‎Myths and Magic in the Medieval Far North. Realities and Representations of a Region on the Edge of Europe‎

‎, Brepols, 2021 Hardback, 280 pages, Size:156 x 234 mm, Illustrations:1 b/w, 7 col., 2 maps color, Languages: English, Latin, Old Norse. ISBN 9782503588230.‎

‎Summary The history of the Far North is tinged by dark fantasies. A remote location, harsh climate, a boundless and often mountainous wasteland, complex ethnic composition, and strange ways of life: all contributed to how the edge of Europe was misunderstood by outsiders. Since ancient times, the North has been considered as a place that exuded evil: it was the end of the world, the abode of monsters and supernatural beings, of magicians and sorcerers. It was Europe's last bastion of recalcitrant paganism. Many weird tales of the North even came from within the region itself, and when newly literate Scandinavians began to re-work their oral traditions into written form after 1100 AD, these myths of their past underlay newer legends and stories serving to support the development to Christian national monarchies. The essays in this volume engage closely with these stories, questioning how and why such traditions developed, and exploring their meaning. Through this approach, the volume also examines how historiographical traditions were shaped by authors pursuing agendas of nation-building and Christianization, at the same time that myths surrounding and originating among the multi-ethnic populations of the Far North continued to dominate the perception of the region and its people, and to define their place in Norwegian medieval history. TABLE OF CONTENTS Introduction 'Bearded Women and Sea Monsters: European Representations of the Far North in the Early and High Middle Ages' - MIRIAM TVEIT Myth, Magic and Rituals in the Nordic World 'On the View of "the Other" - Abroad and At Home: The Geography and Peoples of the Far North, according to Historia Norwegiae' - LARS IVAR HANSEN 'The Ice Giant Cometh: The Far North in the Old Norse-Icelandic Sagas' - ELEANOR ROSAMUND BARRACLOUGH 'Fishermen in Trouble - Gr mnism l and Elf Islands in Northern Norway' - PETTER SNEKKESTAD 'S mi Myths and Medieval Heritage' - MARTE SPANGEN '"I Hurl the Spirits of Gandul". Pleasure, Jealousy and Magic: The Witchcraft Trial of Ragnhild Tregagaas in 1325' - RUNE BLIX HAGEN 'The Meaning of Ale in the North: From Ale Rituals to Ale as a Subject in Political Conflicts' - KAROLINE KJESRUD Myths and Representations in the Political Consolidation of the North 'The Origins of Political Organization in the Far North? The Historical and Material Remains of Finnm rk, H logaland and the Mythical Om ' - YASSIN KAROLIUSSEN 'Norwegian or Northern: The Construction and Mythography of H leygr Identity, c. 800-1050' - BEN ALLPORT 'The Formation of a Norwegian Kingdom: A Northern Counter-Narrative?' - RICHARD HOLT 'Approaches to Mythologized "Others" in Norwegian Expansion to the North' - STEFAN FIGENSCHOW‎

‎Munich Court Chapel at 500. Tradition, Devotion, Representation‎

‎, Brepols, 2025 Paperback, Pages: 719, Size:178 x 254 mm, Illustrations:4 b/w, 123 col., 27 tables b/w., 60 musical examples, Languages: English, German. ISBN 9782503619064.‎

