‎Musical Rhetoric Beyond Figures‎

‎, Brepols, 2026 Hardback, Pages: 414, Size:210 x 270 mm, Illustrations:14 b/w, 118 musical examples, Languages: English, Spanish. ISBN 9782503624723.‎

‎Summary Musical Rhetoric Beyond Figures offers a fresh exploration of musical rhetoric, moving beyond traditional catalogues of rhetorical figures to rediscover music as a living discourse rooted in historical and contemporary practice. This groundbreaking volume challenges conventional musicological approaches by emphasising music as a form of expressive speech, as experienced and interpreted by performers. Bringing together sixteen diverse chapters from leading scholars and practitioners, the book spans eras from the eighteenth century to the present, covering styles from Baroque to contemporary music. It reveals how rhetorical thought underpins musical interpretation, performance, and analysis, highlighting the dialogue between intuition and theory. Readers will find rich insights into how musical phrasing, gesture, and timing evoke rhetorical expression, transforming the way we understand and perform music. Musical Rhetoric Beyond Figures bridges the gap between scholarly reflection and practical performance, offering a range of perspectives on the interplay of rhetoric, memory, and dramaturgy in music. Carefully curated thematic sections explore historical contexts, performance practice, and rhetorical analysis, while addressing modern voices and contemporary compositions. This volume is essential for musicians, musicologists, and anyone passionate about the deeper communicative power of music. It opens new pathways to understanding music not merely as sound, but as a dynamic form of discourse that continues to shape artistic expression and audience experience in profound ways. TABLE OF CONTENTS Joan Grimalt Introduction: Musical Discourse Beyond Rhetorical Figures Rhetorics and Performance in the Common-Practice Repertoire Robert Hatten Projecting Marked Moments and Expressive Trajectories in Performing Bach's Allemande from the Partita No. 4 in D Major, BWV 828 Joan Grimalt What do We Mean by 'Musical Discourse'? Pantelis Kogiamis Approaching Enigmatic Metronome Marks in Beethoven's Ninth Symphony through Metrical Prosodic Verse Pattern Analysis Galatea Daskalaki Unveiling Brahms: An Approach of Comprehension and Interpretation of the Intermezzo Op. 116, No. 2 Andrew Wong Exploring the Unwritten Practices of 18th-Century French Baroque Vocal Traditions in Violin Playing Rhetorics and Performance from the 20th Century Onwards Melanie Plesch Rhetorical Figures, Dysphoric Topoi and the Performance of Sorrow in Carlos Guastavino's Guitar Sonata No. 1 (1967) Valent n Benavides Music that Weeps: The Rhethoric of Ritual Lament in Jos Mar a S nchez-Verd 's Deploratio (1997) Carlos Villar-Taboada Rhetoric of an Invented Memory: Jos Luis Turina's Fantas a sobre una fantas a de Alonso Mudarra Alon Schab The Clavichord and the Rhetoric of Intimacy: Exploring Keith Jarrett's Book of Ways (1987) Rhetorical Analysis and Dramaturgy Martin ?urda Musical Topics, Rhetorical Gestures, and Dramatic Trajectories in Mozart's Piano Concerto K. 488 gueda Pedrero-Encabo Rhetoric and Narrativity: On the Poetic Style of Blasco de Nebra in the Adagio of the Sonata in A Major Ram n Sobrino Cortizo M sica, alegor a y discurso narrativo en el Tr ptico del Buen Pastor (1954) de Guridi Sara Tabuenca Agramonte The Sonata Form as Narrative Discourse in Franz Schubert: Hermeneutic Analysis of the Sonata D. 959 (1st Movement) A Historical-Theoretical Perspective Paulo F. de Castro Virtual Dialogues: Towards a Critical-historical Approach to the Concepts of Musical Topic, Topos, and Intonation Ryszard Daniel Golianek Affect, Expression, Narration: Interpretation of Empfindsamkeit Music Marcos Krieger Aristotelian Kairos and the Performer's Agency in Delivering Rhetorical Structures: Applications in Early 18th-Century German Keyboard Compositions Abstracts and Biographies Index of Names‎

‎C'est ainsi que l'on crée - A propos de La Main Heureuse d'Arnold Schoenberg‎

‎Villeneuve d'Ascq Septentrion 2003 In4 carré ( 21 x 21 cm ) - 314 pages + un cahier central d'illustrations couleur + 1 Compact Disc - ‎

5 Images

‎Bon ‎

‎Tablature. Europe, 1300-1750‎

‎, Brepols, 2026 Hardback, Pages: xxviii + 974, Size:230 x 280 mm, Illustrations:96 b/w, 969 col., 14 tables b/w., Language: English. ISBN 9782503624945.‎

