‎Le kiosque à musique‎

‎Charpentier. 1922. In-12. Broché. A relier, Couv. défraîchie, Dos frotté, Intérieur frais. 292 pages.. . . . Classification Dewey : 780-Musique‎

‎Flûtes - Les chansons des trains et des gares - Le dimanche en famille. Classification Dewey : 780-Musique‎

‎Les cheveux de Nephthys‎

‎ Paris, 1989. Format 13x21 cm, broche, 157 pages . Avec un envoi autographe de l'auteur.Etat de neuf.‎

‎LES BERGERIES LES MOISSENNEURS LA PETITE PINCE-SANS-RIRE‎

‎ Edizione di inizio novecento di quattro melodie del compositore barocco Francois Couperin (1668-1733). All'interno: Les bergeries; Les moissenneurs; La petite pince-sans-rire. In buone condizioni. Copertina morbida in buone condizioni con lievi usure marginali. Legatura editorialmente assente. Pagine in buone condizioni con rare fioriture. Piegatura verticale. In Folio. cm. 35x27. Pp. 8. Edition of earlu 20th century by the baroque composer Francois Couperin (1668-1733). Inside: Les bergeries; Les moissenneurs; La petite pince-sans-rire. In good conditions. Soft cover in good conditions lightly worn in the extremities. Binding editoriarly missing. Pages in good conditions with occasional foxing. Vertical folding. In Folio. cm. 35x27. Pp. 8.‎

‎LES FOLIES FRANCAISES 1 PARTIE‎

‎ EDITION M. SENART B. ROUDANEZ ‎

‎Edizione di inizio novecento della melodia "Les folies francaises ou Les dominos, prima parte" del compositore barocco Francois Couperin (1668-1733). In buone condizioni. Copertina editoriale in buone condizioni con lievi usure marginali. Legatura editorialmente assente. Pagine in buone condizioni con rare fioriture.In Folio. cm. 35x27. Pp. 4.Edition of early 20th century of "Les folies francises ou Les dominos, prima parte" by the baroque french composer Francois Couperin (1668-1733). In good conditions. Editorial cover in good conditions lightly worn in the extremities. Binding ieditoriarly missing. Pages in good conditions with occasional foxing. In Folio. cm. 35x27. Pp. 4.‎

‎LES FOLIES FRANCAISES 1 PARTIE 2 PARTIE‎

‎ EDITION M. SENART B. ROUDANEZ ‎

‎Edizione di inizio novecento della melodia "Les folies francaises ou Les dominos, prima e seconda parte" del compositore barocco Francois Couperin (1668-1733). In buone condizioni. Copertina editoriale in buone condizioni con lievi usure marginali. Legatura editorialmente assente. Pagine in buone condizioni con rare fioriture.In Folio. cm. 35x27. Pp. 4.Edition of early 20th century of "Les folies francises ou Les dominos, prima parte" by the baroque french composer Francois Couperin (1668-1733). In good conditions. Editorial cover in good conditions lightly worn in the extremities. Binding ieditoriarly missing. Pages in good conditions with occasional foxing. In Folio. cm. 35x27. Pp. 4.‎

‎GIPSY KINGS ... PARCE QUE NOUS SOMMES GITANS‎

‎FILIPACCHI. 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 204 pages. Nombreuses planches de photos en noir et blanc.. . . . Classification Dewey : 780-Musique‎

‎Préface de Joan Baez. Classification Dewey : 780-Musique‎

‎ENCYCLOPEDIE DE LA MUSIQUE. TOME PREMIER.‎

‎FASQUELLE. 1958. In-8. Cartonnage d'éditeurs. Etat d'usage, Couv. partiel. décollorée, Coiffe en tête abîmée, Intérieur frais. 715 pages. Illustration en couleurs collée en frontispice. Nombreuses planches d'illustrations en noir et blanc.. . . . Classification Dewey : 780-Musique‎

‎ Classification Dewey : 780-Musique‎

‎LES MUSIQUES CUBAINES‎

‎LIBRIO / MUSIQUE. 1999. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 87 pages. Premier plat illustré en couleurs.. . . . Classification Dewey : 781.63-Musique populaire‎

‎ Classification Dewey : 781.63-Musique populaire‎

‎Basta ! Chants de témoignage et de révolte de l'amérique latine‎

‎1967, François Maspéro éditeur, collection «Voix » n°16, in-8 broché carré de 256 pages, couverture bleue, rempliée, traduction française de Gonzalo estrada, paroles et musique | Etat : Bon état général, sauf couverture défraîchie avec mors fendu (Ref.: G8023)‎