‎Summary This collection of essays is the first to focus exclusively on the Wittelsbach court of Duke Wilhelm IV of Bavaria (1493-1550). The contributors argue for a deeper understanding of this duke's reign and acknowledge his crucial role in shaping the religious and cultural identity of the Duchy of Bavaria. By providing insights into the duke's cultural aspirations, the organisation of the court, musical sources, religious musical practice, and everyday working life, this book aims to: (1) situate the court of Wilhelm IV in the context of the religious and political upheavals of the early sixteenth century; (2) trace the development of the musical repertoire and personnel of the Bavarian court chapel between 1500 and 1550; and (3) critically assess the degree to which the Munich court could be considered 'modern' by re-evaluating the broader cultural, religious, and musical life of the court around 1520. The volume thus sheds light on the cultural ambitions of a duke who defined music and art as expressions of strategic elements that interwove tradition, devotion, and representation in a programme of governance based on humanist education-a duke whose foresight enabled the Munich court to quickly become one of the most prestigious and famous seats of power in the Holy Roman Empire. TABLE OF CONTENTS Duke Wilhelm IV, the Munich Court Chapel, and the Ducal Cultural Policy at the Beginning of the 1520s Stefan Gasch History - Religion - Art / Geschichte - Religion - Kunst Bayern und das Jahr 1523. Einige forschungsgeschichtliche berlegungen Christof Paulus Floreat semper Bavariae Regio. Die Religionspolitik der bayerischen Herz ge Wilhelm IV. (1508-1550) und Ludwig X. (1514-1545) Manfred Heim Durch Eintracht wachsen kleine Dinge, Zwietracht l sst die gr ten zerfallen. Fensterstiftungen der Wittelsbacher w hrend der Regierungszeit Wilhelms IV. (1508-1550) Daniel Parello Princes and Prince-Bishops as Elite Patrons in Early 16th-Century Germany Larry Silver Von Augsburg nach M nchen. Kontextfragen zu Hans Burgkmairs. Geschichte der Esther Manuel Teget-Welz The Ducal Court and its Sphere of Influence / Der Herzogliche Hof und sein Einflussbereich Die bayerische Hofmusik und der Augsburger Reichstag im Jahr 1500 Moritz Kelber Spaces, Ceremonial, and Sounds of a Ducal Residenzstadt. Music and the Representation of Power in Albrecht IV's and Wilhelm IV's Munich Helen Coffey Besetzungs- und Auff hrungspraktiken der Kantorei Wilhelms IV.: mehr Fragen als Antworten? Bernhard Rainer Lucas Wagenrieder: Beyond the Hand Grantley McDonald Der Tegernseer Benediktiner Wolfgang Seidel und seine lateinische Ode auf Ludwig Senfl Johannes Klaus Kipf Elisabeth Klecker Sources / Quellen New Perspectives on Wolfenb ttel Guelf. A Aug. 2o: Contexts, Themes, Repertoires Bernadette Nelson For Presentation or for Use? The Munich Alamire Codices and the Early History of the Bavarian Court Chapel Thomas Schmidt Made to Measure or pr t chanter? The Court of Wilhelm IV and the Later Alamire Manuscripts Andrew Kirkman The Secular Repertoire / Das Weltliche Repertoire Der M nchner Liedkomponist Ludwig Senfl - Vorbild? Solit r? Au enseiter? Nicole Schwindt Informelle Musikpraxis am Hof Wilhelms IV. und Jacob as von Baden - eine Spurensuche Martin Kirnbauer Sonja Tr ster Kateryna Sch ning Olja Janju? Mass and Proper Settings / Messen und Proprienvertonungen Heinrich Isaacs Messens tze ber Cantus fractus-Melodien im Repertoire der M nchner Hofkapelle Bernhold Schmid From Vienna to Munich. Mass Propers for Sundays throughout the Year at the Bavarian Court under Ludwig Senfl Ruth I. DeFord Zur Auff hrung der Magnificat-Antiphonen in Senfls Umfeld Andreas Pfisterer Excursus / Exkurs ? ye in ein ander gestalt geordnet. Die Gottesmutter in der fr hen Wittenberger Reformation Stefan Michels Motets / Motetten Quasi una Fantasia: Texture as Compositional Determinant in Senfl's Ave Maria ?Virgo serena Fabrice Fitch Duke Wilhelm IV of Bavaria in Devout Prayer: On Ludwig Senfl's Quinque salutationes. Ave Domine, Jesu Christe Birgit Lodes Ludwig Daser und die Motette am M nchner Hof um 1550 Jonas Pfohl Index of Names Index of Compositions Index of Artworks Index of Manuscripts Index of Prints‎

‎Ludwig Senfl (c.1490-1543): A Catalogue Raisonn of the Works and Sources. Volume 2: Catalogue of the Sources ? Abbreviations, Bibliography, Indexes‎

‎, Brepols, 2020 Paperback, 412 pages, Size:180 x 250 mm, Illustrations:2 tables b/w., Language: English. ISBN 9782503584799.‎