‎Summary Tablature is a generic term for music written as a table or a score, most often using letters or numbers instead of conventional music notation. It was mainly used for solo instruments such as keyboards, lutes and guitars and was a mainstream notation until the mid-eighteenth century. Tablatures were also used for many single-line instruments-strings, winds, and brass-as well as the human voice. Composers and choir masters were among the other musically bilingual musicians who used tablature in their professional lives. Tablature was the most natural way to write music in score until conventional notation was gradually adapted for score writing during the seventeenth century. Tens of thousands of tablature works survive from the early modern period until c.1750. Often dismissed as eccentric and impenetrable, tablature has frequently been seen as an obstacle, and often overlooked in music history studies. One of the principal aims of this book is to break down the barriers that have hindered the general assimilation of tablature repertories into the way we understand music of the past. Chosen from among thousands of surviving sources, this book presents a representative group of 435 tablatures selected by a team of leading international scholars to show the beauty, diversity, and practicality of the notation. For each chosen work, a facsimile shows the original notation and is accompanied by a modern transcription and commentary to demystify music that has too frequently been regarded as obscure or enigmatic. TABLE OF CONTENTS List of Works Introduction Acknowledgements Instruments & Tablatures Angelique Bandora and Orpharion Bandurria Baryton Calichon and Mandora Cimbalom Citrinchen Cittern Guitar Harp Hunting horn Keyboard Lira da braccio Lirone Lute Mandolino Mandore Musette Recorder and Flageolet Sordellina / Buttafuoco Theorbo Tromba marina Trumpet Vihuela Viola da gamba and Lyra viol Violin Voice Bibliography Image credits‎

‎Nineteenth-Century Programme Music. Creation, Negotiations, Reception‎

‎, Brepols, 2019 Hardback, xiii + 489 pages, Size:210 x 260 mm, Illustrations:16 b/w, 87 tables b/w., Languages: English, German, Italian. ISBN 9782503583464.‎

‎Summary The history of programme music stretches back centuries, but only in the nineteenth century did it enter into widespread use. Indeed, seminal compositions by Ludwig van Beethoven and Fr d ric Chopin to Arnold Schoenberg and Jean Sibelius have helped programme music to secure a position within the artistic pantheon, albeit not without bringing a significant amount of controversy in tow. Yet despite its ubiquitous presence in the nineteenth century, scholarship has not adequately articulated the full extent of programme music's range and impact. This volume explores the diverse ways in which programme music was defined, historicized, practiced, disseminated, and judged. It considers how biography, tradition, and function informed the compositional approaches taken by Beethoven, Joseph Joachim, Ethel Smyth, and Zygmunt Noskowski, among others. It draws on extra-musical elements-novels, poems, lithographs, and other forms of creative expression-to determine the ontological profile of works by Chopin, Franz Liszt, Antonio Pasculli, Piotr Tchaikovsky, and Leo? Jan ?ek. It situates compositions by Johannes Brahms, Gustav Mahler, Sibelius, and Schoenberg within the ongoing discourse around Hanslickian absolute and Lisztian programme music. And it visits major European cities to highlight the critical streams of reception toward the end of the century. Throughout, it repeatedly engages with questions of generic identity (with special attention given to the symphonic poem), issues of narrativity and topicality, and considerations of form and structure.‎

‎Fragmenta Musicae Contemporary Perspectives‎

‎, Brepols - Harvey Miller, 2025 paperback, 542 pages, Size:178 x 254 mm,Illustrations:10 b/w, 67 col., 33 tables b/w., 2 tables col., 90 musical examples, Language: English. *new. ISBN 9782503613000.‎

