foletti & Adrien Palladino Late Antiquity and Armenia. From Marginalized Region to Creative Force Articles Patrtick Donab dian Culmination of a Late Antique Legacy? The Golden Age of Armenian Architecture in the Seventh Century Naz nie Garibian The First Armenian Christian Sanctuaries and Shrines. Reconsidering the Received Tradition Lilit Mikayelyan Greco-Roman Ornamental Motifs in Armenia and Iran. Commonality and Sustainability of Tradition (5th-11th Centuries) Zaruhi Hakobyan The Image of St Christopher Cynocephalus in Early Medieval Sculpture of Armenia Adrien Palladino From Desperate Solidarity to Dispassionate Eye. Shifting French Perspectives on Early Medieval Armenian Art (ca 1894-1929) Annalisa Moraschi A Mutual Presentation. Precocious Interests for Medieval Armenia in Nineteenth-Century Italy Beatrice Spampinato A Theoretical Topography of Architecture. On the Problematic Connections between Rome, Byzantium, and Armenia in Italian Historiography (1914-1945) Ruben Campini Art from the Borders? Wolfgang Fritz Volbach and the Localization of a Group of Early Christian Ivory Pyxides in the Caucasus Ivan Foletti & Pavel Rakitin Re-Inventing Late Antique and Early Medieval Armenia in World War II Soviet Union Afterword Christina Maranci Late Antique Armenia. Past, Present, and Future‎

‎[Manuscrit]. Récréations mathématiques et physiques, contenant plusieurs problèmes des Sciences exactes, et plusieurs secrets des arts.Alphabets de toutes les Langues, anciennes et modernes, mortes et vivantes ; suivis de quelques alphabets supposés.‎

‎Paris, , 1797. 2 parties en un vol. in-12 manuscrit, [Récréations] (2)-45 pp., [Alphabets] (57) pp., [Suite des Récréations] pp. 46-54, [Alphabet] (1) p. [Addition abrégée] (5) ff. dont 1 replié, veau marbré, dos lisse orné, pièce de titre manuscrite à l'encre noire, triple filet doré d'encadrement sur les plats, fleurons dans les angles, tranches dorées (reliure de l'époque). ‎

4 Images

‎Manuscrit autographe daté 1797 établi dans sa retraite par le fécond bibliographe Jean-Félicissime Adry, dernier bibliothécaire de la Bibliothèque de l’Oratoire de Paris au moment de sa dispersion en 1792.Il comprend des Récréations mathématiques suivies de la copie intégrale et manuscrite des cent-un alphabets anciens et modernes (hébreux, syriaques, arabes, coptes, arméniens, éthiopiens, romains ou grecs) gravés dans le second tome de l'ouvrage de Pierre-Simon Fournier Manuel typographique utile aux gens de lettres (1764-1766), augmentés de sept types « supposés » par le Père Adry : 102. Caractères célestes 103. De l'Ange Raphaël 104. Ancien Hébreu 105. Ancien Phénicien 106. Inscription de la colonne de Délos 107. Inscription Sigéenne 108. Inscription sur les trépieds de Thèbes selon Scaliger ; Clefs chinoises. À la fin : Addition abrégée ayant une série de nombres considérable… (5 feuillets d'une écriture postérieure, fin XIXe).Auteur de contributions remarquées au Magasin encyclopédique - ainsi sa « Notice sur la famille des imprimeurs des Elzévirs », résumé d'une recherche restée inédite -, Jean-Félicissime Adry (1749-1818) établit de nouvelles éditions de Pline, Quintilien, des Aventures de Télémaque de Fénelon, La Princesse de Clèves de Mme de La Fayette, les Fables de La Fontaine dont il dressa un vocabulaire. Il a également rédigé quelques biographies et un Dictionnaire des jeux de l'enfance et de la jeunesse chez tous les peuples (1807). Enfin, son Catalogue des ouvrages que l'on doit lire pour étudier la religion et éclairer les difficultés de la Bible et de la théologie a été repris dans le fameux Dictionnaire de bibliographie et de bibliologie (supplément) de Pierre-Gustave Brunet (1866). Note manuscrite au verso du premier feuillet blanc : « N° 40 des m(anu)s(crits)s. de la bibliothèque de J.F. Adry vendue le 9 juin 1818 ». Traces de feuillets interfoliés (pour la prise de note). Ex-libris manuscrit Victor Bertrand.Manuscrit complet d'une écriture très lisible, conservé dans sa reliure de l'époque. ‎

