Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines.
Reference : 13974507
Abidjan: Université d'Abidjan, 1972 in-8, broché. 243 pages.
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 5. 1972. (Abidjan, 1972) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines.
Reference : 13974508
Abidjan: Université d'Abidjan, 1975 in-8, broché. 313 pages.
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 7. 1974. (Abidjan, 1975) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines.
Reference : 13974509
Abidjan: Université d'Abidjan, 1976 in-8, broché. 323 pages.
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 8. 1975. (Abidjan, 1976) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines.
Reference : 13974510
Abidjan: Université d'Abidjan, 1982 in-8, broché. 237 pages.
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 15. 1982. (Abidjan, 1982) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines, Bernard MOURALIS
Reference : 13974511
Abidjan: Université d'Abidjan, 1969 in-8, broché. 165 pages, bibliographie, index.
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 2. 1969 - Bernard MOURALIS. Individu et collectivité dans le roman négro-africain d'expression française. (Abidjan, 1969) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines.
Reference : 13974512
Abidjan: Université d'Abidjan, 1970 in-8, broché. 143 pages.
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 3. 1970 - Actes du colloque Situation et perspectives de la littérature négro-africaine. (Abidjan, 1970) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines.
Reference : 13974513
Abidjan: Université d'Abidjan, 1977 in-8, broché. 279 pages.
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 10. 1977. (Abidjan, 1977) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines.
Reference : 13974514
Abidjan: Université d'Abidjan, 1978 in-8, broché. 560 pages.
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 9. 1976. (Abidjan, 1978) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines.
Reference : 13974515
Abidjan: Université d'Abidjan, 1979 in-8, broché. 358 pages.
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 12. 1979. (Abidjan, 1979) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines.
Reference : 13974517
Abidjan: Université d'Abidjan, 1981 in-8, broché. 216 pages.
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 14. 1981. (Abidjan, 1981) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines.
Reference : 13974518
Abidjan: Université d'Abidjan, 1984 in-8, broché. 138 pages. Consacré à l'histoire, la sociologie et la littérature en Amérique latine.
Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tomes 16 & 17 (en 1 vol.). 1984. (Abidjan, 1984) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, Amérique latine, lettres, sciences humaines]
Marseille, Feissat ainé, 1832 3 volumes in-8 (12,5 X 20,5 cm) demi basane havane à petits coins, dos lisses, filets et fleurons dorés, plats de papier rose uni, tranches jaunes. 342 + 314 + 304 pp. (Dorures un peu passées).
15 planches dépliantes (sur 20). Très intéressants ouvrages dans lesquels sont compilés des articles les plus variés sur la physique, la géologie, les sciences naturelles… Tableaux dont deux dépliants consacrés à la météorologie.
Paris, Librairie Armand Colin, 1901 ; 2 volumes grand in-8°, brochés, couvertures crèmes imprimées en noir; petite étiquette de classement collée aux dos.1ère section : Histoire générale et Diplomatique. (4), 398pp.; schémas dans le texte et 7 cartes Hors texte.5ème section: Histoire des Sciences. (6), 348pp.
Couverture jaunie avec très petit manque en bordure des plats et au dos du 1er volume et manque de papier au dos ( 1/3) au volume de la 5ème section. ( GrF)
, Brepols, 2024 Hardback, xxviii + 232 pages, Size:152 x 229 mm, Illustrations:226 b/w, 7 tables b/w., Language: English. ISBN 9780897223959.
