‎Gerard Goudaen: Drie houtsneden uit Het Scheldeland‎

‎, , 1982 Drie houtsneden, gesigneerd in potlood en met titel, E.A., Blauwbaard, Spinner en De Veerman, 32.5 x 24.5 cm elks. Goede staat. Spinner heeft vlekken in de rand.‎

‎Gerard Gaudean was een Belgische kunstenaar geboren in 1927 te Sint-Niklaas-Waas en gestorven in 2003. Hij was een graficus en houtsnijder. Hij volgde opleiding aan de Academie te Sint-Niklaas, aan de Academie te Gent o.l.v. V. Stuyvaert en aan het Hoger Instituut te Antwerpen o.l.v. M. Severin en J. Vaerten. Hij had een voorkeur voor o.a. (hout)gravures naar literaire werken, figuren, naakten, dieren en havengezichten. Hij was tevens werkzaam als ontwerper van gelegenheidsgrafiek en ex-librissen. Bleef steeds geboeid door nieuwe technische uitdagingen. Wist bijv. een nachtelijke atmosfeer op te wekken door, bij het drukken, een doorschijnend weefsel over het houtblok te leggen. Hij was lid van de ?Wase Kunstkring?, voorzitter van ??t Getij? en medestichter van de ex-libriskring ?Graphia?. Hij was leraar tekenen aan het Koninklijk Atheneum te Sint-Niklaas, leraar houtsnede aan de Academie te Gent (1963-1971), vanaf 1971 leraar hoogdruk en nadien, tot 1991, directeur aan de Academie te Antwerpen. Werk o.m. in de Prentenkabinetten te Brussel en Antwerpen. Vermeld in BAS I. (PIRON)‎

‎L'HOMME ELEMENTS DE PHYSIOLOGIE D'HYGIENE DE PREHISTOIRE ET D'ETHNOGRAPHIE‎

‎G. MASSON. 1890. In-12. Cartonnage d'éditeurs. Etat d'usage, 1er plat abîmé, Dos satisfaisant, Intérieur frais. 360 pages. Nombreux schémas en noir et blanc dans le texte.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎"LA BIONIQUE / COLLECTION ""L'UNIVERS DES CONNAISSANCES""."‎

‎HACHETTE. 1968. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 254 pages illustrées de nombreuses photos et dessins e nbir et blanc - Couverture illustrée en couleur.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎LA BIONIQUE - COLLECTION L'UNIVERS DES CONNAISSANCES N°27.‎

‎HACHETTE. 1968. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 254 pages - nombreuses illustrations en couleurs et en noir et blanc dans et hors texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎COLLECTION L'UNIVERS DES CONNAISSANCES N°27. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎"L'alchimie; Les laboratoires d'Alexandre; L'or potable; L'alchimie médiévale; Transmutation célèbres; Les derniers faiseurs d'or."‎

‎Paris, Louis Pauwels, 1972. 17 x 22, 255 pp., quelques illustrations, broché, couverture à rabats, bon état (couverture défraîchie).‎

‎Francis Al s. The Nature of the Game.‎

‎, Leuven University Press, 2023 Paperback, 176 pages 23x17cm Illustrated, full colour. fine!. ISBN 9789462703841.‎

‎In 1999, a short video of a solitary boy kicking an empty bottle up a hill in Mexico City became the first instalment of Children?s Games, a series of works by artist Francis Al s (b. Antwerp, 1959). The ongoing project, which now numbers around thirty-five works, has gradually given shape to an extensive collection of videos of children at play. For almost twenty-five years, Al s and his collaborators F lix Blume, Julien Devaux, and Rafael Ortega have been travelling around the world to document the distinctive ways in which children interact with each other and their physical environment. They have gone from remote villages in the Democratic Republic of the Congo, Afghanistan, Venezuela, and Nepal to the mountains of Switzerland and metropoles like Hong Kong and Paris, but have also visited the war-torn city of Mosul in Iraq, the border between Mexico and the United States, and the strait of Gibraltar that divides Africa and Europe. The resulting images are standing proof of the seriousness of play and of children?s stunning powers of resilience in the face of conflict. This volume provides a multidisciplinary perspective to the many layers of Children?s Games. It includes an interview with Francis Al s and Rafael Ortega, a series of essays by well-known scholars and art critics, curatorial statements, and a logbook related to the presentation of Children?s Games at the Venice Biennale of 2022. Gerard-Jan Claes is a filmmaker, lecturer and writer. He is both founder and artistic director of the cinephile platform Sabzian. St phane Symons is Professor of Aesthetics and Philosophy of Culture at the Institute of Philosophy, KU Leuven.‎

