‎7 Arts 1922-1928, Avant-Garde / belge d'avant-garde‎

‎, Ronny Van de Velde Gallery, 2017 hardcover 310 x 200 mm, 254 pages, throughout illustrations, FR / NL edition. Exhibition catalogue‎

‎7 arts; , l'avant-garde En 1922, Pierre et Victor Bourgeois, Pierre-Louis Flouquet, Karel Maes et Georges Monier Victor Servranckx, Ren Magritte, Marcel-Louis Baugniet, Felix De Boeck, Huib Hoste, Jean-Jacques Gaillard, Stanislas Jasinski, Jozef Peeters ‎

‎Commune, Paris - Parijs 1871 / De Parijse Commune van 1871.‎

‎, ludion, 2021 Hardcover, 224 pp. 24,5 x 32,5 cm Text in NL / FR / . . ISBN 9789493039.‎

‎De Parijse Commune van 1871 is een scharniermoment in de geschiedenis van Frankrijk en de internationale arbeidersbeweging. Ofschoon de fotografie toen nog in haar kinderschoenen stond werd de revolutionaire opstand in Parijs uitgebreid gedocumenteerd. De beelden van het vernietigde Parijs werden in de burgerlijke pers vaak gebruikt om de zogenaamde barbaarsheid van de Commune te onderstrepen. De portretten van de mannen en vrouwen van de Commune, veelal getrokken in gevangenschap, gaven de onbekende Parijzenaars dan weer een gezicht. Dit rijkge llustreerde boek, gepubliceerd naar aanleiding van de 150e verjaardag van de Parijse Commune, biedt een unieke blik op de revolutie aan de hand van talrijke foto's en documenten. Samengesteld door Ronny Van de Velde, met een inleiding van Xavier Canonne. La Commune de Paris de 1871 est un moment charni re de l'histoire de la France et du mouvement ouvrier international. Si la photographie en tait encore ses balbutiements l' poque, le soul vement r volutionnaire Paris tait bien document . Les images de Paris d truites taient souvent utilis es dans la presse bourgeoise pour souligner la soi-disant barbarie de la Commune. Les portraits d'hommes et de femmes de la Commune, souvent pris en captivit , donnaient un visage aux Parisiens inconnus. Ce livre richement illustr , publi l'occasion du 150 me anniversaire de la Commune de Paris, offre un regard unique sur la r volution travers de nombreuses photos et documents. Compil par Ronny Van de Velde, avec une introduction de Xavier Canonne. The Paris Commune of 1871 is a pivotal moment in the history of France and the international labor movement. Although photography was in its infancy at that time, the revolutionary uprising in Paris was extensively documented. Images of the destroyed Paris were often used in the bourgeois press to underscore the alleged barbarity of the Commune. In turn, the portraits of the men and women of the Commune, many drawn in captivity, gave a face to the unknown Parisians. This richly illustrated book, published on the occasion of the 150th anniversary of the Paris Commune, offers a unique look at the revolution through numerous photographs and documents. Compiled by Ronny Van de Velde, with an introduction by Xavier Canonne.‎

‎Les Divorciaires: affrontements politiques et conception du mariage dans la France au XIXe siècle‎

‎AUBIER 1992 392 pages 21 6x3x13 8cm. 1992. Broché. 392 pages.‎

‎Etat correct‎

‎Rony Heirman - Roger Raveel‎

‎, Raveelmuseum, 2022 Hardcover, 237 pagina's, foto's in kleur & z/w, x 24,5, Nederlands. ISBN 9789040304330.‎

‎Ronny Heirman(1936-2013) fotografeerde decennialang tal van kunstenaars en figuren uit de nationale en internationale kunstsc ne en heeft op die manier een ganse artistieke generatie vastgelegd op de gevoelige plaat. Ook was hij vaak present op openingen en andere publieke aangelegenheden en bracht zo een breed netwerk in beeld. Heirman portretterde heel wat beeldende kunstenaars als Joseph Beuys, Luc Tuymans, Panamarenko, Raoul De Keyser, ? Met velen van hen onderhield hij jarenlang een vriendschapsband. De foto?s van Ronny Heirman zijn direct, eenvoudig van opzet en kwamen tot stand vanuit een interesse in de manier waarop zijn portretmodellen leven, wonen en werken.‎

