‎Regnum animale, sectionibus III. Physicè, Medicè, Anatomicè, Harmonicè, Mechanicè, Théoreticè, Practicè. Evisceratum, enumeratum & emedullatum. Hominis scillicet & brutorum machinam hyfrolico-pneumaticam comparatè, item V. classes universals, ac usum cibarium & medicinalem curiosis quibusvis proponens‎

‎Apud Emanuelem König | Coloniae munatianae (Bâle) 1682 | 20.20 x 15 cm | relié‎

‎Edition originale. Reliure en pleine basane marbrée havane, dos à nerfs janséniste, pièce de titre noire. Reliure milieu XIXème. Emanuel König (1658-1731) était un physicien et médecin allemand de Bâle. Etrangement cette description classique du règne animal comprenant une approche anatomique et mécanique rigoureuse est classée dans les ouvrages de magie spirituelle dans la bibliothèque des sciences occultes au XVIIème, par ailleurs cet ouvrage servira de base à Swedenborg dans ses travaux. Ex libris Picard Avenionsis gravé en médaille. Une mouillure au milieu sur l'ensemble de l'ouvrage, plus ou moins marquée. Absent à Brunet. - Photographies et détails sur www.Edition-Originale.com -‎

‎Subjects from History (2 vols.), Corpus Rubenianum Ludwig Burchard vol. 13.1‎

‎Turnhout, Brepols, 1997 Hardback, 690 pages., 228 b/w ill., 180 x 265 mm. set in 2 volumes, fine condition. ISBN 9780905203690.‎

‎Elizabeth McGrath recreates the context in which Rubens, who was familiar enough with classical writings to interpret them with originally and wit, worked and casts new light on rarely discussed and misidentified subjects. For Ruben's age, as for the ancient Romans, history was valued for the lessons it taught. Rubens was deeply interested in history, particularly the works of the ancient writers like Ovid, Plutarch and Juvenal, which were full of exemplary figures. Yet unlike many Renaissance artists who merely sought texts they could illustrate, Rubens was familiar enough with classical writings to interpret them with originally and wit - always with an eye for the visually striking aspect. He was thus uniquely qualified to respond to the requirements of particular commissions with exemplary themes like The Continence of Scipio, The Justice of Cambyses, The Devotion of Artemisia and The Courage of Cloelia. Elizabeth McGrath recreates the context in which Rubens worked and casts new light on rarely discussed and misidentified subjects. Also included is a detailed analysis of the tapestry cartoons on the life of Romulus, now in the National Museum of Wales, relating the series to all relevant studies, paintings and tapestries. Languages: English.‎

‎Flesh, Gold and Wood. The Saint-Denis altarpiece in Li ge and the question of partial paint practices in the 16th Century Proceedings of the Conference Held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015‎

‎, Brepols - Harvey Miller, 2021 Softcover, 484 pages., 230 x 290 mm, Languages: English. Disponible en une seule version avec des articles en fran ais ou en anglais. * new. ISBN 9782930054407.‎

‎The impressive altarpiece in the church of Saint-Denis in Li ge is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution to the Borman, the most prestigious Brussels sculptor family, was refined, as was its dating in the early 1530s, when the vocabulary of Italian Renaissance began to invade the art of the Meuse banks simultaneously with the still well-anchored Gothic style. This volume provides a broad platform for the exceptional character of the partial polychromy of the altarpiece, highlighted by the investigation conducted at the KIK-IRPA. This research was nourished by many comparative reflections. The abundant and varied studies presented here, mainly originate from an international conference held in October 2015. In addition, the restoration at KIK-IRPA, between 2016 and 2019, of some of the painted panels that initially adorned the shutters of the altarpiece, also allowed a beneficial reconsideration of the participation of the great Li ge painter Lambert Lombard and some local workshop. Starting from an amazing work, they represent an important part of the artistic activity in Li ge revived by Prince-Bishop rard de La Marck.‎

‎Willy Boers 1905-1978‎

‎Naarden, V+K Publishing 1995, 1995 Hardcover, 392 pagina's, Nederlands, 300 x 250 mm, boek als nieuw, met illustraties in kleur, . ISBN 9789066110441.‎

‎Monografie van de kunstschilder en stimulator van behoudende kunstenaarsgroepen.‎

‎bladen voor de grafiek nr.2 jrg 1- TOM PAYOT‎

‎, Lier, 1968., In suite, originele uitgeversomslag, 21,5x28cm, z.p., geillustreerd met 10 originele houtsneden.‎

