Retz 1979 1979, ed Retz, coll'la psychologie dynamique'. in-8 broché de 191 pages, couv rouge et jaune. | Etat : ABE général. Occasion. Tampon personnel en page de garde. Nombreux passages surlignés en jaune, n'empêchant pas la lecture. (Ref.: ref8018-1)
1 vol. in-8 br., Libreria Editrice Athenaeum, 1976, VIII-251 pp.
Bon état
1804 chez Deterville, libraire reliure dos cuir, 394p. Bon état, coins usés, reliure solide, cahiers serrés, quelques rousseurs, ex libris manuel et probablement maconnique.
"Table des matières : épitre dédicatoire ""au citoyen Cuvier"" - but de l'histoire naturelle - division de la nature en corps bruts ou inorganiques et en corps vivans ou organisés - des corps bruts ou inorganiques en général, de leur classification et de leur histoire en particulier - idée de la vie, différences entre les animaux et les végétaux - des végétaux en général et de leur fonction - de la manière d'étudier les végétaux ou des méthodes de botaniques - usages principaux et singularités des plantes étudiées suivant l'ordre des familles naturelles - des animaux en général et de leur classification - de la neuvième classe du règne animal ou des zoophytes - de la huitième classe du règne animal ou des insectes - de la septième classe du règne animal ou des crustacés - de la sixième classe du règne animal ou des vers - de la cinquième classe du règne animal ou des mollusques - des animaux à vertèbres en général et de leur organisation - de la quatrième classe du règne animal ou des ou des poissons - de la troisième classe du règne animal ou des reptiles - de la seconde classe du règne animal ou des oiseaux - de la première classe du règne animal ou des mammifères - de l'homme."
Phone number : 04 76 97 79 28
Roma, Ministero della Pubblica Istruzione, 1955 Broché,187 pages, avec 58 illustrations, cartes et plans. FR. *En bon état.
Itineraires des Musees et Monuments d'Italie. No. 3: Pompei
, Brepols, 2016 267 p240 x 240 mmIllustrations:152 b/wEnglish, Latin, Italian. ISBN 9781909400313.
This book offers a new, revised building history of the Bargello, the first town hall of Florence. A careful analysis of documents, fabric, and restoration allows us to reconstruct the original site. It reveals two previously unidentified building stages. The first palace, begun in 1255, adapted an ex-neighborhood consortium, reusing an old tower and three houses. In the 1280s, a second palace arose next to it, thus creating a twin-palace complex for the Podestà and Capitano, the highest-ranking public officials. Long misidentified as the 1255 palace, the front wing's lower two stories were actually built in 1291-1308. An unroofed precinct wall enclosed the older structures behind a monumental facade, forming an open-air courtyard used for tribunals and stables. This part became known as the ?old palace? when the large, arcaded courtyard and rear wing were addded in 1316-1322. The "new palace" containing the Magdalen Chapel was designed for the Angevin court in residence, not for the communal administration of justice as generally believed. After a 1332 fire devastated the upper stories, the front wing was covered with two immense roof vaults in 1332-1346. Inside, many old dividing walls survived until the nineteenth century. They were demolished with the prisons during the building's conversion into the present national museum, concocting the two vast exhibition halls. This book illustrates the Bargello's early architecture. Reinterpreting the timeline radically changes our understanding of the palace's construction, function, and urban context during the formation of early modern Florence. TABLE OF CONTENTS Introduction 1. Surviving Monument 2. Site and Neighborhood, 1255 3. Disentangling the Evidence 4. Old Bargello: A Palace for the Florentine Popolo, 1255?1308 5. New Bargello: Court of Lords, 1316?1346 6. Function, Iconography, and Urbanism Conclusion Appendix Bibliography Photo Credits Index
France inter/Les liens que libèrent. 2012. In-8. Broché. Bon état, Couv. convenable, Dos plié, Intérieur frais. 443 pages. Notes et phrases soulignées au crayon, dans le texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Ameisen Jean Claude, Klein Etienne, Leglu D.
Reference : RO20215644
(2010)
ISBN : 2722509245
Les Presses de l'ENSTA. 2010. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 64 pages.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
"Collection : ""Les Actes"" Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES"
,Berkeley, University of California Agricultural experiment station 1940, 143 pp., 1 vol. in 8 br. illustrations in texte
EDITIONS DES DEUX COQS D'OR. 1963. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 147 pages - nombreuses illustrations couleur dans et hors texte - jaquette en bon état. Avec Jaquette. . . Classification Dewey : 570-Sciences de la vie
illustrations de Charles Harper - Texte français de C. Roux de Bézieux - préface de Jean Rostand Classification Dewey : 570-Sciences de la vie
, Brussel, Paleis der Academien, 1981., Gebrocheerd, originele uitgeversomslag, 18x26cm, 47 p., fig. 4.5, tab. 4.2.
Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n?° 164.
, Kroller-Muller Museum, 1994 Hardcover, 83 pages, Texte en Francais / Tres belle exemplaire, ill. en couleur / n/b, 230 x 220 x 10 mm. ISBN 9789074453134.
Hammacher - Silhouette De Seurat
Paris chez Guiraudet et Jouaust, 1853. 2 volumes in/8 reliure demi-basane havane, dos lisse, vol. 1 : 190 p. - vol.2 : 21 planches dépliantes. Auréole claire dans l’angle inférieur des 3 premiers feuillets de l’atlas ; rousseurs éparses.
, Brepols 2021, 2021 2 vols., 536 pages ., 216 x 280 mm , 260 colour ill., English, Hardcover, . FINE ISBN 9782503595702.
This is Volume I of the three-volume catalogue raisonné of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609?20 and 1621?40. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens?s copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. Anne-Marie Logan is a specialist in Rubens?s drawings and in those of his Flemish contemporaries, especially Van Dyck's. Kristin Lohse Belkin is a Rubens specialist who has carried out extensive research on the artist.
, Brepols - Harvey Miller, 2021-2023-2025 6 vols., 536 pages + 732 + 555 pages, 216 x 280 mm , 260 + 291 colour ill., English, Hardcovers, **NEW. ISBN 9782503595702.
This is the 6 -volume catalogue raisonné of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621- 40 and * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640 It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. This is Volume II in the three-volume catalogue raisonné of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens's early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens's extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.
"AMONTONS, (GUILLAUME). - THE INVENTION OF THE AIR PRESSURE THERMOMETER.
Reference : 44385
(1704)
(Paris, Jean Boudot, 1704). 4to. Without wrappers. Extracted from ""Mémoires de l'Academie des Sciences. Année 1702"". Pp. 155-174 a. textillustrations.
First appearance of this paper in which Amontons describes his invention, construction and function of his air thermomer. He thus improves on Gallileo's design by using air pressure instead of volume. The paper is the earliest study in this field, and Amontions concludes ""that unequal masses of air under equal weights invcrease equally the force of their spring for equal degrees of heat"" Fifteen years later Gay-lussac performed the same experiments with better technique and results - the Gay-Lussac laws.The paper ""contains Amontons' account of the first thermometer with which temperature was measured by the pressure of air.""(Magie ""A Source book in Physics"", pp. 128 ff.).""His first scientific production was a Hygrometer in 1687....The other was an air thermometer independent of the atmospheric pressure. Air occupied the top of one of the branches of a U-shaped tube, and by its dilation it pushed down one of the mercury columns so that the other end ofthe branch formed a barometric chamber.""(DSB I, p. 138 a).Parkinson ""Breakthroughs"", 1702 M).
Nathan Université In-12°, couverture souple glacée bicolore, 128 pages, très bel exemplaire. Epuisé.
Définitivement Epuisé - Les notions de stéréotypes, cliché, poncif, lieu commun, idée reçue, permettent d'étudier les interactions sociales, la relation des discours aux imaginaires sociaux et, plus largement, le rapport entre langage et société. Pourquoi la question des évidences partagées, des représentations collectives, des automatismes de langage se trouve-t-elle au centre des réflexions contemporaines ? Dans quelle mesure les perspectives d'analyse des sciences sociales, des études littéraires et des sciences du langage peuvent-elles se recouper ? Après avoir établi l'histoire des notions, le présent ouvrage montre comment le phénomène de la stéréotypie a été abordé par différentes disciplines : psychologie sociale, stylistique, sociocritique et théories de la lecture, sémantique, rhétorique et analyse du discours. Très Bon Etat Règlement immédiat par PAYPAL : paypal.me/Artlink Virements acceptés par EBAN/BIC. Pour les envois internationaux, il est préférable de vous renseigner au préalable auprès de nous afin de connaître les frais de ports effectifs. Les envois se font uniquement en point relais MONDIAL RELAY pour les pays suivants : Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile pour assurer le suivi du colis. . Une participation peut être demandée ponctuellement pour un envoi trop pondéreux. PRIX expédition FRANCE 5,00 = 1kg. Votre versement est bloqué jusqu'à confirmation de bonne réception et conformité. CONTACT 7j/7 - librairie@gmail.com 0685628422. FRANCO DE PORT dès 30 euros d'achats en France.