Summary This monograph examines the Late Classical and Hellenistic bronze coinages of five mints in the Thessalian perioikic region of Magnesia. At the core of this work lies a new die-study of the coins produced by the strategically and economically important coastal cities of Homolion and Meliboia as well as the lesser-known mints of Eureai, Eurymenai, and Rhizous. Combining this die-study with a close examination of the cities' topographical context in a border region between Thessaly and Macedon and drawing on archaeological data from Magnesia and beyond, the monograph addresses key questions concerning the chronology, denominations, and circulation patterns of the bronze issues minted on eastern Mount Ossa. This analysis not only throws new light on coin production in Late Classical and Hellenistic Magnesia, but also allows a discussion of the possible military and non-military functions of the region's different bronze issues. Placing the coins of Eureai, Eurymenai, Homolion, Meliboia, and Rhizous in their wider context, this monograph furthermore addresses broader issues in the history of Thessalian coinage. In particular, the monograph's regional approach offers an unusual opportunity to examine to what extent Thessaly's Late Classical and Hellenistic civic coins were genuinely local in design, production, and function. The monograph thus both explores the coins of Mount Ossa and contributes towards a better understanding of the introduction and development of bronze coinages in the wider Thessalian region and beyond. TABLE OF CONTENTS Preface Abbreviations List of Tables List of Figures List of Plates 1. Setting the Scene: Thessalian Bronze Coinages 2. The Topography and Political Geography of Eastern Mount Ossa 3. The Cities of Eastern Mount Ossa and their Coinages (Homolion, Meliboia, Eurymenai, Rhizous, and Eureai) 4. The Chronology of the Coinages of Mount Ossa 5. The Bronze Coinages of Northeastern Magnesia: Circulation, Denominations, and Patterns of Minting Activity 6. The Bronze Coinages of Northeastern Magnesia: Two Possible Functions 7. Conclusion: Bronze Coinages between Magnesia, Thessaly, and Macedone Bibliography Appendix I: Catalogue of Coins Appendix II: Tables Indexes (Coins by Collection, Coins by Excavation and Findspot, Coins by Auction, Sources, General) Plates
BE - , De Backker medieval art, Hardcover 57 PAGES Color illustrations .
PALIMPSEST form and meaning of a recently discovered late medieval panel from Nuremberg.
, Taschen, 2025 Hardcover in slipcase, XL, 24.3 x 30.4 cm, 3.78 kg, 600 pages, Multilingual (English, French, German). *NEW. ISBN 9783836581516.
The Soul of Spain, The entirety of the artist?s etchings and lithographs collected in one volume; With acute powers of observation and artistic innovation, Francisco de Goya captured the soul of the Spanish nation in turmoil, around the dawn of the 19th century. In this complete collection of his 287 etchings and lithographs, we see into the mind of an artist unafraid to navigate the depths of human folly, hypocrisy, violence, and power. Francisco de Goya was one of the most innovative peintre-graveurs of the late 18th and early 19th centuries, his etchings and lithographs masterpieces of modern printmaking. Trained in Spain and Italy, and appointed First Court Painter to Charles IV early in his career, he brought the sensibilities of the Enlightenment into uneasy dialogue with the brutal realities of his time. Whether working in single sheets, like the harrowing The Garrotted Man or the sublime Seated Giant, or across his celebrated series?the satirical Caprichos, the unflinching Desastres de la Guerra, the dynamic Tauromaquia, and the nightmarish Disparates?Goya chronicled both the spirit and the shadows of a world in upheaval, where the individual was often crushed by violence, superstition, or power. These weren?t just reflections on Spanish society. They were indictments, meditations, and warnings, etched in copperplates. This landmark collection of 287 etchings and lithographs gathers Goya?s complete printed ?uvre, including editions produced under his direct supervision, as well as rare state proofs from unpublished series, giving uncommon insight into his restless experimentation and meticulous control over the printmaking process. With a detailed commentary on each image and commanding essays by José Manuel Matilla and Anna Reuter, this volume is the culmination of more than two centuries of scholarly research, and is a searing visual narrative. Goya did not simply depict his world. He dissected it, laying bare the eternal tensions between reason and madness, justice and cruelty, hope and despair.
, Nai010 Uitgevers/Publishers 2013, 2013 Softcover, 160 pagina's, Nederlands, 285 x 235 mm, boek in prima staat, met veel illustraties in kleur, . ISBN 9789462080522.
2013 is uitgeroepen tot Frans Hals Jaar. Het is dan precies 100 jaar geleden dat het Frans Hals Museum zijn deuren opende. De belangrijkste tentoonstelling in dit jubileumjaar is 'Frans Hals. Oog in oog met Rembrandt, Rubens en Titiaan', waarin sleutelstukken van Frans Hals worden gepresenteerd te midden van schilderijen van beroemde collega's onder wie Titiaan, Rembrandt, Van Dyck, Jordaens en Rubens. In de gelijknamige publicatie worden alle werken uit de tentoonstelling zij aan zij gepresenteerd, zodat de lezer de meesterwerken kan vergelijken en kan zien hoe de kunstenaars elkaar inspireerden. Deze bijzondere confrontaties van meesterschilders zijn essentieel om zeventiende-eeuwse kunst te begrijpen. Beroemde schilders maakten hun werken immers vaak in reactie op elkaar, met de bedoeling de ander te overtreffen en iets bijzonders neer te zetten. Internationale specialisten werpen een nieuw licht op Hals' virtuositeit, zijn rol in de zeventiende eeuw en zijn artistieke relatie met zijn collega's uit Antwerpen (Rubens, Van Dyck) en Amsterdam (Rembrandt).