‎Summary Until now, scholars have had an inadequate picture of the scope and transmission of the oeuvre of Ludwig Senfl (c.1490-1543), one of the most important Renaissance composers of the German-speaking lands. The current publication presents an extraordinary and exceptionally comprehensive catalogue raisonn for this Renaissance composer. The Senfl Catalogue serves as an encyclopaedic research tool for further scholarly investigation: it not only presents a lively and coherent picture of Senfl's oeuvre, but also helps to explore the broader musical culture of his time. At the same time, the in-depth presentation and analysis of Senfl's music provides Early Music performers with new information on repertory that adds to the soundscape of the Renaissance. TABLE OF CONTENTS Introduction Guide to the Senfl Catalogue (SC) Addenda and Corrigenda to SC 1 List of Corresponding Census and RISM Sigla Former Shelfmarks of Individual Manuscripts List of Sources in Zwickau, Ratsschulbibliothek Catalogue of the Sources Manuscripts Individual Prints, Pamphlets, and Broadsheets Printed Collections Theoretical Writings and Textbooks Theoretical Writings and Textbooks mentioning Ludwig Senfl Other Sources Abbreviations, Bibliography, Indexes General Abbreviations Bibliographical Abbreviations RISM Sigla of Libraries Bibliography Sources cited as Textual / Melodic References Further Sources referred to in the Catalogue General Bibliography Indexes Text Incipits Acrostics Places of Printing Printers Publishers and Editors Theoretical Writings and Textbooks Names‎

‎Ludwig Senfl (c.1490?1543): A Catalogue Raisonn of the Works and Sources. Vol. 1: Catalogue of the Works‎

‎, Brepols, 2019 Paperback, 682 pages, Size:180 x 240 mm, Illustrations:2 tables b/w., Language: English. ISBN 9782503584201.‎

‎Summary Until now, scholars have had an inadequate picture of the scope and transmission of the oeuvre of Ludwig Senfl (c.1490-1543), one of the most important Renaissance composers of the German-speaking lands. The current publication presents an extraordinary and exceptionally comprehensive catalogue raisonn for this Renaissance composer. Volume 1 of the two-volume set forms the catalogue of works (including lost and misattributed compositions). It is organized according to genre and provides a thorough description of every composition. Each entry includes a musical incipit, comments on the musical structure, and comprehensive information concerning the transmission and the authenticity of the composition in addition to many other details. In its layout, structure, and critical approach to Senfl's music, this volume enables far-reaching research into the composer's style as well as a detailed characterisation of his oeuvre, and thus it provides clues towards a long-desired chronology of the composer's works. The Senfl Catalogue serves as an encyclopaedic research tool for further scholarly investigation: it not only presents a lively and coherent picture of Senfl's oeuvre, but also helps to explore the broader musical culture of his time. At the same time, the in-depth presentation and analysis of Senfl's music provides Early Music performers with new information on repertory that adds to the soundscape of the Renaissance. TABLE OF CONTENTS Introduction Preface Acknowledgements Guide to the Senfl Catalogue (SC) Abbreviations - Catalogue Compendium List of Corresponding RISM and Census Sigla Former Shelfmarks of Individual Manuscripts List of Sources in Zwickau, Ratsschulbibliothek List of Contrafacta Cross-References of Motets and Proper Settings Catalogue of the Works Ordinaries of the Mass (O 1 - O 10) Proper Settings for the Mass and for the Office (P 1 - P 30) Magnificat Settings (Mag 1 - Mag 8) Motets (M 1 - M 123) Ode Settings (Ode 1 - Ode 42) Songs (S 1 - S 356)‎

‎Rombout Verhulst 1624-1698 beeldhouwer in de Lage Landen‎

‎, WBooks, 2024 Gebonden, Hardcover, 384 pagina's, 28.7x23.6cm, met illustraties. Dutch text only. ISBN 9789462586215.‎