Perrin In-8 Couverture souple Paris 1995
Très bon 464 pages. Publié à l'occasion du bicentenaire de l'Institut de France.
AMOUROUX (Paul) - BURELLE (Pierre) - COLOMBET (Robert) - DELORME (Jean) - DESTHIEUX (Georges) - FOURNIER (Maurice) - MICHON (Robert).-
Reference : 52180
Toulouse, Editions Amphora (Collection "Arts et Techniques des Matières Plastiques"), 1947, grand in 8° broché, 382 pages ; 62 figures ; complet du signet publicitaire ; quelques rousseurs ; couvetrure un peu fanée.
PHOTOS sur DEMANDE. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
Paris: Gauthier-Villars, 1936-1943 3 vol. in-4, xii-974 pages (pagination continue), 17 planches h.-t., dessins dans le texte, bibliographie, index. Broché, couv. un peu défr., dos brunis, bon état intérieur.
Correspondance du Grand Ampère publiées par L. de Launay avec le concours de l'Académie des Sciences (Fondation Loutreuil) et du Ministère de l'Education Nationale). (Paris: Gauthier-Villars, 1936-1943). [M.C.: sciences]
P., Gauthier-Villars, 1964, in 8° broché, 64 pages.
PHOTOS SUR DEMANDE. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
P., Bachelier, 1834, un volume in 8 relié en demi-chagrin noir, couvertures conservées (reliure de l'époque), 70pp., 272pp., 2 tableaux dépliants
---- EDITION ORIGINALE ---- BON EXEMPLAIRE ---- "En 1834, deux ans avant sa mort, AMPERE fait paraître un OUVRAGE GIGANTESQUE intitulé Essai sur la philosophie des sciences, ou exposition analytique d'une classification naturelle de toutes les connaissances humaines. (En Français dans le texte N° 240) ---- "AMPERE's philosophical analysis also provided him with the key for his classification of the sciences, which he considered the capstone of his career. Like Kant, he was concerned with relating precisely what man could know with the sciences that dealt with each part of man's ability to know. The chart appended to his Essai sur la philosophie des sciences (1834) seems, at first glance, to be a fantastic and uncorrelated list of possible objects of investigation... In Ampère's classification this is divided into two second-order sciences - elementary general physics and mathematical physics. Each of these, in turn, has two divisions. Elementary general physics consists of experimental physics and chemistry ; mathematical physics is divided into stereonomy and atomology. Experimental physics deals with phenomena. Chemistry deals with the noumenal causes of the facts discovered by experimental physics... This classification reveals Ampère's far-ranging mind and permits us to understand his occasional excursions into botany, taxonomy and even animal anatomy and physiology... In his Essai sur la philosophie des sciences, he maintained that the fit was too good to be coincidence ; the classification must reflect truth. Once again he had found certainty where his predecessors had not... ". (DSB I p. 142) ** 81.ARM1D + 82.ARM5 + 83.ARB CART TENE
1872 . Edit. Hetzel , In 12 relié 1/2 percaline lie-de-vin .Couvertures conservées .368 pp.
Edition Originale .Bon exemplaire .
P., Gauthier-Villars, 1921; un volume in 12, broché, 14pp., 111pp.
---- Réimpression dans la collection des maîtres de la pensée scientifique de deux mémoires de A.M. Ampère. De l'action exercée sur un courant électrique, par un autre courant, le globe terrestre ou un aimant - Sur la détermination de la formule qui représente l'action mutuelle de deux portions infiniment petites de conducteurs voltaïques - Additions au mémoire précédent - Notice biographique ** 76.M7DE+CAV G2 (2ex)
P., Blanchard, 1958; un volume in 8, broché, (4), 164pp., 2 planches dépliante
---- Réimpression de L'ouvrage le plus important d'AMPERE. Il y est fait la somme de tous ses travaux antérieurs. La première édition est quasiment introuvable ** 75.M5DE+CAV.F5
Paris, Bachelier; Mallet-Bachelier, 1843.tome 2 seul,:XCVI-180 pp., 2 tableaux repliés, plein chagrin estampé,dos orné (reliure de l'époque). Édition originale 2e volume.Mort deux ans après avoir entrepris ce gigantesque travail (1834) - établir une classification de toutes les connaissances humaines, puis faire l'état de chacune des sciences - Ampère ne put publier de son vivant que le tome 1,
bon éxemplaire trés frais,1er plat décoré”prix du lycée impérial de Montpellier”, ouvrage de prix,tranches marbrées,rare, Remise de 20% pour toutes commandes supérieures à 200 €