‎Ngombe-Nederlands-Frans Woordenboek. Dictionnaire ngombe - n erlandais - fran ais‎

‎Tervuren, Tervuren, Koninklijk Museum van Belgisch-Congo, 1958 Couverture souple original, 144 pag. bon etat.‎

‎Ngombe-Nederlands-Frans Woordenboek. Dictionnaire ngombe - n erlandais - fran ais‎

‎Théorie scientifique des couleurs et leurs applications à l'art et à l'industrie‎

‎Avec 130 figures dans le texte et une planche en couleurs (frontispice). Pleine percaline de soie prune, dos long, médaillon doré avec le titre sur le plat supérieur. Très bon Paris Germer Baillière 1881 1 volume in-8°.‎

‎Bulletin de la Société Fribourgeoise des Sciences Naturelles. Vol. 40 1949/50.Roos, G. Morphologische Untersuchungen an Datolith, Beryll und Adular.- Berset, J. La végétation de la réserve de Cheyres et des rives avoisinantes du lac de Ne.- Strahm, J. Contribution à l’étude de l’avifaune de Fribourg.- Legait, E. Facteurs de régulation de quelques circulations locales.- Pugin, L. Sur la présence de la zone à Pleydellia aalensis dans l’Aalénien des Préalpes médianes.- Jost, A. Recherches sur les corrélations endocrines dans le développement foetal.- Weber, H. Untersuchungen über den Kohlehydratstoffwechsel bei normalen.- - Gockel, A. Das meteorologische Jahr 1950.‎

‎ Fribourg, Fragnière 1951, 225x155mm, 208pages, broché. Bel exemplaire.‎

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‎verhalen uit het kasteel der lusten Het verboden boek‎

‎BE - , Loempia, 1984 Gebonden, Hardcover met stofomslag compleet . 54 pagina's in stripvorm; 22x31cm z/w.‎

‎De verhalen uit het kasteel der lusten Het verboden boek‎

‎F licien Rops: les techniques de gravure‎

‎Bruxelles :, Biblioth que royale Albert I, 1991 cartonnage illustre de l'editeur 72 p. : ill. Texte en Francais. ISBN 2870930585.‎

‎Tentoonstelling: Biblioth que royale Albert I Galerie Houyoux [Bruxelles]. 1991/10/12 - 1991/11/16‎

‎Histoire des Champignons comestibles et vénéneux, Où l'on expose leurs caractères distinctifs, leurs propriétés alimentaires et économiques, leurs effets nuisibles et les moyens de s'en garantir ou d'y remédier [ Texte seul ]‎

‎Deuxième édition, revue et augmenté, 1 vol. in-8 reliure de l'époque demi-chagrin noir, Fortin Masson et Cie, Paris, 1841, 482 pp.‎

4 Images

‎Premier volume seul, contenant l'intégralité du texte, sans le second volume d'atlas en couleurs. Bon état (ex-libris ms. Ad. Magen en garde, rares rouss. et infimes mouill. marginales, belle fraîcheur intérieure par ailleurs). L'ouvrage est notamment cité par Vicaire dans sa bibliographie gastronomique (Vicaire, 749)‎

‎EMDR une révolution thérapeutique‎

‎2005, Desclée de Brouwer, La méridienne, in-8 broché, EMDR une révolution thérapeutique | Etat : bon état (Ref.: ref95911)‎

‎Desclée de Brouwer‎

‎Les subdivisions et les corrélations de l'Antécambrien. Fascicule I. Comptes Rendus de la Dix-Neuvième Session, Congrès Géologique International, Alger, 1952.‎