‎TOM PAYOT De bladen voor de grafiek nr.2 jrg.1‎

‎Expressionism in Belgium‎

‎, Laconti, 1972 Hardcover, 236 pages, ENG edition, 240 x 200 mm, book is in good shape, the illustrated dustjacket "lost" its good shape, illustrations in colours / b/w.‎

‎Kunst > Expressionisme - Fauvisme‎

‎SUR UN PHENOMENE TERATOLOGIQUE OBSERVE CHEZ QUELQUES MOUSSES - EXTRAIT DU BULLETIN DE LA SOCIETE BOTANIQUE DE FRANCE (SEANCE DU 8 FEVRIER 1861)‎

‎IMP. DE L. MARTINET. NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Rousseurs. 4 pages.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Brief van Ed. de N ve met boek Ed. de N ve. Schrijver, journalist, verzetsman, 1889-1961‎

‎Tilburg, Uitgeverij De Schaduw, 1953-89 Handgeschreven brief met enveloppe + softcover boek, 287 pagina's, 21.5 x 14 cm, Nederlandstalig. Goede staat. ISBN 9789050830096.‎

‎Brief van Ed. de N ve aan jazz-pianist Jacques van Poll.‎

‎Cinema Changes: Incorporations of Jazz in the Film Soundtrack‎

‎, Brepols, 2019 Hardback, xxvi + 334 pages, Size:210 x 260 mm, Illustrations:35 b/w, 26 musical examples, Language: English. ISBN 9782503584478.‎

‎Summary Cinema is the form of entertainment that can be, above all, identified with the twentieth century. It gradually replaced theatre as a popular form of performed storytelling, and replaced opera too as the new "multimedia" art form, soon incorporating music as one of cinema's privileged means to co-tell stories. Speaking of music, jazz was as sensational a twentieth-century novelty as cinema was. The two soon teamed up, and jazz, with its various incarnations and styles, has accompanied the moving images and the cinematic narratives throughout the decades. It was inevitable that these two iconic art/entertainment forms, jazz and cinema, should meet, blend, cooperate, and have a reciprocal influence. While the early film music was mostly symphonic and inspired by the late-romantic nineteenth-century idiom, jazz and Afro-American music - in various form and with diverse and changing racial/social connotations - appeared onscreen even before the landmark film The Jazz Singer (1927), which officially launched the sound era. This collection of essays seeks to study the long-standing relationship between jazz and cinema, from the silent era to the contemporary sound cinema, on an international level. TABLE OF CONTENTS Emile Wennekes - Emilio Audissino Prologue: A Reel Jazz Survey Rendition / Reception Emile Wennekes Out of Tune? Jazz, Film and the Diegesis Phillip Johnston Jazzin' the Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film Luca Stoll Cinema: A Privileged Way of Acquiring Intimacy with Jazz Standards Marida Rizzuti Play, My Fiddle, Play! Jazz and Klezmer at the End of the 1930s Randall Cherry Ethel Waters and the Search for Racial Redemption Jazz and National Cinemas Emilio Audissino The Multiform Identity of Jazz in Hollywood: An Assessment through the John Williams Case Study Nicolas Pillai Rhythms of the Everyday: an Alternative History of the British Jazz Film Philippe Gonin Jazz and Cinema: Which Jazz for Which Movies in France from 1945 to the early 1960s? Julio Arce - Celsa Alonso From the Chotis to the Charleston: Jazz in Spanish Films prior to the Civil War Roberto Calabretto Jazz Music in Michelangelo Antonioni's Films Willem Strank When Jazz Meets German Cinema: A Brief Overview Jason R. Hillebrand A Song Helps Us Live: The Narrative Function of Jazz in the Soviet Musical Film Jolly Fellows Case Studies Francesco Finocchiaro - Leo Izzo The Sound of the Nightmares: On the Jazz Music in Fritz Lang's Metropolis Ryan Patrick Jones Dignity in the Twilight of Minstrelsy: Race, Nuance, and Aspiration in Duke Ellington's Symphony in Black: A Rhapsody of Negro Life Adam Biggs The Blues and Dissonance in Michelangelo Antonioni's Blow-Up Armando Ianniello Umiliani, Trovajoli, and Rota: The Jazz Film Score of Boccaccio '70 Marcel Bouvrie Synergetic Jazz Score: The Narrative of the Relation between the Diegetic and Nondiegetic Music in Whiplash Mervyn Cooke 'The Same Goddamn Songs the Same Goddamn Way'? Makin' Whoopee with The Fabulous Baker Boys Abstracts Biographies Index of Names‎