‎This volume stems from a research project on medieval and sixteenth-century fragments with music carried out at CESEM?Centre for the Study of the Sociology and Aesthetics of Music, Lisbon Nova University, between 2021 and 2024, as well as from an international colloquium on fragmentology held in Cascais, Portugal, in July 2023. It brings together twenty studies that address a varied range of disjecta membra, including loose folios from dismembered manuscripts, mutilated musical-liturgical codices, incomplete sets of part-books, truncated musical settings, and even the remains of a historic organ. The aim is to invest these materials with significance beyond their condition as fragmented cultural artefacts by exploring their texts, contexts, meanings, trajectories and, when appropriate, proposing methods for their reconstitution. TABLE OF CONTENTS Introduction I. Fragments in Collections Fragments at a Crossroad of Disciplines: The Case of the Liber Demetrii de Lasko Zsuzsa Czag ny Reflected and Refracted: A Fragment Collection from Trier Anna de Bakker Eighteenth-Century Musical Fragmentology and Early-Modern Musical Historiography Giovanni Varelli II. Fragments and Contexts Fragments and Places: Establishing Connections Manuel Pedro Ferreira Vestiges from the Time Before the Reformation of Subiaco-Melk David Merlin Contextualising a Polyphonic Fragment: The Salve regina by Dom Bento in Coimbra MM 12 Bernadette Nelson III. Wandering Fragments The Journey of Liturgical Fragments from England, France, Germany, and Italy to Coimbra: A Contribution to Book History in Portugal Oc ane Boudeau and Kristin Hoefener Lost, Then Found in Canada: Stories Behind Some Medieval Manuscript Fragments that Have Journeyed Across the Ocean Debra Lacoste IV. Studies on Fragments The Earliest Plainchant Fragments of Hungarian Provenance? Interpreting Two Twelfth-Century Troper-Proser Leaves from ?ibenik Gabriella Gil nyi New Insights into a Thirteenth-Century Fragmentary Breviary: The Case of MS Porto 1151 Diogo Alte da Veiga Fragments on the Margins of an Antiphoner Kathleen Nelson and Nathan Cox Fragmentary Motets in Coimbra Sources from the 1570s Jo o Pedro d?Alvarenga V. Studies with Fragments The Pentecost Responsory Erant omnes apostoli, its Borrowed Melismas, a Rare Prosula, and Portuguese Fragments Containing It Jo o Pedro d?Alvarenga Some Rare Responsory Verses in Portuguese Fragments: A CANTUS-based Assessment Giulio Minniti From London to Portugal: Musical Notation as a Marker of Identity Susan Rankin Iberian Liturgical Offices Celebrating Military Successes: Echoes of Victory in a Plainchant Fragment (Coimbra, Arquivo Hist rico Municipal, B60/36) Alberto Medina de Sei a Extrapolating from Fragments: A Portuguese Case Study Owen Rees VI. Reconstructing from Fragments A Data-Based Approach to the Reconstruction of Missing Voice-Parts in Seventeenth-Century Polyphony Ana Silva Sousa and Nuno de Mendon a Raimundo The Collection of Latin Sacred Music in P-BRad MS 964: Identification and Reconstitution of its Contents Andrew Woolley In Search of a Lost Sound: Intervention Options Towards the Fragmented Material of a Historic Organ Jo o Vaz and Andr Ferreira Contributors List of Manuscript and Archival Sources Bibliography Index‎

‎Fragmenta Musicae Contemporary Perspectives‎

‎, Brepols - Harvey Miller, 2025 Paperback, Pages: 542 p. Size:178 x 254 mm, Illustrations:10 b/w, 67 col., 33 tables b/w., 2 tables col., 90 musical examples, Language English. nEW. ISBN 9782503613000.‎

‎Summary This volume stems from a research project on medieval and sixteenth-century fragments with music carried out at CESEM?Centre for the Study of the Sociology and Aesthetics of Music, Lisbon Nova University, between 2021 and 2024, as well as from an international colloquium on fragmentology held in Cascais, Portugal, in July 2023. It brings together twenty studies that address a varied range of disjecta membra, including loose folios from dismembered manuscripts, mutilated musical-liturgical codices, incomplete sets of part-books, truncated musical settings, and even the remains of a historic organ. The aim is to invest these materials with significance beyond their condition as fragmented cultural artefacts by exploring their texts, contexts, meanings, trajectories and, when appropriate, proposing methods for their reconstitution. TABLE OF CONTENTS Introduction I. Fragments in Collections Fragments at a Crossroad of Disciplines: The Case of the Liber Demetrii de Lasko Zsuzsa Czag ny Reflected and Refracted: A Fragment Collection from Trier Anna de Bakker Eighteenth-Century Musical Fragmentology and Early-Modern Musical Historiography Giovanni Varelli II. Fragments and Contexts Fragments and Places: Establishing Connections Manuel Pedro Ferreira Vestiges from the Time Before the Reformation of Subiaco-Melk David Merlin Contextualising a Polyphonic Fragment: The Salve regina by Dom Bento in Coimbra MM 12 Bernadette Nelson III. Wandering Fragments The Journey of Liturgical Fragments from England, France, Germany, and Italy to Coimbra: A Contribution to Book History in Portugal Oc ane Boudeau and Kristin Hoefener Lost, Then Found in Canada: Stories Behind Some Medieval Manuscript Fragments that Have Journeyed Across the Ocean Debra Lacoste IV. Studies on Fragments The Earliest Plainchant Fragments of Hungarian Provenance? Interpreting Two Twelfth-Century Troper-Proser Leaves from ?ibenik Gabriella Gil nyi New Insights into a Thirteenth-Century Fragmentary Breviary: The Case of MS Porto 1151 Diogo Alte da Veiga Fragments on the Margins of an Antiphoner Kathleen Nelson and Nathan Cox Fragmentary Motets in Coimbra Sources from the 1570s Jo o Pedro d?Alvarenga V. Studies with Fragments The Pentecost Responsory Erant omnes apostoli, its Borrowed Melismas, a Rare Prosula, and Portuguese Fragments Containing It Jo o Pedro d?Alvarenga Some Rare Responsory Verses in Portuguese Fragments: A CANTUS-based Assessment Giulio Minniti From London to Portugal: Musical Notation as a Marker of Identity Susan Rankin Iberian Liturgical Offices Celebrating Military Successes: Echoes of Victory in a Plainchant Fragment (Coimbra, Arquivo Hist rico Municipal, B60/36) Alberto Medina de Sei a Extrapolating from Fragments: A Portuguese Case Study Owen Rees VI. Reconstructing from Fragments A Data-Based Approach to the Reconstruction of Missing Voice-Parts in Seventeenth-Century Polyphony Ana Silva Sousa and Nuno de Mendon a Raimundo The Collection of Latin Sacred Music in P-BRad MS 964: Identification and Reconstitution of its Contents Andrew Woolley In Search of a Lost Sound: Intervention Options Towards the Fragmented Material of a Historic Organ Jo o Vaz and Andr Ferreira Contributors List of Manuscript and Archival Sources Bibliography Index‎

