‎Profils critiques et biographiques des 750 representants du peuple à l'Assemblée législative par trois publicistes.‎

‎ 1849 demi-chagrin vert. in-18, (2ff.), 314pp., Paris Garnier 1849.‎

‎Probablement par Lourdoueix et Lasteyrie. 1 ex. au CCFR seulement. ‎

‎Femme blanche Afrique Noire‎

‎ ,Paris, Grasset 2005, 375 pp., 1 vol. in 8 br. couverture illustrée‎

‎Petit traité de vélophilosophie‎

‎2014, Plon, in-8 broché de 200 pages, Petit traité de vélophilosophie - réinventer la ville à vélo | Etat : bon état (Ref.: ref89787)‎

‎Plon‎

‎Le Conseiller François Tronchin et ses amis‎

‎Voltaire, Diderot, Grimm, etc. d'après des documents inédits. Avec 2 portraits en héliogravure. Plon. 1895. In-8 bradel toile crème, couverture conservée 399pp.‎

‎Mémoire sur les Ouagans de la Mer des Indes au Sud de L'Équator.‎

‎Paris, Paul Dupont, 1852. Orig. clothbacked printed boards. Offprint from ""Annales hydrographiques, 2e partie"". 36 pp. 2 folded charts.‎

‎Die mathematischen fächer an den niederen gewerblichen lehranstalten in Deutschland -- EDITION ORIGINALE‎

‎Leipzig & Berlin, Teubner, 1914, un volume in 8, broché, 150pp.‎

‎---- EDITION ORIGINALE**5076/L7AR‎

‎Precis de science et legislation financieres‎

‎Dalloz 1940 12x19. 1940. Broché. 468 pages. état intérieur propre et sans rousseurs couverture frottée sur ses bords et coiffes‎

‎Précis de Lichénologie, morphologie, anatomie, physiologie, biologie, préface de M. A. Obre, Paris, Boubée et Cie, 1968.‎

‎1 vol. in-8 rel. pleine toile rouge sous rhodoïd, 194 p. + 82 fig., très bon état, légère décoloration de la toile sur le plat. ‎

‎Principes de phonologie, traduction de J. Cantineau.‎

‎ Paris, Editions Klincksiek, Tradition de l"Humanisme VII, 1967. Grand In-8, 396 p. Broché. PARFAIT ETAT. ‎

‎ Remise de 20% pour toutes commandes égales ou supérieures à 200 €‎

‎Hospice civil de Brest. Historique depuis l'an 1506, date de sa fondation jusqu'en 1859 inclusivement [ Edition originale ] ‎

‎1 vol. in-8 br., Société Anonyme d'Imprimerie "L'Océan", Brest, 1888, 2 ff., 213 pp. avec grand plan dépliant en couleurs‎

6 Images

‎Rare exemplaire de l'édition originale sur beau papier vergé, , bien complet du grand dépliant en couleurs. Etat très satisfaisant (couv. frottée avec petits mq., bon état par ailleurs).‎

‎Guide illustré du faisandier.. Acclimatation et éducation des oiseaux de chasse et de luxe. Paons, éperonniers, lophophores, hoccos, pauxis, pénélopes, paraquas, argus, tragopans, eulophes, cryptonix, faisans proprement dits (9 espèces), nyctimères, houppifères (10 espèces), thaumalés (2 espèces), crossoptilons (2 espèces). Illustré de 33 grandes et belles gravures figurant plus de 75 oiseuax, oeufs, opérations et appareils divers. Édition revue et corrigée, comprenant l'agencement de la faisanderie, les méthodes d'incubation naturelle, artificielle, l'élevage avec ou sans oeufs de fourmis, l'éjointage, le repeuplement, la description, le traitement des maladies et 18 recettes culinaires‎

‎Paris, Arthème Fayard, 1875 in-8, 72 pp., texte sur deux colonnes, avec de nombreuses illustrations en noir dans le texte, broché. Dos uniformément renforcé, réparation maladroite à la première couverture.‎

‎Jules Trousset (1842-1916) était un fécond polygraphe qui dirigea de nombreux ouvrages de vulgarisation, dont le fameux Trousset (ou Nouveau dictionnaire encyclopédique universel illustré, ou Répertoire des connaissances humaines, 1885-1891).Thiébaud, 910. Un seul exemplaire au CCF (BnF). - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎Droit de la santé publique‎

‎2016, Dalloz, in-8 broché de 318 pages, Droit de la santé publique | Etat : Très bon état (Ref.: ref86631)‎

‎Dalloz‎

‎A History of the first Half-Century of the National Academy of Sciences 1863-1913.‎

‎Washington, 1913. 4to. Orig. full cloth., gilt. VIII,399 pp., plates and 7 portraits in heliogravure. Clean and fine.‎

