, Brepols 2018, 2018 Paperback x + 552 pages ., 337 b/w ills, 32 col. ills, 216 x 280 mm, English, , . ISBN 9782503568942.
In this book, Robert Bork offers a sweeping reassessment of late Gothic architecture and its fate in the Renaissance. In a chronologically organized narrative covering the whole of western and central Europe, he demonstrates that the Gothic design tradition remained inherently vital throughout the fourteenth and fifteenth centuries, creating spectacular monuments in a wide variety of national and regional styles. Bork argues that the displacement of this Gothic tradition from its long-standing position of artistic leadership in the years around 1500 reflected the impact of three main external forces: the rise of a rival architectural culture that championed the use of classical forms with a new theoretical sophistication; the appropriation of that architectural language by patrons who wished to associate themselves with papal and imperial Rome; and the chaos of the Reformation, which disrupted the circumstances of church construction on which the Gothic tradition had formerly depended. Bork further argues that art historians have much to gain from considering the character and fate of late Gothic architecture, not only because the monuments in question are intrinsically fascinating, but also because examination of the way their story has been told?and left untold, in many accounts of the ?Northern Renaissance??can reveal a great deal about schemes of categorization and prioritization that continue to shape the discipline even in the twenty-first century.
, Brepols - Harvey Miller, 2020 Hardback, 366 pages, Size:220 x 280 mm, Illustrations:11 b/w, 115 col., 1 tables b/w., Language: English. ISBN 9781912554003.
Summary Concepts of modernity have played a constitutive role in the canon of European art history at least since Giorgio Vasari, who looked back upon Giotto as the founder of "modern art" (arte moderna). The aim of this book is to establish a prehistory of Vasari's view. Was Vasari merely projecting a sixteenth-century concept of artistic modernity onto the fourteenth and fifteenth centuries, or were the artists of that period guided by some notion of modernity as well? Brennan argues that discussions of "modern art" were in fact widespread during Giotto's time, according to the broad, medieval definition of "art" (ars) that encompassed activities as diverse as arithmetic, poetry, carpentry, music, and preaching. Within this discourse, to make an art "modern" meant setting it on a new foundation in "science" (scientia) and rationalizing it accordingly. By the year 1400, Florentine writers such as Cennino Cennini and Franco Sacchetti were applying these same terms and principles to Giotto. In doing so they shed light not only on the structure of artistic development in the fourteenth century, but also on the way Giotto's legacy shaped the prerogatives of artists in the early fifteenth - that is, in the generation of Brunelleschi, Donatello, and Masaccio.
2000 / 154 pages. Broché Editions Hermann Collection savoir : Sciences
Très bon état.
, National Gallery of Art 1988, 1988 Paperback, 270 pages, English, 300 x 230 mm, . ISBN 9780517569795.
Rembrandt Harmenszoon van Rijn, -- 1606-1669. Watteau, Antoine, -- 1684-1721. Constable, John, -- 1776-1837.
Paris. Arnaud de Vresse. 1859. In-12 (118 x 187 mm) dos lisse basane aubergine, filets et titre or, plats marbrés, gardes ornées d'un motif floral répété, 2ff., 324 pages. Roman historique paru en feuilleton puis dans des éditions populaires à 20 cm. Cachets de bibliothèque dont celle de Eduardo Miranda, bel ex-libris armorié de Eduardo José de Vasconcellos de Araujo Miranda. Exemplaire assez piqué, dos un peu râpé mais bonne reliure.
A la Révolution de 1848, Clémence Robert va animer avec la féministe Eugénie Niboyet de mars à mai 1848 le journal La Voix des Femmes où elle s'occupe particulièrement des qu estions sociales notamment de la nécessité pour les filles pauvres de se prostituer pour survivre.
, Borgerhoff & Lamberigts, 2024 Paperback,117 pagina's. 20x13cm. ISBN 9789464778366.
