‎Principes de la SCIENCE SOCIALE. Traduits en français par MM. Saint-Germain-Leduc et Aug. Planche. (3 vol.)‎

‎ Paris, Librairie de Guillaumin et Cie, 1861, reliure demi-chagrin bleu foncé , dos à 4 nerfs, titre et caissons dorés, 14x22cm, XX+564+514+548 pages. Deux planches dans tome 1. Bon état (photos par mail sur demande).‎

‎<< l'idée de Carey (Philadelphie, 1793-1879) de l'unité fondamentale de toute science, une sorte de comtisme généralisé, n'était pas l'idée d'un homme dont toute la vie intellectuelle aurait été cernée par des barrières douanières.. et l'homme qui pouvait concevoir les Etats-Unis comme un monde à part, avec tout ce que cela implique économiquement, moralement, culturellement, avait sans nul doute le don des visions grandioses au même sens que List. Dans le contexte de cette vision, son protectionnisme et son harmonie des intérêts agricoles, industriels et commerciaux, sa conception d'une économie équilibrée, acquièrent une portée nouvelle qui échappe complètement à ceux qui n'ont vu en lui qu'un porte-parole des millieux d'affaires. On n'est pas forcé d'être d'accord avec la vision de Carey prise dans son ensemble. En particulier, nous pouvons penser que les Etas-Unis seraient un pays plus heureux et auraient atteint aujourd'hui un niveau culturel plus élevé, si une plus grande part des énergies nationales avait été employée dans d'autres voies que celles des affaires et si, en conséquence, leur développement industriel avait été plus lent..>> (Schumpeter, Histoire de l'analyse éco. II,190). ‎

‎ La Jeunesse de Gustave Courbet, Un apr s-concert Ornans. Courbet et l?Union chorale‎

‎, silvana, 2025 Paperback with flaps Dimensions 240 x 170 mm Illustrations 114 col.ill. Pages 192 Language(s) Fr. edition. ISBN 9788836657681.‎

‎Ce deuxi me num ro des Cahiers de l'Institut Gustave Courbet, publi l'occasion de l'exposition Devenir Courbet , explore une p riode m connue de la vie de Gustave Courbet: sa jeunesse et son ducation culturelle et artistique. Compl ment indispensable au catalogue de l'exposition, il se concentre sur les ann es formatrices du peintre, notamment sa scolarit Ornans au petit s minaire et la Pension Lemontey-Oudot, puis Besan on au coll ge royal et enfin l'acad mie de la ville.‎

‎Dessine et Guéris-Toi : À la Recherche de Ton Paysage Intérieur - Editions Dervy Paris 1998‎

‎ in-8° broché, 200 pages, comme neuf, collection "Chemins de l'Harmonie" préface de Jeannine Orgogozo-Facq, nombreuses figures et dessins +4 pages de dessins couleurs hors texte, ISBN : 9782850769610 -‎

‎L'auteur nous fait découvrir une approche toute nouvelle de la connaissance de soi par sa méthode de réalisation d'un dessin très simple dont il nous donne les clés d'interprétation. ‎

‎Histoire des démarches scientifiques, De l'Antiquité au monde contemporain ‎

‎Paris Éditions Matériologiques In-8, Broché, Paris, Éditions Matériologiques, 2021. Fort In-8 broché, 783 pages. Très bon état. ‎

‎ Très bon état Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎LES VERTIGES DE LA FORET - PETITE DECLARATION D AMOUR AUX MOUSSES, AUX FOUGERES ET AUX AUTRES‎

‎LES VERTIGES DE LA FORET. 2011. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 89 pages. . . . Classification Dewey : 570-Sciences de la vie‎

‎COLLECTION PETITE PHILOSOPHIE DU VOYAGE Classification Dewey : 570-Sciences de la vie‎