‎Fotoalbum, Thema's: Wijnegem, Congo, Algerije, Rome‎

‎Wijnegem, , 1924-1927 Gevuld fotoalbum van Gerard J.M. Plasmans, met talrijke foto's genomen in Congo, Algerije, Rome en Wijnegem. 32 x 25 cm. *Goede staat.‎

‎Fotoalbum: Thema's: Wijnegem, Congo, Algerije, Rome‎

‎Les sociétés secrètes et leurs mystères.‎

‎Bruxrelles, J.-M. Collet, 1991. 15 x 22, 390 pp., broché, bon état.‎

‎Les sociétés secrètes et leurs mystères.‎

‎Braine-l'Alleud (Belgique), J.-M. Collet, 1991. 15 x 22, 390 pp., broché, bon état (couverture légèrement défraîchie).‎

‎Comment on retouche un cliché photographique. Nouvelle édition revue et augmentée (5e édition sur la couverture).‎

‎ P., Chiron, sans date, in 12 broché, 72 pages ; figures ; couvetrure illustrée (avec des rousseurs). ‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande ...................‎

‎la vision par lordinateur‎

‎Hermes 1988‎

‎Très bon état Ouvrage cartonné , illustré de dessins . sciences technique electronique - largeur/hauteur : 15,5x23,5 cm - poids : 230 g - nombre de pages : 64 p. - langue : Français‎

‎Weaving Memories in Medieval Cathedrals, Artistic Narratives in Global History‎

‎, Brepols, 2026 Hardcover, 317 pages, 216 x 280 mm, Illustrations:17 b/w, 126 col., 2 tables b/w. English. New. . ISBN 9782503617695.‎

‎This volume examines a network of medieval European cathedrals, from the North Sea to Andalusia, to reveal the specific ways in which institutional and civic memories were interwoven in each of these ecclesiastical sees. These pages analyze the plurality of the European landscape through eleven cathedrals, created between the fourth and fifteenth centuries across the European geographical and cultural breadth. The architectural features of each cathedral are the result of a complex process of morphogenesis that is constantly defined by the local conditions of space, building material, etc. For these reasons, each author reveals in the respective case study how the ritual spaces and the cultic and commemorative devices that legitimized their relationship with the past, the particular devotions, the diachronic and synchronic crossroads and their relationships with the secular and religious elites were generated, modified and organized. Crucial to this integrative process was the movement of patrons and master builders, as well as their ability to adopt new approaches and integrate them into established patterns. The cathedrals studied in this volume were highly innovative centers that exported successful models. In some cases, their proposals were formulated on the substratum of Roman antiquity, often reinterpreted. Furthermore, special attention is given to the memorial competencies of devices and liturgical furnishings, that constituted a large part of the visual and mnemonic experience inside their ceremonial spaces. Through the study of the selected cathedrals it is revealed that each and every one of them sought to affirm two complementary realities: what role each one aspired to play in the history of Universal Salvation and, at the same time, how to articulate the spaces of the monument to give place and temporality to the memory itself, extolling the most relevant powerful personalities in the framework of the lay community. Thus, the volume offers a panoramic view of the specificities, but also of the analogies generated by artistic intersections and homologous statements. TABLE OF CONTENTS Introduction: Negotiating Institutional Pasts in European Cathedrals Gerardo Boto Varela and Marta Serrano Coll Medieval Cathedrals As Reliquaries Of Memorial Narratives I Imperial Patronage and Shaped Memories The Cathedral of Rome in Context: Sacred Spaces, Rituals, and Patrons (Fifth?Fourteenth Centuries) Manuela Gianandrea and Eleonora Tosti Cathedral Saint Mauritius and Saint Katharina, Magdeburg Matthias Untermann II International Architectures for Secular and Ecclesiastical Hegemonies 1099?1106: The Foundation of Modena Cathedral as a Mirror of the Transition Between Seigneurial Power and Civic Self-Consciousness Saverio Lomartire Poitiers, the Cathedral Saint-Pierre-Saint-Paul Claude Andrault-Schmitt The Dispute over the Tradition of an Episcopal Church and the Art of the Naumburg Master Holger Kunde The Cathedral of Saint Vitus, Wenceslas, Adalbert, and the Virgin Mary in Prague in the Romanesque Period Jana Ma? kov -Kubkov Notre-Dame de Lausanne: Socio-Spatial Organisation at the Origins of the Cathedral (Thirteenth?Sixteenth Centuries) K rim Berclaz III Hosting and Proclaiming Cults ?North to Saint Olav??A Saint and his Cathedral on the Edge of the Christian World ystein Ekroll Canterbury Cathedral and its Holy Archbishops: Weaving Memories Between Continuity and Innovation Ute Engel IV Negotiating the Past in Palimpsestic Cities on the Edges of Latinity The Hard Task of Surrogating Jerusalem: Famagusta Cathedral in Medieval Experience and Modern Scholarship Michele Bacci The (In)visible Cathedral: The Major Church of Santa Mar a in Seville from 1248 to 1411 Teresa Laguna Pa l Index of Names Index of Places‎