‎De eerste biografie over de beeldhouwer sinds 1907, gebaseerd op nieuw onderzoek, en met nieuw ontdekte werken - De kunsten beleefden in de Republiek der Verenigde Zeven Nederlanden in de zeventiende eeuw een onbetwistbaar hoogtepunt. Rombout Verhulst (Mechelen 1624 ? Den Haag 1698) was in deze periode de belangrijkste beeldhouwer in de Republiek. Deze rijk ge llustreerde biografie geeft een compleet overzicht van zijn werk. Verhulst genoot zijn opleiding in zijn geboortestad Mechelen. Vervolgens vertrok hij naar Amsterdam, waar hij vooral dankzij zijn werk aan het nieuwe stadhuis (tegenwoordig het Paleis op de Dam) furore begon te maken. Daarna woonde en werkte hij in Leiden en Den Haag. Verhulst was getuige van belangrijke gebeurtenissen in zijn tijd. Hij was lid van het kunstenaarsgilde in Amsterdam toen Rembrandt daar ook rondliep. Hij leverde werk voor het stadhuis van Amsterdam. Hij kreeg opdrachten uit hand van Johan de Witt en was waarschijnlijk aanwezig toen hij werd vermoord. Hij ontwierp praalgraven voor gesneuvelde zeeofficieren als Maarten Tromp en Michiel de Ruyter. Dankzij zijn werk ontmoette hij daarnaast vrijwel iedereen die er enigszins toe deed. Het verhaal van Rombout Verhulst gaat daarom niet alleen over zijn uitmuntende artistieke prestaties, maar vormt zeker ook een venster op de bewogen geschiedenis van deze eeuw.‎

‎JAN FABRE : Hortus/Corpus - NL editie‎

‎, Nai Uitgevers 2011, 2011 Hardcover, 223 pagina's, Nederlands, 300 x 240 mm, in goede staat, . ISBN 9789056628154.‎

‎Al ruim 25 jaar neemt Jan Fabre (1958) een toonaangevende positie in als grensverleggend beeldend kunstenaar, theatermaker en auteur. Hij is internationaal bekend om zijn vernieuwende en veelzijdige werk. JAN FABRE. HORTUS/CORPUS bevat een uitgebreide selectie uit zijn oeuvre, aangevuld met nieuwe werken en teksten van Stefan Hertmans en Evert van Straaten. Achter de woorden hortus (tuin) en corpus (lichaam) ligt het universum van Jan Fabre. Het insect, de mens, de engel en het blauw van het eeuwig terugkerende moment waarop de nacht in de dag overgaat en het leven ontwaakt, spelen daarin een belangrijke rol. Het zijn de vier terugkerende elementen waarmee Fabre zijn gedachten en dromen over leven en dood, schoonheid en afschuw, kwetsbaarheid en geweld, vergankelijkheid en eeuwigheid ordent en aan ons toont. Met zijn intrigerende werk houdt hij de toeschouwer steeds opnieuw een in schoonheid verpakte maar vlijmscherpe spiegel voor.‎

‎Jan Fabre : Hortus/Corpus - Eng Edition ‎

‎, Kroller-Muller Stichting 2011, 2011 Hardcover, 223 pages, English, 300 x 240 mm, book in fine condition, lots of illustrations, . ISBN 9789056628161.‎

‎Poetic Rewritings in Late Latin Antiquity and Beyond‎

‎, Brepols, 2024 Paperback, 520 pages, Size:156 x 234 mm, Illustrations:2 b/w, 11 tables b/w., Language(s):English, French, Italian. ISBN 9782503610245.‎