‎François Maspéro‎

‎Italian Film Music, 1950s-1970s. Between Tradition, Innovation, and Internationalisation‎

‎, Brepols, 2023 Hardback, 454 pages, Size:210 x 270 mm, Illustrations:32 b/w, 48 musical examples, Language(s):English, Italian. ISBN 9782503608464.‎

‎Summary The music heard in Italian cinema along the arch of the three decades highlighted in this book, has not only made history but has become an unspoken of patrimony of humanity. This book provides a platform to build a lasting tribute to those composers who were, indeed, the ?sounding? protagonists of hundreds of films - from Fellini's La dolce vita to Tornatore's Cinema Paradiso to a myriad of cultural documentaries and productions made for cinema and television. The book is divided into three parts comprising essays on the music of Nino Rota, lesser-known composers yet important on the national circuit like Carpi, Gervasio, Vlad, and Chailly, and four essays dedicated to the towering figure of Ennio Morricone whose legacy will continue to hover over Italian cinema of the 50s-70s for many decades to come. An introductory essay, 17 chapters annotated and provided with musical examples, tables, and iconographic material written by internationally known academics specialised in Italian film music; bibliographies and abstracts following each essay; biographies of the contributing authors; and an index organized by names and subjects, make this volume an indispensable research tool free of geopolitical barriers and ideological constrains in the bourgeoning field of Film Music. TABLE OF CONTENTS Franco Sciannameo Preface Part One: One the Road with Nino Rota Giada Viviani Un viaggio audiovisivo lungo il Po. Mario Soldati e Nino Rota agli esordi della televisione Francesco Finocchiaro We Were the Leopards : Strategies of Adaptation from Tomasi di Lampedusa to Visconti & Rota Anna Igielska Visconti's Integration of Opera Excerpts: Towards a Comparative and International Perspective Pasquale Giaquinto 'Kremmerzian' Influence in Nino Rota's Music for the Cinema of Federico Fellini: 'Rosa Aurata' in Giulietta degli spiriti (1965) Franco Sciannameo Fellini's Melophobia, Rota and Prova d'orchestra Part Two: Homages, Considerations, New Horizons Franco Sciannameo L'Armata Brancaleone and the Musical that Never Was Antonio Ferrara La grottesca combinazione audiovisiva di un pastiche parodistico di danze: l'allestimento musicale di Sedotta e abbandonata Marida Rizzuti Film Music in the Concert Programs of the Orchestre Sinfoniche della RAI of Milan and Rome Oreste Palmiero Fiorenzo Carpi e il cinema (con un catalogo delle sue colonne sonore e un contributo biografico) Beatrice Birardi Comporre con spontaneit controllata : la musica per film secondo Raffaele Gervasio Anna Scalfaro Music for TV Dramas by Luciano Chailly Marco Cosci How Does the Italian Cultural Heritage Sound? The Case of Roman Vlad's Documentary Music Giacomo Albert Sound in Italian Experimental Cinema 1950s-1970s: Between Audiovisual Counterpoint, Deconstructions, Asynchronies, Remediations, and Collages Part Threee: Ennio Morricone beyond Absolute Music Hugh Maloney Film Music as Greek Chorus: Ennio Morricone and Il ritorno di Ringo Antonella Coppi - Stefano Cucci Unusual Linguistic and Syncretic Opposites in the Music of Ennio Morricone Alessandro Mastropietro Informal Film Music: Morricone, De Seta and Un uomo a met (1966) Maria Birbili Sam Fuller's and Ennio Morricone's White Dog: Auteur Cinema Meets the Civil Rights Movement Abstracts and Biographies Index of Names‎

‎La PERCEPTION de la MUSIQUE.‎

‎Paris Vrin / études de psychologie et de philosophie 1958 Un volume grand in-8, broché, 408pp. (couverture faiblement brunie). Tableaux. Partitions. Quelques annotations au crayon,‎

‎L'Ombre de Monteverdi : La querelle de la nouvelle musique (1600-1638)‎

‎Presses universitaires de Rennes Aesthetica Dos carré collé 2008 In-8 (17 x 21 cm), dos carré collé, 216 pages ; bord latéral du quatrième plat piqué, par ailleurs bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎vermoeden van licht, Inclusief zijn nieuwe cd. Frank Boeijen‎

