Zürich, Schulthess 1869-1872 1869-1872, gr. in-8vo, XII + 492 S. / VIII + 459 S. mit zahlr. Abbildungen, leicht gebräunt, Hs. Notizen u. Stempeln auf Titelbl., rez- Halbleinen, schönes Exemplar.
Wolf (1816-1893) war Professor der Mathematik und Astronomie an der Universität in Zürich, Direktor der meteorolog. Zentralanstalt und Präsident der geodätischen Kommission der Schweiz (vgl. Poggend. III, 1460).- 1. Ausgabe!- Durchgehend, teilweise etwas stärker, stockfleckig. Neueingebunden.
Phone number : 41 (0)26 3223808
, Brepols - Harvey Miller, 2014 Hardback, approx. 450 p., 150 b/w ill., 190 x 250 mm Languages: English . ISBN 9782503550374.
Civic group portraits, depicting trades and guilds, militias, magistrates, governors of charitable institutions and confraternities, were in the old duchy of Brabant during the Ancien Regime much better represented than is generally thought. Some hundred paintings are revealed, especially in the cities of Antwerp, Brussels, Leuven and Mechelen. For the first time, the book zooms in on this important subgenre of Flemish portraiture. The paintings present a wide variety of compositional types and integrated iconographic elements. Monumental life-size portraits coexist with small scale representations. At the same time, there is a clear differentiation in typology according to the city where they were produced. Along with the formal analysis, attention is paid to the material-technical genesis of these compositions, combining in some cases visual observation with scientific imagery and archival evidence. Also the question why patrons would order a group portrait, and how to interpret such ?corporate splendour?, is dealt with, making use of the richly collected contemporary documents, which permit to contextualize the portraits and, in some cases, reconstruct their original habitat. They thus shed light on a number of factors that were involved in the realization of Brabantine civic group portraits: the type of patrons and their socio-economic and political position; the immediate cause for ordering a group portrait; the artists called upon; the prices and terms of payment; and the destination ? (semi)public / private, sacral / secular ? of the paintings
Groupe express. 1971. In-8. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 212 pages - nombreuses illustrations en couleurs et en noir et blanc dans et hors texte - jaquette en état d'usage.. Avec Jaquette. . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Collection l'homme et les sciences. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
London, Longmans & Green, 1874, in-8vo, 780 p., 600 figures by E. A. Smith & J. B. Zwecker + plates, small legacy-stamp Dr. Guggisberg & ill. "Ex-Libris" J. Fetherstonhaugh Briscoe, orig. half leather with corners, paneled spine, 3 edges gilt, fine copy.
Phone number : 41 (0)26 3223808
, ARTHAUD 1966, 1966 Hardcover, 160 pages, Texte en Francais, 355 x 295 mm, Nombreuses planches de photos et illustrations contre-coll es en couleurs., .
Paris, France Loisirs, 1982. 13 x 21, 221 pp., reliure pleine toile d'édition + jaquette, bon état.
4 volumes reliés demi-veau tabac, dos lisse, filets dorés, pièce de titre de maroquin noir, 824 p. (pagination continue), index. Planches en couleurs. Quelques petites salissures éparses sinon très bon état. Incomplet des planches attendues. Les planches 69,97,121,142,150,156,176,178,179,206 et 231 manquent. Les planches 126, 161, 201, 226, 246 en double. volu
Phone number : 06.31.29.75.65
[WWF] - Word Wide Fund for Nature International - WWF ; CAREY, Geoff (édit.)
Reference : 51288
(1996)
1 vol. 4to. softcover, black & white maps and graphics, Word Wide Fund for Nature International - WWF, Hong Kong 1996, 529 pp. Text in English
Very nice copy. Scarce, nowadays.
Hafnia (Copenhagen), 1751. 8vo. Uniformly bound in two nice contemporary Cambridge-style mirror bindings with five raised bands and richly gilt spines. Small paper-label pasted on to top of both spines. Light wear to extremities. Front board of vol. 1 with light misolouring to upper margin and with a bit of loss of leather to the center frame, otherwise a nice and clean set. (10), XLVIII, 590 pp. + frontispiece (2), 591-1134, (60) pp.