‎"Hautbois et basson; leur histoire, leur famille, leur répertoire. Collection : ""Instruments de musique""."‎

‎Lausanne, Editions Payot, 1981. 19 x 21, 196 pp., nombreuses illustrations en N/B et en couleurs, quelques notations musicales, reliure d'édition carton illustré, très bon état (sauf légères traces sur les pages de garde).‎

‎Sigismondo D?India et ses mondes. Un compositeur italien d?avant-garde, histoire et documents‎

‎, Brepols, 2019 Paperback, 592 pages, Size:178 x 254 mm, Illustrations:23 b/w, 2 tables b/w., 1 maps b/w, Language: French. ISBN 9782503584591.‎

‎Summary Cet ouvrage analyse le parcours artistique et pr sente une traduction analytique de toutes les traces crites connues portant sur l'oeuvre et la carri re musicale d'un compositeur majeur de l' poque de Monteverdi, Sigismondo D'India (c.1582-c.1629), depuis l'Italie m ridionale de ses origines jusqu' son s jour Rome et Mod ne, o le musicien acheva son existence. En tudiant les villes, les cours, les princes protecteurs, les d dicataires et les lieux destin s la musique, chacun des chapitres suit une tape de la carri re de D'India et redonne vie aux mondes de ce compositeur italien d'avant-garde. Apparaissent alors les th matiques du voyage, de l'identit nobiliaire et du croisement, lesquelles permettent de penser l'histoire de la musique comme une histoire la fois des pratiques culturelles et de l'exp rience musicale. TABLE OF CONTENTS PREMI RE PARTIE SIGISMONDO D'INDIA ET SES MONDES HISTOIRE INTRODUCTION ENTRE LA SICILE ET NAPLES SIGISMONDO D'INDIA NOBLE PALERMITAIN ? D'INDIA ET LES COMPOSITEURS SICILIENS SUR LES TRACES DE LA FAMILLE D'INDIA EN SICILE SIGISMONDO D'INDIA NOBLE NAPOLITAIN ? DE PALERME NAPLES. TAT DE LA RECHERCHE SUR LES ORIGINES NAPOLITAINES DU COMPOSITEUR LES D'INDIA DE NAPLES LA COUR DE TURIN LE DUC CHARLES-EMMANUEL Ier PORTRAIT ARTISTIQUE ET POLITIQUE DE CHARLES-EMMANUEL Ier LA COUR DE TURIN AU TEMPS DE CHARLES-EMMANUEL Ier L'ARRIV E DE D'INDIA LA COUR DE SAVOIE LA PRINCESSE CHRISTINE DE FRANCE L'ARRIV E DE CHRISTINE DE FRANCE TURIN EN 1620. CHANGEMENTS ET D VELOPPEMENTS POLITICO-CULTURELS EN SAVOIE ESPACES, POLITIQUE ET SYMBOLISME - LES BALLI DE D'INDIA HYBRIDATION ET TRANSFERT ENTRE LA FRANCE ET LA SAVOIE LES D PLACEMENTS DE LA FAMILLE DE SAVOIE EN FRANCE ET L'ABSENCE DE D'INDIA TURIN - L'ANN E 1622 LE DUCH DE PARME ET DE PLAISANCE LE MARQUIS PIER FRANCESCO MALASPINA LO STATO DEI MALASPINA DEGLI EDIFIZI, UN TAT SATELLITE DU DUCH DE PARME ET DE PLAISANCE PIER FRANCESCO MALASPINA, ENTRE MUSIQUE, LITT RATURE, MATH MATIQUES ET ART DIPLOMATIQUE LA NOBILDONNA BARBARA LANDI BARATTIERI LES FAMILLES LANDI ET BARATTIERI AU SEIN DE LA NOBLESSE DE PLAISSANCE AU D BUT DU XVIIe SI CLE SIGISMONDO D'INDIA PLAISANCE ENTRE MUSIQUE SACR E, MADRIGAUX, COMPOSITIONS PO TIQUES ET C L BRATIONS LE DEUXI ME RECUEIL DE VILLANELLES, ENTRE VENISE, NAPLES, TURIN ET PLAISANCE LE DUC RANUCCIO, LE CARDINAL ODOARDO ET L'ABB DIOFEBO FARNESE LE DUCH DE PARME ET DE PLAISANCE, UN VIVIER MUSICAL DE L'ITALIE DU NORD ENTRE RENAISSANCE ET BAROQUE LES FRERES RANUCCIO ET ODOARDO FARNESE, ENTRE PARME ET ROME DIO FEBO FARNESE, ENTRE LA CURIE, LE DROIT CANONIQUE, LA PoeSIE, LE THEATRE ET LA MUSIQUE LE COMTE FEDERICO ROSSI DI SAN SECONDO LA RENOMMEE DES ROSSI DI SAN SECONDO. HISTOIRE D'UNE FAMILLE DE LA VALLEE DU TARO FEDERICO ROSSI ET LES ARTS. MUSIQUE, COMMITENZA ET CIRCULATION ARTISTIQUE LA VILLE DE MILAN SIGISMONDO D'INDIA ET LE MILIEU MUSICAL MILANAIS LE MYST RE DE LA LAMENTATION D'ARMIDE ET DU HUITI ME LIVRE DES MUSICHE PUBLI MILAN LES