‎Pucci of Florence: Patronage and Politics in Renaissance Italy‎

‎, Brepols - Harvey Miller, 2020 Hardback, iv + 359 pages, Size:220 x 280 mm, Illustrations:296 col., Languages: English, Italian. ISBN 9781912554256.‎

‎Summary Shrewd and ruthless, the Pucci were Medici loyalists whose political and cultural alignment with the most powerful family in Renaissance Florence was rewarded with wealth and influence. The Pucci's martial support for the Medici in the dangerous business of ruling Tuscany drove their transformation from a clan of minor guildsmen to a noble dynasty with three cardinals to its name. Over the next two centuries, they showcased their exalted status with art and architecture that mirrored Medici tastes and reflected the values of civic humanism. The political and religious turmoil of the High Renaissance is writ large in this vivid portrait of the Pucci cardinals and their artistic patronage, a cultural biography inflected by the expulsion of the Medici from Florence, the Sack of Rome, the Reformation, and the occupation of Italy by Emperor Charles V. New archival evidence documents the chapels, palaces, and villas that were built, expanded, and decorated by the Pucci family in Rome, Tuscany, and Umbria. These celebrated projects were carried out by luminaries of Renaissance art and architecture: Michelozzo, the Pollaiuolo brothers, the Sangallo family, Baccio d'Agnolo, the Montelupo workshop, and others. A remarkable body of inventories reveals how the family's trials and tribulations shaped the fate of their estates and illustrates the role luxury goods played in the social ambitions of this newly-arrived family. A previously unknown catalogue of Palazzo Pucci tells the tale of the nineteenth-century dispersal of the family's priceless Renaissance artworks, a collection that once mirrored the splendor of the Medici court. TABLE OF CONTENTS Acknowledgements Abbreviations A note on Money and Currencies A note on Weights and Measures A note on Dates A note on Spelling Archival Sources Used in this Study Family Tree Introduction: 'Beneath the Shadow of Thy Wings I Sleep' I. From the Beginning: Medici Loyalists II. The Pucci Oratory in Santissima Annunziata III. Antonio Pucci: Dynastic Promotion and Image-Building IV. Casa Pucci in Florence (1503-1537): Fashioning Social Hierarchies V. Cardinal Lorenzo Pucci in the Eternal City VI. Cardinal Antonio Pucci: A Scholarly Diplomat VII. Roberto Pucci (1531-1547): It's All in the Family VIII. Reframing Ambition, Wealth, and Dishonor (1547-1612) Epilogue (1612-1913)‎

‎Scottish Portraiture 1644-1714. David and John Scougall and Their Contemporaries‎

‎, Brepols, 2021 Hardback, 2 vols, 756 pages, Size:225 x 300 mm, Illustrations:1265 col., Language: English. ISBN 9782503597270.‎