Na de breuk met haar vriendin heeft Kaja, een kunsthistorica, nood aan een nieuwe uitdaging. Ze besluit een interview af te nemen van een oudere kunstenaar wiens werk haar al een hele tijd intrigeert. De échte drijfveren van de kunstenaar, die wil Kaja op papier zetten, maar helaas laat de kunstenaar Kaja slechts schoorvoetend toe in zijn leven. Toch komen na verschillende korte gesprekken, op allerhande plaatsen in de buurt van zijn besloten atelier, de innerlijke worstelingen van de kunstenaar aan het licht. Kaja raakt erg gehecht aan de ontmoetingen met de kunstenaar, maar wordt uiteindelijk geconfronteerd met een wrange realiteit.s
, Brepols, 2017 Hardback, 329 p., 156 x 234 mm, Illustrations:30 tables b/w., English, Czech, Latin. *NEW. ISBN 9782503551814.
Bohemia and Moravia are extraordinarily important in the history of biblical translation into the Slavic languages. In the mid-14th century the first complete translation of the Bible into a national Slavonic language, namely the Old Czech, appeared in Bohemia. Other works that exerted influence on translations of the Bible into Polish, Lusatian, or Ruthenian originated in the Bohemian Lands in the 14th to 16th centuries. The Old Czech biblical tradition found its successors in the 16th century producing a number of translations of the Bible or its parts into the Czech language. The present volume follows the transmission of the biblical text in the 16th century focusing on those translators who exploited incentives of the biblical humanism and, as a consequence, deviated to a various degree from the Latin Vulgate tradition. The pioneering work of the Nám??? New Testament translation of 1533, closely linked to the first grammar of the Czech language issued in the same year, was followed shortly after by others and found its peak in the monumental Six-Volume Kralice Bible which originated between 1579 and 1594 and decisively influenced Modern Standard Czech. The present volume brings bio-bibliographical information about the authors of the translations, translatological analyses of the works examined, characterization of their Czech language and new findings about the sources for the translations. The breadth and depth of analysis are unprecedented in the scholarship dealing with 16th century Czech translations of the Bible. he book is divided into two parallel and mutually linked parts (I. Biographical sketches of translators and bibliography of prints, II. Linguistic analysis), each consisting of seven chapters (see below). The structure of the book, selection of prints examined and editorial note are described in an introductory part. Individual chapters describe biblical translations or their parts into Czech which were influenced by biblical humanism. The chapters are ordered chronologically according to the first edition of the translations described. The biographical information consists of information about the translation (period reports and reception, realization of the translation, copies preserved until today) and the translator (his studies, professional occupation, intellectual skills, confession and genres of his works important for the context of the work described and bibliography). The linguistic analysis aims at determining the sources of the translation, the translation strategy, the Czech of the translation and the impact of further tradition. The following works are analyzed: 1. New Testament (printed in Nám??? 1533) by Bene? Optát and Petr Gzel. The first Czech biblical translation to deviate intentionally from the Vulgate, translated from Erasmus? Latin New Testament version. The translators were non-conformist Utraquists residing in Moravia. The translation is unique as the translators created a lot of neologisms while trying to express the etymology of some religious terms. The translation was made use of in Jan Blahoslav?s works including his New Testament of 1564 and 1568. 2. The second Severin Bible of 1537 printed in Prague. It is a revised text of the first edition of 1529 and a very important text for further development of the Czech biblical translation. In both the Old and the New Testaments it deviates from the Vulgate to a certain even though limited degree. This Bible became the textual model for Melantrich?s editions of the Bible. 3. Paraphrase on the Gospel of St Matthew (Leitmeritz 1542) and translation of the Old Testament by Jan Vartovský of Varta. The paraphrase is a translation of Erasmus? paraphrase of the Gospel according to Matthew. Vartovský, a trilingual utraquist scholar and a Prague citizen, was also an author of an unpreserved translation of the Old Testament from original texts. 