RECUEILS DU NOBLE PALERMITAIN DIT S MILAN - R SULTATS D'UNE RECHERCHE SUR LES IMPRIMEURS MILANAIS LE CARDINAL FEDERICO BORROMEO UNE RECHERCHE AUTOUR DU CARDINAL FEDERICO BORROMEO LA CIRCULATION DES MUSICIENS ET PO TES DANS L' TAT BORROMEO L'AUTRICHE ET L'ALLEMAGNE LE PRINCE-ARCHEV QUE MARCO SITTICO ALTEMPS LA FAMILLE ALTEMPS, ENTRE L'AUTRICHE ET ROME LE RAYONNEMENT CULTUREL DE LA FAMILLE ALTEMPS : MUSIQUE, LITT RATURE ET SCIENCE L'ARCHEV QUE MARCO SITTICO ALTEMPS ET SIGISMONDO D'INDIA FERDINAND II D'AUTRICHE, CHARLES DE HABSBOURG ET MAXIMILIEN DE BAVI RE L'AUTRICHE ET L'ITALIE AU D BUT DU XVIIe SI CLE, ENTRE POLITIQUE FAMILIALE ET CHANGES ARTISTIQUES TROIS PRINCES M LOMANES DU MONDE GERMANIQUE L'ANGLETERRE ET VENISE L'AMBASSADEUR SIR HENRY WOTTON L'AMBASSADE VENISE DE HENRY WOTTON - ART DE LA N GOCIATION ET N GOCIATION DE L'ART ENRICO VOTTONE, ENTRE REPR SENTATION MUSICALE ET REPR SENTATION DIPLOMATIQUE LE CHEVALIER SIGISMONDO D'INDIA. IL CAVALIERATO DI SAN MARCO DIPLOMATIE, CONFLIT POLITIQUE ET SPECTACLE - LA VENISE BLOUISSANTE DE L'AMBASSADEUR PISCINA SIGISMONDO D'INDIA, AGGIUTANTE DI CAMERA DU DUC DE SAVOIE ET CHEVALIER DE SAINT-MARC LA COUR DE MOD NE LA PRINCESSE ISABELLE D'ESTE-SAVOIE LE PREMIER M LODRAME MOD NE - L'ISOLA D'ALCINA DE D'INDIA-TESTI ENTRE DEUX VILLES ET DEUX PROTECTEURS, SIGISMONDO D'INDIA ET LES ANN ES 1626, 1627 ET 1628 LE PRINCE ALPHONSE III D'ESTE LE TROISI ME LIVRE DE MONODIES ACCOMPAGN ES, ENTRE TURIN, MOD NE ET MILAN LE D PART DE TURIN ET L'ARRIV E MOD NE - CONTEXTE CULTUREL, ARTISTIQUE ET POLITIQUE DE LA COUR D'ESTE AU D BUT DU XVIIe SI CLE LA MORT DE SIGISMONDO D'INDIA, NOUVELLES RECHERCHES MOD NE SUR SA DISPARITION LA COUR DE ROME LE CARDINAL MAURICE DE SAVOIE SIGISMONDO D'INDIA, GENTILUOMO DU CARDINAL DE SAVOIE LA ROME DU CARDINAL MAURICE DE SAVOIE, ENTRE MAGNIFICENCE ET POLITIQUE L'ACCADEMIA DEI DESIOSI DU CARDINAL MAURICE DE SAVOIE, UNE ACAD MIE D'ARMES ET DE LETTRES DEUX oeUVRES ROMAINES PERDUES LE PAPE URBAIN VIII ENTRE F TES ET C L BRATIONS, LA ROME DE PAUL V, GR GOIRE XV ET DU D BUT DU PONTIFICAT D'URBAIN VIII D'INDIA, LA CHAPELLE PONTIFICALE ET LE PAPE URBAIN VIII, LE MYST RE DE LA MESSE POLYPHONIQUE DOMINE CLAMAVI AD TE CONCLUSION DEUXI ME PARTIE SIGISMONDO D'INDIA CORRESPONDANCES, PR FACES, P TRES D DICATOIRES ET AUTRES DOCUMENTS INTRODUCTION LES CORRESPONDANCES LES CORRESPONDANCES SIGN ES PAR SIGISMONDO D'INDIA LES CORRESPONDANCES ADRESS ES SIGISMONDO D'INDIA LES CORRESPONDANCES O IL EST FAIT MENTION DE SIGISMONDO D'INDIA LES PR FACES LE PREMIER LIVRE DES MUSICHE DE 1609 LE TROISI ME LIVRE DES MUSICHE DE 1618 LE LIVRE DES MUSICHE E BALLI DE 1621 LES P TRES D DICATOIRES LE PREMIER LIVRE DE MADRIGAUX DE 1606 LE PREMIER LIVRE DES VILLANELLES DE 1608 LE PREMIER LIVRE DES MUSICHE DE 1609 LE PREMIER LIVRE DE MOTETS DE 1610 LE DEUXI ME LIVRE DE MOTETS DE 1610 LE DEUXI ME LIVRE DE MADRIGAUX DE 1611 LE DEUXIEME LIVRE DES VILLANELLES DE 1612 LE TROISIEME LIVRE DE MADRIGAUX DE 1615 LE DEUXIEME LIVRE DES MUSICHE DE 1615 LE CINQUI ME LIVRE DE MADRIGAUX DE 1616 LE TROISI ME LIVRE DES MUSICHE DE 1618 LE LIVRE DES MUSICHE E BALLI DE 1621 LE QUATRI ME LIVRE DES MUSICHE DE 1621 LE CINQUI ME LIVRE DES MUSICHE DE 1623 LE SEPTI ME LIVRE DE MADRIGAUX DE 1624 LE HUITI ME LIVRE DE MADRIGAUX DE 1624 LE TROISI ME LIVRE DE MOTETS DE 1627 LES AUTRES DOCUMENTS LES IMPRIM S ANCIENS LES RECUEILS DE MUSIQUE LES IMPRIM S D' POQUE LES DOCUMENTS D'ARCHIVE REGISTRES ACTES, COMPTES RENDUS ET D LIB RATIONS MANDATS DE PAIEMENT QUITTANCES CONCLUSION ANNEXES BIBLIOGRAPHIE INDEX DES NOMS PROPRES‎

