‎bevrijde Eros een ketter in Moorenland en andere gedichten‎

‎, Brusse's Uitgeversmaatschappij, 1979 Genaaid, 42 pagina's, 16.5 x 19 cm, NL. *Goede staat.‎

‎De bevrijde Eros een ketter in Moorenland en andere gedichten‎

‎Kameraden! Verzen door Jef Last. ‎

‎, W.L. Brusse, 1930 Softcover met houtsnede, 48 pagina's, 20.5 x 13.5 cm, NL. *Goede staat, vlekjes op cover.‎

‎Kameraden! Verzen door Jef Last. ‎

‎Verleden Tijd : verzen door Jef Last‎

‎Rotterdam, W.L. & J. Brusse's Uitgeversmaatschappij N.V. , 1932 Softcover, 47 pagina's, 20.5 x 14 cm, NL. *goede staat, roestvlekjes op cover.‎

‎Verleden Tijd : verzen door Jef Last‎

‎Werner Mannaers Love letters. ‎

‎Antwerpen, MER Paper Kunsthalle, 2012 Gebonden, Hardcover, 296 pagina's met illustraties in kleur, 30x21 cm, *new ISBN 9789490693893.‎

‎Een liefdesbrief geeft vorm aan de liefde. Mannaers schrijft er geen, hij schildert ze in zijn smeuige bad painting-stijl. Gedurende een periode heeft hij elke dag een Love Letter gemaakt en bestemd. De bestemmeling is een vrouw. Mannaers is tevens verliefd op de liefde, dat maakt zijn reeks algemeen menselijk. Kunstenaars kunnen niet zwijgen over (hun) kunst, ook als ze de liefde bedrijven. Zo is het boek Love Letters een visueel commentarierend beeldverhaal over de geschiedenis van de moderne kunst geworden. Het werk van Mannaers is steeds 'intertekstueel', d.w.z. dat in of onder een tekst er een andere schuilt. In zijn Love Letters vinden we een dubbel niveau van twee soorten gelaagdheden. Zijn schilderijen zitten vol referenties aan andere kunstenaars. Voor zijn dagelijkse Love Letters, gouache op papier, plukt hij hier en daar uit zijn eigen schilderijen die in de maak zijn. Lieftalliger met minder weerhaken. // Love letters shape love. Werner Mannaers doesn?t write love letters, he paints them in his characteristic ?bad painting? style. During a certain time span, the painter created a Love Letter each day; the recipient of which was always a woman. Mannaers is in love with love; which makes his current series especially human: artists never shut up about (their) art, even when making love. The book Love Letters groups these paintings Mannaers made over time. Each Love Letter is effectuated using gouache on paper. They refer to some of Mannaers? paintings that are currently in the making. Each Love Letter equally makes reference to other artists. This makes this publication more than a collection of recent Love Letters: the publication discreetly evolves towards a visual commentary on the history of modern art.‎

‎Tableau de la creation ou dieu manifeste par ses oeuvres - tome 1 - nouvelle edition revue et augmentee- ..‎

‎ALFRED MAME ET FILS. 1866. In-8. Relié. Etat d'usage, Plats abîmés, Dos satisfaisant, Quelques rousseurs. 404 pages - nombreuses illustrations en noir et blanc dans le texte. Titre et tomaison dorés au dos. Frontispices en noir et blanc sous serpente. Contreplats jaspés. 2 photos disponibles.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎SOMMAIRE: regne mineral, regne vegetaln difference entre les etres organises et les substances minerales, la corolles, les fruits, l'agriculture, l'homme seul contemplateur des ouvrage de la nature ne peut embrasser l'ensemble des ettre, utilite des plantes charmes de leur etude, structure du globe terretre, de la nature, fossiles, mineraux employes en decoration, les graminees, les forets, le cacaoyer, le cotonnier; le cocotier, vegetaux des regions equinoxiales, utilite des palmiers, .. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎TABLEAU DE LA CREATION ou Dieu manifeste par ses oeuvres - 2 tomes,‎