, Brepols, 2026 Hardback, lvi + 117 pages, 155 x 245 mm, Latin text. *new. ISBN 9782503620961.
Henry Bitterfeld?s De formatione et reformatione Ordinis Fratrum Praedicatorum was the first work of its kind written in support of the Observant Reform of the Dominican Order, which took off in the late fourteenth century. It was probably composed around 1388-1389 at the request of the Order?s Master General, Raymond of Capua, who formally launched the reform in 1390. The treatise is organized into three parts: first, the principles of religious life in general; second, the causes of the crisis within the Order of Preachers; and third, the remedies by which it might be resolved. It concludes with a commentary on the prologue to the Dominican Constitutions. Bitterfeld?s work survives in four manuscript copies, along with three distinct medieval abridgements. Taken together, these testify not only to the reception of the text itself but also to the spread of Observant Reform ideals both within and beyond the Dominican Order.
, , 2026 Paperback, 664 p., 156 x 234 mm, Language(s):English. *New . ISBN 9782503618333.
In the central chapters of this book, Marcin Podbielski and Anna Zhyrkova examine the work of John the Grammarian, Leontius of Byzantium, and Leontius of Jerusalem, showing how, in their writings, a philosophical innovation only associated significantly later with Medieval Latin discourse was brought into existence and clearly formulated: the discovery of the individual, and of the problem of individuation. This discovery, expressed in terms of a radically existential conceptualization of the hypostasis of Christ, as well as of hypostases of created beings, is discussed in counterpoint to the proposals of John Philoponus and Boethius, and also as synthesized, codified and preserved by Maximus the Confessor and John Damascene. Such a diverse group of five early-Byzantine authors, animated by a shared concern to preserve and clarify the Christological doctrine of Chalcedon, resorted to speculative philosophy to create a conceptual vehicle for the Christian doctrine of there being one Christ both truly divine and truly human. Their notion of ?hypostasis? came to designate the subject of natures, existent in its own right and exhibiting all the hallmarks of individuality, found in later Medieval investigations. An inquiry into the philosophical and theological background of this discovery, including a comprehensive historical reconstruction of the concept of hypostasis, makes it possible to show the philosophical and theological novelty of the authors studied, which consists also in their creating a properly Christian approach to philosophical speculation that foreshadows Scholasticism and can be considered a kind of Proto-Scholasticism. The book concludes with an exploration of the philosophical import of the discovery and the model of Christian philosophy it furnishes.
, Lannoo Publishers 2008, 2008 Softcover, 208 pages, English, 310 x 240 mm, fine copy, illustrated cover, . ISBN 9789020978575.
Shopping has become an increasingly important aspect of life - it has become one of the favourite leisure activities of the twenty-first century. But where do we shop? And why? How do we choose where to shop and what to buy? What drives the need for 'retail therapy'? Experience Shopping analyses the things that retailers do to entice the shopper - to get into our brains, our emotions and our lives. The book includes major brand names such as Starbucks, The Gap, Apple, Nokia, Orange, Nike and Armani.
, Hannibal, 2016 Gebonden, Hardcover. 29 x 24,7 cm,144 bladzijden, Quadrichromie,Tweetalige editie Nederlands-Frans . ISBN 9789492081544.
Kati Heck wordt beschouwd als een erfgename van het Duitse expressionisme. Haar werk doet denken aan de bars, dansers en acteurs van Otto Dix en George Grosz, net als aan de oude meesters. Ze synthetiseert stijlen en is net zo goed een abstracte expressionist als een realist. Delen van haar schilderijen zijn minutieus weergegeven op gestikte doeken, met een unieke virtuositeit en acute aandacht voor detail, terwijl andere delen abstracter weergegeven of zelfs gebeeldhouwd worden. De manier waarop ze niet-traditionele materialen en alledaagse objecten in innovatieve en eigenzinnige combinaties verwerkt, herinnert aan Robert Rauschenberg. Hecks portretten belichamen een diepe, overtuigende en sociale visie, en zijn tegelijk ondoorgrondelijk persoonlijk. De weergegeven onderwerpen zijn meer dan enkel acteurs, het zijn meestal zelfportretten en personen uit haar directe omgeving. Haar werk werd onlangs geexposeerd in CAC Malaga en Mary Boone Gallery New York, en wordt de komende maanden getoond in Expo Chicago en het Antwerpse M HKA. Met tekstbijdragen van onder meer Ann Demeester (Frans Hals Museum/De Hallen Haarlem) en wijlen Jan Hoet, een verhaal door Woody Allen en een gesprek met Luc Tuymans.