‎Cato in der vierten und fünften Dekade des Livius. (= Akademie der Wissenschaften und der Literatur. Abhandlungen der geistes- und sozialwissenschaftlichen Klasse; Jahrgang 1971 - Nr. 4)‎

‎Akademie der wissenschaften und der literatur 1971 29 pages in8. 1971. Broché. 29 pages.‎

‎couverture défraîchie ternie intérieur propre‎

‎La vie plus têtue que les étoiles.‎

‎Nathan. 1994. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 175 pages.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎Tchouang Tseu: Le chant de l'univers‎

‎Carthame 1996 21x0 9x15 1cm. 1996. Broché.‎

‎Bon état bonne tenue couverture un peu défraîchie intérieur propre‎

‎Eloge de Mr. Alb. Haller, lû dans une assemblée publique de la Société Economique de Berne, le 25 mars 1778 (...). Traduit de l'allemand.‎

‎ In-8, broché couverture bleue d'origine, (4), 84 p., vignette de titre gravée. Berne, Société Typographique, 1778.‎

‎Première édition française publiée simultanément à l'édition allemande quelques mois après la mort du médecin, poète et naturaliste suisse Albrecht von Haller.La biographie détaillée du médecin est suivie de plusieurs "Additions": Des voyages académiques de Mr. Haller - Des poésies de M. Haller - Du premier séjour de Mr. Haller à Berne (et à Göttingen) - Des ouvrages de Mr Haller - etc.(Conlon, 'Siècle des Lumières', 78:1560. France littéraire, IX, 570).La planche frontispice manque.Bon exemplaire. ‎

‎Music in the Art of Renaissance Italy, 1420?1540 Studies in Medieval and Early Renaissance Art History‎

‎, Brepols - Harvey Miller, 2020 Hardback IV+408 pages ., 227 colour ill., 220 x 280 mm. Languages: English. ISBN 9781912554027.‎

‎The first detailed survey of the representation of music in the art of Renaissance Italy, opening up new vistas within the social and culture history of Italian music and art in the fifteenth and early sixteenth centuries. Visual representations of music were ubiquitous in Renaissance Italy. Church interiors were enlivened by altarpieces representing biblical and heavenly musicians, placed in conjunction with the ritual song of the liturgy. The interior spaces of palaces and private houses, in which musical recreations were routine, were adorned with paintings depicting musical characters and myths of the ancient world, and with scenes of contemporary festivity in which music played a central role. Musical luminaries and dilettantes commissioned portraits symbolising their personal and social investment in musical expertise and skill. Such visual representations of music both reflected and sustained a musical culture. The strategies adopted by visual artists when depicting music in any guise betray period understandings of music shared by artists and their clients. At the same time, Renaissance Italians experienced music within a visual environment that prompted them to think about music in particular ways. This book offers the first detailed survey of the representation of music in the art of Renaissance Italy, and in the process opens up new vistas within the social and cultural history of Italian Renaissance music and art. The authors formed the team for the three-year project 'Music in the Art of Renaissance Italy, c.1420-1540' at the University of Sheffield, funded by The Leverhulme Trust. Tim Shephard is Senior Lecturer in Musicology at the University of Sheffield and a specialist in music, art and identity at the Italian Renaissance courts. Sanna Raninen is a musicologist interested in the visual and material culture of music in Renaissance Europe. Serenella Sessini is an art historian specialising in Italian domestic art. Laura Stefanescu is an art historian working on Italian Renaissance art from the perspective of sensory perception and religious experience. Table of Contents Preface 0. Introduction 1. Convergence 1.1 Sister Arts? 1.2 Corporeal and Spiritual Senses 1.3 Perspectiva, Harmony, and Beauty 1.4 Istoria, Ethics, and Imitation 1.5 Leonardo and the Paragone 2. Divine Harmonies 2.1 Angels as Musicians2.2 Heaven on Earth 2.3 Returning to Heaven2.4 Angels in the Home 2.5 David and Christ3. Classicisms3.1 Music Among the Liberal Arts3.2 Apollo and the Muses 3.3 Orpheus the Orator3.4 Marsyas and Midas3.5 Bacchus and the Art of Noise4. People 4.1 In the Garden of Venus4.2 Harmonious Marriage4.3 Singing Shepherds4.4 Musica Triumphans 4.5 Portraits 4.6 Ensembles Epilogue Bibliography Review The fruit of a sustained and cutting-edge interdisciplinary collaboration among musicologists and art historians, this book reopens unresolved issues regarding the relationship between music and the visual arts, from both sides. The authors astute analysis and ability to connect a vast array of materials and concepts." Giovanni Zanovello, Indiana University "This richly detailed, wide-ranging book provides a valuable and evocative account of the relationships between musical and visual cultures in Renaissance Italy." Flora Dennis, University of Sussex ‎

