Paris, Presses Universitaires de France (PUF), 1966. 12 x 18, 128 pp., broché, très bon état.
Padova, Editrice Antenore 1992, 245x170mm, LXXI - 175pagine, legatura del editore. Copertina rodhoid. Bel exemplaire.
Paris, Société Française de Diffusion Musicale et Artistique / JMF ( Journal Musical Français ) , 1955, format 270x215mm, cartonnage toilé vert de l'éditeur, 186 pages, exemplaire en bon état.
Boston, Schirmer Music 1933 vii + 101pp. with numerous music examples in text + 2 plates out of text, 3rd printing, 25cm., in the "Concord series" no.12, publisher's hardcover in green cloth with some traces of use, 2 library stamps, text in good condition, M95180
[Bayreuth], 2010 247pp., 21cm., softcover, text in German, Doctoral Dissertation (Universität Bayreuth, 2009), stamp on title page, text is clean and bright (looks unread), M111115
Linares, 1987, 240x170mm, 43 páginas, libro en rústica. Con un autografo del autor, ejemplar numerado. Datos biograficos, dimension y alcance de su obra, honores y distinctiones. Muy buen estado.
Paris, Editions PAC, 1978. 15 x 20, 259 pp., nombreuses illustrations en N/B, broché, couverture à rabats, très bon état.
Hamburg, 1940 93pp., 23cm., text in German, Doctoral dissertation (Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Hänsischen Universität Hamburg), stamp at verso of title page, small label on cover, text is clean and bright, good condition, M109030
Zürich, Orell, Füssli und Comp., 1869. Gr.-8°. 18 S. Mit einem lithogr. Porträt von J. Lier nach C. Scheuchzer. Orig.-Broschur. = "57. Neujahrsblatt (Neujahrsgeschenk an die Zürcherische Jugend sic.) von der allgemeinen Musik-Gesellschaft in Zürich auf das Jahr 1869".
Rohr 881. - Mit hübschem Portrait von Albert Lortzing. - Papier etwas gebräunt.
LOUYS DE MOY (JAPE Mijndert, introd. & SCHREURS Eugeen, ed.)
Reference : M95099
(1987)
Peer, Alamire 1987 22pp. (introduction in English) + [135] pp. facsimile-edition of the original 1631-edition ; "Le Petit Boucquet, de frise orientale contenant quelques chansonnettes musicales, pour toucher du luth join deux violes de gambas par-my les vois ; et autres padvanes pour le luth & violons communs avec diverses pieces faciles pour toucher du luth seul", publisher's hardcover, 25cm., good condition, M95099
Saarbrücken, 1962 175pp., with some music examples in text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie der Philosophischen Fakultät der Universität des Saarlandes), stamp at verso of title page, text is clean and bright, good condition, M108984
, Brepols, 2024 Hardback, 336 pages, Size:210 x 270 mm, Illustrations:76 b/w, 6 tables b/w., 95 pages of musical scores, Language: English. ISBN 9782503608471.
Summary Every chapter of the three volumes of Giovanni Battista Martini's Storia della Musica begins and ends with an enigmatic canon: 72 puzzle canons, which formed the subject of debate in the 18th and 19th centuries. Luigi Cherubini proposed solutions for all canons, forming a pedagogical collection designed to reveal the secrets of the enigmatic canons practice to 19th-century musicians. Cherubini explained in detail how each proposed solution was reached. The resolutions are all based on a 'Table of Latin words', a list of enigmatic expressions. For each expression, Cherubini gives an explanation detailing how they must be interpreted in order to find the resolution of the riddles. Practically 56 expressions from Cherubini's 'Table of Latin words' can be identified in Renaissance treatises. Until the first half of the 16th century, a canon was a formula that musicians would put into action to create one or more parts of music ? the 'canon' was just the formula and not the music itself. Explanations of such formulas were compiled in Renaissance music treatises. It is this journey ? the one enigmatic expressions took as they travelled from the Renaissance into the 19th century ? that Luigi Cherubini's complete edition of proposed solutions to Padre Martini's