‎Urgences pédiatriques‎

‎Masson & cie 1968 in8. 1968. Cartonné.‎

5 Images

‎Bon état (BE) bords jaquette un peu jauni intérieur propre présence de qques annotations‎

‎Le cycle de la Lunaison ou cycle soli-lunaire. Une approche intégrale de la personnalité. Éditions du Rocher. Monaco. 1978.‎

‎1 volume in-8° broché, couverture illustrée, 237 p., très bon état. ‎

‎Dutch and Flemish Painting: Portraits 1600-1800, Old Masters' Gallery Catalogues, Szepmuveszeti Muzeum Budapest, Volume 1.‎

‎NL-, Primavera, 2011 Bound, hardcover, 304 pag., 22 x 28 cm, bound, ca. 150 ill. mostly colour fine condition !. ISBN 9789059971004.‎

‎The collection of Dutch Old Master paintings in the Szepm?veszeti Muzeum, Budapest, is one of the largest in the world outside the Netherlands and Belgium. This first volume of its catalogue raisonne series discusses one hundred and five Dutch and Flemish portraits from 1600 to 1800, an abundant and varied section of the collection. Represented are such great masters like Anthony van Dyck, Frans Hals, Thomas de Keyser, Bartholomeus van der Helst, and it includes fine works by leading portraitists from nearly all the famous centres of Dutch painting. The core of this material comes from the Prince Esterhazy collection purchased in 1871, which was subsequently enriched by gifts and bequests of further Hungarian aristocrats and bourgeois collectors. Until recently the collection of portraits has been augmented through resolute or occasional aquisitions by gallery directors, starting with Karoly Pulszky, Gabriel Terey and others. This volume is the first systematic overview of that special part of the Budapest collection, containing new achievements of research: several new attributions, names of sitters, and unknown data to the provenance of the paintings. The text is in English and Hungarian. Rudi E.O. Ekkart, director of the Rijksbureau voor Kunsthistorische Documentatie in the Hague, is the leading authority on seventeenth-century Dutch and Flemish portraits, author of scholarly catalogues and co-curator of special exhibitions. He is professor of arthistory at the Utrecht University.‎

‎Anselm Kiefer Bilderstreit‎

‎, museum voorlinden, 2023 Hardcover,184 PAGES met prachtige illustraties in kleur. index. Text NL/ENG. 24 x 29,7 cm. ISBN 9789492549914.‎

‎Dankzij zijn eigenzinnige beeldtaal, vol verwijzingen naar geschiedenis, mythologie en literatuur, groeide Anselm Kiefer (1945) uit tot een van de grootste kunstenaars van onze tijd. Zijn werk is een lust voor het oog en prikkelt het brein. Hij denkt groots, werkt op monumentale schaal met ongebruikelijke materialen en deinst er niet voor terug om de ongemakkelijke vragen van het leven te stellen. Tijdens zijn solotentoonstelling Bilderstreit bij Voorlinden kun je zijn intrigerende schilderijen, sculpturen, kunstenaarsboeken en installaties zien. Een groot aantal daarvan is nooit eerder vertoond. ///--- Thanks to his idiosyncratic visual language, full of references to history, mythology and literature, Anselm Kiefer (1945) has become one of the greatest artists of our time. His work is pleasing to the eye and stimulating for the brain. He thinks big, works on a monumental scale with unusual materials and does not shy away from asking the uncomfortable questions of life. During his solo exhibition Bilderstreit at Voorlinden you can see his intriguing paintings, sculptures, artists? books and installations. Many of them have never been shown before.‎

‎Leonhardi Euleri opera omnia. (NUR): Vorwort zur Gesamtausgabe der Werke von Leonhard EULER Serie I Operama Mathematica Volumen I‎

‎Leipzig und Berlin, B.G. Teubner, 1911, in-4to, XLI S. (41), illustrierte Original-Broschüre.‎

‎Felix Vallotton Les Couchers de Soleil.‎

‎, Fondation Gianadda, 2005 softcover illustre de l'editeur, 264 pages, HB, 240 x 220 mm illustre. Texte en Francais. ISBN 9782884430876.‎