4. Netolický and Melantrich Bibles (1549?1577). The translation or modification of older versions was partially prepared by Sixt of Ottersdorf, a Reformation humanist and a well-known historian who prepared the translation of the Third Book of Maccabees (for the first time in a Czech version issued in the Netolický Bible of 1549) and also took part in modification of the New Testament. The Melantrich Bibles represent the official and most widespread Czech translation of the second half of the 16th century. 5. ?altá? svatýho Davida, translated by Mat?j ?ervenka and released in 1562 possibly in Prost?jov. It is the first translation of the Unity of Brethren to include numerous non-Vulgate readings even though it was translated from a Latin version. The translation was fiercely criticized in Jan Blahoslav?s grammar but in some readings it did influence the translation of Psalms in the Kralice Bible. 6. Two New Testament translations (printed in Ivan?ice in 1564 and 1568, respectively) by Jan Blahoslav, a bishop of the Unity of the Brethren, strongly influenced by Melanchthonian Reformation humanism. The translation was based on Greek-Latin versions of the Bezan and Erasmian tradition and quoted also the Greek text. It is a direct predecessor to the Six-Volume Kralice Bible. It originated as a counterpart to the Nám??? New Testament of 1533 and translations following the Vulgate. During the translation, Jan Blahoslav prepared a grammar of Czech intended also as a manual for future translation of the Old Testament. In the grammar various biblical sources and humanistic translations are mentioned which help us reconstruct the sources for the translation. 7. The Six-Volume Kralice Bible (1579?1594) and its reeditions before 1613. This Bible is the largest Czech humanistic translation and the first complete biblical translation into Czech to have been translated from the original languages (Hebrew, Aramaic, Greek). It was prepared by a group of scholars and priests of the Unity of the Brethren. The first edition was printed in six volumes in which the biblical translation was supplemented by extensive philological and theological commentaries. These should compensate for exegetical works. The translation reflects influences of Reformation confessional culture and in the following centuries it decisively influenced the Standard Czech. The Kralice Bible and Blahoslav?s New Testament are therefore treated in the prepared publication most extensively. New findings enable to give a more accurate account of the whole process of translation and its cultural context.
, , 1995 Magazine neuf dans son plastique de protection d'origine.
Magazine PHOTO ROBERT DOISNEAU Octobre 1995 Spécial Robert Doisneau avec un tirage argentique tamponné du photographe offert
, Editions Flammarion 2008, 2008 Hardcover, 192 pages, English, 315 x 250 mm, Fine Copy, Illustrated.,. ISBN 9782080300645.
An intimate window into the secret lives of more than seventy - five great artists by one of France's most successful and best-known photographers. During the golden age when Montparnasse was teeming with artists, Robert Doisneau gained remarkable access to the key figures working in Paris from 1937 onwards, and he visited their studios and caught them in various private moments: working, reflecting, and even playing with their children. This book, which includes some previously unpublished photographs, shares Doisneau's intimate view on the work and lives of these artists. Many remain famous-Picasso, David Hockney, Jasper Johns, Giacometti, Saul Steinberg, Marcel Duchamp, Le Corbusier, Foujita-while others have fallen into obscurity, perhaps one day to be rediscovered. Regardless of the artist's social status-whether major luminary of the day or struggling newcomer- Doisneau approached each subject with the same humble eye. His signature black-andwhite photographs capture the nostalgia of the period and bear witness to these artists in the act of creating some of the world's finest art. This book, published in conjunction with Doisneau's daughters, is a fascinating document of the daily lives of artists by one of the world's most famous and popular photographers.
, Flammarion, 2011 hardcover, 162 pages - 232 x 283 mm fine!. ISBN 9782081266766.
En 1971, les pelleteuses se sont attaquées à la destruction des pavillons Baltard, victimes d?une politique jugée excessive et brutale. À l?époque, les Parisiens ont tout fait pour s?opposer à ce massacre architectural, parmi eux se trouvait Robert Doisneau. En 2011, le chantier du réaménagement des Halles commence. Ce livre propose de replonger dans l?atmosphère de l?époque.
, Springer-Verlag New York, 2009 Hardcover, 517 pages, 24x16cm, ENGLISH. . ISBN 9781402067082.
