‎Dukes of Arenberg. The Thousand-Year History of a Noble Family‎

‎, UPL, 2024 Hardcover 224 pages, Size: 220 x 245 x mm, 150 illustrations full colour. ISBN 9789083201610.‎

‎From its origins in medieval times to the present day, the Arenberg family has been one of Europe?s leading noble families. With origins in the German Eifel region, the Arenbergs became sovereign Princes and later Dukes in the Holy Roman Empire. Their ranks included active officers on many battlefields, important decision makers, and cunning diplomats in the Low Countries, France, and Germany. This book relates the history of this still important and influential noble family and shows how the Dukes of Arenberg have maintained their position in the highest echelons of society throughout the ages. Richly illustrated with numerous paintings, photographs and colour drawings from the family?s well-preserved archives, The Dukes of Arenberg offers the reader not only the military and political history of the Arenberg family, but also an overview of more than a thousand years of European history, in which they have often played an important role. Prologue Chapter 1 The Lords of Arenberg as Burgraves of Cologne From the earliest records until the thirteenth century Chapter 2 A tree with seven branches From the thirteenth century until the sixteenth century: from river Rhine to river Meuse Chapter 3 The marriages of two exceptional women The legacy of Marguerite de La Marck-Arenberg and Anne of Cro in the sixteenth century Chapter 4 The Arenberg Family & the Spanish House of Habsburg Philip of Arenberg and his relatives on the battlefields of the seventeenth century Chapter 5 The Arenberg Family & the Austrian House of Habsburg The long careers of three Dukes during the eighteenth century Chapter 6 The challenges of a new political order The consequences of the French Revolution in the long nineteenth century Chapter 7 Arenberg, a ?transnational? family caught up in nationalism The First World War and its aftermath Chapter 8 | Duke Leopold of Arenberg A European family looking towards the future The House of Arenberg today Epilogue | Duke Leopold of Arenberg The Arenberg Foundation Promotion of European History and Culture Explanatory maps‎

‎ BEYOND BORDERS Isabel Miquel Arqu s in dialogue with Karen Blixen. Photographie.‎

‎Antwerp, ludion, 2022 HB, 310 x 235 mm, 168 p, throughout illustraties, ENG edition / The hardccover book is printed on heavy 140gsm paper, and it measures 31cm x 23cm and has 168 pages. ISBN 9789493039698.‎

‎Beyond Borders. Isabel Miquel Arqu s in dialogue with Karen Blixen is published by Ludion and is part of a trilogy that is an artistic dialogue between the artist and female icons such as Karen Blixen, Virginia Woolf and Georgia O'Keeffe. In the first part of this trilogy, Isabel links her own life to that of the Danish writer Karen Blixen by means of photographs, screen prints and short fragments of prose and poetry. Arqu s interweaves the impressions that she gathered in Blixen's house, world, novels and biography into a new story of poetic images. /// Het werk van de Spaanse kunstenares Isabel Miquel Arqu s, die sinds vijftien jaar in Antwerpen woont, wordt ge nspireerd door haar omgeving; in het bijzonder de artistieke dialoog met andere vrouwelijke kunstenaars zoals Karen Blixen, Virginia Wolf en Georgia O'Keefe. In Beyond Borders verbindt ze aan de hand van beeld en tekst haar eigen leven met dat van de Deense schrijfster Karen Blixen (1885 - 1962), wiens bekendste boeken, Out of Africa en Babette's Feast, met succes verfilmd werden. Arqu s doet dit aan de hand van oogverblindende foto's en zeefdrukken, en door middel van korte maar wel gekozen proza- en po ziefragmenten. Arqu s bezocht meerdere keren Rungstedlund, Blixens huis dat nu een museum is. Ze fotografeerde er de voorwerpen die Blixen dagelijks gebruikte, zaken die haar fysieke realiteit vormden. Aan de hand daarvan ontstond in Arqu s' verbeelding een parallel verhaal, haar verhaal, dat zich langzaam vervlocht met dat van Karen Blixen. Terwijl ze een foto nam van het tapijt in de woonkamer, dreven haar gedachten weg. Ze zag niet langer een tapijt maar een wegenkaart, een vertrekpunt en een bestemming, kruispunten en zijpaden, een levensloop. In andere stukken zag ze Blixens reizen, de landen die ze bezocht had, zee n en landschappen. Beyond Borders vormt het visuele resultaat van de indrukken die Aqu s opdoet in het huis, de leefwereld, de romans en de biografie van Karen Blixen en die op hun beurt leiden tot nieuwe po tische beelden. Een boek om voor altijd te koesteren.‎