‎NL-, Vantilt, 2013 gebonden, 25 x 25 cm, 50pp. ISBN 9789081450065.‎

‎Via zijn muziek ontmoette Frank Boeijen in de loop der jaren kunstenaars uit allerlei disciplines. Zij reageren nu, elk in eigen stijl, op de nieuwe cd Een vermoeden van licht. Dwars door alle kunstvormen lopen lijnen van vriendschap, verwantschap en gedeelde passies. Hier komen luisteren, lezen en kijken naadloos samen. Een vermoeden van licht is donker en licht tegelijk. Met bijdragen van o.a. Hugo Camps (journalist), Corbino (fotograaf), Eric de Bruijn (beeldend kunstenaar), Karoly Effenberger (fotograaf), Henk Hofstede (muzikant, visueel kunstenaar), Rense Sinkgraven (dichter) en Stefan Verwey (cartoonist). ‎

‎Entretiens sur la musique. Illustré (photos et figures dans le texte).‎

‎Ed. La Baconnière 1967. Bel exemplaire broché, couverture ornée d'éd. Avec rabats, 133 pages avec annexes + planches.‎

‎ENCYCLOPEDIE de la MUSIQUE‎

‎Un ouvrage de 252 pages, format 120 x 190 mm, illustré, broché, publié en 1964, Editions Sequoia, bon état‎

‎Französische Musik.‎

‎Olten u. Freiburg i. Breisgau, Vlg. Otto Walter, 1952. Kl.-4°. 278 S. Mit 10 Abb.. Goldgepr. OLn., OU.‎

‎Erste Ausgabe. Gut erhalten.‎

‎maturation artistique de Debussy dans son contexte historique (1884-1902)‎

‎, Brepols, 2020 Hardback, 836 pages, Size:210 x 270 mm, Illustrations:57 tables b/w., 246 musical examples, Language: French. ISBN 9782503589503.‎

‎Summary This work is centered on the figure of Claude Debussy in the years between 1884 and 1902 - from the moment he captured the Prix de Rome to the premiere of Pell as et M lisande, the work that marked his coming of age as a professional musician and confirmed his personal style. This period bore witness to one of the most profound transformations of the composer's musical style and the ascent of his career to dizzying heights. Debussy's creative achievements are placed in the context of his professional development as well as his interactions with various musical institutions such as the Conservatoire, the Institut des Beaux-Arts (during the Prix de Rome), the Soci t Nationale de Musique, and the Op ra-Comique. Detailed and cursory analyses of a wide range of works, both canonical and little-known, provide a window on how Debussy's style was positioned with respect to other composers of his time who hailed from both the establishment and the avant-garde (Thomas, Massenet, Chabrier, Franck, D'Indy, Grieg, Wagner). This study allows for a more nuanced understanding of our received knowledge and a refreshed historical perspective that begs us to reconsider various aspects of the artist's life. These include the clich that Debussy was widely misunderstood in his youth, and a common failure to acknowledge the influence of Mussorgsky's fellow Russians, like Balakirev and Rimsky-Korsakov. TABLE OF CONTENTS Remerciements Abr viations et conventions Introduction Chapitre 1 Autour de la Cantate L'Enfant prodigue (1884) Chapitre 2 Le s jour Rome, les ann es de boh me et l' poque des grandes mutations stylistiques (1885-1893) Chapitre 3 Le Balcon (1888) et La Mort des amants (1887) Chapitre 4 Les changes de Debussy avec Chausson et d'Indy la SNM (1888-1894) Chapitre 5 Le Quatuor cordes n. 1 Op. 10 (1893) Chapitre 6 L'Op ra-Comique et la jeune cr ation musicale d'avant-garde (1880-1902) Chapitre 7 Pell as et M lisande (1895 et 1902) Conclusion Post rit et pouvoir expressif de l' criture stratifi e debussyste (1903-1917) Bibliographie Appendices Glinka, Rousslan et Ludmilla (Ruslan i Lyudmila), Acte iv, n. 21, mes. 20-24, 39-49 791 Rimski-Korsakov, La Jeune fille de Pskov (Pskovityanka), Acte iii, sc ne 1, p. 164/2/1 (Belwin-Mills, 1982) Borodine, La Mer (More), mes. 53-60 Index‎

‎La passion dans l'histoire et la musique du drame chrétien au drame juif in-8,broché,565 pages.‎