‎Oligothéraphie - Précis de clinique et de thérapeutique‎

‎ Maloine, 1988, in/8 reliure éditeur, 320 pages.‎

‎"L'oligothérapie est une pratique de médecine alternative, élaborée par le médecin Jacques Ménétrier, consistant en des complémentations alimentaires en oligo-éléments, et s'appuyant sur des notions telles que la « nature » ou le « terrain » du patient à traiter." Une seul livraison par semaine pendant le mois d'août ‎

‎Ferromagnetisme van dunne nikkellaagjes bij lage temperaturen.‎

‎, Brussel, Paleis der Academien, 1955., Gebrocheerd, originele uitgeversomslag, 18x26cm, 49 p., 11 fig.‎

‎Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n? 52.‎

‎Metingen van het coercitief veld in dunne laagjes van ferromagnetische metalen.‎

‎, Brussel, Paleis der Academien, 1959., Gebrocheerd, originele uitgeversomslag, 18x26cm, 62 p., 26 fig., 8 tab.‎

‎Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n? 59.‎

‎Man and His Manuscripts. The Notebooks of Ademar of Chabannes (989?1034)‎

‎, Brepols, 2020 Paperback, 338 pages, Size:216 x 280 mm, Illustrations:154 col., Language: English. ISBN 9782503587790.‎

‎Summary This book is devoted to the life, autograph notebooks and manuscripts of Ademar of Chabannes (989-1034), a monk of Saint-Cybard in Angoul me and Saint-Martial in Limoges. Together Ademar's writings bear witness to his enormous productivity and to his many talents as a historian, preacher, musical composer, liturgist, teacher and artist. His notebooks in particular, assembled in manuscript VLO 15 at the University Library of Leiden, shed a unique - and neglected - light on Ademar's capacities as a teacher. An analysis of the texts in VLO 15 shows that Ademar was interested in an extended curriculum (including medicine and Arabic astrology) and that he used a variety of techniques and methods to instruct his pupils. In this study extensive attention is paid to a critical, palaeographical and codicological investigation of the extant manuscript evidence, including some newly discovered material. Ademar's versatile writing habits, his way of preparing his parchment and the flexible way in which he constructed and used his quires are discussed, with detailed descriptions of palaeographical samples and numerous colour plates. These will enable the reader to follow the investigations into past ascriptions of manuscripts to Ademar. The evidence here presented offers a more positive and nuanced view of Ademar, who in recent years has been portrayed as a solitary forger leading a marginal life at Saint-Cybard, his place of exile, on account of his attempts to promote his patron saint St Martial to a position as one of Christ's disciples. Allegedly, the ensuing conflict led to his decision to depart for the Holy Land, never to return. However, the evidence of the manuscripts makes this unlikely and proves that Ademar had every intention of returning to his beloved monastery to continue his work there. TABLE OF CONTENTS Chapter I. Ademar of Chabannes: Enigma or Open Book? Chapter II. The Corpus of Ademar's Manuscripts Chapter III. Unity in Diversity: the Manuscript Vossianus Latinus Octavo 15 Chapter IV. Recognizing Ademar's Hand Chapter V. Ademar as a Teacher: Collecting, Storing and Transmitting Knowledge Chapter VI. Epilogue Appendix 1. List of Ademar's Autographs (Texts and Drawings) Appendix 2. Summary Table of Scribal Features Appendix 3. The Stratigraphy of VLO 15: Quire and Text Diagram Appendix 4. Contents of VLO 15 Appendix 5. Tironian Notes in VLO 15 Bibliography Index of Manuscripts General Index‎

‎Manuel de perspective, du dessinateur et du peintre ‎

‎ Paris, Roret, 1825. In-18° broché de 230 + 10 pages. 8 planches dépliantes en fin de volume. Trés frais.‎

‎"Collection de manuels formant une encyclopédie des sciences et des arts". ‎

‎LES ORIGINES DE L'HOMME : LE CHAINON MANQUANT‎

‎FRANCE LOISIRS / TIME LIFE. 1984. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 159 pages. Nombreux dessins et photos en couleurs et noir et blanc, dans et hors texte.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎Le mysticisme - bibliothèque de Philosophie scientifique‎

‎Flammarion 1952 in12. 1952. Broché.‎

‎Bon état (BE) sous papier de soie intérieur propre‎