‎Summary This book is the first comprehensive publication on Scottish portraiture from the period 1644 to 1714, with an emphasis on the painters David Scougall (1625-1685), and his son John Scougall (1657-1737). It is based on in-depth art historical and archival research. As such, it is an important academic contribution to this thus far little-researched field. Virtually nothing was known about the Scougall portraitists, who also include the somewhat obscure George Scougall (active c. 1690-1737). Thorough archival research has provided substantial biographical information. It has yielded life dates and data on family relations and, also, it has become clear that David Scougall had two parallel careers, as a portrait painter and as a writer (solicitor). The legal community in which the Scougalls were embedded has been defined, as well as an extended group of sitters and their social, economic, and family networks. The book includes a catalogue raisonn of the oeuvre of David Scougall. The most important contemporaries of the Scougalls were the portraitist L. Sch neman (active c. 1655/60-1667 or slightly later), his successor James Carrudus (active c. 1668-1683 or later), whose work is identified for the first time in this book, David Paton (c. 1650-in or after 1708), Jacob Jacobsz. de Wet (1641/42-1697) and Sir John Baptist Medina (1659-1710). Their lives and work are discussed. An extensive survey of Scottish portraits, with an emphasis on the work of the Scougall painters, is presented for the period 1644 to 1714. Numerous attributions to various artists and sitter identifications have been established or revised. An overview of the next generation is provided, in which the oeuvres and biographical details are highlighted of the principal portrait painters, such as William Aikman (1682-1731), Richard Waitt (1684-1733) and John Alexander (1686-1767). Countless paintings have been photographed anew or for the first time, and have been compared in detail, which had hardly been done before, while information is also included on technical aspects and (original) frames. The resulting data have been complemented by analysing the social and (art-) historical context in which the portraits were made. The works of the portrait painters in Scotland from this period, as this book shows, now form a solid bridge between the portraits painted prior to George Jamesone's death in 1644, and those by the renowned Scottish painters of the eighteenth century. TABLE OF CONTENTS VOLUME I Abbreviations - Foreword - Acknowledgements Introduction Current State of Published Research on the Scougalls and Their Circle and the Appreciation of Their Work Through the Centuries The Elder Scougall/Old Scougall and the Younger Scougall Dates and Scarcity of Known Archival Material Artistic Context: Painting in Scotland, the Start of a Portrait Tradition, c. 1575-1660 David Scougall (Edinburgh, 1625-1685), His Life and Career Emerging from the Shadows Father and Son, John (d. after 13 October 1627) and David (1625-1685) Writer and Painter Family Patrons The Outset of a Career Father and Son, David (1625-1685) and John (1657-1737) The Advocate's Close The Profession of a Writer or Clerk in the Time of David Scougall The Profession of a Painter in the Time of David Scougall Possible Teachers and Family Creativity Decline and Death Skougall or Scougall Personal Network, Legal Community and Further Family Relations John Scougall (Edinburgh, 1657-1737), His Life and Career A Long and Prosperous Life Becoming a Limner Family Patrons Increased Prosperity Lack of Competition 1694: A Year of Important Changes Decline in Skill and Death David Scougall: The Oeuvre, Characteristics, Development and Sources of Inspiration The Outset of a Career Core Works, the Basis for a Compilation of the Oeuvre Associated Works Miniatures or Pocket Pictures Stylistic Features and Motifs Consistency in Style Late Works, 1675-1685 Technical Aspects of David Scougall's Paintings Technical Research and Painting Technique Painting Materials David Scougall as a Copyist Costumes and Jewellery Use of Motifs from Portraits by Other Painters No Inventor, but Painting Real People Production Studio Practice and Legal Community John Scougall: The Oeuvre, Characteristics, Development and Sources of Inspiration The Early Years Indisputable Works Associated Works Use of Motifs from Portraits by Other Painters Stylistic Features and Motifs Technical Aspects of John Scougall's Paintings Technical Research and Painting Technique John Scougall as a Copyist Production Mending and Washing Studio Practice and Apprentices George Scougall (b. 1670?, active c. 1690- c. 1737) Lack of Biographical Data In the Studio of John Scougall Inadequate Traces of Work Clients/Sitters Nobility and Clergy Clients and Religious Beliefs Loyal Patrons Bonding Portraits Competition from Abroad Ladies and Gentlemen Portraying Children Problems in Sitter Identification Known Sitter, but Problem in Period and Handling Portraits Telling the Truth? Scougall's Clients, Where Were They Based, and the Painter's Studio Backs and Frames The Back of the Painting Period Frames Prices for Portraits and Frames Prices for Portraits by David Scougall 1664-1683 Prices for Portraits by John Scougall 1674-1728 Prices for Frames The Contemporaries of the Scougalls John Michael Wright (1617-1694) L. Sch neman (active c. 1655/60-1667 or shorty after) James Carrudus (active 1671 or earlier-1683 or later) David Paton (c. 1650-in or after 1708) Thomas Murray (1663-1735) Jacob Jacobsz. de Wet (1641/42-1697) Portraits, Painters Unknown Painters, Portraits Unknown Sir John Baptist Medina (1659-1710) The Next Generation William Aikman (1682-1731) Richard Waitt (1684-1733) John Alexander (1686-1767) John Smibert (1688-1751) And Beyond Summary and Conclusion Appendices Appendix I The Scougall Family, Reconstruction of the Family Tree Appendix II Transcriptions of Various Archival Documents Concerning the Scougall Painters Appendix III The Mysterious Portrait of 'John Scougall' Appendix IV Transcription of the Memoir by Sir John Clerk of Penicuik, 1st Baronet (1649-1722) of His Wife Elizabeth Henderson, Lady Clerk (1658-1683) ? VOLUME II Catalogue Raisonn of the Paintings by David Scougall (1625-1685) Introduction Glossary Catalogue A Authentic Works Catalogue AW Works Known Only from Written Sources Catalogue B Copies by David Scougall After Works by Others Catalogue C Doubtful Works Catalogue D Works Known Only Through Copies and Prints Catalogue E Rejected Works Concordance Notes Bibliography Websites Guides to Houses and Other Venues Exhibitions Inserted Details Index‎

