‎Les neuf couleurs de l'arc en ciel ‎

‎ Editions de Mir Editions de Mir, 1967. In-12 broché de 354 pages illustrées. Bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Mes Mémoires.-‎

‎Paris. Ramlot. (1912). In-8 (123 x 190 mm) dos chagrin orange poli à 5 nerfs, titre doré, plats jaspés, gardes marbrées, plats de couverture conservés, 414 pages. Gouttière un piquée sinon excellent état. Peu courant.‎

‎Des sommets de la montagne aux bords de la mer, notre terre.‎

‎ Bâle, Faunus sans date, vers 1950, 320x230mm, 550pages, reliure d'éditeur sous jaquette. ‎

‎ photos n/b, ‎

‎Notre Terre. DEs sommets de la montagne aux bords de la mer‎

‎Faunus, Suisse. sd. In-4. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 550 pages. Dos légèrement passé. Ouvrage de la seconde moitié du 20ème siècle. Très nombreuses photos en noir et blanc et quelques-unes en couleurs, dans et hors-texte. Cadre doré sur la couverture. Titre doré sur le dos et la couverture. Dops orné de dessins et de palettes dorés.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎NOTRE TERRE DES SOMMETS DE LA MONTAGNE AUX BORDS DE LA MER.‎

‎FAUNUS.. Non daté. In-4. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 550 pages. Nombreuses illustrations en noir et blanc et en couleurs dans le texte et hors texte. Jaquette défraichie. Les illustrations en couleurs sont contre collées.. Avec Jaquette. . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎NOTRE TERRE. DES SOMMETS DES MONTAGNES AUX BORDS DE LA MER.‎

‎FAUNUS... Non daté. In-4. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 590 pages. Nombreuses photos et illustrations en noir et blanc dans le texte et hors texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Fabrice ou l'ecole des mathematiques‎

‎Points Seuil 1960‎

‎in12 souple, bon etat, Points Seuil, Sciences, 1994, 296p‎

‎Sciences Occultes.-‎

‎S.l. (Paris. Imprimerie Baudrand. 1900). In-8 br. couverture illustrée, 68pp. Qq. figures. Peu fréquent.‎

‎Dorbon, 4684. Caillet, 10372: Cet ouvrage est un petit résumé pratique à l'usage des profanes des Sciences occultes en général: graphologie, chiromancie, science astrale, explication des signes des planètes, des attractions, des rapports des signes du zodiaque avec les humains, des influences particulières des métaux, des animaux, des plantes, fleurs et fruits; de l'homme, des talismans. ‎

‎Art & Science of Illuminated Manuscripts: A Handbook‎

‎, Brepols - Harvey Miller 2021, 2021 Hardcover,528 pages , 830 col. ills, 190 x 255 mm, English, . ISBN 9781912554591.‎

‎This book is designed to provide a guide for art historians, conservators and manuscript scholars to understand and support the increasingly popular cross-disciplinary research efforts focused on non-invasive scientific analyses of illuminated manuscripts. The results achieved by the research of the pioneering MINIARE research project based at the Fitzwilliam Museum in Cambridge led to the ground-breaking and acclaimed 2016 exhibition "COLOUR: The Art and Science of Illuminated Manuscripts." This was followed by an international Conference, in which art historians, paper and book conservators, and cultural heritage scientists were brought together to share new recent research not only on manuscripts but also on painting in other media. The Conference proceedings were published in the first two volumes of the HMMIMA series (2017-2018). The present publication includes 6 Essays by way of introducing and explaining the major topics being investigated, including the range of inks, pigments and paint binders used by illuminators; parchment-making; pigment recipes; and model books. The many analytical instruments and techniques that are used to investigate manuscripts are also discussed. Then follow 58 Case Studies of manuscripts from as early as the year 700 up to c.1600. All these are fully illustrated in colour and in great detail, and should act as examples to inform scholars in libraries, museums and other cultural institutions of the benefits of adding scientific tools to the range of methods used to investigate manuscripts.‎

‎Die Adler der Schweiz‎

‎Schaffhausen, Selbstverlag Carl Stemmler, 1932, gr. in-8vo, 254 S. mit 73 Abbildungen nach Originalaufnahmen d. Verfassers, Original-Leinenband.‎