An exhaustive work that represents a landmark exploration of both the philosophical and methodological issues surrounding the search for true artificial intelligence. Distinguished psychologists, computer scientists, philosophers, and programmers from around the world debate weighty issues such as whether a self-conscious computer would create an internet 'world mind'. This hugely important volume explores nothing less than the future of the human race itself.
1974, Les Belles Lettres, in-8 cartonné de 161 pages, couverture toilée bleue, L'Humanisme, essai de définition par Fernand Robert, seconde édition | Etat : bon état, écritures sur la dernière garde (Ref.: ref87135)
Les Belles Lettres
, Little, Brown & Company, 1996 Hardcover, 128 pages, ENG. edition, 285 x 240 x 15 mm, dustjacket, In Very Good Condition, Full Page Photographs in b/w., . ISBN 9780821223178.
Sparked by 1995's Beatles' reunion recording session and TV documentary, Life magazine published a very special tribute issue that looks back on the group in its heyday and catches up with the surviving members today. This collector's edition has now been expanded into a book filled with lore and photos from the archives of Life magazine, as well as many from Linda McCartney's own collection. 200 photos, 100 in color.
Chez l'auteur Chez l'auteur, sans date, vers 1930. In-12 relié pleine toile brique. 170 pages. 48 figures. Très bon état.
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Antwerpen , OKV, 2006 Oorspronkelijk uitgeversomslag, 96 pagina's, talrijke illustraties in kleur en z/w, 23 x 17 cm. Nederlandstalige tekst. *prima staat. ISBN 9076099693.
Een gordel van Beton, De Antwerpse pantserforten
, Herscher, 1987 Linnen band met stofwikkel, 48 pagina's, 24 x 22.5 cm, Français. *Fine condition. ISBN 9782733501429.
Les Dernières Fleurs De Manet
, La renaissance du livre / gemeentekrediet, 2001 Gebonden, Hardcover met stofomslag compleet. 2 VOLUMES, in cassette/ slipcase, 343+ 312 pagina's met prachtige illustraties. ISBN 9782804605766.
Geschiedenis van de wetenschappen in België 1815-2000
Paris. Delahays. 1868. Edition originale. In-8 (158 x 240mm) dos lisse basane rouge, plats marbrés, photo de l'auteur par Mieusement, collée en frontispice, vignette sur le titre représentant une macédoine calligraphique dans laquelle se trouvent six mots différents (sorte d'anamorphose); 2ff.n.ch., 440 pages. Petits défauts mais bon exemplaire.
En fin d'ouvrage: Programme général des expériences inventées et exécutées pendant le cours de mes représentations soit 16 expériences expliquées et illustrées chacune d'une gravure: La bouteille inépuisable, l'oranger fantastique, la pêche merveilleuse, la pendule aérienne, la seconde vue ou la clochette mystérieuse, le foulard aux surprises, la suspension étheréenne, la guirlande de fleurs, le carton de Robert-Houdin, l'impression instantanée ou la communication des couleurs par la volonté, le coffre transparent ou les pièces voyageuses, le garde-française ou la colonne au gant, le pâtissier du Palais-Royal, Diavolo Antonio (Le voltigeur du trapèze), le vase enchanté ou le génie des roses et la corne d'abondance. Caillet, 9491.
in-8° broché 264 pages, bon état, Illustrations, ISBN : 202006085X
Le cerveau, qui fait de l'homme un homme, a été longtemps l'organe le moins connu : ni le philosophe, ni le psychologue, ni le neurologue ne peut en lui seul en déchiffrer tous les secrets.
Seuil. 1980. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 202 pages - quelques figures en noir et blanc dans et hors texte.. . . . Classification Dewey : 570-Sciences de la vie
Collection points pratique n°9. Classification Dewey : 570-Sciences de la vie
, vantilt uitgeverij, 2019 Paperback, 15 x 23 cm, rijk gei?llustreerd, 352 pagina?s. ISBN 9789460043796.