‎Carlo Scarpa The Complete Buildings‎

‎, Prestel, 2024 Hardback, 324 x 216 mm, 280 Illustrations col., 352 Pages, English ed. ISBN 9783791377148.‎

‎Featuring exquisite photographs of every structure the architect designed from scratch or incorporated into a historical building, this elegant volume is as sumptuous and inviting as a Scarpa interior. Although he was not widely known during his lifetime, Carlo Scarpa has in the past-half century become one of the most revered of modern architects. ‎

‎Pan a franchi le Rubicon. Recherches sur le dieu-bouc romain‎

‎, Brepols - Ecole Pratique des Hautes Etudes, 2026 Hardback, Pages: 452, Size:156 x 234 mm, Illustrations:35 b/w, Language: French. ISBN 9782503618487.‎

‎Summary ...immense travail d' rudition fourni par . Borron qui pr sente ici une somme impressionnante sur une divinit jusqu'ici trop souvent consid r e comme allant de soi. ( lisabeth Buchet, dans Cahiers d' tudes du Religieux. Recherches Interdisciplinaires, 28, 2026, [en ligne]) labor dans le cadre d'une th se de doctorat, le sujet de cet ouvrage est un tre hybride, mi-homme, mi-bouc, le dieu grec que les Anciens nommaient Pan. Toutefois, on n'adoptera pas le point de vue hell ne sur cette divinit , mais plut t celui de Rome, qui accueillit de bonne heure le dieu parmi les siens. Cette monographie s'attache donc l' tude du dieu-bouc romain, entre le Ve si cle av. notre re, o son iconographie appara t en Italie, et le IIIe si cle de notre re, avant que le discours chr tien ne s'empare du personnage ; tout au long de ces huit si cles, elle questionnera les modalit s selon lesquelles Pan, dieu grec, impose sa pr sence dans le panth on et l'imaginaire romain. Pour mieux appr hender la complexit et les diverses facettes du sujet, c'est un point de vue interdisciplinaire qui pr vaudra, alliant l'apport des textes celui des images, de l'arch ologie et de l'histoire. TABLE OF CONTENTS Introduction Premi re partie : Le dieu-bouc en Italie I. Pan sur les rives italiennes I.1. Entre Arcadie et Grande Gr ce I.2. L'entr e en litt rature II. Pan rencontre les faunes II.1. Faunes : un ph nom ne pluriel II.2. Les modalit s de l'assimilation Deuxi me partie : Sous le signe du Capricorne : Pan parmi les dieux d'Auguste I. Auguste et l' laboration d'un ethos panique I.1. Le Capricorne I.2. La figure panique II. Un jalon id ologique august en II.1. Les Lupercales, ou la port e politique d'un festival II.2. Pan jupit rien, partie prenante du discours mill nariste ? III. La r ponse des lettr s au berger III.1. Faunus-Pan horatien, ou l'espace de la securitas III.2. Ovide : la remise en question d'une id ologie esth tique III.3. Transformations du Pan august en Troisi me partie : Un Pan de ralliement : les manifestations d'un engouement durable I. L'universalisme culturel la mode panique I.1. L'alt rit incluse dans les lettres romaines : uariationes paniques I.2. Faunes : le retour aux bois I.3. Pan, un dieu qui parle tous et en tout lieu II. Sur la piste du Grand Pan II.1. Au-del des fronti res esth tiques : l'espace panique comme lieu d'exp rimentation II.2. Et le bouc se fit homme pour les guider : vers une magnification du personnage Conclusion Annexes‎

‎Être femme sans être mère: Le choix de ne pas avoir d'enfant.‎

‎ Robert Laffont 2007, collection "Réponses", in/8 broché, 190 pages.‎

‎"Partout dans le monde, un nombre croissant de femmes osent affirmer et assumer leur choix de ne pas vouloir d'enfant alors que l'air du temps irait davantage dans le sens " d'un enfant à tout prix ". Qui sont ces femmes qui nous rappellent qu'on ne peut réduire le désir d'enfant à une simple question d'instinct et d'horloge biologique ? Quelles sont les raisons profondes de leur choix ?Loin des clichés réducteurs - elles n'arrivent pas à trouver d'homme pour faire leur enfant, elles sont probablement homosexuelles, aigries ou immatures -, Émilie Devienne, elle-même sans enfants, nous donne à voir des femmes qui, chaque jour, doivent affronter la pression sociale et familiale. Brisant avec humour et parfois dérision ce sujet encore tabou, elle partage avec nous sa vision de femmes modernes, responsables, créatives et... heureuses, même sans être mères !" Une seul livraison par semaine pendant le mois d'août ‎

