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Don Giovanni : Mozart, Losey.
Paris, Albin Michel, 1977. 15 x 23, 169 pp., quelques illustrations en N/B, bon état.
Le geste musical. Collection : Pédagogie pratique à l'école.
Paris, Hachette/Van de Velde, 1982. 14 x 22, 143 pp., broché, très bon état.
Giselher Klebe : Werkverzeichnis und einführende Darstellung seines Opernschaffens
Münster, 1991 451pp., with music examples in text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Westfälischen Wilhelms-Universität zu Münster), stamp at verso of title page, text is clean and bright, good condition, M108911
Le Don Juan de Mozart. Don Giovanni
Paris, Plon, 1955, in-8°., Broché, 189 pages. Couverture insolée, bon état intérieur. Il. N/B
NB. Les questions et commandes sont traitées dans les 24h, les envois reprendront vers le 20 mars. Merci.
Revue de Musicologie publiée par la Société Française de Musicologie.N° 1, 2, 3 , 4 , 5, 6, 8, 9, 12, 13, 14, 15, 16, 17, 18, 19, 20 à 35, 37 à 54, 56, 59, 60, 64, 68, 69, 70, 71-72, série spéciale 1, 2, janvier et juillet 1942, 73-74, 85-88, 93-94, 95-96, 99-100, 101-102, 103-104.
Paris Librairie Fischbacher 1922-1952 in-8, br.
Importante revue de Musicologie. E. Borrel, La Laurencie, G. Thibault, Tiersot, Gerold et les principaux chercheurs de l'époque.
Phone number : 33 (0)6 77 77 12 33
Erik Satie. Collection : Microcosme, Solfèges, N° 35.
Paris, Editions du Seuil, 1974. 12 x 18, 192 pp., nombreuses illustrations et notations musicales, broché, très bon état.
Phone number : 33 05 49 26 70 36
Franz Schuberts Variationswerke
Saarbrücken, 1960 263pp., with music examples in text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie der Philosophischen Fakultät der Universität des Saarlandes), stamp at verso of title page, text is clean and bright, good condition, M108983
Carillons of Belgium and Holland. Tower music in the Low Countries
New York, John Lane Cy. 1914 232pp., with 32 bl/w illustrations out of text, publisher's hardcover in green cloth with gilt lettering, illustrated dustwrapper (few minor defects at ends), cm., text is clean and bright, good condition, M114440
Travaux de médecins à propos de musique. La Revue Musicale, numéro spécial, N° 250.
Paris, La Revue Musicale/Richard-Masse, 1962. 20 x 27, 63 pp., quelques figures, broché, bon état.
Die Darstellung von Musik und Musikerlebnis in der erzählenden deutschen Dichtung
Bonn, 1959 704pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn), stamp at verso of title page, text is clean and bright, good condition, M108944
"Dictionnaire de musique; 2e édition française, entièrement remaniée et augmentée par Georges Humbert."
Lausanne, Librairie Payot, 1913. 17 x 25, 1144 pp., reliure dos cuir à 5 nerfs, bon état.
Reliure de E. Hotat et fils à Schaerbeek.
Dictionnaire de musique. Traduit d’après la quatrième édition, revu et augmenté par Georges Humbert.
Paris, Perrin et Cie. 1899, 250x180mm, VI - 950pages, reliure demi-chagrin à coins. Plats papier marbré. Auteur, titre, filets et fleurons dorés au dos à faux-nerfs. Bel exemplaire.
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Das deutsche Madrigal im 20. Jahrhundert
Berlin, 1988 269pp., with numerous music examples, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophie Fachbereich Altertumswissenschaften der Freien Universität Berlin), stamp on verso of title page, text and interior are clean and bright, good condition, M108996
Johann Wilhelm Ludwig Gleim’s imitations of the MHG. Minnesong. Dissertation.
Philadelphia, University of Pennsylvania 1905, 250x175mm, 110pages, paperback. Tab of quotation on the upper coverage. Book in good condition.
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"Pour apprendre à aimer la belle musique. Collection : ""Loisirs d'étudiant"". Bibliothèque des estudiantines N° 1."
Editions Casterman, 1944. 12 x 17, 70 pp., broché, bon état (1 cachet du Collège jésuite Saint Stanislas à Mons).