‎Alger, Congrès Géologique International 1953 In-4, broché, couverture imprimée, 154 pp., 1 carte repliée sous pochette in fine. Bon exemplaire.‎

‎ Bon état d’occasion ‎

‎Manuel du poêlier-fumiste, ou Traité complet de cet art...‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" 1835 1 vol. relié in-16, relié demi-basane havane, dos à nerfs, pièces de titre, XII + 300 pp., 8 grandes planches dépliantes (dos un peu passé). Nouvelle édition augmentée.‎

‎Manuel d'optique, ou Traité complet et simplifié de cette science.‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" 1833 2 vol. relié 2 vol. in-16, reliés demi-basane fauve, dos lisses ornés de frises et fleurons dorés, IV + 268 et V + 289 pp., 5 planches dépliantes (l'une volante). Edition originale française traduite par Paul Vergnaud.‎

‎OBSERVATEUR AU MICROSCOPE.‎

‎Paris Librairie Encyclopédique Roret, 1843. In-16 broché, 330 pages. Couverture d'époque (dos défraichi), peu de rousseurs. Exemplaire rare dans sa couverture originale conservée. Sans le volume d'atlas.‎

‎Nouveau manuel complet de physique appliquée aux arts et métiers...‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" [1853] 1 vol. relié in-16, relié demi-chagrin noir, IX + 327 pp., 3 planches dépliantes de plus de 160 figures (accroc à la coiffe supérieure). Nouvelle édition annotée par M. Terrien.‎

‎Nouveau manuel complet du fabricant et de l'épurateur d'huiles végétales & animales...‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" 1880 2 vol. relié 2 vol. in-16, reliés demi-basane havane, VIII + 352 et 247 pp., 8 planches dépliantes (dos un peu frottés). Tome 1 : Extraction des huiles végétales et animales. Tome 2 : Épuration des huiles végétales et animales. Nouvelle édition revue, corrigée et augmentée par Ad. Dalican.‎

‎NOUVEAU MANUEL COMPLET DE TYPOGRAPHIE.‎

‎Paris Encyclopédie Roret, 1897. Ouvrage in-16 broché, 565 pages, illustrations dans le texte. Couverture bien conservée, intérieur frais. ‎

‎Nouveau manuel complet du chandelier et du cirier...‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" 1870 1 vol. relié 2 tomes en 1 fort vol. in-16, relié demi-basane verte, dos lisse orné de filets dorés, IV + 368 + 268 pp., 9 planches dépliantes (rousseurs). Nouvelle édition corrigée et augmentée par F. Malepeyre.‎

‎Nouveau manuel complet du fabricant de produits chimiques, ou Formules et procédés usuels relatifs aux matières que la chimie fournit aux arts industriels et à la médecine...‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" 1842 3 vol. relié 3 vol. in-16, reliés demi-basane aubergine, dos lisses ornés de filets dorés, VI + 322, 282 et 354 pp., 2 tableaux dépliants, 7 planches dépliantes. Nouvelle édition revue, corrigée et augmentée.‎

‎Manuel de l'artificier, ou L'art de faire toutes sortes de feux d'artifice...‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" 1826 1 vol. relié in-16, relié demi-veau noir, dos lisse orné de filets et frises dorés, XIII + 317 pp., 1 planche dépliante. Edition originale (ne comportant qu'une seule planche malgré l'indication en page de titre).‎

‎A son image. La prodigieuse histoire du premier clone humain‎

‎Grasset. 1978. In-8. Broché. Etat d'usage, Couv. convenable, Dos lisse, Intérieur bon état. 317 pages. Dos frotté sur les mors et les coiffes.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎"MIRACLES DE LA BIOLOGIE (Brave new baby) ""Promesses et dangers de la révolution biologique"""‎

‎EDITIONS J'AI LU N°D43. 1974. In-12. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 249 pages.. . . . Classification Dewey : 570-Sciences de la vie‎