‎Scotland's Royal Women and European Literary Culture, 1424-1587‎

‎, Brepols, 2024 Hardback, 448 pages, Size:156 x 234 mm, Illustrations:9 b/w, 37 col., Language: English. ISBN 9782503600291.‎

‎Summary Scotland's Royal Women and European Literary Culture, 1424-1587 seeks to fill a significant gap in the rich and ever-growing body of scholarly work on royal and aristocratic women's literary culture in the fifteenth and sixteenth centuries. There has, to date, been no book-length study of the literary activities of the female members of any one family across time and little study of Scotland's royal women in comparison to their European and English counterparts. This book adopts the missing diachronic perspective and examines the wives and daughters of Scotland's Stewart dynasty and their many and various associations with contemporary Scottish, English, and European literary culture over a period of just over 150 years. It also adopts a timely cross-border and cross-period perspective by taking a trans-national approach to the study of literary history and examining a range of texts and individuals from across the traditional medieval/early modern divide. In exploring the inter-related lives and letters of the women who married into the Scottish royal family from England and Europe ? and those daughters who married outwith Scotland into Europe's royal families ? the resultant study consistently looks beyond Scotland's land and sea borders. In so doing, it moves Scottish literary culture from the periphery to the centre of Europe and demonstrates the constitutive role that Scotland's royal women played in an essentially shared literary and artistic culture. TABLE OF CONTENTS Select Genealogy / Key Figures Introduction Part 1: The Wife and Daughters of James I of Scotland Chapter 1. Joan Beaufort Chapter 2. Margaret Chapter 3. Isabella Chapter 4. Eleanor Part 2: Queens Consort, James II-V Chapter 5. Mary of Gueldres Chapter 6. Margaret of Denmark Chapter 7.Margaret Tudor Preface to Chapters 8 and 9. The Wives of James V Chapter 8. Madeleine of Valois Chapter 9.Mary of Guise Part 3: Queen Regnant Chapter 10. Mary Queen of Scots Bibliography Index‎

‎European Contexts of Ramism‎

‎, Brepols, 2019 Hardback, xii + 353 p., 156 x 234 mm, Illustrations:13 b/w, English. *NEW . ISBN 9782503574998.‎

‎Pierre de la Ram e or Petrus Ramus (1515-1572) has long been a controversial figure in educational reform and innovation, from the moment of his first public academic statements in the 1530s, to his reception among scholars in the twentieth and twenty-first centuries. What is beyond dispute, however, is the vast reach of his influence throughout Europe. Ramus?s ideas were disseminated through copious editions and translations of his own textbooks, and in wave after wave of adaptations and re-imaginings of his ideas that swept across the continent. This volume embarks on a European tour of Ramism, using a wide range of previously unpublished or untranslated archival evidence from throughout the continent to examine the dissemination of Ramus?s works and his intellectual influence in geographic and in disciplinary terms. The ten chapters explore the spread of Ramism from his home country of France to Protestant strongholds in Germany, Holland, and Britain, and in the Catholic context of the Iberian peninsula. The book also examines Ramism in the less familiar territories (to most Anglophone readers) of Scandinavia and Hungary, and considers the preceding and contemporary Dutch and German educational reform movements from which Ramus borrowed to forge his own distinctive intellectual method.‎

‎What is Medieval? Decoding Approaches to the Medieval and Medievalism in the 21st Century‎

‎, Brepols, 2024 Hardback, 288 pages, Size:178 x 254 mm, Illustrations:26 b/w, 24 col., Illustrations:26 b/w, 24 col., Language: English. ISBN 9782503600680.‎

‎Summary The Middle Ages and Medievalism have been used and abused throughout history-and this continues. This narrative deserves a reassessment. But, what is Medieval? This is the central question that unifies the contributions in this volume. 'Medievalism', or the study of the Middle Ages in its broadest sense, refers to the perception, conceptualisation and movement towards the era post the fifteenth century. Its study is therefore not about the period otherwise referred to as the 'Middle Ages', but rather the myriad ways it has since been conceived. And the field of medievalism is still in its relative infancy which has led to the emergence of various existential questions about its scope, remit, theoretico-methodological and pedagogical underpinnings, interpretation, periodization, and its relationship to established disciplines and more emerging subdisciplines and specialised fields?both within and without the academy. In turn, neomedievalism has allowed insight into and a response to the medieval often dominated by the modern. This has provoked debate over the nature of neomedievalism as a discipline, subdiscipline, genre, field or offshoot in direct or contrasting relation to the more traditional medievalism. Featuring interdisciplinary contributions from academics, educational practitioners as well as museum, digital and heritage professionals, this volume provides a fresh reflection on past methods to emerging pedagogies as well as new avenues of enquiry into the ways we think about the medieval. It is by reconciling these seemingly disparate forms that we can better understand the continual, interconnected, and often politicised, reinvention of the Middle Ages throughout cultures and study.‎