‎Symphonism in Nineteenth-Century Europe‎

‎, Brepols, 2020 Hardback, xiv + 484 pages, Size:210 x 260 mm, Languages: English, Spanish, German. ISBN 9782503586434.‎

‎Summary This volume deals, from multiple perspectives, with the complex world of European symphonism during the nineteenth century, a period in which it encompassed not only the creation of musical products and performances, but also significantly affected many compositional approaches, as well as aesthetic factors, such as the opposition between programme and absolute music. The emergence of the great symphony orchestras led to unprecedented types of professional interaction, and new forms of patronage. It also fostered the creation of a specific repertoire, and the construction of the first purpose-built concert halls. These developments originated in Europe at the beginning of the 19th century, in conjunction with the growth of music destined for increasing orchestral formations and the concert as a social phenomenon, available to the common public. About twenty authors discuss in this volume issues about analysis and musical creation, repertoire, musical aesthetics and criticism, orchestras and symphonic ensembles, musical performing venues, production system, consumption, entertainment system and the dissemination and reception of symphonic models in Europe. Through the work of Beethoven, Berlioz, Mendelssohn, Brahms, Mahler, Strauss, among others, the volume addresses these and other aspects across the European geography and in different contexts: Spain, Italy, French, Portugal, United Kingdom, Northern Europe and Eastern Europe. TABLE OF CONTENTS Jos Ignacio Su rez Garc a - Ram n Sobrino S nchez Introduction Symphonic Works by Western European Composers Christian Speck Zum Orchester in Beethovens Symphonien R. Larry Todd Und es soll wahrhaft kein Choral darin vorkommen : On Mendelssohn's Use of Chorales in His Symphonies Virginia Whealton Transformed Abruzzi: Harold en Italie, the r cit de voyage, and French Romantic Visual Culture James L. Zychowicz Gustav Mahler's Adagio Movements and His Evolving Symphonic Structures Vadim Rakochi Dramaturgical Functions of Solos in Richard Strauss's Symphonic Poems Johannes Brahms: A Case Study George S. Bozarth Brahms's Symphonism Jacquelyn Sholes On Meaning in Brahms's Symphonies David Hurwitz Dvo! k's Fifth Symphony: A Politically Incorrect Inspiration for Brahms's Third? National Approaches to Symphonic Literature Marino Pessina Le 'Sinfonie' giovanili di Antonio Bazzini: una ricognizione Ram n Sobrino S nchez The Sociedad de Conciertos de Madrid (1866-1903) and the Uni n Art stico-Musical (1877-1891): From the Reception to the Creation of a Symphonic Repertoire in Spain Jeremy Dibble The Last Symphonies of Hubert Parry and Charles Villiers Stanford: A Journey towards Structural Compression Pauline Fairclough Legacies of Romanticism in the early Soviet Symphony Musical Performance Venues, Organizations, and Entertainment Systems Francesco Esposito The Concertante Symphony as 'Musical Metaphor': The Role of Orchestral Music in the Concert Practice of Liberal Lisbon (1822-1853) Francesc Cort s La orquesta del G. T. del Liceu de Barcelona: organizaci n y funcionamiento en los conciertos sinf nicos de la segunda mitad del s. xix Andrea Garc a Torres Los conciertos populares en el mbito madrile o: la b squeda de nuevos p blicos y la urgencia por europeizar el sistema musical Mia L wengart From a Bourgeois Concern to a Matter of Social Urgency: Legitimization and Institutionalization of Symphonic Music in Stockholm, 1890-1926 Musical Practices, Reception, and Criticism Chloe Valenti Pitched Battles? Vocal Health and the British Pitch Debate in the Late Nineteenth Century Jos Ignacio Su rez Garc a Wagner en los conciertos sinf nicos: su recepci n en Madrid en el siglo xix (1864-1901) Stanislav Tuksar The Issues of Programme and Absolute Music in the Writings of the Leading Croatian 19th-Century Musicologist Franjo Ksaver Kuha" (1834-1911) Abstracts Biographies Index of Names‎