‎Recueil de deux traités de sténographie.‎

‎ 1826 -1853 In-8, demi-basane de l'époque, dos lisse orné.‎

‎Légères traces d'usage à la reliure, rousseurs, ex-libris, images collées sur les contre-plats. Contient :- PETITPOISSON, C. La sténographie ou l'art d'écrire aussi vite que l'on parle, suivie de La chirologie, ou l'art de converser avec les mains. Seconde édition. Paris : Levrault, 1826. 40-(3) pp. et 5 planches.- CHAUVIN, L.-P.-L. Nouveau système de sténographie, ou l'art d'écrire aussi vite que la parole. Paris : Librairie universelle, 1853. (1)-96 pp. et 6 planches dépliantes.Avec :SEPRES, P.-Y. de. Arithmétique complète, suivie d'une introduction à l'algèbre. Paris : Mansut fils, 1840 ‎

‎Epistolae et Epistolae ad eum Datae. Quas cum Prooemio ac Notis Germanice Scriptis. Edidit Gustav Scherz adjuvante Joanne Ræder. 2 vols.‎

‎Hafniae, 1952. Large 4to. Uncut in orig. wrappers. XXII,1028 pp. 2 portraits. One of 500 copies. Clean and fine.‎

‎Étude des courants telluriques + Deuxième fascicule. - [FOUNDTAIONAL WORK ON GIC-IMPACT]‎

‎Stockholm, R.W. Statlanders Boktryckeri, 1935 + 1930. Large 4to. 2 vols in original printed wrappers. 1st part with some spine wear and a bit of wear to corners. Wrappers of second part with a bit of light brownspotting. Both parts with stamps to front wrappers and title-pages, library markings to wrappers, and printed tape-strips across wrappers, all from the Danish Meteorological Institute (from the archive of which this set has been sold directly). 79 + 17 pp. Richly illustrated. ‎

‎First printing of Stenquist's landmark work on earth currents, which includes his seminal scientific description of the great storm of May 1921 that has turned out to be one of the most significant reports in the history of geomagnetic storms and space weather. The work is of fundamental importance to extreme weather forecasting and is a classic in the field. ""The most spectacular (and most dangerous) examples of GIC impact were two destructive fires-the first in Sweden around 02:00 GMT on 15 May and the second in the United States around an hour later. The Swedish event occurred in a telephone exchange in the town of Karlstad, 260 km west of Stockholm. This event was widely reported around the world... It was also the subject of contemporary study by David Stenquist, a Swedish scientist and engineer, who had a long interest in what we would now call GIC impacts on telecommunications systems. One of his narrative reports on the event is included in his 1925 memoir on earth currents (Stenquist, 1925), and another is reproduced by Karsberg et al. (1959). They both outline how the operators at Karlstad exchange first experienced problems (equipment anomalies and faint smoke) around 01:00, followed by a period of quiet, before the main fire started around 02:00 leading to extensive equipment damage. Stenquist also highlighted a near-miss incident at Ånge, some 380 km north west of Stockholm, that was simultaneous with the Karlstad fire. This experienced a threat similar to that fire, but where the initial problems were sufficient to trigger preventive measures that avoided major damage. In his later analysis of the Karlstad fire (Albinson, 2018" Engström, 1928" Stenquist, 1925), Stenquist noted that this site was vulnerable to strong GIC, because it was on the 400 km route of the major communications lines between Oslo and Stockholm, and this route was vulnerable because of its east-west orientation. His insights into engineering design of the communications lines enabled him to estimate the geoelectric fields that created the damaging GIC. He showed that fields of at least 6 V/km were required to cause the observed melting of fuses, ""tubes de fusion,"" in copper wires, and that a field of 20 V/km would have caused more damage than observed (melting of fuses in iron wires). As a result he suggested that 10 V/km would be a reasonable estimate of the average geoelectric field in central Sweden at the time of the Karlstad fire."" (Hapgood). ""Over the past decade the public perception of space weather has changed markedly so that it is now considered a major societal risk alongside other natural hazards including pandemic disease, extremes of temperature, coastal and river flooding, earthquakes, and volcanic activity. As a result of this step change in public perception, improved understanding of severe space weather, and its impacts, is now a vital element in the scientific evidence sought by policy-makers responsible for societal resilience. Those policy-makers require information on both the likelihood, and the adverse impacts, of severe space weather, just as they do for other natural hazards. Only then can they integrate space weather into wider plans to ensure societal resilience against the whole range of natural hazards....A key element in this evidence is the likely timelines of extreme space weather events. Such knowledge enables us to build scenarios that give insights into the spatial and temporal distribution of adverse impacts, and into the information that will be available to enable timely decision-making before, during and after an extreme event. They are also vital for exercises to test mitigation plans and to train key personnel in government and industry. Scenarios are also critical inputs for realistic studies on the socio-economic impact of space weather.This study addresses one route to scenario development, namely, a review of previous severe space weather events, and specifically focuses on one outstanding case, the great storm of 13-16 May 1921, and particularly the very intense activity on 14/15 May."" (Mike Hapgood: Space Weather. The Great Storm of May 1921: An Exemplar of a Dangerous Space Weather Event).‎