‎H r sie, pouvoirs et soci t s au Moyen ge‎

‎, Brepols, 2026 Paperback, Pages: 780, Size:170 x 240 mm, Illustrations:5 b/w, 29 col., 1 tables b/w., 4 tables col., Language(s):French, English. ISBN 9782503624754.‎

‎Summary labor dans le cadre du Groupement d'Int r t Scientifique H r sie, Pouvoirs et Soci t s (GIS H PoS), qui a r uni au cours des derni res ann es des historiens et historiennes de cinq universit s, ce volume collectif vient clore un vaste programme de recherche consacr l' tude des h r sies sur le temps long, de la fin de l'Antiquit au d but de l' poque moderne. Les vingt-sept contributions qui le composent t moignent d'un renouvellement des approches historiographiques, fond sur une lecture critique et contextualis e des documents. Croisant p riodes, espaces et m thodes, elles interrogent les usages et les effets de l'accusation d'h r sie dans des contextes politiques, sociaux et intellectuels vari s. Loin de limiter l'h r sie quelques foyers et aux si cles centraux du Moyen ge, l'ouvrage explore une vaste g ographie - de la p ninsule Ib rique l'Asie Mineure, de l'Italie du sud l'Europe centrale - et propose des lectures in dites de dossiers majeurs comme d'affaires d'h r sie moins connues. Dans le prolongement d'Inventer l'h r sie ?, publi il y a pr s de trente ans dans la Collection d' tudes m di vales de Nice , cet ouvrage invite d passer une vision strictement doctrinale de l'h r sie pour en faire un objet d'histoire pleinement int gr aux dynamiques des pouvoirs et des soci t s. Il s'adresse aussi bien aux sp cialistes qu' toute personne int ress e par une compr hension critique et globale de l'h r sie dans le monde m di val. TABLE OF CONTENTS Michel?Yves Perrin - De Walter Bauer (1934) Gottfried Arnold (1699?1700) : quelques jalons pour une g n alogie de l'histoire des h r sies Michel Lauwers - Inventer le catharisme ? Charles Schmidt, du protestantisme la science des religions (1848?1849) Alain Rauwel - La matrice moderniste de l'h r siologie franco?italienne Uwe Brunn - Die Katharer d'Arno Borst, la grande synth se du XXe si cle : tradition historiographique, contexte de r daction, post rit Mark Gregory Pegg - The Heresy Par Excellence; or, A Brief History of Catharism R. I. Moore - Heresy and transformation in twelfth?century Eurasia. Some approaches to an approach Sylvain Piron - Comment naissent les h r sies Robin Whelan - The imperial official as doctrinal troubleshooter between Ephesus (431) and Chalcedon (451) Kamil Choda - Haeresis nova non surgit. L'actualit du p ril h r tique chez Gr goire de Tours Warren Pez - Name and Shame : les noms propres dans les d bats doctrinaux carolingiens Thomas Granier - Le discours sur l'h r sie dans l'historiographie et l'hagiographie de l'Italie m ridionale latine, VIIIe-Xe si cle Florian Mazel - L'affaire B renger de Tours (1049?1088) : l'h r sie, le prince et l'ecclesia au temps du tournant gr gorien Isabelle Ros - Les fabriques de l'h r sie Milan, au temps de la premi re pataria (seconde moiti du XIe si cle) Laurent Guitton - on de l' toile , un h r tique sur la queue d'une com te. Du mythe l'histoire Laurent Guitton - Le b cher des moines rebelles. Une h r sie l'abbaye de V zelay en 1167 Claire Angotti - Pierre Lombard h r tique ? Gen se, chronologie et m moire d'une accusation Nathalie Gorochov - L'h r sie dans les coles parisiennes (fin XIIe-d but XIIIe si cle) Oc ane Rosello?Brechon - Amaury de B ne, d'h r tique h r siarque. Retour aux sources de deux affaires universitaires parisiennes du d but du XIIIe si cle Am lie De Las Heras - La lutte antih r tique comme espace de d finition du canon patristique : Martin de Le n, Lucas de Tuy et Isidore de S ville au tournant des XIIe-XIIIe si cles Jean?Louis Biget - Aux origines de la croisade contre les albigeois : h r sie et politique, un complexe indissociable Markus Krumm - Convincing a Pope of His Own Crusade. Peter of Vaux?de?Cernay's Hystoria Albigensis and Innocent III G bor Barab s - The Kingdom of Hungary and the Question of Heresy in the 1230s: Endeavours of a Royal Prince Alessia Trivellone - La plume et le b cher. Strat gies et objectifs des inquisiteurs Milan au XIIIe si cle Emmanuel Bain - La double construction de l'h r sie ? Autour du manuscrit de Florence, BNC, Conv. Soppr. J. II. 44 (Italie du Nord, XIIIe si cle) Franck Mercier?Dru re - La sorcellerie d moniaque : ultime avatar de l'h r sie m di vale ? Rosa Maria Dess - Un pape, un pr lat et deux monstres : Pie II, Nicolas de Cues, Sigismond d'Autriche et Sigismond Malatesti Marie?H l ne Blanchet - Contours du crime d'h r sie Byzance la fin du Moyen ge‎