Second edition of Worm's learned corresponds with his, primarily, international colleagues.
, Maeght, 1982 Hardcover with dust jacket, 306 illustrated pages. text: English
247 descriptive entries; the work is represented in black and white or in color. Ravel exhibitions, bibliography.
, Maeght editeur, 1982 Couverture reliee sous jaquette, 306 pages illustr .
247 notices descriptives oeuvre est repr sent e en noir ou en couleurs. Ravel des expositions, bibliographie.
, Brill, 2018 Hardcover with dustjacket, xlix, 808 pp.; 391 color ills. 255 x 180 x 48 mm. Fine. ISBN 9789004307254.
Frans Floris de Vriendt radically transformed Netherlandish art. His monumental mythologies introduced a new appreciation for the heroic nude to the Low Countries and his religious art challenged standards of decorum. Born into a family of sculptors and architects, Floris refashioned his art through travel, first studying with the humanist painter Lambert Lombard in Liege and then continuing on to Italy. These experiences defined the hybridizing novelty of his art, forged by juxtaposing antique and modern, Italian and northern sources. This book maps Floris?s hybrid style onto shifting conceptions of cultural, religious, and political identity on the eve of the Dutch Revolt. It explores his collaborations and rivalries, engagement with artistic theory, hierarchical workshop, and revolutionary use of print. Brill's Studies on Art, Art History, and Intellectual History Brill's Studies in Intellectual History, Volume: 267/19
, Davidsfonds, 2015 Gebonden, Hardcover 320 pagina's oblong; 30x26cm met prachtige illustraties in kleur. ISBN 9789059086371.
Kaarten vertellen verhalen. Naast de geografische informatie die ze bevatten, vertellen ze waarom, wanneer, voor wie en hoe ze zijn gemaakt. Kaarten zijn praktisch, maar ook kunstig, ze volgen een mode en zijn voorbeelden van technisch kunnen. Al die aspecten van de cartografische productie komen aan bod in deze selectie van 100 kaarten over Vlaanderen. 'Vlaanderen in 100 kaarten' schetst aan de hand van kaarten de evolutie van wat vandaag het Vlaamse gewest is. Met kaarten van de Nederlanden, Belgi , Frankrijk en Duitsland, van graafschappen en hertogdommen, departementen en provincies, stadsplannen. De oudste kaart is handgetekend en is meer dan 600 jaar oud, de recentste is virtueel en eeuwig jong. Naast belangrijke historische gebeurtenissen uit het Vlaamse verleden schenkt het boek bijzondere aandacht aan de hoogtepunten in de geschiedenis van de cartografie. Figuren als Abraham Ortelius en Gerard Mercator zijn overbekend, maar er zijn veel meer landgenoten die een plaats hebben verdiend in dit boeiende verhaal. Wouter Bracke is gewoon hoogleraar aan de ULB. Hij was hoofd van de afdeling Kaarten en Plans van de Koninklijke Bibliotheek van Belgi tot hij eind 2012 als directeur van de Academia Belgica naar Rome vertrok. In de Koninklijke Bibliotheek co rdineert hij wetenschappelijk onderzoek in de instelling, en in het bijzonder wetenschappelijke projecten over cartografie.
, Hannibal Books, 2017 Gebonden, Hardcover , 79 PAGES, illustr. ENG. edition. *new / NIEUWSTAAT. ISBN 9789492677006.