‎Rapido qbasic‎

‎Micro application 2002 164 pages in8. 2002. Broché. 164 pages. Chaque maison cache un secret les murs ont des oreilles mais la bouche cousue. Il faut poser longtemps la joue contre leur sein comme un docteur fiévreux pour les entendre respirer. A Dun-le-Palestel dans la Creuse la maison de famille du narrateur en a si gros sur le c?ur et tant à dire qu'on va la confesser pièce après pièce l'écouter se raconter souvenirs dérangés vérités arrangées les choses et les gens tels qu'ils furent les échos et les ombres qu'il en reste. Elle finira bien par lâcher cequ'elle sait. Elle sait l'histoire d'un père qui lui avait choisi de se taire‎

‎french édition - l'article présente quelques marques plis de lecture et/ou de stockage mais du reste en très bon état. Envoi rapide et soigné dans enveloppe à bulles depuis France‎

‎Foucault et ses pendules‎

‎Editions Carre 1996 In-4 broché. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Puis le choix de l'atome‎

‎La plume de poids éditions 2010 in8. 2010. Broché. 190 + 134 pages. Très Bon Etat‎

‎ISIA ISGOUR 1913-1967‎

‎, VAI : VLAAMS ARCHITECTUUR INSTITUUT, 2008 Paperback, 219 pagina's, met illustraties. ISBN 9789081326315.‎

‎Met de reeks Focus architectuurarchieven plaatst het CVAa archieven van Vlaamse architecten in de kijker. nnDe architectuur van de relatief onbekende architect Isia Isgour (1913-1967) is beeldbepalend in de Limburgse mijnstreek waar hij zowel woningbouw, scholen, sociale centra en andere collectieve gebouwen die de naoorlogse welvaartmaatschappij typeren, realiseerde. Zijn oeuvre in Brussel illustreert de enorme dynamiek van de bouwsector in de jaren 1950 en 1960 die het Vlaamse en Brusselse landschap ingrijpend tekenden.nnHet rijk ge?llustreerde boek geeft een overzicht van Isgours oeuvre met projectbeschrijvingen en referenties naar archiefmateriaal. De oeuvrelijst wordt voorafgegaan door een essay, waarin de architect wordt ge?ntroduceerd en gesitueerd in de ruimere cultuurhistorische en architecturale context, en afgesloten door een uitgebreide bibliografie. De publicatie is een handig instrument voor het ontwikkelen van een visie over de omgang met het naoorlogse patrimonium.nninfo 25 euro, te koop in de gespecialiseerde ‎

‎ARCHIDOC 06 Jacques Gillet. Architagogue du fantastique, Maison-sculpture en Belgique par Jacques Gillet‎

‎, Archidoc, 2022 softcover, 180 pages, Illustrated. ISBN 9782960192261.‎

‎ARCHIDOC 06 Jacques Gillet. Architagogue du fantastique, Maison-sculpture en Belgique par Jacques Gillet. Si lhistoriographie de la production de Jacques Gillet est largement dominée par l?aventure héroïque de la « Maison sculpture », elle reste largement lacunaire sur d?autres pans fondamentaux du travail de l?architecte. Certes, l?analyse de la « Maison sculpture » occupe une place importante dans le livre, mais le projet éditorial porté par André Rouelle et Xavier Van Rooyen entend aller plus loin et se nourrir de l?ensemble des archives déposées par Jacques Gillet au GAR. L?analyse de la production de Jacques Gillet, richement illustrée, embrasse tant les premières réalisations que les concours et projets avortés. Une approche historique dédiée à la maison sculpture est en outre complétée par une étude sur les défis que pose la réhabilitation de cette oeuvre singulière. Pour prendre de la hauteur, une remise en perspective dans le contexte architectural et international de l?époque permet de situer la posture de Jacques Gillet comme praticien mais également comme pédagogue. Le témoignage est également un élément fort qui traverse l?ensemble du livre avec des interventions sensibles de celles et ceux qui ont côtoyé Jacques Gillet. Jacques Gillet fut également un « transmetteur », un porteur d?idéaux qui ont durablement marqué plusieurs figures de l?architecture belge. Le projet donne ainsi la parole à Éric Furnémont et à Bernard Herbecq qui se sont inscrits dans les pas de Jacques Gillet tout en développant leur propre singularité tandis que de courts témoignages de Véronique Gillet et Bénédicte Henry apportent un regard sensible et touchant sur Jacques Gillet, l?architagogue du fantastique‎