‎Expo: 18/3/2005-12/6/2005, Fondation Gianadda, Martigny ‎

‎Pierres nobles. splendeur et enchantements des minéraux et des cristaux‎

‎Hatier 1967 255 pages collection Couleurs de la nature. in-12. 1967. Cartonnage éditeur. 255 pages. Avec des photographies en couleurs‎

‎Etat correct. Quelques légers frottements au cartonnage sinon bon état‎

‎Music and Science from Leonardo to Galileo‎

‎, Brepols, 2022 Hardback, 440 pages, Size:210 x 270 mm, Illustrations:51 b/w, 40 musical examples, Language(s):English, Italian. ISBN 9782503600802.‎

‎Summary Music is not only an art (either as the art of composition or the art of performance) but also a subject for scientific investigation. Scientists have always been interested in musical sound, philosophers in the impact of music on the human mind, and musicians may have been puzzled by the scientific foundations of their art. This book collects fourteen studies by authors from various countries about the interrelations between music and science as apparent in the long century from the lifetime of Leonardo da Vinci (1452-1519) to that of Galileo Galilei (1564-1642), a period termed Renaissance, Early Modern or the time of the (first) Scientific Revolution depending on the angle from which this period is approached. It is a time when the Aristotelian physics was replaced by modern pre-Newtonian physics, when Catholicism was challenged by the Reformation, when traditional polyphonic musical styles were supplemented by new monodic styles, vocal and instrumental. Both Leonardo and Galileo had vivid interests in music, but they were not the only ones. The ideas of scientists and philosophers, such as Marin Mersenne, Ren Descartes, Giordano Bruno and Philipp Melanchton are also discussed. TABLE OF CONTENTS Library Sigla Greek Writings Abbreviations of Reference Works Rudolf Rasch ? Introduction The (Long) Sixteenth Century Music David E. Cohen ? Latet discordantia quartae : An Early Natural-Scientific Explanation of Upper-Voice Fourths by Franchinus Gaffurius Science Paolo Alberto Rismondo ? Teoria musicale e patronage nobiliare a Venezia nel Cinquecento Alexander Jakobidze-Gitman ? Nascent Mechanism in Philip Melanchthon's References to Josquin des Prez Carlo Bosi ? Intra quaternarii limites musicam intelligunt omnem consonantiam : La musica nel pensiero di Giordano Bruno Gioia Filocamo ? Dissezioni anatomiche con musica a Padova nella prima et moderna The (Long) Seventeenth Century Music Daniel Mart n S ez ? Galileo and Opera: Music, Science, Religion, and Politics in the Seventeenth Century Jason Stoessel & Denis Collins ? La grandezza del numero sonoro : Canonic Techniques, Combinatorics and Early Scientific Thought in Seventeenth-Century Rome Carlos C. Iafelice ? Giovanni Battista Doni on the Tonal Space of Chromatic Music: The Case of Gesualdo's Tu m'uccidi, o crudele Rudolf Rasch ? Me veux-tu voir mourir: Joan Albert Ban versus Antoine Bo sset (1640-1641) Galliano Ciliberti? La Missa La luna piena (1657-1658) di Giuseppe Corsi e le teorie galileiane Science Rudolf Rasch ? Ren Descartes and Isaac Beeckman: The Philosopher and the Schoolmaster Leendert van der Miesen ? The Trumpet as Nature's Voice: Marin Mersenne and the Nature of Music Roberta Vidic ? Joachim Jungius and the Question of Music as an Experimental 'Mixed Science' Th odora Psychoyou ? Trajectories of Musical Acoustics in Seventeenth-Century French Theory and Experiment: Sound, Noise, and the Authorities of the Past Adam Fix ? The Acoustical Paradox: How Music Was Unmoored and Set Adrift from Sciences in the Seventeenth Century Index of Names‎

‎Painters and Communities in Seventeenth-Century Brussels, A Social History of Art‎

‎BE, UPL - KU Leuven, 2024 Paperback, 300 pages, 50 Illustrated, full colour, 244 x 170 x mm, Language: English, .*NEW ISBN 9789462704282.‎