‎Essai sur l’histoire des mathématiques dans la Suisse française.‎

‎ Neuchâtel, Imprimerie de James Attinger 1884, 280x215mm, 57pages, broché. ‎

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‎Histoire des sciences mathématiques dans la Suisse française.‎

‎ Neuchâtel, Imprimerie Nouvelle 1901, 215x135mm, 215pages, broché. Déchirure au bas du dos. ‎

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‎Amour, mon ennemi‎

‎1996, Erès, in-8 broché de 336 pages, couverture blanche illustrée d'une vignette en couleurs, titrage rouge, collection des travaux et des jours, traduit de l'italien par Patrick et Daniel Faugeras, Amour, mon ennemi, récit psychanalytique | Etat : bon état, couverture légèrement défraîchie et usée (Ref.: ref82840)‎

‎Erès‎

‎TRAITE DE RESISTANCE DES MATERIAUX - CONTENANT L'EXPOSE DEMONTRE DES FORMULES CLASSIQUES USUELLES DE CETTE THEORIE.‎

‎SOCIETE ANONYME DE L'IMPRIMERIE A. REY. 1928. In-8. Broché. Etat d'usage, Couv. convenable, Coiffe en pied abîmée, Intérieur frais. 144 pages augmentées de nombreuses figures en noir in texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎L'invention de la mémoire‎

‎Eshel 1989 in8. 1989. Broché. 240 pages. Bon Etat intérieur propre‎

‎Femmes soviétiques‎

‎ ,Paris, Courrier des Iles, s.d., vers 1936, 107 pp., 1 vol. in 8 br. quelques rousseurs à la couverture‎

‎FEERIE BRESILIENNE.‎

‎ROBERT LAFFONT.. 1967.. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 187 pages. 1ère de couverture illustrée en couleurs. Couverture rempliée. Nombreuses illustrations et photographies en noir et blanc, hors texte.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎LA CROISIERE BLEUE. JOYAUX DE LA MER DE CORAIL.‎

‎ROBERT LAFFONT.. 1968.. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 187 pages. 1ère de couverture illustrée en couleurs. Couverture rempliée. Nombreuses illustrations et photographies en couleurs et noir et blanc, hors texte.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎"La croisière bleue; joyaux de la mer de corail."‎

‎Paris, Robert Laffont, 1968. 13 x 21, 189 pp., quelques illustrations en N/B, broché, couverture à rabats, bon état.‎

‎Signature de l'auteur.‎

‎Discours‎

‎1922, Les Belles Lettres, collections des universités de France, petit in-8 broché de 240 pages, couverture beige, Isée - Discours, texte établi et traduit par P. ROUSSEL, texte en grec et traduction en regard | Etat : Bon état, couverture légèrement défraîchie, coiffes abîmées (Ref.: ref86040)‎

‎Les Belles Lettres‎

‎Opera III: Ars grammatica‎

‎, Brepols, 2025 Hardback, cxx + 608 pages, Size:155 x 245 mm, Illustrations:1 b/w, 4 tables b/w., Language(s):Latin, Spanish. *new ISBN 9782503614236.‎