‎Jean Fouquet The Melun Diptych.‎

‎, Staatliche Museen zu Berlin, 2018 Softcover, 22 x 28 cm, 200 pages, 125 colour and 18 black and white pictures, English. ISBN 9783731906209.‎

‎Jean Fouquet's diptych from the collegiate church of Melun is one of the main works the painting of the 15th century and French art in general. The left wing with the donor portrait is since 1896 in Berlin, while the right wing, the Madonna performing wings of the Museum of Fine Arts belongs to Antwerp. Both halves were separated by 1773 and were the last time together in 1937. The Berlin exhibition unites them now again and shows more important works, including the original medallion with Fouquet's self-portrait from the Louvre, an outstanding portrait drawing of his hand as well as selected works by painters like Jan van Eyck and Peter Christ. In the accompanying catalog well-known international researchers highlight different aspects of the work, including his iconography and technique, the person of the founder, Fouquets artistic requirements and more.‎

‎PRESENT Stephan Vanfleteren, A journey through the oeuvre of photographer Stephan Vanfleteren, with expansive personal reflections and stories from three decades of encounters and photography.‎

‎BE - , Hannibal / Kannibaal , 2019 Hardcover with screen printing, Bichromy and quadrichromy, 31 x 24,3 cm, 496 pages, English edition; First Edition ! ISBN 9789492677151.‎

‎A journey through the oeuvre of photographer Stephan Vanfleteren, with expansive personal reflections and stories from three decades of encounters and photography ?At times I think that Stephan has a clear idea of how to make his photographs work so well. But then there?s this book here, showing us he is constantly, across a wide range of situations, searching for his visual language, for his self, for stories that need to be told, and then the work becomes so exciting again for me, and important and rich, that I want to drown myself in it. A masterful collection.? ? Anton Corbijn, photographerand director ?I am more than a passenger of the past. People sometimes ask me if I look back too much. Of course, I look back, but I also look forward, to the left, to the right, up and down. Far and near. And for the first time I?m also really looking inside.? ? Stephan Vanfleteren Stephan Vanfleteren (1969) is mainly known to the general public for his penetrating black & white portrait photography, but over the past decades his work has ranged to documentary, artistic and personal pictures. From street photography in world cities like New York to the genocide of Ruanda, from storefront façades to the mystical landscapes of the Atlantic wall, from still lifes to intense portraits. The iconic images sit side by side with unknown treasures in this heavy tome containing no less than 505 photographs. In the very personal accompanying text, Vanfleteren reflects on how his own work and the photography genre as a whole have evolved in recent decades. You get a close-up look at his intriguing career from the very beginning, when he travelled the world with an appetite for action. He also photographed his home country: all of the headline news stories of the 1990s appeared before his lens. Around the Millennium, Vanfleteren started to focus on that which is disappearing. With painstaking attention to nuance he created a visual archive of his homeland and of his fellow Belgians, in his own inimitable style. In the last few years Vanfleteren has brought the world inside, to his daylight studio, resulting in many encounters and portraits. This book includes two new series ? not previously published ? which were born in the intimacy of his studio: an exploration of the still life and a study of nude photography, both in colour. Stephan Vanfleteren turns fifty this year and he is celebrating with a major retrospective exhibition filling the entire building at Fotomuseum Antwerpen (FOMU, from 25 October 2019 to 1 March 2020) and with this publication. ?I was there, I was present?, says the photographer, who always feels as much a witness as an accomplice. Present is an impressive overview of Vanfleteren?s oeuvre that provides a complete picture of him as a photographer, an artist, and above all a human being who faces life with empathy, wonder, and curiosity. ‎

‎AUBREY BEARDSLEY.‎

‎, Tate Publishing, 2020 Hardcover flexi, 298 x 196 mm, 192 pages, 200 colour illustrations, English edition. ISBN 9781849766807.‎

‎Aubrey Beardsley (1872-1898) is best remembered for his powerful illustrations for Salomé by Oscar Wilde. Spanning just seven years, his intense, prolific career as a draftsman and illustrator was cut short when he died at the age of 25. His subversive black-and-white drawings and his complex persona became synonymous with decadence: He alighted on the perverse and erotic aspects of life and legend, shocking audiences with his bizarre sense of humor and fascination with the grotesque. His keen observation of his contemporaries makes him of his time, but his distinct style has resonated with subsequent generations. A major influence on the development of Art Nouveau, and on psychedelic pop culture and design in the late 1960s, Beardsley's drawings remain a key reference for many artists today. Here, short essays on aspects of Beardsley's remarkable career complement reproductions of his fascinating work.‎