‎Innovative exploration of the Brussels Baroque and the social dimensions of art production. In seventeenth-century Brussels, the careers of painters were shaped not only by their artistic talents but also by the communities to which they belonged. This book explores the intricate relationship between the social structures and artistic production of the 353 painters who became masters in the Brussels Guild of Painters, Goldbeaters, and Stained-Glass Makers between 1599 and 1706. This innovative study combines quantitative digital analysis with detailed qualitative case studies, offering a novel approach to the social history of art. By examining the various communities in which these artists operated, this book provides new insights into how early modern painters ? both in Brussels and beyond ? created their art, earned a living, and navigated the complexities of urban life. Painters and Communities in Seventeenth-Century Brussels also presents the first overview of the Brussels Baroque, with extensive biographical lists of the city?s master painters. PART I THE THREE PLACES OF LIVING CHAPTER 1. THE FIRST PLACE: THE FAMILY AND KINSHIP PATTERNS OF BRUSSELS? PAINTERS 1.1 The Early Modern Family of Painters in Art History 1.2 Brussels in the Seventeenth Century 1.3 Marriage Patterns and Independent Households 1.4 Occupational Continuity 1.5 Spiritual Kinship: Godparents and Marriage Witnesses 1.6 Conclusion CHAPTER 2. THE SECOND PLACE: BRUSSELS? PAINTERS AND THE LOCAL GUILD OF PAINTERS, GOLDBEATERS, AND STAINED-GLASS MAKERS 2.1 A Social Approach to the History of Guilds in the Southern Netherlands 2.2 The Brussels Guild of Painters, Goldbeaters, and Stained-Glass Makers During the Seventeenth Century 2.3 The Guild?s Conditions of Membership and Increasing Openness to Outsiders 2.4 Social Mobility Within the Guild 2.5 Occupational Ties and Information Flows 2.6 Conclusion CHAPTER 3. THE THIRD PLACE: THE SOCIAL LIFE OF BRUSSELS? PAINTERS BEYOND HOME AND WORK 3.1 The ?Third Place? in the Early Modern Southern Netherlands 3.2 Public Houses 3.3 Chambers of Rhetoric 3.4 Confraternities 3.5 Parishes and Neighbourhoods 3.6 Conclusion PART II THE THREE PLACES OF PAINTING CHAPTER 4. PAINTING FOR THE COURT: A FAMILY OF PAINTERS AT THE START OF THE SEVENTEENTH CENTURY 4.1 Brussels? Painters and the Archdukes? Patronage 4.2 The Noveliers Family of Painters 4.3 The Noveliers Family?s Privileged Position at the Court 4.4 The Noveliers Family?s Activities Outside the Court 4.5 Conclusion CHAPTER 5. PAINTING FOR THE MARKET: THE SONIAN FOREST DEPICTED AROUND THE MID-SEVENTEENTH CENTURY 5.1 The Sonian Forest Painters in Art-Historical Literature 5.2 The Growing Demand for Native Landscapes 5.3 The Sonian Forest Painters? Network 5.4 Collaborations 5.5 Conclusion CHAPTER 6. PAINTING FOR THE TAPESTRY INDUSTRY: THE CO-PRODUCTION OF TAPESTRY CARTOONS AT THE END OF THE SEVENTEENTH CENTURY 6.1 The Increasing Interest in Brussels? Tapestry Designers and Cartoon Painters 6.2 Adapting to a Changing Taste 6.3 Designing and Painting Tapestry Cartoons 6.4 The Importance of Spatial Proximity 6.5 Conclusion GENERAL CONCLUSION APPENDICES NOTES SOURCES AND BIBLIOGRAPHY‎

‎Vinificacion moderna‎

‎ ,Barcelona, Gallach 1900, 303 pp., 1 vol. in 12 relié cartonnage éditeur en percaline verte décorée, figures in texte‎

‎Les hormones végétales naturelles‎

‎Jouvence 1997 15x21x2cm. 1997. Broché. 160 pages. Bon Etat intérieur propre‎

‎Contribution à l’histoire de la spécialité pharmaceutique emplâtres et sparadraps‎

‎ Imprimeries Bellenand, Fonenay aux roses, 1946. Plaquette petit in/4, couverture imprimée, 99 p.‎

‎Petits manques en couverture.Documents historiques sur les emplâtres, emplâtres spécialisés, les sparadraps spécialisés. ‎