‎ALBUM 14-18, Carl De Keyzer / David Van Reybrouck‎

‎, Uitgeverij Hannibal, 2014 Hardcover.239 pages, Illustrated. Nederlandstalig. 30x333x248 mm ISBN 9789492081063.‎

‎Carl De Keyzer & David Van Reybrouck. Het fotoboek van de Eerste Wereldoorlog: Magnum fotograaf Carl De Keyzer selecteerde en bewerkte honderd originele glasplaten uit de Eerste Wereldoorlog uit diverse archieven in binnen- en buitenland. ‎

‎Moments Before the Flood. Carl De Keyzer, **LUXE edition + PHOTO / signed.‎

‎, , 2012 Hardcover in slipcase, + original Photo signed 1/40 copies.; 'forty copies of this edition have been signed by Carl De Keyzer and numberd 1/40. Each book is accompanied by an original copy of a photograph, wich bears the sam number as the book'. 320 mm x 320 mm, 250 illustrations colour. ISBN 9789401400251.‎

‎**LUXE edition + PHOTO / signed. Een visueel monument, dat op indringende wijze vastlegt hoe Europa omgaat met de dreiging van de klimaatopwarming. Vier jaar lang heeft Carl De Keyzer vier maanden per jaar de kusten van Europa afgereisd, van het hoge noorden tot het zuiden. Hij fotografeerde vervreemdende landschappen, desolate stranden, verlaten hotels, winterse pieren en dramatische wolkenpartijen: prachtige maar onheilspellende beelden met een hoog David Lynchgehalte. Moments before the Flood is bij uitstek een fotografie van het wachten. Carl De Keyzer portretteert de unheimlichkeit van het onbestemde en het onzekere, met een meesterlijk oog voor de schoonheid ervan en met een weergaloos gevoel voor ironie. --- A visual monument that poignantly records how Europe deals with the threat of global warming. For four years, Carl De Keyzer traveled the coasts of Europe for four months a year, from the far north to the south. He photographed alienating landscapes, desolate beaches, deserted hotels, wintry piers and dramatic clouds: beautiful but ominous images with a high David Lynch content. Moments before the Flood is pre-eminently a photography of waiting. Carl De Keyzer portrays the uncannyness of the indefinable and the uncertain, with a masterly eye for its beauty and an unparalleled sense of irony.‎

‎CONVERSATIONS : Hedendaagse en historische meesters in gesprek / Contemporary and Historical Masters in Dialogue.‎

‎, Hannibal Books, 2023 softcover, 284 x 240 mm, NL / ENG edition, 160 pag., NEW / NIEUW, illustr. in kleur / z/w - colour / b/w. ISBN 9789464666809.‎