‎Summary Este volumen incluye el estudio y la edici n cr tica de toda el Ars grammatica (CPL 1555) del obispo Juli n de Toledo (ca. 644-690). Este tratado gramatical es el m s completo conservado de la escuela visig tica; pertenece a los llamados manuales avanzados y exeg ticos, ya que est concebido como un comentario pormenorizado a los tratados modelo de Donato, el Ars minor y el Ars maior, e incluye todos los principales campos de estudio definidos por la tradici n gramatical de la tard a Antig edad. Es adem s uno de los primeros y mejores ejemplos del proceso de cristianizaci n de la teor a gramatical latina operado en la escuela medieval. Como suele ser habitual en textos escolares, la obra ha llegado hasta nosotros en dos redacciones distintas, sin que se pueda determinar cu l de las dos es la de Juli n o la m s pr xima a l. Por esa raz n la edici n ofrece en paralelo el texto de las dos versiones. TABLE OF CONTENTS Introducci n 1. La autor a del tratado gramatical 2. El tratado gramatical 3. La tradici n textual Bibliograf a Iuliani Toletani episcopi Ars grammatica - recensiones ? & ? I. De partibus orationis II. De littera, de syllaba, de pedibus, de accentibus, de posituris III. De barbarismo, de soloecismo, de ceteris uitiis, de metaplasmis, de schematibus, de tropis IV. Conlatio de generibus metrorum V. De partibus orationis Indices‎

‎Spoliation as Translation. Medieval Worlds of the Eastern Mediterranean‎

‎, Brepols, 2021 Paperback, 201 pages, Size:210 x 270 mm, Illustrations:79 col., Language: English. ISBN 9788021099234.‎

‎Summary The articles gathered in this special issue of Convivium offer a variety of perspectives - history of medieval art, architecture, literary studies - that explore the relations between spoliation and translation, with a particular focus on the interconnections and similarities between material/artistic and textual/literary cultures. Building on current research in spolia and translation studies, these contributions respond to the increasing interest in and popularity of these two topics in recent scholarship. A conceptual point of departure is that reuse and translation represent two crucial processes facilitating cultural dialogues and exchanges across time and space. Material and textual spolia fascinate us, because they provide various means and levels of engagement with the past with a tangible form, sometimes of an ambivalent nature. Objects, artefacts, buildings, and texts have been subject to constant reworkings, through which they have been interpreted and translated: old stories gain new significance in new contexts, just as old objects gain new meanings in new settings. The aim of this collection is to foster a better understanding of such processes and, at the same time, of the history of the medieval worlds of the Eastern Mediterranean, which is marked by constant cross-cultural encounters and interactions. TABLE OF CONTENTS Introduction Ivana Jevtic & Ingela Nilsson - Towards an Empathetic Approach to Material and Literary Spolia Articles Ingela Nilsson - Imitation as Spoliation, Reception as Translation. The Art of Transforming Things in Byzantium Karen Rose Mathews - Speaking Antiquity. Ancient Spolia as a Visual Koine in the Medieval Mediterranean (12th to 15th Century) C. Ceyhun Arslan - Spolia and Textual Reincarnations. A Reassessment of the Hagia Sophia's History Armin F. Bergmeier - Antiquarian Displays of Spolia and Roman Identity. San Marco, Merbaka, and the Seljuk Caravanserais Margaret Mullett - Spoiling the Hellenes: Intertextuality, Appropriation, and Embedment. The Case of the Christos Paschon Baukje van den Berg -Eustathios' Homeric Commentaries. Translating Homer and Spoliating Ancient Traditions Ivana Jevtic - Reuse and Remodeling in the Late Byzantine World. The Church of Bogorodica Ljeviska in Prizren Suzan Yalman - Translating Spolia. A Recent Discover of Fragments from the Walls of Seljuk Konya and Their Afterlives Emelie Hallenberg - Translating and Spoliating the Byzantines. The Receptions and Remodelings of a Komnenian Novel in Early Modern France Afterword Olof Heilo - Postscript: The Meaning of Ruins‎

‎Notion of Liminality and the Medieval Sacred Space‎

‎, Brepols, 2020 Paperback, 162 pages, Size:210 x 270 mm, Illustrations:92 col., Language: English. ISBN 9788021094536.‎