‎1925 Quand L'art Deco: Seduit Le Monde.‎

‎, Norma editeur, 2017 softcover 288 pages, Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. bon etat. ISBN 9782915542585.‎

‎aking the emblematic Exposition des arts d coratifs de Paris of 1925 as its starting point, this catalog traces the development of the Art Deco movement around the globe in every domain - France, Serbia, Brazil, Belgium, to name just a few countries ?Includes a variety of topics such as architecture, jewels, fashion, books The Exposition des arts d coratifs de Paris of 1925, constitutes a milestone in the history of the Art Deco movement, and had a decisive influence on the world. Over the following decade, many French architects and decorators were called upon to work on major international projects. French embassies and ocean liners were their Trojan horse. In 1925, things had to be modern. The development of aviation and the automobile demanded it, and for the first time garages and aerodromes were being built in large numbers. Although Art Deco is often associated with luxury, it also influenced the design of low-cost housing and garden cities, while department stores and shops created their own home decoration lines to meet demand.‎

‎Reconstruire les villes. Modes, motifs et r cits‎

‎, Brepols, 2019 Paperback, 345 pages, Size:216 x 280 mm, Illustrations:64 b/w, 29 col., 4 tables b/w., 13 maps b/w, Languages: French, English. ISBN 9782503586311.‎

‎Summary Le dixi me anniversaire de la revue Semitica & classica a donn lieu, Paris, les 18 et 19?octobre 2017, un colloque international sur le th me de la reconstruction des villes en M diterran e du troisi me mill naire avant notre re au Moyen ge. Arch ologues, philologues, historiens, historiens de l'art et pigraphistes y ont trait de la reconstruction des villes, tant t d'un point de vue g n ral, tant t partir d' tudes de cas, dont Mari, Ougarit, S linonte, Ath nes, Milet, Rome, J rusalem, Antioche, Hermopolis, Byzance, Gaza ou Alep. Issu de ce colloque, le pr sent volume, s'appuyant sur les sources antiques, textes ou vestiges arch ologiques, tudie les rapports entre destruction et reconstruction, qu'elles soient le fait des habitants eux-m mes ou de l'envahisseur, que la destruction soit un fait de guerre, une catastrophe naturelle ou qu'il s'agisse, dans un cas comme dans l'autre, d'une volont de r novation partielle ou totale. Les modes de destruction d'une ville, tout ou partie, et les modalit s de reconstruction, remplois architecturaux, formes de restauration et de r novation sont appr hend s l'aide des donn es arch ologiques et des r cits antiques, comme autant de souvenirs de ces illustres cit s, t moignages de ce qu'elles furent r ellement, mais aussi parfois r cits litt raires et reconstructions fictives du pass . TABLE OF CONTENTS Introduction (Ren e Koch-Piettre) M thodologie arch ologique pour une approche de la ville m sopotamienne (Jean-Claude Margueron) Les modalit s de reconstruction de Mari, Ville?II, et Mari, Ville?III (Jean-Claude Margueron) Reconstruire des villes et des b timents : perspectives de l'Anatolie hittite (Susanne G rke) chos de la reconstruction de la ville d'Ougarit au XIIIe?s. av. J.-C. dans la litt rature locale (Robert Hawley) La m moire des b timents aux mains des scribes en M sopotamie (Carole Roche-Hawley) La reconstruction d'Ath nes apr s les guerres m diques (Despina Chatzivasiliou) Copy and paste? Miletos before and after the Persian Wars (Alexander Herda) Reconstruire la ville la mode punique : le cas de S linonte en Sicile (Hedi Dridi) La pr tendue reconstruction de Rome apr s la catastrophe gauloise (390 av. J.-C.) (Dominique Briquel) Les reconstructions august ennes Rome (John Scheid) lia Capitolina, ville reconstruite?? (Dominique-Marie Cabaret) Gaza deserta (ou d laiss e) : la concurrence d'Anth don (Jean-Baptiste Humbert) Les empereurs romains et la reconstruction des cit s dans la Chronique de Malalas (Charles Davoine) Reconstruire Antioche?? (Cath rine Saliou) Hermopolis?: son paysage monumental pendant l'Antiquit tardive (l'incidence de la christianisation) (Jean Gascou) R parer les br ches : monuments litt raires et th ologie politique dans les villes syriaques des fronti res (Muriel Debi ) Modes of reconstruction in Byzantine Constantinople (Paul Magdalino) Reconstructions imaginaires : une note sur Byzance et l'Islam du VIIe au Xe?si cle (Federico Montinaro) L'Arabie m ridionale antique : la soci t tribale plus forte que la ville (Christian Julien Robin) Alep apr s Tamerlan : la reconstruction de l'enceinte (1401-1430) ( lodie Vigouroux) Notes de synth se (Manar Hammad) R sum s‎