‎Unieke kruisbestuiving tussen hedendaagse en historische meesters in het Antwerpse Museum Mayer van den Bergh. Museum Mayer van den Bergh nodigt dit najaar 15 hedendaagse kunstenaars uit om in dialoog te gaan met hun imposante collectie. De werken van Bram Demunter, Marcel Dzama, Adrian Ghenie, Kati Heck, Leiko Ikemura, Edward Lipski, Jonathan Meese, Ryan Mosley, Muller Van Severen, Tobias Pils, Tal R, Ben Sledsens, Dennis Tyfus, In s van den Kieboom en Rinus Van de Velde worden naast de wereldberoemde Dulle Griet van Pieter Bruegel geplaatst, maar ook naast de portretten van Cornelis De Vos en Alessandro Allori, stillevens van Antwerpse meesters zoals Dani l Seghers en werken van Jacob Jordaens, Joachim Patinir en Gerard de Lairesse. Enkele kunstenaars lieten zich ook rechtstreeks inspireren tot het maken van nieuw werk, waaronder Jonathan Meese, Tal R, Ben Sledsens, Bram Demunter, Rinus Van de Velde en Dennis Tyfus. Publicatie bij de tentoonstelling Conversations in Museum Mayer van den Bergh, Antwerpen, van 10 november 2023 tot 3 maart 2024. Unique cross-fertilisation between contemporary and historical masters in the Antwerp Museum Mayer van den Bergh This autumn, Museum Mayer van den Bergh invites 15 contemporary artists to enter into a dialogue with its impressive collection. The works of Bram Demunter, Marcel Dzama, Adrian Ghenie, Kati Heck, Leiko Ikemura, Edward Lipski, Jonathan Meese, Ryan Mosley, Muller Van Severen, Tobias Pils, Tal R, Ben Sledsens, Dennis Tyfus, In s van den Kieboom and Rinus Van de Velde are placed alongside Pieter Bruegel?s world-famous Dulle Griet (?Mad Meg?), but also next to the portraits of Cornelis De Vos and Alessandro Allori, still lifes by Antwerp masters such as Dani l Seghers and works by Jacob Jordaens, Joachim Patinir and Gerard de Lairesse. A number of artists have also been directly inspired to create new work, including Jonathan Meese, Tal R, Ben Sledsens, Bram Demunter, Rinus Van de Velde and Dennis Tyfus. Publication accompanying the exhibition Conversations in Museum Mayer van den Bergh, Antwerp, from 10 November 2023 to 3 March 2024.‎

‎Pour une école du gai savoir, un livre qui débloque‎

‎Les Cahiers de l'Egaré 2004 2004, ed Les Cahiers de l'Egaré. in-8 broché de 396 pages, ill nb sur couv. Illustré de photographies nb hors texte et d'une illustration couleurs hors texte. | Etat : TBE général. Occasion. (Ref.: ref8017-1)‎

‎L'ALCHIMIE SUPERSCIENCE EXTRA-TERRESTRE?‎

‎ALBIN MICHEL. 1972.. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 260 pages. 1ère de couverture illustrée en couleurs. Couverture rempliée.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Collection les chemins de l'impossible. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎PRISON AUX CHAMPS: Les colonies d'enfants délinquants du nord de la France au XIXè siècle‎

‎ATELIER 1994 550 pages 16 8x4 6x23cm. 1994. Broché. 550 pages.‎

‎Bon Etat de conservation étiquette sur le premier plat intérieur propre‎

‎Les méthodes et appareils de mesure du temps, des distances, des vitesses et des accélérations, 2 tomes‎

‎1904, Ramlot frères & soeurs, Bruxelles, Ch. Béranger, Paris, in-8 brochés 274 et 240 pages, 357 (tomes 1 et 2) figures noir et blanc. Tome 1 : méthodes et appareils de mesure du temps, des distances et des vitesses des liquides, des fluides et des gaz, des vitesses angulaires et des vitesses linéaires des véhicules et des navires, bicyclettes, automobiles et tramways, tome 2 : méthodes et appareils de mesure des vitesses des train de chemin de fer, des navires, des variations de vitesse des machines, des vitesses limites et des accélérations de vitesse. | Etat : Etat passable, le 1er tome se sépare en plusieurs parties, couvertures défraichies, rousseurs, pages non coupées (Ref.: ref11147)‎