This publication combines the works of Belgian artist Philippe Vandenberg (1952-2009) and American artist Bruce Nauman (b. 1941). At first, it may seem startling to see Nauman's small but dense selection of works alongside those by Vandenberg. The artists never met one another and they could not be more different in their choice of artistic media. And yet there's something that links the oeuvre of these apparently divergent artists. This publication examines that extraordinary link. The art of both Vandenberg and Nauman is direct, uncompromising and distressing. They share a common attitude towards their artistic practices. Their works are raw and uncouth, finished just to the point where they enter the onlooker's conscience as a kind of prelude or genesis to something. The work of Vandenberg and Nauman originates form the same source: frustration. They cry out in despair at the dark side of humanity, mourning our propensity for hatred and violence, coldness and vilification. They explore the impossibility of genuine, uncompromised communication between individual people. Both artists succeed in creating images that capture the abyss within ourselves, our failings and our cruelty. Lust and pain, violence and horror are all too close to each other. It is said that art is about life and death. That may be melodramatic, but it's also true, Nauman said. LIVE OR DIE! Nothing more, nothing less. The book is edited by Wouter Davidts, with texts by Dr. Brigitte Kolle (Head of Contemporary Art, Hamburger Kunsthalle), John C. Welchman (Professor of Art History, University of California, San Diego) and Anna Dezeuze (Lecturer in Art History, Ecole Superieure d Art et de Design Marseille Mediterranee). It accompanies an exhibition at Gallery Sofie Van de Velde in Antwerp: 30.03.2017 - 21.05.2017.
, Pinacoth que de Paris 2011, 2011 Hardcover, 280 pages, Texte en Francais, 287 x 247 mm, ill. de couleur et b/n, tres bon etat, . ISBN 9782358670265.
Le catalogue pr sente de la collection exceptionnelle de ma tres hollandais rassembl e par Ilone et George Kremer depuis plus de seize ans. De Rembrandt Franz Hals en passant par Pieter de Hooch, Gerrit Dou, Gerrit van Honthorst, les ?uvres sont des pi ces historiquement et artistiquement du plus haut int r t. La partie th orique du catalogue est consacr e l'av nement au pouvoir, au cours du XVIIe si cle aux Pays-Bas, de la bourgeoisie et son univers. Il montre galement l'influence du Caravage sur l'art hollandais de l' poque. La partie catalogue r unit les cinquante-sept ?uvres et propose une notice d taill e portant sur le peintre ainsi qu'une analyse de chaque tableau. Le catalogue t moigne de ce nouveau monde o le clair-obscur illustre les sc nes de genre et les rapports sociaux entre les diff rents m tiers au XVIIe si cle hollandais. Il r v le galement l'av nement de la bourgeoisie dans le monde des amateurs d'art et des collectionneurs.
, Brepols, 2019 Paperback, x + 224 pages, Size:156 x 234 mm, Illustrations:30 b/w, 23 tables b/w., Language: English. ISBN 9782503585093.
Summary This book presents ten case-studies by eminent scholars dealing with food supply, storage and markets from c. 1600 to c. 2000. Together they present a long-term history of the tools to regulate the rhythms and seasonal patterns of the food production and distribution process. How were the vast flows of staple food needed for metropolitan areas organised? What practical difficulties had to be overcome to preserve this food safely? Did people respond to price patterns in search for profit? Were governments successful in imposing regulation? In dealing with these issues, the contributing authors adopt different approaches and investigate cases from England, Belgium, Germany, Austria, Italy, France and Mexico. The focus on the stocks and flows of grains and other foodstuffs raises new questions combining economic, social, political, and environmental issues in the study of agricultural markets and food policies. TABLE OF CONTENTS Introduction: stocks, seasons and sales Wouter Ronsijn and Niccol Mignemi 1. Landlords as rational investors? Grain storage on noble manors in the Rhineland area, 1650-1850 Friederike Scholten 2. Prices and seasons in late seventeenth-century England Richard W. Hoyle 3. A case study of corn sales: Harston Manor's corn book 1823-1842 Liam Brunt and Edmund Cannon 4. Production and provisioning: the Tumulto of 1692 in Mexico City Pablo F. Luna 5. The need for wheat: the pre-industrial expansion of Vienna's grain supply, 1800-1840 Jonas M. Albrecht 6. The respiration of Paris' catchment area in the nineteenth century: stocks and flows Laurent Herment 7. Urban development and local food production. Ability and inability of feeding growing cities by urban agriculture in nineteenth-century industrialising Belgium Pieter De Graef 8. Between fearing shortage and stockpiling fresh fish: did the Venetian Republic have an environmental policy in the eighteenth century? Sol ne Rivoal 9. Preventing subsistence crises: the state and granaries of abundance in Old Regime France G rard B aur 10. Storage and financing of the French wheat market in the inter-war period Alain Chatriot
Brecht, Kon. Geschied- en Oudheidkundige Kring voor Brecht en Omstreken , [1988], Gebonden, Hardcover met stofomslag compleet. 239 cm 30x22cm, afbeeldingen z/w.