‎Corbusier Rio De Janeiro 1929-1936‎

‎, C.A.U.R.J, 1998 Softcover, 164 pages, Illustrated. Edi o Portugu s. ISBN 8586505021.‎

‎Tsuyoshi Maekawa 1. ‎

‎, AsaMER, 2014 Hardback, 320x240mm, 122 pages, English edition, Fine copy. Including an index. FINE ISBN 9789491775413.‎

‎Tsuyoshi Maekawa ( 1936, Japan) is one of the few remaining members of the Gutai Art Association, Japan's most important avant-garde (1954-1972), which has been receiving a lot of international attention the last few years. This book is the first monograph about Maekawa. It brings together many historic images and documents of the Gutai period, found in the archives of the Ashiya City Museum of Art. The work of Tsuyoshi Maekawa ( 1936, Japan) is an ode to matter. From the beginning he chose jute as a his main material. As is common to the art of all Gutai artists, his practice entails an authentic and personal approach with great respect for the material in all its purity. Matter is his true vehicle of expression and represents nothing other than itself. The artist is entirely at the behest of the medium. The tactility he manages to convey is deeply moving. The catalogue contains many unpublished historic image of Maekawa's Gutai period as well as an interview with the artist by Koichi Kawasaki and an essay by internationally renowned Gutai connaisseur Shoichi Hirai‎

‎Tsuyoshi Maekawa II. ‎

‎, AsaMER, 2017 Hardback, 320x240mm, 152 pages, English edition, Fine copy. Including an index. FINE ISBN 9789492321442.‎

‎Maekawa II presents the work of Japanese artist Tsuyoshi Maekawa ( 1936) during the 1970s. In contrast to Maekawa I, which highlights his art of the previous decade made within the directives of the Gutai Art Association, Maekawa II sheds light on the artist's unremitting efforts to overcome the sudden death of Gutai's leader Jiro Yoshihara in 1972. In this volume, the ceaseless innovations and impulses Maekawa instigated in his post-Gutai practice are brought to the fore. They show the profound exercises and manipulations of sewed and dyed burlap that he shaped into oftentimes highly tactile squares, lines, triangles, and a multitude of colourful yet sober wavy patterns; at times stretched over boxes or loosely draped over walls. The result is a singular exploration of fabric, texture, colour and the possibilities of the canvas at its roughest core. Tsuyoshi Maekawa ( 1936, Japan) is one of the few remaining members of the Gutai Art Association, Japan's most important avant-garde (1954-1972), which has been receiving a lot of international attention the last few years. This book is the first monograph about Maekawa. It brings together many historic images and documents of the Gutai period, found in the archives of the Ashiya City Museum of Art. The work of Tsuyoshi Maekawa ( 1936, Japan) is an ode to matter. From the beginning he chose jute as a his main material. As is common to the art of all Gutai artists, his practice entails an authentic and personal approach with great respect for the material in all its purity. Matter is his true vehicle of expression and represents nothing other than itself. The artist is entirely at the behest of the medium. The tactility he manages to convey is deeply moving. The catalogue contains many unpublished historic image of Maekawa's Gutai period as well as an interview with the artist by Koichi Kawasaki and an essay by internationally renowned Gutai connaisseur Shoichi Hirai‎

‎Les isotopes radioactifs en médecine et en biologie.‎

‎Préface du Prof. L. Bugnard.. Paris, Masson. 1950. Grand in-8 (25x16). IX-388 (1) pages. Broché, couverture rose imprimée.‎

‎84 figures dans le texte, tableaux, très bon état, imprimé sur papier couché.‎

‎Arrêtons d'avoir peur !‎

‎2012, Michel Lafon, in-8 broché de 254 pages, «Insecticides, OGM, alimentation, pollution, radioactivité, énergie nucléaire, antennes de téléphones portables.... Ne croyez pas les nouvelles alarmistes.» | Etat : Très bon état général, occasion (Ref.: Ref95195)‎

‎Michel Lafon‎

‎Philosophie et mythe chez Karl Marx. Bibliothèque Scientifique. Paris. Payot. 1963.‎

‎1 volume in-8° broché, 218 p. Salissures sur la couverture. Bon exemplaire malgré notoire état d'usage. ‎

‎CARTULAIRES DE LA VALLEÉ D'OSSAU ‎

‎Zaragoza Escuela de Estudios Medievales - Instituto deEstudios Pirenaicos 1970 in 8 (24,5x17) 1 volume broché, couverture à rabats, CLVI et 425 pages, avec des illustrations hors-texte, et 2 cartes in fine. Collection '' Fuentes para la historia del Piineo '', VII. Rare. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Broché ‎