‎Ch. Béranger, Ramlot frères & soeurs‎

‎LES ULTRASONS‎

‎ 1952 reliure pleine toile grise (cloth-bound) grand in-octavo sous jaquette légèrement défraîchie (with jacket lighlty damaged), tranches lisses (edges smooth), illustrations : nombreuses figures (many pictures), 275 pages, 1952 à Paris Editions Eyrolles,‎

‎traduit par M. Parmentier (translated by) - bon état (very good condition) ‎

‎Les Ultrasons‎

‎Eyrolles Cartonné 1952 In-8 (16,3 x 24,6 cm), cartonné toilé, 274 page, figures en noir ; tampon sur le premier plat et la première garde, par ailleurs bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎La Ville de sel du Hoggar au Tibesti.‎

‎ Paris, Julliard, Collection Sciences et Voyages, 1954. In-8, broché, couverture illustrée en couleurs, 245 pp. Avec un répertoire des mots indigènes et une bibliographie sommaire. ‎

‎Envoi autographe des auteurs. Planches photographiques hors-texte. Bel ex. Photos sur demande.‎

‎Felsina pittrice: The Lives of Francesco Francia and Lorenzo Costa‎

‎, Brepols - Harvey Miller, 2022 Hardback, xxxiv + 410 pages, Size:220 x 280 mm, Illustrations:14 b/w, 163 col., Language(s):English, Italian. ISBN 9781912554799.‎

‎Summary In Bologna, Giorgio Vasari's maniera moderna is inaugurated through the art of the goldsmith-painter Francesco Francia (c.1447-1517). Malvasia assimilates the beginning of this new era with the end of night and the crack of dawn, when never before seen colors are revealed to the eyes with extraordinary intensity. In his life of Francia, Vasari had acknowledged the role of precursor played by this Bolognese master in the history of Italian painting. By the same token, he had tarnished Francia's reputation by alleging that he had died soon after unpacking Raphael's Ecstasy of Saint Cecilia upon its arrival in Bologna. His death, Vasari insisted, was a moment of reckoning: it was then that Francia recognized his artistic inferiority and damnation with regard not only to Raphael, but also to the highest achievements of the maniera moderna. Aware of the historical validity of Vasari's account, Malvasia ?lifted? it wholesale into his Felsina pittrice, but not without bringing its author to trial by examining his biased testimony in light of the rich documentary evidence he had gathered against his narrative. Equipped with the most refined tools of forensic eloquence, seething with outrage, Malvasia is at his best in challenging Vasari's historical distortions and prejudices not only in connection with Francia, but also his disciples, Timoteo Viti (1469-1523), Lorenzo Costa (1460-1535), and Giovanni Maria Chiodarolo (1480-1530). Denouncing Vasari's silence about the works and importance of Francia's progeny--in particular Giacomo (1484-1557) and Giovan Battista Francia--Malvasia explains how the activity of these masters promoted the education and social status of painters in Bologna before the foundation of the Carracci Academy in 1582. Illustrated with numerous color images (many of them taken expressly for this publication), this volume provides a critical edition and annotated translation of Malvasia's lives of Francia and his disciples, among them prominently Costa. The integral transcription (for the first time) in this volume of Malvasia's preparatory notes (Scritti originali) to the lives of Francia, Costa, and Chiodarolo presents important material that could foster the study of Bolognese painting in the age of humanism under the rulership of the Bentivoglio.‎

‎Felsina Pittrice: Volume IX: Life of Guido Reni‎

‎, Brepols - Harvey Miller, 2019 Hardback, 2 vols, 1152 pages, Size:220 x 280 mm, Illustrations:9 b/w, 367 col., Languages: English, Italian. ISBN 9781909400696.‎