Psallitur per voces istas. Scritti in onore di Clemente Terni in occasione del suo ottantesimo compleanno. Collezione La Tradizione Musicale 5.
Firenze, SISMEL, Editioni del Galluzzo 1999, 240x170mm, XVI - 406pagine, in brossura. Nuovo stato.
29 incisione a colori e b/n, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
Lettres à une musicienne.
Paris, Editions Falaize, 1952. 12 x 17, 124 pp., reliure dos/coins rexine verte, très bon état.
"N° 480 sur 2950 exemplaires numérotés sur papier Alfa Mousse; préface et traduction d'Armel Guerne."
Etudes. Baudelaire, Paul Claudel, André Gide, Rameau, Bach, Franck, Wagner, Moussorgsky, Debussy, Ingres, Cézanne, Gauguin.
Paris, Editions de la Nouvelle Revue Française 1911, 190x130mm, 264pages, broché. Bel exemplaire.
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UNE HEURE DE MUSIQUE AVEC FRANZ LEHAR .
Editions Cosmopolites, 1930, "Collection du Musicien", série légère, portrait en frontispice, cartonnage de l'éditeur, 62pp. bon état, 190x125 . (p2)
Phone number : 33 05 49 26 70 36
Of Signs and Sounds Musical Interpretation and Performance from the 19th to the 21st Century
, Brepols - Harvey Miller, 2025 hardback, Pages: xii + 395 p. Size:210 x 270 mm Illustrations:59 b/w, 5 tables b/w., 50 musical examples Language(s):English, French. ISBN 9782503621791.
Summary Over the last few decades, scholarly literature dedicated to historically informed performance has proliferated. Numerous publications, the creation of specialised collections and dedicated research teams have all contributed to the development of an ever-expanding scientific library. This vast repository of knowledge comprises not just written publications, but also countless recordings and performances, as well flourishing. Paradoxically, as new research methods developed, the terra incognita simultaneously seemed to expand. This volume does not attempt an exhaustive synthesis but instead aims to outline a number of significant trends within the field of historically informed performance studies, as practised in conservatoires and universities. The fifteen texts gathered in this volume can be read both as contributions to specific areas of performance studies as well as methodological proposals inviting cross-disciplinary reflection. The first part of the book, which examines among other topics music engraving, the theory and hermeneutics of the sign, and performers' annotations, puts forward new proposals for the analysis of the musical sign. The second part deals with the growing field of recordings analysis and reenactment, looking at leading artists (e. g. Georges Enesco, Vlado Perlemuter, Sarah Bernhardt or Charles Ives). TABLE OF CONTENTS R my Campos ? Arthur Mac Foreword R my Campos Historically Informed Performance: An Unsolvable Problem? Renewed Analysis of Signs David Rowland Composers, Engravers and Piano Music Texts in the Long Nineteenth Century Nir Cohen-Shalit Annotations in Performance Material of 19th-Century German Orchestras In s Taillandier-Guittard L?expression pianistique au d fi de la notation: crire et enseigner l?expression dans le long XIXe si cle Du Chao Au bout des doigts: les partitions annot es d?Yvonne Loriod la Biblioth que nationale de France Hector Cornilleau D crire et exemplifier les principes d?ex cution: vers une th orie du signe musical de l?Empire la monarchie de Juillet? Reenacting Sounds and Gestures Massimo Zicari Reconstructing a Living Tradition: The Early Recordings of Donizetti?s Lucia di Lammermoor Manuel B rtsch In Search of Cortot?s Beethoven Julien Szulman Georges Enesco interpr te du Po me d?Ernest Chausson John Kamfonas The Piano Recordings of Charles Ives: Understanding Instrumental Practice as an Extension of Work Creation Guillaume Tardif Directionality & Intentionality: Perspectives on Phrasing in String Playing in the 19th & 20th Centuries Martin Knust Re-Enacting Wagner in the 21st Century Anne Pellois ? Tomas Gonzalez Cinq fois Ph dre: protocoles de r activations de performances pass es partir d?une partition vocale Pierre Goy Apprendre par la copie: une voie d?acc s au style rav lien Inja Stanovi? Historically Informed Recording: Early Recordings Association?s Violin Case-Study Abstracts and Biographies Index of Names
Wolfgang Amadeus Mozart. Volledig overzicht van zijn leven en muziek
s.l., Briljant Classics 2001 449pp.+ 30 zw/w illustraties buiten tekst, 24cm., originele omslag, goede staat, M94806
La musique française au XIXe siècle. Collection : Que sais-je ?, N° 1038.