‎L'artisan traiteur Cuisine froide . Pièces de viande en présentation . Fonds et sauces . Réalisations de buffets et réceptions‎

‎ ,Paris, Editions ST-HONORE 1990, 319 pp., 1 vol. in 4 relié plein skivertex vert, titre doré au dos et sur le premier plat, jaquette illustrée en couleurs avec des petites déchirures‎

‎DE LA BIOLOGIE A LA CULTURE. TOME 1. COLLECTION CHAMP N° 128‎

‎FLAMMARION .. 1983.. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 303 pages. 1ère de couverture illustrée en couleurs.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎De la biologie à la culture, Nouvelle Bibliothèque Scientifique dirigée par Fernand Braudel, Flammarion, 1976.‎

‎1 vol. in-8 br., couverture éditeur pelliculée, 594 p., très bon état d'occasion. ‎

‎TRAITE DU VIVANT‎

‎FAYARD. 1982. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Papier jauni. 795 pages. Quelques illustrations en noir et blanc, dans le texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎TRAITE DU VIVANT - COLLECTION LE TEMPS DES SCIENCES.‎

‎FAYARD. 1982. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 795 pages - quelques figures en noir et blanc dans le texte.. . . . Classification Dewey : 570-Sciences de la vie‎

‎COLLECTION LE TEMPS DES SCIENCES. Classification Dewey : 570-Sciences de la vie‎

‎TRAITE DU VIVANT- PREMIER VOLUME- COLLECTION CHAMPS N°168‎

‎FLAMMARION. 1986. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 350 pages. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎Histoire de l'Université de Fribourg Suisse 1889-1989. Institutions, enseignements, recherches / Geschichte der Universität Freiburg Schweiz. Institutionen, Lehre und Forschungsbereiche. Hrsg. von einer Professoren-Kommission geleitet von Roland Ruffieux und dem Rektorat der Universität. 3 vols / 3 Bde.‎

‎Freiburg, Universitätsverlag, 1989, in-4°, XXXIII + 1199 p., richement ill., reliures en toile originale, jaquettes orig. ill. ‎

‎De la biologie à la culture‎

‎Flammarion, Fernand Braudel. 1976. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. 596 pages. augmentées de quelques schémas en noir et blanc,dans le texte. Quelques rousseurs. Ex-dono à l'encre en pag de faux-titre.. . . . Classification Dewey : 570-Sciences de la vie‎

‎"Collection ""Nouvelle bibliothèque scientifique"". Classification Dewey : 570-Sciences de la vie"‎

‎De la biologie à la culture - Collection Nouvelle bibliothèque scientifique.‎

‎Flammarion. 1976. In-8. Broché. Etat d'usage, Coins frottés, Dos plié, Papier jauni. 594 pages, nombreuses illustrations et cartes en noir et blanc dans le texte. . . . Classification Dewey : 570-Sciences de la vie‎

‎Collection Nouvelle bibliothèque scientifique. Classification Dewey : 570-Sciences de la vie‎

‎"De la biologie à la culture - ""Nouvelle bibliothèque scientifique"""‎

‎Flammarion. 1977. In-8. Broché. Etat d'usage, Couv. convenable, Dos plié, Intérieur acceptable. 594 pages. Nombreux passages soulignés et annotés au feutre noir dans le texte. Annotation au crayon de papier en page de garde.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎De la biologie à la culture - nouvelle bibliothèque scientifique‎

‎Flammarion. 1976. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Quelques rousseurs. 594 pages. Quelques illustrations en noir et blanc, dans le texte. Inclus une coupure de presse concernant l'auteur. Annotation en page de garde.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Nouvelle bibliothèque scientifique, dirigée par Fernand Braudel. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Traité du Vivant‎

‎Paris, Flammarion 1986 2 in 12 Broché couverture Illustrée 345[p.p]433[p.p] ‎

4 Images

‎ Tres bon état, quelques rousseurs Disponibilité sous réserve de vente en boutique, prix valable frais de port inclus pour commande > 90 € et poids < 1 Kg‎

‎Traité du vivant - Premier volume + deuxième volume - Collection champs n°168-169.‎

‎Flammarion. 1986. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 350 pages + 446 pages.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Collection champs n°168-169. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