Gee?nthousiasmeerd door Darwin en de Duitse embryologie trokken aan het eind van de negentiende eeuw Nederlandse ontwikkelingsbiologen vanuit hun nieuwe laboratoria naar buiten. Hun leidsman was Pieter Harting: dankzij hem bekeken en vergeleken studenten onder de microscoop nauwkeurig de ontwikkelingsstadia van verschillende plant- en diersoorten. Konden zij sporen van het evolutionaire verleden vinden in de wijze waarop flora en fauna zich nu ontwikkelden? Vanaf 1872 reisden Nederlandse studenten naar het prestigieuze internationale zoo?logische station in Napels, pal aan de kust, om daar de nieuwste technieken te leren. Dit kon dankzij een door de overheid ingesteld nationaal stipendium, een primeur. De zoo?logen die daarvan terugkwamen, overtuigden de Nederlandse staat vervolgens om een eigen zoo?logisch station te steunen. In Den Helder kwam zo?n station tot stand dat visserijproblemen in de Rijn en de Noordzee te lijf ging. Plantenembryologen zetten in diezelfde periode in Buitenzorg (nu Bogor) in Nederlands-Indie? een groot botanisch-agronomisch instituut op, inclusief internationaal bezoekersstation, met grote gevolgen voor de koloniale economie. Mannen van de microscoop is de biografie van vier biologen (Pieter Harting, Ambrosius Hubrecht, Paulus Hoek en Melchior Treub) en hun lobby voor nationale en koloniale laboratoriumwetenschap. Zonder hen hadden het Nederlandse e?n het Indonesische wetenschapslandschap er vandaag de dag heel anders uitgezien.
Des astres, de la Vie et des Hommes par Robert Jastrow (1972) en bon état
[Chez l'Auteur, Pillet Aîné, Chez les Principaux Libraires] - ROBERT, J. B. A. Henri
Reference : 46296
(1841)
1 vol. in-12 reliure pleine toile muette, Chez l'Auteur, Pillet Aîné, Chez les Principaux Libraires, Paris, 1841, 270 pp. avec 4 planches dépliantes
Très rare exemplaire de l'édition originale. Etat satisfaisant (importantes mouill., travail de lépisme sur deux feuillets en tête, reliure modeste)
Aubonne, Musée du bois, 1985. 2 volumes de 40 et 15 pages in-4 brochés sur agrafes, couvertures illustrées.
Collectionner les rabots est devenu à la mode. En retrouver le nom et l'usage est affaire moins aisée qu'il n'y paraît. Les ouvrages sur ce sujet sont rares, les grandes encyclopédies du 18 ème difficiles d'accès, les anciens ouvriers de plus en plus disséminés et les ouvrages techniques de moins en moins complets depuis que la machine a remplacé l'outil. L'édition de 1976 présentait quelques 60 espèces de rabots alors que celle-ci en décrit plus de 100. Ils sont groupés schématiquement selon leur usage: rabots de corroyage, rabots pour traiter des surfaces courbes, rabots à moulures, rabots d'assemblage et, pour finir, rabots spéciaux, ces derniers étant groupés par métiers.
Aubonne, Musée du bois / Conservatoire rural, 1985. 3 volumes de 40, 15 et 24 pages in-4 brochés sur agrafes, couvertures illustrées. Inscription au stylo au dernier feuillet du 3e volume.
Collectionner les rabots est devenu à la mode. En retrouver le nom et l'usage est affaire moins aisée qu'il n'y paraît. Les ouvrages sur ce sujet sont rares, les grandes encyclopédies du 18 ème difficiles d'accès, les anciens ouvriers de plus en plus disséminés et les ouvrages techniques de moins en moins complets depuis que la machine a remplacé l'outil. L'édition de 1976 présentait quelques 60 espèces de rabots alors que celle-ci en décrit plus de 100. Ils sont groupés schématiquement selon leur usage: rabots de corroyage, rabots pour traiter des surfaces courbes, rabots à moulures, rabots d'assemblage et, pour finir, rabots spéciaux, ces derniers étant groupés par métiers. Avec le volume de clé de détermination.