‎Traité pratique de micrographie‎

‎Non Renseigné. Non daté. In-8. Cartonnage d'éditeurs. Etat d'usage, Coins frottés, Dos satisfaisant, Fortes mouillures. 511 pp., XL pp., gravures in-texte, plats et dos frottés, manque la page de titre - 2 PHOTOS DISPONIBLES.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Une augmentation de la Connaissance Humaine réalisée selon le Plan Prophétique de la Bible.-‎

‎Bruxelles. Office de Publicité. Liège. Georges Thone. 1922. In-8 br. couverture un peu abîmée, 283pp. On joint du même Message aux Chercheurs Individuels de la Vérité. Mêmes éditeurs, in-8 br. 31pp.‎

‎Gravitation et liberté. Essai d'extension de la représentation physique ---- EDITION ORIGINALE‎

‎P., PUF, 1962, un volume in 8, broché, couverture imprimée, (2), 346pp.‎

‎---- EDITION ORIGNALE ---- BEL EXEMPLAIRE ---- ENVOI DE L'AUTEUR ---- Analyse et critique des différents modes de représentation : l'objet de pensée, les divers systèmes de notation des phénomènes, arbitraire des notions d'infini et de dimensions, du temps du verbe au temps du monde - La tendance : philosophie de l'idée de tendance, tendance et expansion généralisée, dyssymétrie des corps dits en rotation, les marées et les satellites, la pesanteur et ses anomales... - Interprétation de la matière (figuration générale de l'espace)**9049/L5DEP‎

‎Opera omnia, V, 2. Versiones latinae mysticorum‎

‎, Brepols, 2022 Hardback, 642 pages, Size:155 x 245 mm, Language: Latin. ISBN 9782503591353.‎

‎Summary CC CM, 172A contains the editio princeps of two Latin translations made by the late medieval Dutch Church reformer Geert Grote (Gerardus Magnus, 1340-1384) and a revised edition of another translation, made by Anthonius Henrici de Viersen (fl. 1460-1490), Brother of the Common Life in Butzbach and collaborator of the proto-humanist Gabriel Biel. The source texts had originally been composed in Middle Dutch, by the great Brabantine mystic Jan van Ruusbroec (1293-1381) and by Godfried Wevel, one of his fellow canons regular at Groenendaal near Brussels from 1360 until his death in 1396. Another editio princeps completes the volume: a Middle Dutch adaptation of Meister Eckhart's Reden der Unterweisung, the main source for Wevel's Vanden twaelf dogheden. This adaptation was probably compiled in Grote's entourage, if not by him personally, and is here edited as Eyn boeck van der gelatenheit. The publication of Grote's adaptation of Eckhart and the accompanying convincingly underpinned analysis may mean a landslide for the proper assessment of Eckhart's reception in the Low Countries and adjacent territories in modern western Germany during the later Middle Ages. Each of the edited texts is accompanied by an apparatus comparatiuus, indicating in detail all discrepancies between the translations and the source texts. Lengthy introductions complete the volume.‎

‎Opera omnia IV, 1: Epistolae‎

‎, Brepols, 2025 Hardback, Pages: cii + 402, Size:155 x 245 mm, Illustrations:4 tables b/w., Languages: Latin, English, Middle Dutch. ISBN 9782503613628.‎

‎Summary CC CM, 318-318A present the collected letters of Geert Grote (Gerardus Magnus, 1340-1384), founder of the late medieval Dutch Church reform movement Devotio moderna. The collection consists of 83 letters, most of them written by Grote, but some of them by his correspondents to or about him; three of them have never been edited before. As so often, Grote blurs various genres, and as a consequence some letters travel under the moniker 'letter', although they can better be characterized as small treatises or as pieces of juridical advice (consilia). Grote's correspondence with well over thirty individuals from a variety of secular, monastic, and ecclesiastical backgrounds in the Low Countries and beyond offers a unique insight into the practical, pastoral dimensions of the Devotio moderna movement as well as the theological concerns of Grote and his contemporaries. Each of the edited letters is accompanied by an introduction, some of those written in both Latin and Middle Dutch by an apparatus comparatiuus, indicating in detail all discrepancies between the translation and the source text. Extensive introductions complete the two volumes. TABLE OF CONTENTS Introduction Epistolae Gerardi Magni - ed. R. Hofman, M. van den Berg‎

‎Opera omnia IV, 2: Subsidia ad epistolas‎

‎, Brepols, 2025 Hardback, Pages: 388, Size:155 x 245 mm, Languages: Latin, English, Middle Dutch. ISBN 9782503616292.‎

