, Brussel, Paleis der Academien, 1970., Gebrocheerd, originele uitgeversomslag, 18x26cm, 66 p.
Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n? 115.
RSH 1988
Très bon état
, Brussel, Paleis der Academien, 1978., Gebrocheerd, originele uitgeversomslag, 18x26cm, 136 p., 27 fig., tab.
Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n? 149.
Dunod. 1951. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 186 pages - quelques figures en noir et blanc dans le texte - rousseurs sur les plats.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Collection les heures scientifiques. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
SCHLEICHER FRERES. Non daté. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 173 pages. Nombreux dessins et croquis en noir et blanc, dans le texte.. . . . Classification Dewey : 570-Sciences de la vie
Encyclopédie d'Enseignement Populaire Supérieur. Preuves tirées de la Paléontologie, de l'Anatomie comparée et de l'Embryogénie. Hérédité. Classification Dewey : 570-Sciences de la vie
, Brepols, 2022 Paperback, xvi + 177 pages, Size:216 x 280 mm, Illustrations:1204 b/w, 2 col., 7 tables b/w., 2 maps b/w, Language: English. * NEW ISBN 9782503597607.
Summary The ancient city of Palmyra is, rightly, famous for its major monumental architecture and its vast corpus of funerary portraiture, most of which dates from the first three centuries AD. This material has long been central to art-historical, archaeological, and epigraphical studies of the region. However, up to now, relatively little attention has been paid to the 'small stuff' from Palmyra ? seemingly minor items such as the enigmatic local coinage and the richly iconographic banqueting tesserae found scattered across the city's sanctuaries ? which has never been comprehensively studied, but may have had huge importance for the people who lived in Roman Palmyra. This volume, which arises from the research project Circular Economy and Urban Sustainability in Antiquity headed by Prof. Rubina Raja, aims to redress the balance by giving new focus to these small finds with a view to studying them and better understanding their significance in Palmyrene social and religious life. Drawing together experts on Palmyra's archaeology, history, and language, the volume offers insights and reflections into various aspects of the city's coins and tesserae in both their local setting and their wider regional context. In doing so, the contributions gathered here open up new lines of enquiry, and at the same time underline how much we still have to learn from studying even the smallest items. TABLE OF CONTENTS The Small Stuff of the Palmyrenes: Coins and Tesserae from Palmyra ? RUBINA RAJA Revisiting the Palmyrene Banqueting Tesserae: Conceptualization, Production, Usage, and Meaning of the Palmyrene ? RUBINA RAJA Tesserae and Prosopography ? JEAN-BAPTISTE YON Palmyrene Tesserae in the Context of Temple Administration ? ALEKSANDRA KUBIAK-SCHNEIDER Some Thoughts on Divine Representations on Palmyrene Coins and Tesserae ? TED KAIZER Caravan Trade in Palmyrene Tesserae and Coins? ? EIVIND H. SELAND Three Forgotten Tesserae and a Coin from Palmyra in the Oriental Museum at Durham University ? TED KAIZER AND JEREMY HUTTON The Production, Circulation and Function of the Local Palmyrene Coinage ? NATHALIA KRISTENSEN Palmyra's Small Coins and their Dies: Preliminary Results ? NATHANAEL ANDRADE Civic Coins and Urban Networks: Palmyra and its Coinage in a Regional Perspective ? MICHAEL BL MER Bigger Stuff Beyond Palmyra: The Coinage of the Hatrans and Assyrians ? KEVIN BUTCHER
2006, Payot, in-8 broché de 240 pages, La haine de la dette | Etat : bon état (Ref.: ref94781)
Payot
in-8° broché, 263 pages, très bon état, Traduit de l'américain par Jean-Paul Lapierre, ISBN : 276190222X
Denoël Paris, Denoël, 1997. In-8 broché de 254 pages. Dos insolé. Bon état.
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Masson & cie 1968 in8. 1968. Cartonné.
Bon état (BE) bords jaquette un peu jauni intérieur propre présence de qques annotations
1 volume in-8° broché, couverture illustrée, 237 p., très bon état.
Phone number : 06.31.29.75.65
NL-, Primavera, 2011 Bound, hardcover, 304 pag., 22 x 28 cm, bound, ca. 150 ill. mostly colour fine condition !. ISBN 9789059971004.
The collection of Dutch Old Master paintings in the Szepm?veszeti Muzeum, Budapest, is one of the largest in the world outside the Netherlands and Belgium. This first volume of its catalogue raisonne series discusses one hundred and five Dutch and Flemish portraits from 1600 to 1800, an abundant and varied section of the collection. Represented are such great masters like Anthony van Dyck, Frans Hals, Thomas de Keyser, Bartholomeus van der Helst, and it includes fine works by leading portraitists from nearly all the famous centres of Dutch painting. The core of this material comes from the Prince Esterhazy collection purchased in 1871, which was subsequently enriched by gifts and bequests of further Hungarian aristocrats and bourgeois collectors. Until recently the collection of portraits has been augmented through resolute or occasional aquisitions by gallery directors, starting with Karoly Pulszky, Gabriel Terey and others. This volume is the first systematic overview of that special part of the Budapest collection, containing new achievements of research: several new attributions, names of sitters, and unknown data to the provenance of the paintings. The text is in English and Hungarian. Rudi E.O. Ekkart, director of the Rijksbureau voor Kunsthistorische Documentatie in the Hague, is the leading authority on seventeenth-century Dutch and Flemish portraits, author of scholarly catalogues and co-curator of special exhibitions. He is professor of arthistory at the Utrecht University.