‎ Mame 1846 2 planches en frontispice et 105 figures dans le texte, edition originale, Etat : Moyen relie, demi-basane In-8 2 tomes reliés en un volume:. - 376+432 pp. ‎

‎Principaux chapitres : regne mineral - regne vegetal - regne animal - homme quelques petites rousseurs, reliure leg.elimee, legeres taches en marge sur pages de garde, coins rognes Remise de 20% pour toutes commandes supérieures à 200 €‎

‎Dictionnaire Historique des Sciences Physiques et Naturelles depuis l'Antiquité la plus reculée jusqu'à nos Jours.‎

‎Origine et Progrès de la science chez les différents peuples - Essai d'une explication des prodiges, phénomènes singuliers, magie, arts et pratiques diverses, erreurs et préjugés - Histoire naturelle dans l'Antiquité et au Moyen-Age - Notice biographique sur les auteurs que se sont fait un nom par leurs travaux ou leurs découvertes dans ces branches des connaissances humaines ; examen critique et analyse de leurs ouvrages et de leurs théories - Mouvement philosophique de la science, principes et doctrines, à notre époque, etc. etc. 1 vol. in-4 relié demi-percaline mauve, texte sur deux colonnes, tome 30 de la Nouvelle Encyclopédie Théologique, S'imprime et se vend Chez J.-P. Migne, Petit-Montrouge, Paris, 1857, 1108 pp.‎

5 Images

‎Etat très satisfaisant (dos passé frotté avec petit accroc au mors en coiffe sup., relié sans les gardes volantes, ancien cachet discret, bon intérieur). Très intéressant ouvrage. Peu courant.‎

‎TOME 8eme : DICTIONNAIRE DE BOTANIQUE -ORGANOGRAPHIE , ANATOMIE , PHYSIOLOGIE VEGETALES‎

‎MIGNE J.P.. 1851. In-4. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Intérieur frais. 1515 pages. 1 er plat dechiré, conservé, trace de mouillure - Des manque sur la tranche du 2e plat . Texte sur 2 colonnes - 2 PHOTOS DISPONIBLES - . . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎NOUVELLE ENCYCLOPEDIE THEOLOGIQUE OU NOUVELLE SERIE DE DICTIONNAIRES SUR TOUTES LES PARTIES DE LA SCIENCE RELIGIEUSE , OFFRANT , EN FRANCAIS ET PAR ORDRE ALPHABETIQUE , LA PLUS CLAIRE , LA PLUS FACILE , LA PLUS COMMODE , LA PLUS VARIE ET LA PLUS COMPLETE DES THEOLOGIES // METHODOLOGIE ET GEOGRAPHIE BOTANIQUE / - HISTOIRE NATURELLE DES PLANTES INDIGENES ET EXOTIQUES - PHANEROGAMES ET CRYPTOGAMES - APPLICATIONS A LA RELIGION , A L AGRICULTURE, A LA MEDECINE , A L ECONOMIE DOMESTIQUE , A L INDUSTRIE ET AUX ARTS. / NOTA : Louis-François Jéhan (de Saint-Clavien), né à Plestan (Côtes-du-Nord) le 24 août 1803 et mort à Tours (Indre-et-Loire) le 17 septembre 1871, fut un vulgarisateur scientifique français. L.-F. Jéhan collabora à la rédaction de l'Encyclopédie théologique de l'Abbé J.-P. Migne (1800-1875), éditeur au Petit-Montrouge. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎CELEBRATION DES ESSENCES.‎

‎ROBERT MOREL. 1969. In-12. Relié. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 41 pages - tâche sur le 1er plat - titre doré sur le 1er plat et sur le dos .. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Tragedy and Lieto fine in Romantic Opera Seria‎

‎, Brepols, 2019 Hardback, x + 265 pages, Size:205 x 255 mm, Illustrations:11 b/w, 8 col., Musical examples 188, Language: English. ISBN 9782503586427.‎