‎Summary CC CM, 318-318A present the collected letters of Geert Grote (Gerardus Magnus, 1340-1384), founder of the late medieval Dutch Church reform movement Devotio moderna. The collection consists of 83 letters, most of them written by Grote, but some of them by his correspondents to or about him; three of them have never been edited before. As so often, Grote blurs various genres, and as a consequence some letters travel under the moniker 'letter', although they can better be characterized as small treatises or as pieces of juridical advice (consilia). Grote's correspondence with well over thirty individuals from a variety of secular, monastic, and ecclesiastical backgrounds in the Low Countries and beyond offers a unique insight into the practical, pastoral dimensions of the Devotio moderna movement as well as the theological concerns of Grote and his contemporaries. Each of the edited letters is accompanied by an introduction, some of those written in both Latin and Middle Dutch by an apparatus comparatiuus, indicating in detail all discrepancies between the translation and the source text. Extensive introductions complete the two volumes. TABLE OF CONTENTS Short Biographies Introductions to the Letters Indices‎

‎Jheronimus bosch‎

‎, Ludion, 2001 Softcover , 48 pagina's , met prachtige illustraties. ISBN 9789055443703.‎

‎Peter Ruyffelaere licht een tip van de sluier op in het boeiende onderzoek naar het oeuvre van Jheronimus Bosch en naar diens cultuurhistorische en religieuze achtergrond. Uitgave naar aanleiding van de tentoonstelling ?Jheronimus Bosch? in het Museum Boijmans Van Beuningen in Rotterdam van 1 september tot 11 november 2001.‎

‎Huybrechs-Berg ‎

‎, Gerard Walschap genootschap, 2006 Facsimile, 20 pagina's, 28.5 x 19.5 cm, Beperkte oplage van 400 exemplaren. *In goede staat.‎

‎Uitgegeven ter gelegenheid van de Walschaptentoonstelling in juni 2006.‎

‎KIRO URDIN, ** SIGNED!‎

‎Paris, E.F.F.A., 1988 Bound, brown canvas with gold printing, colored jacket, oblong format: 295 x 215mm., Pages not numbered, a lot of color illustrations. TEXT in English / Japanese.‎

‎Exhibition at Gallery One in New York. inscription and signed by the artist. Good condition.‎

‎Sartre, conscience haïe de son siècle‎

‎1992, Editions du Rocher, in-8 broché de 303 pages + 16 pages d'illustrations en noir et blanc | Etat : bon état général, dos légèrement usé (Ref.: ref82314)‎

‎éditions du Rocher‎

‎Rerum Belgicarum annales chronici et historici de bellis, urbibus, situ & moribus gentis antiqui recentioresque scriptores.‎

‎, Francoforti [Frankfurt am Main] : in officina Danielis ac Davidis Aubriorum & Clementis Schleichii [Aubry, Daniel, Aubry, David & Schleich, Clemens] , 1620 original vellum. folio, 37x24cm. [24], 373, [3]; [12], 206, [2]; 107 [= 103], [1] pages.* single part 1; other volumes have never been published‎

‎Renerus Snoi, De rebus Batavicis libri XIII. Iacobus Brassica (ed.). Francofurti, in officina Danielis ac Davidis Aubriorum & Clementis Schleichii, 1620 .‎

‎Henri-Floris Jespers, Adjug (Revolver 18/1-2)‎

‎Antwerpen, Revolver, 1991 Softcover, 25 x 20 cm, 30 pagina's (niet genummerd), NL, illustraties, .‎

‎Revolver Jaargang 18 nummer 1-2. Over de Brusselse galerij '' Le Centaure'' en de afsluitende veiling na haar failliet.?‎

‎Roman Signer Expo: Projet pour un jardin,‎

‎, Middelheim Museum / Mer, 2016 Paperback, 305x225mm, 144p, throughout colour illustrations, English/ French/ Dutch (NL) edition . ISBN 9789492321459.‎

‎De publicatie Roman Signer - PROJET POUR UN JARDIN is een prachtige uitgave geworden met veel photospreads, een essay door Gerhard Mack en een bijdrage van Cees Nooteboom. Het boek biedt een overzicht van alle werken die Roman Signer in het verleden en speciaal voor de tentoonstelling PROJET POUR UN JARDIN (2016) in het Middelheimmuseum realiseerde. Naast prachtige foto's van de verschillende kunstwerken door Simon Vogel en Aleksandra Signer, bevat de publicatie een essay van Gerhard Mack over het werk van Signer in het Middelheimmuseum, met referenties naar andere werken van de kunstenaar. Verder vindt u in het boek ook een bijdrage van Cees Nooteboom over een werk van Roman Signer en een epiloog door Sara Weyns en Pieter Boons, de curatoren van de tentoonstelling PROJET POUR UN JARDIN.‎