‎Summary The thematic frame of this issue is the anthropological notion of liminality, applied both to physical as well as imaginary places of transition in medieval art. The volume is thus dedicated to the phenomenon of the limen, the threshold in medieval culture, understood mainly as a spatial, ritual and temporal category. The structure of the book follows the virtual path of any medieval visitor entering the sacred space. While doing so, the visitor encountered and eventually crossed several "liminal zones" that have been constructed around a series of physical and mental thresholds. In order to truly access the sacred - once again both physically and metaphorically - many transitional (micro)rituals were required and were therefore given particular attention within this volume. The volume was published as proceedings of the Liminality and Medieval Art II conference, which was held in October 2018 at the Masaryk University in Brno. Authors were supposed to conceive their contributions in pairs in order to reflect on the selected topics with an interdisciplinary approach. In the end, the very same pattern was also maintained for the final publication. TABLE OF CONTENTS Introduction Kl ra Dole?alov & Ivan Foletti Liminality and Medieval Art. From Space to Rituals and to the Imagination Articles Ivan Foletti & Katar na Krav? kov Closed Doors as Bearers and Constructors of Images. Santa Sabina in Rome and Notre Dame du Puy Sible De Blaauw & Kl ra Dole?alov Constructing Liminal Space? Curtains in Late Antique and Early Medieval Churches Vlad Bedros & Elisabetta Scirocco Liturgical Screens, East and West. Liminality and Spiritual Experience Chiara Croci The Depiction of the Acta Martyrum During the Early Middle Ages. Hints from a Liminal Space, the Transept of Santa Prassede in Rome (817-824) Jan Kl pa & Eli?ka Pol ?kov Tabulae cum portis, vela, cortinae and sudaria. Remarks on the Liminal Zonesin the Liturgical and Para-Liturgical Contexts in the Late Middle Ages John Mitchell & Nicholas Pickwoad "Blessed Are the Eyes Which See Divine Spirit Through the Letter's Veil." The Book as Object and Idea‎

‎Armenophobia. Art, Scholarship, and Russian Colonial Policy at the Turn of the Twentieth Century‎

‎, Brepols, 2024 Paperback, 127 pages, Size:Special Format mm, Illustrations:20 b/w, 23 col., 2 maps color, Language: English. ISBN 9788028005764.‎

‎Summary Despite its incredible richness, the Armenian cultural heritage remains today at the margins of the art historical canon. The roots of this situation can be traced back to the second half of 19th century when Armenian art was deliberately marginalized by the official scholarship within the Russian Empire. By providing a historiographical examination of this context, we aim to demonstrate how medieval Armenian art became a tool in the Russian imperialistic policy. Besides, we also attempt to address the impact of the late 19th-century imperialism on our present. TABLE OF CONTENTS Introduction It Has Always Been Only a Province Favoring Georgia or Marginalizing Armenia? Divide et Impera: Traditional Imperialistic Practices Conclusions: Medieval Art history and the Roots of the Current Tragedies Bibliography Index of Names Index of Places‎

‎Radical Turn? Reappropriation, Fragmentation, and Variety in the Postclassical World (3rd-8th c.)‎

‎, Brepols, 2023 Paperback, 157 pages, Size:210 x 270 mm, Illustrations:100 col., Language: English. ISBN 9788028001889.‎

‎Summary This thematic issue draws on the papers presented at the conference ?Radical Turn? Subversions, Conversions, and Mutations in the Postclassical World (3rd-8th c.)? that took place last autumn in Brno, Czech Republic. Its aim is to contribute to the rehabilitation of the period of ?Late Antiquity?, which has often been neglected in scholarly circles as a mere transitional period between the classical past and the medieval future. Individual papers reflect on the cultural production of this period from the perspectives of different disciplines (art history, classical philology, archaeology, and history), offering new insights on various aspects of late antique. TABLE OF CONTENTS Introduction Ivan Foletti, Marie Ok ?ov & Adrien Palladino, A Radical Turn? "Late Antique" Anxiety, Rupture, and Creative Continuity Articles Ivan Foletti & Marie Ok ?ov , An Age of Fragmentation. Evidence from Late Antique Literary, Visual, and Material Cultures Jana Mikulov , The Variability of Late Latin Authors' Means for Marking Direct Discourse Chiara Croci, ?Abbreviated? Depictions? Questions on the Earliest Christian Images Alberto Virdis, Fragmentation as a Visual Principle: From Cloisonn to Early Stained Glass Katharina Meinecke, Ornamental Surfaces. A ?Global Trend? in Late Antique Afro-Eurasia Chronicles & debates Marco Aimone, Two Byzantine Capitals ?with Pine Cones at Their Corners? and Their Monograms. Technical, Stylistic, and Historical Observations Renate Johanna Pillinger, Wunder Jesu auf ausgew hlten (r mischen) Zwischengoldgl sern‎