, museum voorlinden, 2023 Hardcover,184 PAGES met prachtige illustraties in kleur. index. Text NL/ENG. 24 x 29,7 cm. ISBN 9789492549914.
Dankzij zijn eigenzinnige beeldtaal, vol verwijzingen naar geschiedenis, mythologie en literatuur, groeide Anselm Kiefer (1945) uit tot een van de grootste kunstenaars van onze tijd. Zijn werk is een lust voor het oog en prikkelt het brein. Hij denkt groots, werkt op monumentale schaal met ongebruikelijke materialen en deinst er niet voor terug om de ongemakkelijke vragen van het leven te stellen. Tijdens zijn solotentoonstelling Bilderstreit bij Voorlinden kun je zijn intrigerende schilderijen, sculpturen, kunstenaarsboeken en installaties zien. Een groot aantal daarvan is nooit eerder vertoond. ///--- Thanks to his idiosyncratic visual language, full of references to history, mythology and literature, Anselm Kiefer (1945) has become one of the greatest artists of our time. His work is pleasing to the eye and stimulating for the brain. He thinks big, works on a monumental scale with unusual materials and does not shy away from asking the uncomfortable questions of life. During his solo exhibition Bilderstreit at Voorlinden you can see his intriguing paintings, sculptures, artists? books and installations. Many of them have never been shown before.
Leipzig und Berlin, B.G. Teubner, 1911, in-4to, XLI S. (41), illustrierte Original-Broschüre.
Phone number : 41 (0)26 3223808
, Fondation Gianadda, 2005 softcover illustre de l'editeur, 264 pages, HB, 240 x 220 mm illustre. Texte en Francais. ISBN 9782884430876.
Expo: 18/3/2005-12/6/2005, Fondation Gianadda, Martigny
, Brepols, 2022 Hardback, 440 pages, Size:210 x 270 mm, Illustrations:51 b/w, 40 musical examples, Language(s):English, Italian. ISBN 9782503600802.
Summary Music is not only an art (either as the art of composition or the art of performance) but also a subject for scientific investigation. Scientists have always been interested in musical sound, philosophers in the impact of music on the human mind, and musicians may have been puzzled by the scientific foundations of their art. This book collects fourteen studies by authors from various countries about the interrelations between music and science as apparent in the long century from the lifetime of Leonardo da Vinci (1452-1519) to that of Galileo Galilei (1564-1642), a period termed Renaissance, Early Modern or the time of the (first) Scientific Revolution depending on the angle from which this period is approached. It is a time when the Aristotelian physics was replaced by modern pre-Newtonian physics, when Catholicism was challenged by the Reformation, when traditional polyphonic musical styles were supplemented by new monodic styles, vocal and instrumental. Both Leonardo and Galileo had vivid interests in music, but they were not the only ones. The ideas of scientists and philosophers, such as Marin Mersenne, Ren Descartes, Giordano Bruno and Philipp Melanchton are also discussed. TABLE OF CONTENTS Library Sigla Greek Writings Abbreviations of Reference Works Rudolf Rasch ? Introduction The (Long) Sixteenth Century Music David E. Cohen ? Latet discordantia quartae : An Early Natural-Scientific Explanation of Upper-Voice Fourths by Franchinus Gaffurius Science Paolo Alberto Rismondo ? Teoria musicale e patronage nobiliare a Venezia nel Cinquecento Alexander Jakobidze-Gitman ? Nascent Mechanism in Philip Melanchthon's References to Josquin des Prez Carlo Bosi ? Intra quaternarii limites musicam intelligunt omnem consonantiam : La musica nel pensiero di Giordano Bruno Gioia Filocamo ? Dissezioni anatomiche con musica a Padova nella prima et moderna The (Long) Seventeenth Century Music Daniel Mart n S ez ? Galileo and Opera: Music, Science, Religion, and Politics in the Seventeenth Century Jason Stoessel & Denis Collins ? La grandezza del numero sonoro : Canonic Techniques, Combinatorics and Early Scientific Thought in Seventeenth-Century Rome Carlos C. Iafelice ? Giovanni Battista Doni on the Tonal Space of Chromatic Music: The Case of Gesualdo's Tu m'uccidi, o crudele Rudolf Rasch ? Me veux-tu voir mourir: Joan Albert Ban versus Antoine Bo sset (1640-1641) Galliano Ciliberti? La Missa La luna piena (1657-1658) di Giuseppe Corsi e le teorie galileiane Science Rudolf Rasch ? Ren Descartes and Isaac Beeckman: The Philosopher and the Schoolmaster Leendert van der Miesen ? The Trumpet as Nature's Voice: Marin Mersenne and the Nature of Music Roberta Vidic ? Joachim Jungius and the Question of Music as an Experimental 'Mixed Science' Th odora Psychoyou ? Trajectories of Musical Acoustics in Seventeenth-Century French Theory and Experiment: Sound, Noise, and the Authorities of the Past Adam Fix ? The Acoustical Paradox: How Music Was Unmoored and Set Adrift from Sciences in the Seventeenth Century Index of Names
,Barcelona, Gallach 1900, 303 pp., 1 vol. in 12 relié cartonnage éditeur en percaline verte décorée, figures in texte
Jouvence 1997 15x21x2cm. 1997. Broché. 160 pages. Bon Etat intérieur propre
1968, Hachette, in-8 broché de 319 pages, couverture illustrée. Regards sur le pouvoir créateur. | Etat : Assez bon état général, taches le long du mors du 4ème plat (Ref.: ref89716)
Hachette