enigmatic canons seeks to illustrate. TABLE OF CONTENTS Acknowledgements Introduction The 72 Enigmatic Canons of Padre Martini's Storia della Musica Luigi Cherubini's Solutions: A Pedagogical Work A Table of Enigmatic Expressions Renaissance Sources for Padre Martini's List of Motti o Enigmi Pietro Aaron, Libri tres de institutione harmonica, Bologna, 1516 Heinrich Glarean, Dodecachordon, Basel, 1547 Hermann Finck, Practica musica, Wittenberg, 1556 Pietro Cerone, El melopeo y maestro, Naples, 1613 Giovanni Battista Rossi, Organo de cantori, Venice, 1618 Camillo Angleria, La regola del contraponto?, Milan, 1622 Giovanni Andrea Angelini Bontempi, Historia Musica, Perugia, 1695 Reception of Martini's and Cherubini's Works in the 19th Century Pierre-Louis Ginguen , Encyclop die m thodique, Paris, 1791 Fran ois-Joseph F tis, Trait du contrepoint et de la fugue, Paris, [1824] Padre Martini's List of Motti o Enigmi (Reproduced in Cherubini's Collection) and the Understanding of the Renaissance Practice of (Puzzle) Canons during the 19th Century Comparative Tables Table 1. Luigi Cherubini's Table des mots latins, que les anciens compositeurs pla aient souvent en t te des canons, avec l'explication du sens nigmatique qu'ils renferment, afin d'obtenir plus ais ment la v ritable solution d'un canon ferm Table 2. Cherubini's Table of Latin Words vs. Martini's Lists of Motti o Enigmi and Vocaboli Italiani, Latini e Greci Table 3. Padre Martini's Sources for his Motti o Enigmi Table 4. Martini's Esemplare vs. Finck's Practica musica Table 5. Finck's Expressions not Cited by Martini Table 6. Cherubini's and Ginguen 's Translations of Martini's List of Motti o Enigmi Table 7. Fran ois Joseph F tis's Table des Devises ou Inscriptions des Canons nigmatiques avec leur Explication Padre Martini's Closed and Enigmatic Canons with Solutions by Luigi Cherubini List of Canons in Cherubini's Collection Letter Sent by the French Musicologist Henry Expert (1863-1952) to the Administrator of the National Library in Paris on 10 June 1924 Plates Critical Notes Bibliography Index of Names
Paris, Flammarion, 1945. 15 x 21, 300 pp., quelques illustrations en N/B, broché, non rogné, bon état.
"Traduit de l'allemand par Jean Longeville; édition originale, N° 349 sur 1100 exemplaires numérotés sur beau vélin."
LUPO T., COPRARIO I., DAMAN W. & GIBBONS Orlandus (RASCH Rudolf, introd.)
Reference : M95239
(1987)
Peer, Alamire 1987 Facsimile-edition of the original 1648-edition by Paulus Matthysz in Amsterdam, 3 volumes (one for each voice): 11,[56] + [56] + [48] pp., 22cm., softcovers, in publisher's cart. slipcase, ISBN 90-6853-025-9, good condition, [volume 1 also contains an introduction in English], M95239
Paris, Librairie Fischbacher, 1904. 18 x 28, 184 pp., nombreuses notations musicales, broché, bon état.
8e édition revue, corrigée et augmentée.
Bruxelles, Editions de l'I. N. R., 1938. 14 x 21, 32 pp., nombreuses illustrations, broché, bon état.
Groningen, 1967 208pp. + 2pp. stellingen, met muziekvoorbeelden in tekst, 24cm., gebroch., Doctoraal proefschrift (Universiteit van Amsterdam), stempeltje, tekst helder, goed, M109022
Paris, Presses Universitaires de France (PUF), 1962. 12 x 18, 128 pp., broché, très bon état.
Paris, Presses Universitaires de France (PUF), 1971. 12 x 18, 128 pp., broché, très bon état.
3e édition mise à jour par Michel Huglo
Paris, Librairie Larousse, 1948. 11 x 17, 124 pp., broché, très bon état.
Paris, Richard Masse, 1947. 13 x 19, 125 pp., 8 illustrations, broché, non coupé, bon état.
Paris, Richard-Masse, 1947. 13 x 19, 125 pp., 8 illustrations, broché, couverture à rabats, très bon état.
Editions Richard-Masse, 1947, "Bibliothèque d'études musicales", bibliographie, index onomastique, broché, non coupé, 224pp. très bon état, 210x140 . (p3)
Phone number : 33 05 49 26 70 36
Paris, Richard-Masse (« Bibliotheque d"Etudes Musicales »), 1947. in-8°, 223 pages, index onomastique, broche, couv.
Bel exemplaire, non coupe [MI-9]