‎Ivan Pavlov et les reflexes conditionnés, présentation par Hilaire Cuny. Choix de textes, bibliographie, portraits, facs similés.‎

‎ P., Seghers (Collection "Savants du Monde Entier" N°11), 1962, in 12 carré, 223 pages. ‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande .......................... ‎

‎Ives Maes - Sunville Sunville / Zonhoven‎

‎, ludion, 2018 hardcover, 160 pages, Illustrated. 32,7 x 25,6 x 2,4 cm, text in English. ISBN 9789491819841.‎

‎Ives Maes grew up in Sunville, a free translation of the Flemish village of Zonhoven. After his brother?s suicide, Maes returned to his homestead and wandered the countryside with a camera and stacks of accidentally expired film. The colour shifts in the photographs he took during these walks suggest an indefinable time. He combined them with snapshots from the family album and images found in the village?s historical archive, and continued to photograph his childhood home during six successive seasons, until a partial solar eclipse put a symbolical end to these recordings. Sunville is a personal quest into Maes?s memories, and explores the peripheries of the medium.‎

‎ Kr sn madony ze Salcburku / Sch ne Madonnen aus Salzburg 1400‎

‎, Bergbau- und Hotikmuseum/ Praha : N rodn galerie Praha, 2020 Softcover, 190 pages Illustrated. ISBN 9788070357149.‎

‎Kr sn Madony ze Salcburku : lit k men kolem 1400 (22. 11. 2019 - 19. 4. 2020 : N rodn galerie Praha, kl ?ter sv. Ane?ky ?esk , Praha) Sch ne Madonnen aus Salzburg : Gussstein um 1400 Note Katal g obsahuje podrobnej?ie popisy jednotliv ch diel Language note Publik cia s be?ne v ?e?tine a nem?ine Exhibitions notes Katal g k rovnomenn m v stav m, ktor sa konali v Bergbau- und Gotikmuseum Leogang, 25.5.-31.10.2019 a v N rodn galerii Praha, kl ?ter sv. Ane?ky ?esk , 22.11.2019-19.4.2020‎

‎Alfred Hardy, 1900 - 1965‎

‎, GUAEP 2002, 2002 Paperback, 35 pagina's, NL, 265 x 220 mm, in nieuwstaat, met illustraties / foto's in kleur en z/w. ISBN 9789076714141.‎

‎Alfred Hardy is de ontwerper van de twee imposante paddenstoelconstructies die sinds 1947 als hangars worden gebruikt op het vliegveld van Grimbergen en die tot de belangrijkste verwezenlijkingen van de naoorlogse Belgische bouwkunde worden gerekend. In dit boek wordt de professionele carri re van Hardy voor het eerst in beeld gebracht, met uitgebreide aandacht voor de loodsen in Grimbergen maar ook voor de talloze andere projecten en realisaties die op hetzelfde constructieve principe zijn gebaseerd: woningen, appartementsgebouwen, hotels, benzinestations en parkeergarages. Na de verschijning van deze publicatie werden de vliegtuigloodsen aan de lijst van beschermde monumenten in Vlaanderen toegevoegd.‎

‎a2o architecten, Brussel/Hasselt (De aedibus international 19) 2020.‎

‎Brussel, Quart, , 2020 Oorspronkelijk uitgevers omslag, 72 pages, 28,7 x 22,1 cm, ge llustreerd / ENG / DE. ISBN 9783037612217.‎

‎Jo Berben, Ingrid Mees and Luc Vanmuyssen are the founders of the Belgian architectural team a2o, with offices in Brussels and Hasselt. Their buildings are powerfully and inventively integrated into the mostly urban environment. Their forms and details are reduced, creating a meditative atmosphere. ? ? What the six projects have most in common is that ? with the exception of the Poor Clares Covent ? they were realised after 2012. It was the time when a2o?s initiators, with the future and with continuity in mind, had taken up a number of loyal, younger designers as new associates in their group. The projects mark a new direction in which young people seek to steer a a2o?s approach: one emanating self-assurance, as well as context-responsivenessn tying in with the high standard of current Belgian and Flemish architectural production.? Iwan Strauven De aedibus international is a series on contemporary, highly qualified European architects and architecture; an archive of carefully selected buildings and projects.‎