‎Summary In a seminal essay Carl Dahlhaus has pointed out that often it is possible to turn the ending in a different direction without making any difference to the substance of the tragic course of events leading to it . Dahlhaus' statement is especially relevant to Italian Romantic opera seria. Whereas Lieto fine was central to the ethics of eighteenth-century Enlightenment opera, Romantic opera turned to heartbreaking tragic endings, often as means of social and political criticism. Yet the ending of a Romantic opera was not inevitable, and a significant proportion of Romantic operas have Lieto fine. An example is Rossini's Tancredi that was premiered in 1813 first with Lieto fine (Venice), then with a tragic ending (Ferrara), and again with Lieto fine (Milan), suggesting that the ending was not essential to the opera. The book analyzes the processes leading to Lieto fine in 23 operas from Tancredi to Puccini's La Fanciulla del West . This includes mixed endings, such as in Verdi's Macbeth that ends with a hymn of victory, yet centers on the human tragedy of Macbeth and Lady Macbeth. The book discusses both canonic and unjustly neglected operas, such as the socialist Papa Martin by Antonio Cagnoni.‎

‎GEREEDSCHAPPEN STEIGERS EN WERKTUIGEN IN HET BOUWVAK.‎

‎, Amsterdam, Argus, 1952., Gebonden, uitgeverslinnen, rug versierd met vergulde titel, 24,5x17cm, 382pp.‎

‎Leerboek ten dienste van het midd. nijverheidsonderwijs, de nijverheidsakten, bouwk. examens en voor zelfstudie. 3e druk. 360 pp. Met 678 fotos' & fig.‎

‎Crossroads of Cultures. Multilingual Diversity in Dutch Literature from Late Medieval Flanders‎

‎, Brepols, 2026 Hardback, 338 pages, 156 x 234 mm, illustrations: 13 col., 4 tables b/w., English, Middle Dutch, Old French. NEW. ISBN 9782503616186.‎

‎Located in the geographical region where the Low Countries, the Holy German Empire, and the French Kingdom converge, the medieval County of Flanders was a crossroad at which many cultures from across Europe met. As these cultures mixed, so too did their languages, leading to Flanders becoming profoundly multilingual, both on a societal and individual level. This volume examines the literary interaction between the most prominent languages of Flanders, namely Dutch, French, and Latin, in a variety of texts and manuscripts from an array of genres, analyzing multilingualism as a cultural phenomenon, a sociolinguistic feature, and a literary device. Combining literary studies with insights from sociolinguistics, material philology, and translation studies, this work illustrates the rich multilingual diversity of medieval Flemish literature during the late Middle Ages and promotes the study of Dutch literature in a translingual, multicultural context.‎

‎Bizarre Architecture ‎

‎, Academy Editions, 1979 Softcover, 80 pages, 21.5 x 24 cm, EN. *Fine condition. ISBN 9780847802227.‎

‎Bizarre Architecture ‎

‎Feuerwehren : Spezialfahrzeuge aus aller Welt‎

‎Motorbuch Verlag ,2006, in-4 de 252 pages ,illustrations in-texte et hors-texte ,cartonné éditeur ,Très bon état ,livre en allemand .Isbn : 9783613026018.(2 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay ). (colissimo suivi +6,90 ).‎