‎Summary Celebrated by Malvasia as the creator and promoter of the new maniera moderna, Guido Reni (1575-1642) introduces the fourth age of painting: a period marked by an original and sometimes bold elaboration of the notion of artistic perfection developed by the Carracci and embodied more specifically by Ludovico's "synthesis of styles." Art in Italy could have declined once again after the deaths of the Carracci, but thanks to Guido and Domenichino, Francesco Albani and Guercino, painting is restored to its full blossoming, and, as a result, the Carracci lesson spreads and triumphs throughout Italy. In assessing Guido's role in promoting this artistic vanguard, Malvasia finds himself in a theoretical impasse. On the one hand, he cannot resist his infatuation with Guido's work. Endowed with spellbinding powers, Guido's paintings constitute the greatest luxury of modernity insofar as they reflect an endless search for aesthetic refinement and transcendental beauty both in the representation of the human body and in the orchestration of light, color, and impasto. On the other hand, Malvasia balks at embracing Guido's "last manner." In Malvasia's eyes, Guido's final production is both exceedingly sophisticated and tainted by its very sophistication: delicacy verges on feebleness, transcendence coalesces into purposeless abstraction, divine vision engenders incompleteness, and sprezzatura turns into apparent negligence. Furthermore, for Malvasia Guido is both a paragon of virtue and the self-indulgent victim of the gambling demon. With acuity, Malvasia praises Guido the money maker, the self-confident artist able to overhaul the mechanisms of the art market by exponentially increasing the value of painting. And yet, Malvasia cannot help but condemn Guido the money squanderer, the indebted painter who gambles away his reputation and jeopardizes the quality of his sublime output. Illustrated with numerous color images, these two volumes provide a critical edition and annotated translation of Malvasia's life of Guido. Based on a radical reassessment of the historical documentation and a profound investigation of Malvasia's art criticism, these volumes offer the most thorough treatment to date of the artist's work.‎

‎CHEFS-D'OEUVRE DE LA PEINTURE ITALIENNE La Collection Alan‎

‎BE - , mercatorfonds - fondsmercator, 2020 Hardcover, HB, 280 x 240 mm, 240 pages, 160 illustrations, Texte en Francais. ISBN 9789462301481.‎

‎Reprint. Expo: 13/09/2019 - 20/01/2020, Mus e Jacquemart-Andr , Paris Fid le la sensibilit originelle de ses fondateurs qui avaient coeur de transmettre leur passion pour l'art, le mus e Jacquemart-Andr pr sente pour la premi re fois au monde une s lection de chefs-d'oeuvre issue de la Collection Alana. Bien connue des historiens de l'art, cette collection est encore m connue du grand public. Dans la lign e des plus grandes collections am ricaines, la Collection Alana est le fruit d'un intense travail de s lection et d'amour de l'art op r depuis plusieurs d cennies par Alvaro Saieh et Ana Guzm n, un couple dont la r union des pr noms forme celui de la Collection Alana. Au fil des ans, leur passion s'est mu e en une v ritable fascination pour l'art gothique et la Renaissance italienne et les a progressivement conduits s'int resser aussi la peinture des xvie et xviie si cles. Les oeuvres pr sent es dans cet ouvrage d montrent la vitalit du go t pour la Renaissance italienne, consid r e comme moment fondateur de la civilisation occidentale, et offrent un aper u exhaustif de l'une des plus grandes collections priv es d'art ancien, de la peinture du xiiie si cle aux oeuvres caravagesques. Le pr t de ces chefs-d'oeuvre a t accord titre exceptionnel au mus e Jacquemart-Andr en raison de l'admiration que les deux collectionneurs lui ont toujours vou e. Carlo Falciani est dipl m de l'Universit de Florence et a r alis son m moire sur Rosso Fiorentino. Il enseigne l'Histoire de l'art l'Accademia di Belle Arti de Florence.‎