‎Summary 'Rewriting' as the reworking of narrative material based on conscious strategies of composition plays a significant role in much of the Latin poetry of Late Antiquity. This book, resulting from the conference Riscritture poetiche nell'Occidente latino tra tarda antichit e medioevo, which was held on 9-11 May 2022 at the Department of Human Sciences (DSU) of the University of L'Aquila, looks at the range of practices and purposes that inform this procedure, with particular regard to the processes of transcodification enacted - in different historical and cultural contexts - by the recasting of authoritative prose texts into a classicising poetic idiom. The contributions present a multifaceted approach to rewriting, cover a variety of authors, genres, and texts, and cast a glance also at medieval Latin literature. In short, the essays in this collection, by reflecting on the interpretative contribution of the critical category of 'rewriting', not only add further tesserae to the mosaic of literary studies on Late Latinity, they also invite to grasp the difference between secular and Christian rewritings. TABLE OF CONTENTS Introduction (Stefania Filosini) Late Latin Antiquity: Secular Rewritings Poetic Rewriting of Hylas: Dracontius, Romul. 2 (Salvatore Costanza) La r criture d'Ausone par Luxorius : enjeux et po tique (Florence Garambois-Vasquez) Forms of Martial's Reception in the Aenigmata Symposii (Marco Onorato) Late Latin Antiquity: Christian Rewritings 1. The Biblical Poetry Poetic Rewritings between Literature and Doctrine: Prudentius, Cathemerinon 5 (Fabio Gasti) La r criture vis e argumentative de la Bible. Le cas des m daillons bibliques du po me d'Orientius et du Carmen adversus Marcionitas (Ps.-Tert.) (Lucie Martin) Rewriting the Miracles: The Healing of the Man Blind from Birth in Sedulius (carm. pasch. IV. 251-270) (Stefania Filosini) The Parable of the Rich Man and Lazarus in Avitus of Vienne, carm. III. 220-310 (Franca Ela Consolino) R criture des discours des Actes des Ap tres chez Arator. Technique de la r criture et vis e pragmatique du texte (Bruno Bureau) 2. A Case Study on Biblical Poetry: The Heptateuchos Poem The Heptateuch Poet as a Battalist: Strategies of Epicisation in Battles Scenes and Military Speeches (Donato De Gianni) Per grandia tempora: Time and Temporal References in the Poem of the Heptateuchos (Francesco Lubian) Structure of the Narrative Sequences and Intratextual Links in the Heptateuchos Poem (Luciana Furbetta) Costruzione di una formularit epica interna nel poema dell'Heptateuchos. Studio di casi dell'Exodus: la teofania sul monte Horeb (Michele Cutino) 3. The Hagiographic Poetry La r criture po tique de la Vie de saint Martin par Paulin de P rigueux au miroir des genres litt raires (Sylvie Labarre) R flexions sur un exemple de r criture po tique : Paulin de P rigueux, Vie de saint Martin, V. 398-487 (Vincent Zarini) Poetic Rewriting with an Audience: Venantius Fortunatus' Life of St Martin and the Ladies of the Abbey Sainte-Croix in Poitiers (Lorenzo Livorsi) Beyond Late Antiquity Un siriaco tardo antico in riscrittura carolingia. L'attualizzazione dell'armonia evangelica di Taziano nel Heliand anticosassone (Wolfgang Haubrichs) Riscrivere i vangeli in volgare: il Liber evangeliorum e la tentazione di Cristo (Chiara Staiti) Isidore and the Wisdom of Gildas in the Vita Merlini (Francesco Marzella) Index The Authors‎

‎Gott im Bild. Eid lon ? Studien zur Herkunft und Verwendung des Begriffes f r das G tterbild in der Septuaginta‎

‎, Brepols, 2023 Paperback, 290 pages, Size:156 x 234 mm, Illustrations:23 tables b/w., Language(s):German, Hebrew, Greek. ISBN 9782503596112.‎

‎Summary In the present day, the term 'idol' is often associated with a personality cult, but it still contains traces of its ancient meaning, namely above all the idea of worship. But this exactly creates a problem for the faith in God attested in the Old Testament. Worship and imagery obviously contradict the Old Testament commandment of worshipping the God of Israel without any image. This study fills a gap in the research in theological and religious studies by systematically exploring the various uses and connotations of the term eid lon. The starting point is an examination of the use of eid lon in Greek literature and in Egyptian sources from the Hellenistic period. The main part of the work is devoted to the various connotations of the term that later find their way into the Septuagint, the Greek Bible. There, as well as in later Jewish-Hellenistic literature, eid lon becomes the terminus technicus for the pictorial representation of deities. Der Begriff Idol verbindet sich in der Gegenwart h ufig mit einem Personenkult, enth lt aber immer noch Spuren seines antiken Wortsinnes, n mlich vor allem die Idee der Verehrung. Doch darin offenbart sich das Problem f r den im Alten Testament bezeugten Gottesglauben. Verehrung und Bildhaftigkeit stehen offenbar im Widerspruch zum alttestamentlichen Gebot der bildlosen Alleinverehrung des Gottes Israels. Diese nun vorliegende Studie f llt eine L cke in der theologischen und religionswissenschaftlichen Forschung, indem sie systematisch die verschiedenen Verwendungen und Konnotationen des Begriffs eid lon erforscht. Ausgangspunkt ist eine Untersuchung des Gebrauchs von eid lon in der griechischen Literatur und in gyptischen Quellen aus hellenistischer Zeit. Der Hauptteil der Arbeit widmet sich den verschiedenen Konnotationen des Begriffs, die sp ter Eingang in die Septuaginta, die griechische Bibel, finden. Dort, sowie in der sp teren j disch-hellenistischen Literatur, wird eid lon n mlich zum terminus technicus f r bildliche Darstellung von Gottheiten. TABLE OF CONTENTS Vorwort Einleitung I. ??????? in nichtj dischen Texten II. Hebr ische quivalente III. ??????? im Pentateuch IV. Psalter V. Prophetie VI. K nigt mer, Chronik und das Buch Daniel VII. Das Buch der Weisheit, das Buch Tobit, der Brief des Jeremia und die B cher der Makkab er VIII. Schlussbetrachtung und Zusammenfassung Literaturverzeichnis Indices‎