‎ Fayard 2011‎

‎très bon état‎

‎Le destin juif et la musique. Trois mille ans d'histoire.‎

‎ Broché, 23X15 cm, 2001, 763 pages, éditions Fayard. Couverture avec de petites marques d'usage sans gravité, bon état.‎

‎Toondichter Lode Meeus.‎

‎Londerzeel, Cultuurfonds, 1992 Gebonden, kunstleder met stofomslag, 215pp, 24.5x25cm., ills. in z/w., goede staat. ISBN 9074568017.‎

‎Oplage: 1200 exemplaren.‎

‎Toondichter Lode Meeus. GESIGNEERD ‎

‎Londerzeel, Cultuurfonds, 1992 Gebonden, kunstleder met stofomslag, 215pp, 24.5x25cm., ills. in z/w., goede staat. ISBN 9074568017.‎

‎Oplage: 1200 exemplaren. gesigneerd door grootvader Meeus en auteur.‎

‎Romance - Partition gravée pour piano ou harpe.‎

‎ Paris, sn, ca.1810. 2p in-folio (env. 32*24.5). Romance. Beck est un compositeur allemand ayant beaucoup travaillé en France. Trou de vers dans les portées sans manque de note. Rare ‎

‎AM GENFER SEE 6 KLAVIERSTUCKE VON FRANZ BENDEL OP. 139 n. 3‎

‎LEIPZIG C. F. PETERS ‎

‎Edizione della fine dell'ottocento della melodia "Am Genfer See" dall'opera 139 n. 3 di Franz Bendel (1833-1874). Al frontespizio foglio manoscritto dal vecchio proprietario: il testo in italiano della melodia "Al chiaro di luna, "Al Lago di Ginevra". Traduzione di A. Franci, edizioni Carisch Milano. In discrete condizioni. Copertina editoriale in discrete condizioni con lievi usure marginali. Legatura in discrete condizioni con rotture. Pagine in buone condizioni con rare fioriture. Dorso coperto da carta. In Folio. cm. 31,5x24. Pp. 11.Edition of late 19th century of the melodies "Am Genfer See" from the opera 139 n. 3 by Franz Bendel (1833-1874). In the title paghe handwritten page by the eex owner: the italian trext of the melody "Al chiaro di luna, "Al Lago di Ginevra". Traduzione di A. Franci, edizioni Carisch Milano. In fair conditions. Editorial cover in fair conditions lightly worn in the extremities. Binding in fair conditions with cracks Pages in good conditions with occasional foxing. Spine covered by paper. In Folio. cm. 31,5x24. Pp. 11.‎

‎DORNROSCHEN KLAVIERSTUCKE VON FRANZ BENDEL OP. 139 n. 3‎

‎LEIPZIG C. F. PETERS ‎

‎Edizione della fine dell'ottocento della melodia "Dornroschen" di Franz Bendel (1833-1874). In discrete condizioni. Copertina editoriale in discrete condizioni con lievi usure marginali. Legatura in discrete condizioni con rotture. Frontespizio in parte staccato. Pagine in buone condizioni con rare fioriture. Dorso coperto da carta. In Folio. cm. 31x23,5. Pp. 10.Edition of late 19th century of the melodies "Dornroschen" by Franz Bendel (1833-1874). In fair conditions. Editorial cover in fair conditions lightly worn in the extremities. Binding in fair conditions with cracks Title page partially detached. Pages in good conditions with occasional foxing. Spine covered by paper. In Folio. cm. 31x23,5. Pp. 10.‎

‎IN SENTA'S SPINNSTUBE KLAVIERSTUCK‎

‎LEIPZIG C. F. PETERS ‎

‎Edizione della fine dell'ottocento della melodia "In Senta's Spinnstube" di Franz Bendel (1833-1874). In discrete condizioni. Copertina editoriale in discrete condizioni con lievi usure marginali. Legatura in discrete condizioni con rotture. Pagine in buone condizioni con rare fioriture. Dorso coperto da carta In Folio. cm. 31x24. Pp. 9.Edition of late 19th century of the melodies "In Senta's Spinnstube" Franz Bendel (1833-1874). In fair conditions. Editorial cover in fair conditions lightly worn in the extremities. Binding in fair conditions with cracks Pages in good conditions with occasional foxing. Spine covered by paper. In Folio. cm. 31x24. Pp. 9.‎