‎"Collection ""J'ai Lu Documents"". Traduit de l'américain par H. Drevet. Classification Dewey : 570-Sciences de la vie"‎

‎L'OLOGENESE, NOUVELLE THEORIE DE L'EVOLUTION ET DE LA DISTRIBUTION GEOGRAPHIQUE DES ETRES VIVANTS‎

‎Librairie Félix Alcan. 1931. In-8. Broché. Bon état, Couv. légèrement passée, Dos fané, Intérieur acceptable. 368 pages. Etiquette de code sur le dos. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre.. . . . Classification Dewey : 570-Sciences de la vie‎

‎'Bibliothèque de Philosophie contemporaine'. Adapté de l'italien par l'auteur. Classification Dewey : 570-Sciences de la vie‎

‎Visualizing Justice in Burgundian Prose Romance. Text and Image in Manuscripts of the Wavrin Master (1450s-1460s)‎

‎, Brepols, 2020 Hardback, 389 pages, Size:178 x 254 mm, Illustrations:140 col., Language: English. ISBN 9782503586335.‎

‎Summary This is the first monograph devoted to manuscripts illuminated by the mid-fifteenth-century artist known as the Wavrin Master, so-called after his chief patron, Jean de Wavrin, chronicler and councillor at the court of Philip the Good of Burgundy. Specializing in the production of pseudo-historical prose romances featuring the putative ancestors of actual Burgundian families, the artist was an attentive interpreter of these texts which were designed to commemorate the chivalric feats of past heroes and to foster their emulation by noble readers of the day. Integral to these heroes' deeds is the notion of justice, their worth being measured by their ability to remedy criminal acts such as adultery, murder, rape, and usurpation. In a corpus of 10 paper manuscripts containing the texts of 15 romances and over 650 watercolour miniatures, the stylized, expressive images of the Wavrin Master bring out with particular clarity the lessons in justice which these works offered their contemporary audience, many of whom, from the Burgundian dukes downwards, would have been responsible for upholding the law in their territories. Chapters are devoted to issues such as the nature of just war and how it is linked to good rulership; what forms of legal redress the heroines of these tales are able to obtain with or without the help of a male champion; and what responses are available in law to a spouse betrayed by an adulterous partner. The book will be of interest to scholars of medieval art, literature, legal and cultural history, and gender studies. TABLE OF CONTENTS List of figures Foreword and acknowledgements Introduction This chapter sets out the rationale for the monograph. First, it situates its approach to study of the works of the Wavrin Master in relation to past and current scholarship in the field of Burgundian manuscript illlumination. Second, it explains and briefly illustrates the methodology it adopts, this being the analysis of the interplay between text and image in manuscripts of these prose romances, from the particular perspective of how this interplay inflects the issues of justice that are raised in the narrative. Third, it outlines in detail the precise research questions that will be addressed in the monograph and explicates the order of the chapters, justifying which texts have been selected from the corpus for detailed treatment. Chapter 1: Artist, Corpus, Patrons, Court This chapter provides a detailed context for analysis of the manuscripts in the Wavrin Master corpus by outlining who the artist was, what his body of work consisted of, who his chief patrons were, what books they held in their libraries, and how these texts contributed to the wider ideological project of legitimising the Burgundian polity as a personal union between the lord and his subjects, particularly during the reigns of the third and fourth dukes, Philip the Good and Charles the Bold. It thus sees these romances as forming part of a "literature of statecraft" teaching princely virtues, especially on matters of justice, alongside moralising works such as mirrors for princes, military treatises, and the many different types of historiographical texts that found favour at the Burgundian court. Chapter 2: Justice, Warfare, and Rulership in Florimont, the Seigneurs de Gavre and Saladin This chapter focuses on three texts whose presentation of the hero's military exploits can be read as a demonstration of medieval just war theory in action and of the link between just war and just rulership. It argues that the first two tales, Florimont and the Seigneurs de Gavre, can be seen as paradigmatic of the Wavrin Master's corpus in depicting an unequivocally exemplary hero as a just warrior and later ruler pitted against a series of antagonists whose illegitimate wars destroy their credibility