Paris, Presses Universitaires de France (PUF), 1963. 12 x 18, 128 pp., broché, très bon état.
L'opéra et l'opéra-comique. Collection : Que sais-je ?, N° 278.
Paris, Presses Universitaires de France (PUF), 1981. 12 x 18, 128 pp., broché, très bon état.
Sound, Music and Architecture
, Brepols, 2024 Hardback, 440 pages, Size:210 x 270 mm, Illustrations:125 b/w, 16 col., 15 tables b/w., 16 musical examples, Language(s):English, Spanish, Italian. ISBN 9782503611839.
Summary This book traces the relationship between sound, music and architecture from the Middle Ages to the 21st century. The first part of this volume deals with the physical relationship between music and architecture, focussing on the intersection between rite, sound and architecture in ecclesiastical spaces such as the Cathedral of Notre-Dame de Paris, the churches of medieval Sicily, the liturgical spaces of 15th-17th-century France and the Roman churches in the Baroque era. A substantial article by Richard B sel presents a comprehensive panorama of music rooms and concert halls, starting from the archetypes conceived in the Early Modern Age and concluding with their present-day configurations. The last article of this section is dedicated to the Festspielhaus located in Hellerau (Dresden), based on the documentary sources and the writing of the protagonists, in particular mile Jaques-Dalcroze and Adolphe Appia. The theme continues in the second part of the book with the examination of the historical relationship between architecture and acoustic knowledge in the age of modernity. Moreover, the following chapter explores the architectural idea of designing for musical tone as it found expression in the early decades of the twentieth century. The last two articles of this section explore Leo Beranek's research regarding the quality of musical spaces in the history of modern science, and the experimentations of the architect Bernard Leitner with his Soundcube. The last part of the book will focus on Music as an 'art of space', exploring installations and musical experimentations by composers such as Xenakis, Jean-Luc Herv and John Chowning. TABLE OF CONTENTS The Physical Relationship between Music and Architecture 1. Vasco Zara, The Phantom of Notre-Dame: Music, Architecture, Acoustics, and the Origins of the Notre-Dame Polyphony 2. Thomas Dittelbach - Tobias Christian Wei mann, Aural Architecture in Medieval Sicily: Architecture, Music and Acoustics of Siculo-Norman Churches 3. Jean-Christop he Vali re - B n dicte Bertholon, Location of Acoustic Pots in the Liturgical Space: Functional, Symbolic, Musical and Acoustic Interpretation 4. Galliano Ciliberti, Progetti per cupole sonore. Strutture architettoniche e articolazione direzionale della musica liturgica negli spazi delle chiese barocche romane 5. Richard B sel, 'Soundful Venues': Music Rooms, Concert Halls, and More 6. Guillem Aloy-Bibiloni - Antoni Ramon Graells - Laia Montserrat-Cort zar: Hellerau, espacio de encuentros: Adolphe Appia y mile Jaques-Dalcroze Sound Architecture 7. Edward J. Gillin - Fanny Gribensky, Sound Architecture: Music, Speech, and the Science of Acoustics in the Age of Modernity 8. Fiona Smyth, ?Mysterious changes in molecular structure? : Pragmatics, Poetics and Designing for Musical Tone 9. Sabine von Fischer, Confidential Rankings: The Rating of Experience, and Why the List of the Best Concert Halls Was Kept a Secret 10. Sven Sterken: Architecture without Walls: Bernhard Leitner's Sound Cube Music as an Art of Space 11. Makis Solomos, Xenakis's Polytopes and the Diatope 12. Marta Llorente Diaz, Ritmo: medida del tiempo, medida del mundo. M sica y arquitectura, una colaboraci n entre Iannis Xenakis y Le Corbusier 13. Candida Felici, Building Bio-Spaces through Music: Metamorphosis and Illusionary Space in Germination by Jean-Luc Herv 14. Laura Zattra - Fran ois-Xavier F ron, A History of the First Computer Sound Spatialisation System: John Chowning's Investigations at Stanford University (1962-1972)