‎L'EQUILIBRE DANS LA NATURE.‎

‎FLAMMARION .. Non daté.. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 128 pages. 1ère de couverture illustrée en couleurs. Nombreuses illustrations en noir et blanc et couleurs dans le texte et hors texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎L EQUILIBRE DANS LA NATURE‎

‎FLAMMARION. 1969. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 127 pages- nombreuses illustrations en noir et blanc et en couleurs dans et hors texte- texte sur 2 colonnes. . . . Classification Dewey : 570-Sciences de la vie‎

‎INTERNATIONAL LIBRARY Classification Dewey : 570-Sciences de la vie‎

‎FRANCIS BACON L'Home et la Bête‎

‎, Mercator/ Mercatorfonds , 2021 HB, 300 x 250 mm, 196 pages, 180 colour illustrations, Texte en Francais. ISBN 9789462302747.‎

‎Francis Bacon est considéré comme un des peintres majeurs du XXe siècle. Une nouvelle exposition de ses tableaux à la Royal Academy explore le rôle des animaux - à commencer par l'animal humain - dans son oeuvre. En 1969, Bacon, qui a souvent peint des chiens et des chevaux, se tourne pour la première fois vers la corrida. Dans cette série d'oeuvres puissantes, les interactions entre l'homme et la bête s'avèrent dangereuses et cruelles, mais aussi d'une intimité dérangeante. Tous deux se contorsionnent dans cette lutte angoissée où l'érotisme n'est jamais loin. 'La corrida est comme la boxe, a dit Bacon. Un merveilleux apéritif pour l'amour.' Vingt-deux ans plus tard, un taureau solitaire sera le sujet de son dernier tableau. Dans cet ouvrage fascinant, qui apporte un complément significatif à la littérature sur Bacon, des spécialistes détaillent son approche des animaux et identifient ses diverses sources d'inspiration, dont la littérature surréaliste et les photographies d'Eadweard Muybridge. Selon eux, en montrant des animaux dans un état de vulnérabilité, de colère ou de mal-être, Bacon cherchait à pénétrer la condition humaine. Ce catalogue d'exposition important dévoile ce que les représentations animalières de Francis Bacon révèlent sur l'artiste - et la condition humaine. Exposition au Royal Academy, Londres, 22 janvier - 12 avril 2021‎

‎FRANCIS BACON Mens en Beest‎

‎, Mercator/ Mercatorfonds , 2021 HB, 300 x 250 mm, 196 pages, 180 colour illustrations, Nederlandstalige uitgave ISBN 9789462302754.‎

‎Dit boek focust op de rol van dieren in het werk van Francis Bacon (1909-1992). Bacon schilderde vaak honden en paarden, en in 1969 voor het eerst een stierengevecht, een interactie tussen mens en dier die gevaarlijk en wreed is, maar ook verontrustend intiem. In deze publicatie identificeren deskundige auteurs Bacons inspiratiebronnen en bespreken ze zijn benadering van dieren in het onderzoek dat hij voerde naar de condition humaine. Tentoonstelling: Royal Academy, London: Jan- April 2021 Explore Francis Bacon's visceral paintings, where the line between human and animal is constantly blurred, reminding us that our primal instincts lie just below the surface. Irish-born artist Francis Bacon was the horse-breeder's son who became one of the most important painters of the 20th century. An openly gay man at a time when homosexuality was illegal, he was banished from his conservative family home by his father at 16. After that, he drifted through Berlin and Paris before establishing himself in London, with his formative years running parallel with some of the 20th century's most profoundly disturbing events. This powerful exhibition will focus on Bacon's unerring fascination with animals: how it both shaped his approach to the human body and distorted it; how, caught at the most extreme moments of existence, his figures are barely recognisable as either human or beast. It also explores how Bacon was mesmerised by animal movement, observing animals in the wild during trips to South Africa; filling his studio with wildlife books, and constantly referring to Eadweard Muybridge's 19th-century photographs of humans and animals in motion. Whether baboons or bulls, dogs or birds of prey, Bacon felt he could get closer to understanding the true nature of humankind by watching the uninhibited behaviour of animals. Spanning Bacon's 50-year career, highlights include some of Bacon's earliest works and his last-ever painting, alongside a trio of bullfight paintings which will be exhibited together for the first time. Seen together, these raw expressions of anxiety and instinct - both animal and human - feel poignantly relevant today. Exposition au Royal Academy, Londres, 22 janvier - 12 avril 2021‎