‎"Jubilate 1993; Musique tchèque et slovaque/Tsjechische en slovaakse musiek."‎

‎Bruxelles, Fondation Europalia International, 1993. 15 x 21, 183 pp., quelques illustrations, broché, très bon état.‎

‎Bilingue français, néerlandais.‎

‎"L'opéra secret au XVIIIe siècle; aventures et intrigues secrètes racontées d'après les papiers inédits conservés aux Archives de l'Etat et de l'Opéra."‎

‎Paris, Librairie Ancienne et Moderne Edouard Rouveyre, 1880. "13 x 20, 258 pp., bandeaux, lettrines et culs-de-lampe, broché, non coupé, couverture rempliée, bon état (couverture légèrement abîmée : petit manque au coin supérieur gauche; peu de rousseurs)."‎

‎Eaux-fortes par de Malval.‎

‎Studien zu den barocken Orgelprospekten Westfalens [2 volumes]‎

‎Münster i.W., 1996 Complete in 2 volumes, I (text): 399pp., II: over 200 bl/w illustrations, 30cm., softcovers, text in German, Doctoral Dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Westfälischen Wilhelms-Universität zu Münster Westfalen), stamp at verso of title page, text is clean and bright, good condition, weight: 1.7kg., M109498‎

‎Studien über die Wiedergabe romantischer Musik in der Gegenwart‎

‎Nürnberg, 1934 71pp., with some music examples in text, 21cm., text in German, Doctoral Dissertaton (Inaugural-Dissertation zur Erlangung der Doktorwürde der hohen philosophischen Fakultät der Friedrich-Alexanders-Universität zu Erlangen), stamp at verso of title page, text is clean and bright, M113447‎

‎An der Wegscheide - Untersuchungen zur Entwicklung im Schaffen des Regerschülers Hermann Unger in den Jahren 1913-1933‎

‎Köln, 1998 266pp., with music examples in text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Universität zu Köln), stamp at verso of title page, text is clean and bright, good condition, M108940‎

‎Wogulische und ostjakische Melodien phonographisch aufgenommen‎

‎Helsinki, Suomalais-Ugrilainen Seura 1937 lxi + 378pp. (of which 364pp. with music scores for chant), 25cm., text in German, in the series "Suomalais-Ugrilaisen seuran toimituksia. Mémoires de la société finno-ougrienne" volume LXXIII (73), 3 stamps, pages still uncut, text and interior clean and bright, good condition, M98443‎

‎Critique de la raison pratique. Traduction française de François Picavet ave une introduction de Ferdinand Alquié. Cinquième édition. Collection Bibliothèque de Philosophie Contemporaine.‎

‎ Paris, Presses Universitaires de France 1966, 215x130mm, XXXII - 192pages, broché. Etiquette de cotation sur le revers de la couverture supérieure, autrement très bel exemplaire. ‎

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‎Sounding the Past: Music as History and Memory‎

‎, Brepols, 2020 Paperback, 312 pages, Size:178 x 254 mm, Illustrations:2 b/w, 21 col., 9 tables b/w., 14 musical examples, Language: English. ISBN 9782503588315.‎