‎Arte En Las Cortes De Carlos V Y Felipe II‎

‎, Consejo Superior de Investigaciones Cienti?ficas, 2000 Softcover, 475 paginas, SPA, 280 x 205 x 25 mm, como nuevo, ilustraciones en color y b/n ISBN 9788400078096.‎

‎Consejo Superior de Investigaciones Cientificas edita esta obra. En 1939 la editorial comenz su andadura en Madrid. Su cat logo asciende a m s de 2000 t tulos. Consejo Superior de Investigaciones Cientificas tiene textos sobre todo de Invertebrados, Qu mica, Educaci n, Arqueolog a, Derecho... Palmyrenus. Serie Textos: Colecci n De Textos Y Estudios Human sticos, Anejos Revista De Literatura, Publicaciones De Estudios Sefard es, Flora Ib rica, Archivo Gom entre otros son algunos ejemplos de colecciones de esta editorial. En Consejo Superior de Investigaciones Cientificas han publicado libros Guillem-llobat, Ximo, Mart nez Montalb n, Jos Luis, Mart nez Batlle, Jos Ram n, Peric s I Brondo, Miquel, Virgilio Mar n, Publio entre otros. fomenta la creaci n literaria organizando Premios como Premio Arqu mides, Premios San Viator y Premio Inspiraciencia.‎

‎James Ensor and the Graphic Experiment‎

‎, Hannibal Books / Museum Plantin-Moretus, Antwerpen, 2024 Hardcover, 280 x 230 mm, 128 pages, illustrated in colour, ENG edition. ISBN 9789464941425.‎

‎A unique overview of the ingenious printmaking of James Ensor Thanks to the experimental character of his prints, James Ensor remains one of the most important etchers of his time. Seventy-five years after his death, his prints continue to amaze. This richly illustrated book sheds light on the remarkable creation process behind his prints, and also on the influence of earlier artists, his contemporaries and collectors, and the reception of his work. By taking a close look at his prints and by comparing the different states, we can catch a glimpse of Ensor?s own states of imagination. Not only did Ensor experiment with various etching techniques and often reworked the etched plates, he also transformed his prints by adding to them and colouring them by hand in pencil and watercolour. Moreover, he sometimes used coloured inks and printed on to a variety supports, such as satin and parchment. James Ensor and the Graphic Experiment places the prints of Ensor in a new light, and is a continuing source of inspiration for admirers of this quirky and multi-faceted artist. With contributions by Izanna Mulder, Willemijn Stammis, Ad Stijnman en Herwig Todts. This book is published on the occasion of the exhibition Ensor?s States of Imagination, which runs from 28 September 2024 to 18 January 2025 at Museum Plantin-Moretus, Antwerp. ‎

‎James Ensor en het grafisch.‎

‎, Hannibal Books / Museum Plantin-Moretus, Antwerpen, 2024 HB, 280 x 230 mm, 128 pages, mooie afbeeldingen in kleur, NL edition. ISBN 9789464941418.‎

‎Uniek overzicht van de ingenieuze prentkunst van James Ensor. 'Men moet zich richten op bepaalde etsen van dhr. James Ensor om de ware kunstenaar te ontdekken die hij is.' - Emile Verhaeren Dit rijkge llustreerde boek over het grafische werk van James Ensor onthult niet alleen zijn creatieproces, maar ook de invloed van zijn artistieke voorgangers, tijdgenoten, uitgevers en verzame laars op de totstandkoming en receptie van zijn prentkunst. Hoewel het medium gericht is op reproduceerbaarheid, wordt Ensors grafische oeuvre gekenmerkt door eigenzinnigheid en uniciteit. Zijn aanpassingen op de platen, het drukken op diverse dragers zoals satijn, en het handmatig aanvullen en inkleuren van de afdrukken maken van Ensors grafische werken unieke kunstwerkjes. James Ensor en het grafisch experiment biedt een nieuw perspectief op Ensors experimentele en eigenzinnige benadering van het medium. Publicatie bij de tentoonstelling Ensors staten van verbeelding in het Museum Plantin-Moretus ‎