as governors of their lands. By contrast, the third text, Saladin, is much more ambivalent in its portrayal of a hero whose undoubted status as a model of just conduct in war is fatally undermined by his reasons for going to war in the first place, being chiefly motivated by an insatiable desire for conquest, a lesson which may well have had a particular pertinence for Charles the Bold whose territorial ambitions far outstripped those of all three of his ducal predecessors. Translating these texts' often abstract ideas about just war and just rulership into the realm of the visual, the Wavrin Master plays with the extent to which the hero as a chivalric leader can be contrasted with his opponents in terms of both his appearance and his physical domination of space as a way of underlining the rightfulness or wrongfulness of the military causes he espouses. Chapter 3: Poor Judgements: Righting Wrongs against Women in G rard de Nevers, the Fille du comte de Pontieu, and Florence de Rome This chapter examines three romances that deal with the righting of wrongs perpetrated by men against women and the ways in which these female victims of injustice find legal redress. In the first of these texts, G rard de Nevers, justice for the wronged heroine is obtained by the male figure who had endangered her in the first place, as he fights a series of judicial duels to clear her name. Nevertheless, the heroine herself is not simply a passive receiver of this justice but herself has to use the workings of the law in order to regain her rightful place in society, in particular through her eloquence in pleading in court. The doubly wronged heroine of the second text, the Fille du comte de Pontieu, victim of a gang-rape and of her own father's punishment of her for having supposedly dishonoured her family, gains legal redress through her own efforts, pardoning the father who had wronged her but also making him swear a solemn oath never to reproach her again for her misfortune. Finally, in Florence de Rome, the heroine is abducted by her brother-in-law and subjected to multiple attempts at rape but eventually attains justice through herself exercising judgement over her transgressors. In his treatment of these women in relation to justice, the Wavrin Master places particular emphasis on representing scenes of crimes so as to establish the heroine's innocence and the different forms of judicial process by which she regains her honour and status. Valorising women in relation to justice through their demonstration of eloquence as well as through their capacity to make just judgements, these romances play their part in legitimising the role that high-status women such as the duchesses in particular were playing de facto in the good governance of the Burgundian polity. Chapter 4: Domestic Betrayals: Adultery and the Problem of Lawful Response in the Chastellain de Coucy and the Comte d'Artois This chapter, which deals with two romances that focus on the question of adultery, seeks to correct a scholarly misconception about the prevalence of extramarital relationships in Burgundian chivalric literature being a reflection of the licence that members of the male elite, particularly Philip the Good himself, allowed themselves in their own adulterous relations. It argues that, in fact, rather than celebrating extramarital love, the Chastellain de Coucy and the Comte d'Artois are concerned to teach their noble readers, both male and female, about the dangers of adultery. In particular, the way in which the domestic betrayals within these romances are treated textually and visually rejects the idea of adultery as an ennobling passion (as found in the Tristan legend, for example) and instead examines the lawful or unlawful response on the part of the betrayed spouse to the fact of their betrayal, thus addressing the wider social and legal repercussions of such extramarital passions. In his treatment of these two texts, the Wavrin Master draws on multiple pictorial traditions and runs a gamut of emotions from the courtly to the bathetic and from the erotic to the tragic in order to show that adultery, as an act of private domestic betrayal, can only lead to further forms of injustice. Conclusion: Text, Image, Ideology, Justice This chapter summarises the case made for seeing the Wavrin Master as a highly original interpreter of an unusually homogeneous body of works, ones in which the interplay of text and image is integral to the way that its lessons in statecraft, particularly on the issue of justice, would have been received at the court of Burgundy by both a male and a female audience. Appendix 1: Corpus of manuscripts Bibliography Index‎