‎SUPERSTUDIO MIGRAZIONI - FR ED- Expo: 15/01/2021 - 16/05/2021, CIVA, Brussels‎

‎, Walter Koenig Verlag, 2021 BOX, 240 x 170 mm, 400 pages, 140 colour illustrations, 114 b/w illustrations, Texte en Francais. ISBN 9783960989288.‎

‎Situ au carrefour de l'architecture, du design, de l'art et de l'anthropologie, le travail de Superstudio demeure tonnamment contemporain. L'ouvre radicalement imaginative de ses membres a t red couverte la fin des ann es 1990 et s'av re tre une source d'inspiration importante pour les jeunes architectes et artistes d'aujourd'hui.‎

‎Un tr sor d voil , Le Retable de l'Adoration des Mages du XVe si cle conserv la Basilique San Nazaro Maggiore Milan. Un chef-d'oeuvre bruxellois de Jan Borman‎

‎, Brepols - Harvey Miller, 2025 Hardcover, Pages: 278 p. Size:230 x 290 mm, Language(s):French, Italian, English. *new. ISBN 9782930054469.‎

‎Summary D couvert dans une glise de Milan, un retable se r v le tre un chef-d'oeuvre de la sculpture bruxelloise de la fin du xve si cle. Command par un riche marchand milanais actif dans le commerce avec le Nord de l?Europe, ce retable consacr l?Adoration des Mages d ploie une mise en sc ne savante compos e de costumes somptueux, d?ornements d?inspiration orientale, et de sayn tes issues de la litt rature populaire alors en vogue Bruxelles. La restauration de l??uvre, confi e l?Institut royal du Patrimoine artistique, a permis de retrouver sous un pais vernis sombre la qualit extraordinaire de sa sculpture magnifi e par une polychromie d?un raffinement peu gal . L? tude stylistique et technique appuie l?attribution du retable Jan II Borman, c l bre sculpteur bruxellois, l?apog e de son art. De prouesses techniques en finesse d?ex cution, l?artiste livre ici une ?uvre, o la polychromie se lie si intimement au d cor sculpt qu?il semble avoir ?uvr de concert avec le polychromeur pour produire un jeu subtil de textures dans le rendu des toffes et des accessoires vestimentaires. Cette monographie d voile les d couvertes inattendues rendues possibles par une troite collaboration interdisciplinaire entre la Belgique et l?Italie. Le retable s?impose d sormais comme un jalon incontournable de l?histoire de l?art des anciens Pays-Bas m ridionaux. TABLE OF CONTENTS Abr viations Un projet de conservation inhabituel: le retable de San Nazaro Milan/Un insolito progetto di conservazione : il retablo di San Nazaro di Milano Giorgio Bonsanti Introduction Catheline P rier-D?Ieteren et Emmanuelle Mercier Per un?introduzione ai rapporti tra arte italiana e arte fiamminga nel secolo Francesca Bottacin L?ancona dei Magi nella Basilica di San Nazaro : una storia milanese Paola Strada Protasio Bonsignori da Busto, committente d?arte tra la Germania e le Fiandre Carlo Cairati Entre tradition biblique et crits vernaculaires: l?originalit iconographique Hans Nieuwdorp et Sacha Zdanov Les inscriptions sur les sculptures: approche liturgique et essai d?attribution de la polychromie Claire Dumortier Les pi ces d?orf vrerie Philippe d?Arschot L' tude stylistique du retable et sa place dans la production des Borman Catheline P rier-D?Ieteren Sur les traces de Jan Borman: tude technique comparative des retables de Milan et de saint Georges Emmanuelle Mercier L? tude dendrochronologique des l ments en ch ne par le laboratoire de l?IRPA Pascale Fraiture, Christophe Maggi et Armelle Weitz De Milan Bruxelles: la restauration l'IRPA Emmanuelle Mercier et Violette Demonty Le plus beau des retables: la polychromie Emmanuelle Mercier et Jana Sanyova Les brocarts appliqu s et le polychromeur Ingrid Geelen Conclusion Catheline P rier-D?Ieteren et Emmanuelle Mercier Les auteurs Bibliographie Cr dits photographiques‎