‎Summary This volume offers the first systematic exploration of the past as manifested in music of the later Middle Ages and the early modern period. It takes the reader on a journey of discovery across the continent, from the genesis of a new sense of a musical past in early thirteenth-century Paris to the complex and diverse roles and pedigrees given music of the past in sources, media, genres, communities, and regions in the Age of Reformations. Particular attention is given to the use of older styles and musical traditions in changing constructions of religious and political identity, laying the groundwork for a revised narrative of European music history that accommodates within its framework the full plurality of styles and regions found in the sources. The volume concludes with reflections on the conflicting appropriations and effects of the musical past today in composition, performance, musicological discourse, and tourism. TABLE OF CONTENTS Preface Karl K gle Introduction: Towards a New History of the Musical Past Karl K gle Part I: Singing Histories Introduction: Sung Histories Susan Rankin Chapters: 1. Making Music into History, Susan Rankin 2. Collecting Clausulae, Shaping the Past, Adam Mathias (University of Cambridge) 3. Using the Past as Model: Musical Scripts in Books of the Prague Diocese, David Eben (Charles University Prague) and Susan Rankin 4. Operation Libroni: Franchinus Gaffurius and the Construction of a Repertory for Milan's Duomo, Daniele V. Filippi (Schola Cantorum Basiliensis) Part II: Traditions Introduction: Tradition in the Musical Past Pawe? Gancarczyk 5. From Tolerated Addition to Keepers of Tradition: The Authority of the 'Past' in Latin Song in Central Europe in the Fourteenth and Fifteenth Centuries, Jan Ciglbauer (Charles University Prague) 6. Memory of Genre: The Polytextual Motet in Central Europe and its Two Traditions, Pawe? Gancarczyk 7. Tradition and Experimentation in Choirbooks Printed in Late Sixteenth- and Seventeenth-Century Italy, Emanuel Signer (University of Cambridge) Part III: Persistence in Times of Change Introduction: Religious Reforms and their Links with the Past, Inga Mai Groote and Lenka Hl vkov 8. Using the Past, Shaping the Present: Tracing the Tradition of Specific Polyphonic Repertories in Bohemian Utraquist Sources (c.1450-1540), Lenka Hl vkov 9. Flexible Uniformity or Stability over the Years? The Liturgy of Monastic Houses Affiliated with the Windesheim Congregation, Manon Louviot (Utrecht University) 10. The Presence of the Past in Lutheran Music and Liturgy: A Commentary on David Chytraeus's Agenda of 1578, Christine Roth (University of Zurich) Part IV. Perspectives Introduction: Dilemmas of Historicism, Karl K gle 11. The Memory of Meaning: Polychorality in Venice and the Cori Spezzati Meme, Bart?omiej Gembicki (Institute of Art, Polish Academy of Sciences, Warsaw) 12. Visions of the Past: A Conversation with Micha? Gondko and Pawe? Szamburski, Antonio Chemotti (Institute of Art, Polish Academy of Sciences, Warsaw) Bibliography General Index‎

‎L'Orient sonore. Musiques oubliées, musiques vivantes. ‎

‎ 2020 Editions Actes Sud - 2020 - In-8, broché, couverture illustrée en N&B, sous blister - 170 p. ‎

‎Bon état ‎

‎Britten‎

‎Oxford, Oxford University Press 2001 xi + 359pp.+ 24 bl/w illustrations out of text, in the series "Master Musicians", publisher's softcover, 23cm., very good, M95098‎

‎Franz Vollrath Buttstett (1735-1814) Eine Studie zur Musik des Spätbarock‎

‎Würzburg-Aumühle, Konrad Triltsch 1938 xii + 99pp. + 8 plates out of text, with music examples, 24cm., text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der hohen Philosophischen Fakultät der Friedrich-Alexanders-Universität zu Erlangen), stamp at verso of title page, text is clean and bright, good condition, M109032‎

‎De ongeruste parapluie. Notities over muziek 1970-1980‎

‎Den Haag, Ulysses 1981 140pp., 23cm., goede staat, M95113‎

‎Histoire abrégée de la vie musicale en Hongrie.‎

‎Budapest, Janos Breuer, 1981. 14 x 20, 48 pp., nombreuses illustrations en N/B, broché, bon état.‎

‎Das Konzertstuck für Klavier und Orchester des 19. Jahrhunderts von Carl Maria von Weber bis Richard Strauss‎

‎Marburg, 1997 207pp., 22cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde des Fachbereichs Neuere deutsche Literatur und Kunstwissenschaften der Philipps-Universität Marburg), stamp at verso of title page, text and interior are clean and bright, good condition, M108948‎

‎"Jean-Philippe Rameau; splendeur et naufrage de l'esthétique du plaisir à l'âge classique."‎

‎Paris, Le Sycomore, 1983. 14 x 21, 280 pp., broché, très bon état.‎

‎Il fondo musicale Venturi nella biblioteca comunale di Montecatini Terme. Presentazione di Alberto Basso. Inventari e Cataloghi Toscani, n.° 28.‎

‎ Milano, Giunta regionale toscana & Editrice Bibliografica 1989, 300x210mm, XX - 431pagine, in brossura. Timbro biblioteca. Ottimo stato. ‎

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