R. Van Velsen, 1896 14 x 22, 410 pp., 362 figures, reliure, dos cuir, Bon état - reliure usagée, quelques annotations
Solides - Liquides, hydrostatique - Gaz - Acoustique - Chaleur - Optique - Magnétisme - Electricité
Antwerpen, Persona, 1995 Oorspronkelijk uitgevers omslag-doos met originele zeefdrukken (zeefdrukpers Frank J.M.A.Castelyns) . ISBN 9789080036840.
Beperkte Oplage Genummerd en gesigneerd op 100 ex. op Steinbachpapier, dit is nummer 29, gesigneerd.
Turnhout, Brepols, 2011 Paperback, IV+652 p., 15,6 x 23,4. ISBN 9782503531052.
Une bibliographie cumulative de ce qui a ete publie sur la litterature occitane, du Moyen Age a notre ere, comprenant les recherches et les publications sur tout auteur qui a ecrit en occitan, de toutes les epoques. Autant de donnees touchant a Max Rouquette (20e siecle) qu'a Arnaut Daniel (troubadour medieval). La bibliographie est organisee siecle par siecle, ensuite rubrique par rubrique. Tout au debut se trouvent les donnees qui n?entrent pas facilement dans une organisation temporelle (les anthologies qui couvrent plus d'un siecle, par exemple). Le Moyen Age est considere comme un ensemble, equivalent a un siecle. Chaque bloc temporel est organise selon ses auteurs, en ordre alphabetique. Pour le Moyen Age, les troubadours sont identifies par numero de Pillet-Carstens. Languages : French.
Hermann & cie. 1939. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 64+10 pages - texte en français et en anglais tampon sur le 1er plat et sur la page de titre.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
texte en français et en anglais. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
PAYOT. 1974. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 179 pages.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
O.O., T. Holloway and the other Proprietors, 1798. Kupferstich von Thomas Holloway nach Gottfried Kniller (Brustbild). Bildgrösse: 19,5 x 17 cm. Blattgrösse: 21,6 x 17,3 cm.
Holloway, Thomas (1748-1827): Englischer Kupferstecher. Kniller, Gottfried (1646-1723): Deutscher Historienmaler. - Bis zum Bildrand beschnitten.
, , Album oblong 32x22cm, 23 pages with 138 original handmade drawings by Paul W rner, signed P.W.
W rner, Paul, um 1940-70, Pforzheim, Deutschland.Skizzen von Paul W rler (geb. 1897 Pforzheim - 1998)
P., Blankenstein, 1812, un volume in 4 relié en demi-chagrin noir à coins (reliure de l'époque), (2), 135pp., (1)
---- EDITION ORIGINALE ---- BEL EXEMPLAIRE ---- "Hoene-Wronski's extant manuscripts and published writings cover a wide range of knowledge. His philosophy, which is central, forms the basis for reforming various branches of the exact and social sciences. His philosophical notions were formed under Kant's influence... He applied his philosophy to mathematics in a series of works that began with Introduction à la philosophie mathématique... Hoëné Wronski criticized the standpoint taken by Lagrande in his Théorie des fonctions analytiques, disagreeing with both Lagrange's insufficient grounds for the use of the series development and his opposition to the introduction of infinite quantities in analysis... A recurrent pattern in Hoëne Wronski's relations with various institutions indicates a marked psychopathic tendency... His aberrent personality tempt one to dismiss his work as the product of a gigantic fallacy engendered by a troubled and deceived mind. Later investigation of his writings, however, leads to a different conclusion. Hidden among the multitude of irrelevancies are important concepts that show him to have been a highly gifted mathematician whose contribution, unfortunately, was overshadowed by the imperative of his all-embracing absolute philosoph". (DSB Suppl. pp. 225/226)**6590/N5AR