‎Le patriarche - l'espoir en action‎

‎Le patre 1986 in8. 1986. Broché.‎

‎Bon Etat couverture défraîchie intérieur propre‎

‎2050. een korte geschiedenis van de toekomst‎

‎, Snoeck / Kmska, 2015 Gebonden, Hardcover 237 pp. ISBN 9789461612526.‎

‎Een korte geschiedenis van de toekomst. De Koninklijke Musea voor Schone Kunsten van Belgi en het Louvre organiseren samen een exclusief en innovatief project, ge nspireerd door het werk van Jacques Attali Een korte geschiedenis van de toekomst. Het project bestaat uit twee onafhankelijke doch complementaire tentoonstellingen met hetzelfde uitgangspunt:de dynamiek die onze maatschappij vorm geeft sinds het ontstaan van de mensheid tot de horizon van 2050. De tentoonstelling in het Louvre maakt een projectie van de toekomst op basis van een subjectieve lezing van het verleden, verbeeld en gedragen door de artistieke creaties van de afgelopen millennia. De Koninklijke Musea voor Schone Kunsten van Belgi focussen op hedendaagse kunstwerken die een aantal maatschappelijke thema's aankaarten - van globalisatie tot de commercialisering van tijd, van consumptiegedrag tot de transformatie van de planeet. Deze thema's worden ontwikkeld aan de hand van het werk van hedendaagse internationale kunstenaars zoals Sugimoto, Boetti, Kingelez, Warhol, LaChapelle, Gursky, Op de Beeck, Yongliang, Turk, Al s, enz. Zonder te willen moraliseren, wil dit project de toeschouwer aanzetten tot reflectie over de impact van het menselijk handelen op de toekomst. ‎

‎Feminist Friendships, Collaborations, and Networks in the Visual Arts. Essays in honor of Norma Broude and Mary D. Garrard‎

‎, Harvey Miller, 2026 Hardback, Pages: 240, Size:220 x 280 mm, Illustrations:11 b/w, 75 col., Language: English. ISBN 9781915487315.‎

‎Summary Since the late twentieth century, a mounting body of studies has demonstrated that women contributed notably to the visual arts of nearly every culture, despite the ubiquity of patriarchal structures. The present volume looks to collaboration as a key factor in women's ability to overcome those systemic obstacles in order to play decisive roles in the visual arts, whether as artists, patrons, art critics, gallerists, or interpreters in the public sphere. Until only recently, collaborations and other collective endeavors have largely been ignored by both the panoptic histories of art and the art markets, both of which are predicated on notions of individual agency and their implied prototype of idealized masculine autonomy. By means of seventeen case studies spanning from the Renaissance to the 1990s and covering several continents, the essays in this volume chronicle an enduring pattern of women artists, critics, and intellectuals pursuing their goals together. In elucidating the importance of the collaborative dynamic model, especially in its feminist iteration, these essays promote a fuller understanding of the visual arts across the globe and throughout the centuries. With contributions by Babette Bohn, Marilyn Dunn, Adelina Modesti, Lara C.W. Blanchard, Catherine Powell-Warren, Mary Sheriff, Melissa Hyde, Carina Reich, Ruth Iskin, Jacqueline Marie Musacchio, Elizabeth Otto, Julie Cole, Jennifer Griffiths, Giorgina Gluzman, Elizabeth Hamilton, Lisa Farrington, and Amy Tobin. This book is dedicated to the prominent feminist art historians Norma Broude and Mary D. Garrard, in admiration for their inspiring and influential collaborative publications on feminism and women in the visual arts. TABLE OF CONTENTS Foreword Norma Broude and Mary D. Garrard Introduction On Feminist Alliances in the Visual Arts Jennifer S. Griffiths and Andrea Pearson Chapter 1 Sisters in Art: Female Sodality in Early Modern Bologna Babette Bohn Chapter 2 Female Networks and Collaboration: Spiritual Philanthropy, Convents, and Art Patronage in Seventeenth-Century Rome Marilyn Dunn Chapter 3 A Female Maecenas: Vittoria della Rovere, Feminist Friendship, Collaboration, and the Arts in Baroque Florence Adelina Modesti Chapter 4 The Banana Garden Poetry Club and Women's Artistic Exchanges: Writing about Paintings and Friendships in Seventeenth-Century China Lara C. W. Blanchard Chapter 5 Illustrating Nature in the Dutch Seventeenth Century: The Collective Power of a Female Community Catherine Powell-Warren Chapter 6 Representations of Female Friendship: Vig e Le Brun's Portrait of Mrs. Chinnery (1803) Mary D. Sheriff Chapter 7 Brought into Friendship: Women, Social Networks, and Amiti in Some Portraits by Ad la de Labille-Guiard and Gabrielle Capet Melissa Hyde Chapter 8 'My Life Has Been Devoted to Friendship': The Danish Painter Bertha Wegmann and the Feminist Reinvention of the Friendship Image Carina Rech Chapter 9 Mary Cassatt and Louisine Havemeyer's Friendship: A Personal, Professional, and Political Alliance Ruth E. Iskin Chapter 10 An American Dantista and Her Friends Jacqueline Marie Musacchio Chapter 11 ringl + pit, from Their House to Bauhaus: Collaborative Partnership, Modernist Photography, and Queer Visual Forms Elizabeth Otto Chapter 12 Lesbian Collaboration as Subterfuge in the Works of Marcel Moore and Claude Cahun Julie Cole Chapter 13 The Force of Futurist Friendship: R??ena Z tkov , Natalia Goncharova, and Benedetta Jennifer S. Griffiths Chapter 14 We Shall Overcome: Women, Art, and Anti-Fascist Networks in Buenos Aires Georgina G. Gluzman Chapter 15 A Friendship Written in the Stars: The Artistic Constellation of Alma Thomas and Delilah Pierce Elizabeth Carmel Hamilton Chapter 16 Black Feminist Art: Negotiating Networks and Identities Lisa Farrington Chapter 17 Heresies' Heresies: Collaboration and Dispute in a Feminist Publication on Art and Politics Amy Tobin List of Illustrations‎