‎Peinture baroque‎

‎, Gallimard , 1999 Hardcover, 397 pages, Texte en Francais, 288 x 260 mm, very richly illustrated with coloured illustrations. ISBN 9782070116331.‎

‎Apr s les grands succ s qu'ont t La peinture italienne et La peinture moderne, cet ouvrage retrace l'aventure de la peinture occidentale aux XVIIe et XVIIIe si cles, ge d'or de la culture et de l' conomie dans de nombreux pays, que l'on d signe sous le terme de " baroque ". Pendant longtemps, humanistes et artistes ont cherch tablir les canons de la beaut en se r f rant l'Antiquit classique. Art des sentiments extr mes, le baroque marque le d passement audacieux de ces normes et recherche les effets th traux, spectaculaires et impr vus, tout en atteignant les profondeurs de l' me humaine. Cet ouvrage r unit les plus grands ma tres de l'art des XVIIe et XVIIIe si cles ainsi que de nombreux artistes, moins connus, de tr s grand talent, qui concourent la culture artistique de leur nation. C'est pourquoi son organisation correspond aux coles des diff rents pays, et met en vidence que les plus grands chefs-d'?uvre ne sont pas les fruits isol s d'un g nie cr ateur, mais qu'ils mergent d'un contexte historique et intellectuel dont ils deviennent le r sum et le symbole. Plus de cinq cents tableaux, tous reproduits en couleurs, permettent de suivre, de la fin de la Renaissance l'aube du n oclassicisme, les tapes de cette histoire passionnante de la peinture baroque. On y trouve notamment le r alisme de Caravage, le mysticisme visionnaire de Greco, l'explosion fastueuse de Rubens, le classicisme de Poussin, la fantaisie lumineuse de Tiepolo.‎

‎Comprendre l'histoire de la vie‎

‎Chronique sociale 1995 217 pages 21x15x2cm. 1995. Broché. 217 pages.‎

‎Bon état‎

‎Prévenir le Stress au Travail : de l'Évaluation à l'Intervention - Editions Retz Paris 2010‎

‎ in-8° broché, 208 pages, comme neuf, Avant-propos de Stéphane Rambaud-Measson, Préface du docteur Charly Cungi, collection "Efficacité Professionnelle Management" ISBN : 9782725629872‎

‎Depuis longtemps, les problématiques liées au stress professionnel ont conduit les chercheurs à investiguer ce domaine et à montrer ses implications tant sur le plan humain que sur le plan financier. Il y a plus de dix ans que les résultats de ces études montrent à quel point il est important de mettre an place des démarches préventives du stress professionnel et de stopper les actions centrées uniquement sur une formation ponctuelle. ‎

‎Rubens, Venus, and Adonis. Anatomy of a Tragedy‎

‎, The Israel Museum, Jerusalem, 2012 Hardcover 66 pages Hebrew and English.*FINE ISBN 9789652783936.‎

‎The scientific career of a team leader ( Planetary and Space Science 49 (2011) 511-522 ) [ with handwritten card sent to a friend and former collaborater ]‎

‎1 set of stapled pages, Planetary and Space Science, Pergamon, 2001, pp. 511-522. With a handwritten card.‎

‎Nice copy for this off-print with a handwritten accompanying cardboard sent to Dr. Jacques Lacroix. J.-L. Steinberg was a founding father of radioastronmy in France. His friend, J. Lacroix, had prepared a Ph.D (Univ. of Paris) under his leadership, in the early 60s. They worked together on experiences in the field of radioastronomy that were performed in the year 1964-1966 with "Rubis" rockets. These rockets, which were the fist 100% French expandable launch system, were launched from French-owned Hammaguir launch site, in Western Sahara. In the accompanying card, J.-L. Steinberg briefly explained that this publication was a summary of his career as a scientist. This text is an impressive and very interesting overview on his own life, by a man who was a survivor of nazis camps (most of his family was murdered in Auschwitz or on the way to Dora).‎