‎L'homme face au fantastique.-‎

‎Paris. Dervy-Livres. 1971. Gd in-8 (156 x 239mm) broché, couverture imprimée noir et rouge, 320 pages. Bon exemplaire.‎

‎LE PALAIS IMPERIAL : COMPIEGNE‎

‎, RMN, 2008 Broches, 128 pages, illustrations, Francais. ISBN 9782711854837.‎

‎Le Mus e du Second Empire associe une exceptionnelle galerie de portraits des toiles et des dessins qui voquent les fastes de la Cour imp riale ou le domaine priv de certaines personnalit s du r gime. Les appartements historiques - Le XVIIIe si cle ‎

‎TAL R The Forest In My Eyebrow ‎

‎, Tim Van Laere Books , 2022 Hardcover, 116 pag. NL / ENG, 255 x 205 x 20 mm, illustrated in colour. fine! ISBN 9789464004199.‎

‎Tim Van Laere Gallery is pleased to present its second solo exhibition by Tal R: The Forest in My Eyebrow. This exhibition shows a new series of works that resulted from a confrontation between the artist and an opening in the forest, created by trees that had been cut down. The opening, which curiously seemed to form the shape of an eye, compelled the artist to make a series of drawings, which he later reworked in his studio into colored drawings on paper, woodcuts, and large-scale paintings. In addition to these works, Tal also presents a new bronze sculpture in the outdoor patio of the gallery. ?There is a strange coincidence in the Danish language that the word forest ?skovbryn? and eyebrow ? jenbryn? are very similar to each other,? Tal explains, referring to the title of the exhibition. ?So when I saw this eye-shaped space of cut-down trees in the forest, I was intrigued. I took a chair and sat there daily to draw. While I was drawing, I asked myself: What exactly am I looking for? What is it that I am drawing? What am I doing here? When you have been doing this for years, it is no longer about copying the forest. It is no longer about registration. You are doing something else. Something you might not be aware of yourself. So when I talk about an eyebrow and the edge of the forest, it is actually me wondering: How long do I really see the forest before me, and after which amount of time do I start to invent the forest? I think that is a question many artists can relate to. When you draw something outside from yourself, for how long do you see it? What do you actually see? And when do you start to invent your version of it? When do you start to use the world as a mirror for something else you experience in life??‎

‎Teinture de l’histoire naturelle pour les enfans, accompagne’e (sic) d’un vocabulaire françois-allemand.‎

‎Gottingue, Ches (sic) Jean Daniel Gotthelf Brose, 1786, in-8vo, titre avec vignette gravée + 6 ff. (dédicaces, préface - table) + 205 p. (+ 1 p. Errata) + 1 ff. bl., ouvrage bilingue français-allemand, ms. sur garde ‘Fanny Berclaz’ et sur titre, 4 ptes taches d’eau dues à l’enlèvement d’un nom de propriétaire, resté lisible ‘Louise Berclaz’, reliure en d.-cuir originale. Dos orné de filets or et pièce de titre rouge, bel exemplaire.‎

‎L'UNITE DE L'HOMME. 2. LE CERVEAU HUMAIN‎

‎1978 / 220 pages. Poche. Editions Seuil / Points.‎

‎Très bon état.‎