‎Marianne Van Vyve‎

‎, Fonds Mercator/ Mercatorfonds, 2025 Hardback, 220 pages, Dimensions 280 x 230 mm, Language(s) English ed. ** binnenkort leverbaar** ISBN 9789462303911.‎

‎Marianne Van Vyve (1943-1991) was a Belgian painter who lived and worked in her hometown of Antwerp. Never affiliated to any particular group, she mainly followed her own artistic inclination, often against the prevailing trends of the time. She chronicled her emotional landscape through her art, in the quiet of her successive studios. This book explores her intriguing work, examining the influence of her academic training on her formative years and outlining her evolution as a painter.‎

‎Early Glossed Ecclesiastes. A Critical Edition with Introduction‎

‎, Brepols, 2022 Hardback, x + 323 pages, Size:124 x 228 mm, Language: English. ISBN 9780888442246.‎

‎Summary The Glossa ordinaria was the main exegetical instrument by which the Bible was taught and studied during the Middle Ages, a resource whose influence began in the early twelfth and remained perceptible in theological writing beyond the sixteenth century. For much of its modern history, the sheer scale, range, and ubiquity of the Glossa has deterred scholars from sustained study of its origins and development, its reception. However, the recent growth of studies devoted to the Laon--Paris teaching milieu in which the Glossa was central has altered the scholarly landscape. This volume, like the series of which it is part, hopes to contribute to this development by providing the first textual and historical analysis of the earliest written version of the glossed Ecclesiastes. The edition and the historical study that prefaces it offer a glimpse into how medieval theologians grappled with this most abstruse and provocative biblical text in a new format that was gaining increasing currency. Together they reveal the ways in which the Book of Ecclesiastes became the fixed point at which fundamental figures and movements of patristic, medieval, and early modern teaching and learning converged.‎

‎Heralds of Hope. The Three Advent Hymns of the Roman Office‎

‎, Brepols, 2022 Paperback, 243 pages, Size:156 x 234 mm, Illustrations:14 tables b/w., Language(s):English, Latin, Greek. ISBN 9782503596426.‎

‎Summary This book shares the fruits of several years of research on the Advent Hymns of the Roman Office. It provides an opportunity to gain fresh insights into the gradual development of the liturgical season of Advent and the particular characteristics assumed in its Roman form. The journey of the exquisite treasure of the Western Church that is the Latin hymn is explored before each of the three Advent hymns of the Roman Office is mined for its theology and rich scriptural associations. Its sometimes rocky journey through successive revisions of the Roman Office is considered through the lens of the three Advent hymns. Finally, a number of important pastoral issues dealing with the celebration of the Advent Season in our contemporary Church are considered, taking into account the nature of Advent as revealed in the traditional hymn texts, the liturgical reforms following the Second Vatican Council and current liturgical texts for Advent.‎