‎LES ANTIGONES ‎

‎Paris N.R.F Gallimard 1986 in 8 (22,5x14) 1 volume broché, couverture imprimée, 345 pages [3], avec 15 illustrations hors-texte en noir et blanc. Traduit de l'anglais par Philippe Blanchard. Collection '' Bibliothèque des idées ''. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Broché ‎

‎Die Spezialisation der Alchimillen-bewohnenden Sphaerotheca Humuli (DC) Burr. Diss. Uni Bern. ‎

‎Jena, Gustav Fischer, 1908, gr. in-8vo, 58 S. mit 3 Fig im Text + gef. Farbtafel, Original-Broschüre.‎

‎Agriculture fondements spirituels de la méthode bio-dynamique‎

‎Anthroposophiques romandes 1977 45 pages in12. 1977. Relié jaquette. 45 pages.‎

‎Très Bon Etat‎

‎Cours d'eurythmie de la parole‎

‎1981, Triades, in-8 broché de 153 pages, couverture rempliée rose et blanche, n°8 de la série Triades, Cours d'eurythmie de la parole, l'eurythmie, langage visible, cours donné aux eurythmistes à Dornach du 24 juin au 12 juillet 1924 | Etat : très bon état, couverture très légèrement défraîchie et usée (Ref.: ref83484)‎

‎Triades‎

‎Etudes psychologiques - Culture pratique de la Pensée - nervosité et le Moi - Tempéraments‎

‎1974, Editions Anthroposophiques Romandes, collection «Science de l'esprit «, in-12 broché de 136 pages, couverture blanche, 5 conférences faites dans différentes villes en 1909 et 1912, traduction faites d'après une sténographie non revue par l'auteur. | Etat : Bon état général, couverture un peu jaunie (Ref.: Ref85682)‎

‎éditions anthroposophiques romandes‎

‎Méthode et pratique‎

‎1982, Triades, in-8 broché de 175 pages, couverture bleue et blanche, titrage blanc, Méthode et pratique, 14 conférences faites à Stuttgart du 21 août au 5 septembre 1919, traduit de l'allemand par Henriette Bideau | Etat : Etat moyen, couverture usée avec de nombreuses marques, dos frotté (Ref.: ref83481)‎

‎Triades‎

‎Santé et maladie‎

‎1983, édition Anthroposophiques romandes, in-12 cartonné de 455 pages, rhodoïd, demi-jaquette, Santé et maladie, fondements d'une étude sur les sens par les méthodes de la science spirituelle, 18 conférences faites à Dornach du 19 octobre 1922 au 10 février 1923 aux ouvriers de Goetheanum | Etat : bon état général, rhodoïd un peu défraîchi (Ref.: ref89640)‎

‎Anthroposophiques romandes‎

‎Magritte: la storia centrale ‎

‎Milano, Skira, 2001 Softcover, 113 pages, 28 x 24 cm, Italian text. *good condition. ISBN 9788881188949.‎

‎Magritte: la storia centrale ‎

‎Haggadah shel Pesach passover hagada. 1923 ‎

‎Berlin, Ferdinand Osertag Verlag,, 1923 Original hardcover binding,(1) 50 pages (1), 27x20cm. illustrated with 20 b/w illustrations (woodcuts) *fine condition.‎

‎Bookbinding; Herman Hanssens Illustrations; Steinhardt, Jakob, designed and illustrated by; Baruch, Franziska, designed of the Hebrew type-face; It is the first trade edition of the Steinhardt-Haggadah, featuring 20 powerful woodcuts by artist Jacob Steinhardt and calligraphy by Franziska Baruch. This 1923 Haggadah is an exceptional book for both collectors of Judaica and lovers of book art. With impressive wood engravings by Steinhardt and calligraphy by Baruch, it combines artistic power and religious significance like few other Haggadahs of the period.‎

‎Les neuf couleurs de l'arc en ciel ‎

‎ Editions de Mir Editions de Mir, 1967. In-12 broché de 354 pages illustrées. Bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