, Hatje Cantz, 2016 Hardcover. 29 x 24,7 cm,144 pages , Quadrichromie, Text in English / German *New book! ISBN 9783775741316.
German Expressionism and New Objectivity shine forth in the paintings by Kati Heck (*1979 in Düsseldorf). Her monumental paintings impress viewers with their humorous blend of styles, consisting of photorealistic figures together with graphic elements. Some sections of the collage-like works are meticulously painted in, while others are quickly executed. Like Robert Rauschenberg, Heck joins nontraditional materials and everyday objects to develop highly unusual pictorial creations. ?She clearly, convincingly, and permanently questions the art of painting,? says Jan Hoet about her oeuvre. The volume on Kati Heck focuses primarily on the painting of one of the most interesting aspiring artists of today.
, Hannibal, 2016 Gebonden, Hardcover. 29 x 24,7 cm,144 bladzijden, Quadrichromie,Tweetalige editie Nederlands-Frans. Met handtekening en tekeningetje van Kati Heck. . ISBN 9789492081544.
Kati Heck wordt beschouwd als een erfgename van het Duitse expressionisme. Haar werk doet denken aan de bars, dansers en acteurs van Otto Dix en George Grosz, net als aan de oude meesters. Ze synthetiseert stijlen en is net zo goed een abstracte expressionist als een realist. Delen van haar schilderijen zijn minutieus weergegeven op gestikte doeken, met een unieke virtuositeit en acute aandacht voor detail, terwijl andere delen abstracter weergegeven of zelfs gebeeldhouwd worden. De manier waarop ze niet-traditionele materialen en alledaagse objecten in innovatieve en eigenzinnige combinaties verwerkt, herinnert aan Robert Rauschenberg. Hecks portretten belichamen een diepe, overtuigende en sociale visie, en zijn tegelijk ondoorgrondelijk persoonlijk. De weergegeven onderwerpen zijn meer dan enkel acteurs, het zijn meestal zelfportretten en personen uit haar directe omgeving. Haar werk werd onlangs geexposeerd in CAC Malaga en Mary Boone Gallery New York, en wordt de komende maanden getoond in Expo Chicago en het Antwerpse M HKA. Met tekstbijdragen van onder meer Ann Demeester (Frans Hals Museum/De Hallen Haarlem) en wijlen Jan Hoet, een verhaal door Woody Allen en een gesprek met Luc Tuymans.
, Hannibal Books, 2026 Hardback, 216 pages, 34 x 24 cm, Illustrated, text English. *New. ISBN 9789493416871.
Ann Demeulemeester (b. 1959) founded her eponymous fashion label with her creative and life partner Patrick Robyn in 1985 and quickly became a key figure in redefining the voice of fashion internationally. In 2014, she stepped down from the fashion label and has since been exploring a variety of new artistic formats, including design and sculpture. Ann Demeulemeester: Print presents carefully selected printed material ? show invitations, prints, T-shirts ? that have epitomized Demeulemeester?s unique signature over the years. This publication of precious artifacts was compiled and designed by her son, Victor Robyn. ?The soul of a collection is translated into an invitation.? ? Ann Demeulemeester
, Hannibal Books, 2023 softcover, 112 pages, 21 x 14.8 cm, Quadrichromy Illustrated., English edition. . ISBN 9789464666458.
A lone walker at dawn in Ostend, Léon Spilliaert (1881-1946) is entranced by the bleak and ominous desolation of the promenade. A fascination with spatiality and the expression of infinity underlie the numerous dyke scenes Spilliaert created between 1907 and 1909, heralding a unique, formal innovation. Learn more about the compelling Kursaal and Promenade that is the centrepiece of this Phoebus Focus.