‎101 illusions d'optique- Des expériences et des trucages visuels surprenants‎

‎Grund. Non daté. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 87 pages augmentées de nombreuses illustrations en couleurs dans le texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎SPIEGEL VAN DE WERKELIJKHEID Negentiende-eeuwse schilderkunst in Nederland Expo: 15/1/2020 - 15/5/2020, Museum Singer, Laren ‎

‎, Mercator/ Mercatorfonds , 2019 HB, 290 x 230 mm, 384 p, 500 illustraties NL edition. ISBN 9789462301795.‎

‎Sinds 1948 is geen allesomvattende monografie over de 19de-eeuwse schilderkunst in Nederland meer verschenen, en dat boek is al geruime tijd uitverkocht. Ge nteresseerden en studenten moeten het stellen met herdrukken van een nog ouder Nederlands werk: De Hollandsche schilderkunst in de negentiende eeuw van criticus en schilder G.H. (Grada) Marius, oorspronkelijk verschenen in 1903 en in het Engels vertaald in 1976. Daar het academisch onderricht nu ook in Nederland gewoonlijk in het Engels wordt verstrekt, dringt een recentere geschiedenis zich op. Daarenboven is sinds de jaren 1970 diepgaand en vernieuwend onderzoek verricht. The Mirror of Reality brengt een synthese van individuele studies uit de voorbije vijftig jaar, met bijzondere aandacht voor de kunstmarkt, de stilistische ontwikkelingen en de relaties van Nederlandse kunstenaars met de (internationale) kunstwereld. Het toont onder meer aan dat de kunstmarkt in de 19de eeuw een grote bloei kende en dat Nederlandse schilders veel internationaler waren geori nteerd dan doorgaans aanneemt. Reynaerts volgt deze schilders niet alleen op hun buitenlandse reizen, ze beschrijft ook de aantrekkingskracht van Nederland op buitenlandse schilders als Monet, Boudin en de Amerikanen Gary Melchers en Walter McEwen. Het boek toont de beste en relevantste schilderijen afkomstig uit overwegend publieke verzamelingen, dus naast een onderhoudend geschreven verhaal is het tevens een uitnodiging om deze musea te bezoeken.‎

‎Acht eeuwen Sint-Jan Ieper 2‎

‎Ieper, stad Ieper/ Jenny Vandenbulcke, 2025 Linnen band, 783 pagina's, 25 x 18 cm, illustraties in kleur en z/w. NL. *Nieuw.‎

‎Acht eeuwen Sint-Jan Ieper 2‎

‎For Town and Country: The Civic Music System in Denmark, 1660-1800‎

‎, Brepols, 2019 Paperback, 340 pages, Size:190 x 290 mm, Illustrations:23 b/w, 7 col., 13 tables b/w., 6 maps b/w, 26 music examples, Language: English. ISBN 9782503585727.‎

‎Summary The employment of civic musicians was a practice in most European countries in early modern Europe, all the way from London and Venice to small Danish towns. This study's objective is to lay out which kinds of civic musicians (stadsmusikanter) Denmark had, and to examine what that came to signify for musicians and music, as there has not been a study in depth of civic musicians' employment in Denmark until now. It has been a particular objective of this study to illuminate the Danish situation in relation to some other European countries. Compared to Germany, the civic music system in the kingdom of Denmark developed some clear characteristics in the period 1660-1800 because it had to fulfil the requirements of both the absolute monarchy and the municipal authorities. It is particularly interesting that the system was regulated by royal licenses which applied across both towns and the countryside. The book's first main section goes through the background to the absolute monarchy's civic music system, including the conditions of employment. The second main section shows what the social consequences of the Danish system were for both licensed and unlicensed musicians. The third section is about the instruments and the music. We find examples of the entire repertoire of the Danish civic musicians, from ambitious artistic ensemble music to virtuoso solo sonatas with continuo and single part music for everyday use. The civic musicians exercised a marked influence on the unlicensed players in villages. One can speak of a cultural battle between the professional civic musicians' music and the traditions of the country fiddlers. Civic musicians in Denmark had international contacts with colleagues and played a prolific role as promoters of music.‎