‎Met heldere verf en verlangen Dichters bij Raveel.‎

‎, , 2021 Paperback, 103 pagina's, . ISBN 9789056552497.‎

‎Tussen 2016 en 2020 verscheen er in elke aflevering van Po ziekrant een gedicht van een hedendaagse dichter bij een werk van ROGER RAVEEL. Daarmee werd een mooie traditie voortgezet, want in het verleden lieten vele grote namen zich inspireren door Raveels werk (Hugo Claus, Roland Jooris, Rutger Kopland, ?). Die gedichten worden nu, samen de bijbehorende kunstwerken, gebundeld in een prachtige uitgave naar aanleiding van de grote Raveel-retrospectieve in Bozar (18/3?21/7). Met gedichten van onder anderen Anna Borodikhina, Paul Demets, Annemarie Estor, Lies Van Gasse, Dominique De Groen, Astrid Haerens, Joke van Leeuwen, Arno Van Vlierberghe en Bette Westera, en aangevuld met twaalf speciaal voor het boek geschreven gedichten van onder meer Amina Bel rf, Moya De Feyter, Asha Karami, Jens Meijen en Iduna Paalman. Met heldere verf en verlangen. Dichters bij Raveel is daarmee een uniek overzicht van het werk van Roger Raveel n een staalkaart van de contemporaine Nederlandstalige po zie.‎

‎ROGER RAVEEL DE TIJD, DE ZEE EN OOSTENDE ‎

‎, De Muyter, 2007 Linnen band met stofomslag, 167 pagina's. ISBN 9789081048552.‎

‎Com die humaine‎

‎, Snoeck Publishers , 2025 Hardback, 128 pages, 150 x 240 mm, 120 Illustrations 120 col. & bw ill., Dutch (NL) ed. *nieuw. ISBN 9789461619716.‎

‎Com die humaine van auteur, curator en criticus Carlos Alleene is een boek dat het best omschreven kan worden als empatische, allerminst geregisseerde sc nes uit het leven van elke dag. Een dwaaltocht in zwart-witfoto's. De quotes die schrijver van liedjesteksten en muziekproducer Walter Ertvelt bij elke foto schreef is zijn persoonlijke commentaar, of iets dat een beeld bij hem oproept.‎

‎SUPERCORDES et AUTRES FICELLES. Voyage au coeur de la physique.‎

‎2004 / 608 pages. Broché. Editions Dunod.‎

‎Très bon état.‎

‎Paganism in the Middle Ages : Threat and Fascination ‎

‎, UPL, 2013 Softcover with flaps, 250 pages, ENG edition, 240 x 160 x 20 mm, New condition, a few b/w illustrations. ISBN 9789058679338.‎

‎Interdisciplinary study of pagan culture from late antiquity to the emergent Renaissance In this volume the persistence, resurgence, threat, fascination, and repression of various forms of pagan culture are studied in an interdisciplinary perspective from late antiquity to the emergent Renaissance. Contributions deal with the survival of pagan beliefs and practices, as well as with the Christianization of pagan rural populations or with the different strategies of oppression of pagan beliefs. The authors examine problems raised by the encounter with pagan cultures outside the Muslim world and show how philosophers contrived to ?save' the great philosophers and poets from ancient culture notwithstanding their paganism. The contributors also study the fascination of classic ?pagan' culture among friars during the fourteenth and fifteenth centuries and the imitation of pagan models of virtue and mythology in Renaissance poetry. Contributors Carlos Steel (University of Leuven), John Marenbon (Trinity College, Cambridge), Ludo Milis (University of Ghent), Marc-Andr Wagner ? (Paris, Minist re de la Culture), Brigitte Meijns (University of Leuven), Rob Meens (University of Utrecht), Edina Bozoky (Universit de Poitiers), Henryk Anzulewicz (Albertus-Magnus Institut, Bonn), Robrecht Lievens (University of Leuven), Stefano Pittaluga (Universit di Genova), Anna Akasoy (Ruhr-Universit t Bochum)‎