Brussel 2007 Uitgeverij Egmont Soft cover
Broché: Très bon, 24 x 16 cm, 335 pp., néerlandais, état du livre: Très bon [Cette description peut avoir été traduite par une IA.]
Brussel Gemeentekrediet 1993 Hardcover Very Good 1st Edition
Reliure rigide: Très bon, jaquette: Très bon, 29x 21,5 cm, 119 pp., néerlandais, 1ère édition, illustrations, état du livre: Très bon L'Histoire de la Construction : Lampo décrit la construction du monumentale bâtiment de la Renaissance entre 1561 et 1565 selon le projet de l'architecte Cornelis Floris de Vriendt. L'hôtel de ville a été érigé à l'époque pour afficher la richesse énorme et le statut d'Anvers en tant que métropole mondiale du commerce. Architecture et Symbolisme de la Façade : Le livre déduit le riche langage visuel de la façade emblématique. La couverture illustre ici une partie importante : la section centrale (le pignon) avec l'aigle au sommet, les obélisques et la niche centrale avec la statue de Notre-Dame (Madone de Loreto, placée en 1587 durant la contre-réforme). L'Intérieur : En plus de l'extérieur, l'auteur traite également de l'intérieur du bâtiment, y compris les peintures murales historiques du 19e siècle de Hendrik Leys dans les salles d'honneur, qui illustrent des moments cruciaux de l'histoire anversoise. Contexte Historique : Le texte relie le bâtiment à l'histoire tumultueuse de la ville de l'Escaut, y compris la période de prospérité au 16e siècle, les destructions durant la Furie espagnole (1576) et la reconstruction ultérieure. [Cette description peut avoir été traduite par une IA.]
2004 Davidfonds Soft cover
Langue: néerlandais. La Maison de la Viande Palais des Bouchers d'Anvers couverture souple originale, 24 x 15,5 cm 173 pages, illustrations, très bon état [Cette description peut avoir été traduite par une IA.]
Anvers, 1971. 17 x 24, 86 pp., broché, très bon état.
bilingue renversé, français/anglais.
, Janssens, Alois. , 1971 Original publishers paper-covered boards, 50 pag Texte en Francais / 36 pages English.
Supplement van: Sint-Pauluskerk te Antwerpen en haar kunstbezit Saint-Paul's Church of Antwerp and its arts treasures / - Antwerp
, Maklu Antwerpen, 2020 Paperback, 138 pagina's, 24 x 16 x 0,9 cm. illustraties. ISBN 9789044137644.
Is Antwerpen ooit een Romeinse stad geweest? In dit boek wordt eerst ingegaan op de stand van zaken in het archeologisch onderzoek. Daarna komen de geschreven bronnen aan bod en de belangwekkende historische besluiten die daaruit kunnen worden getrokken voor de ontstaansgeschiedenis van de stad, aansluitend bij de archeologische gegevens. Belangrijk voor het zelfbeeld van de Antwerpenaren zijn echter ook de vele legenden die door de eeuwen heen rond het ontstaan van de stad zijn geweven, vaak met politieke bedoelingen. De meest markante daarvan is wel de stelling dat het Antwerps de taal was van het Paradijs? Met bijdragen van Jan M.F. Van Reeth, Guido Cuyt, Alfred Michiels en Toon van Hal. Jan M.F. Van Reeth is classicus en oriëntalist. Hij is onder meer voorzitter van het Nederlands Klassiek Verbond en doceert over godsdienstgeschiedenis van het Nabije Oosten. Hij publiceerde bij Garant het boek Kalam over Arabische theologie.
, Antwerpen Koekenstad, 2020 Paperback, 161 pagina's met prachtige illustraties.
Op Koffieklets alles over het historisch en hedendaagse koffiegebeuren in provincie Antwerpen
, De Vries - Brouwers, 2018 Paperback, 191 Pagina's 220 mm x 140 . ISBN 9789059275645.
In maart 2016, tijdens werken aan het Koninklijk Museum voor Schone Kunsten in Antwerpen, stoot Jos, de operator van een graafmachine, op de fundamenten van een bastion van de citadel van Alva. Wat volgt is een spannende zoektocht door Antwerpen die ons van de Scheldedelta in de prehistorie naar de Polderdorpen van de 21ste eeuw voert. Geillustreerd met prachtige tekeningen.
, tijdschrift Folklore, 1944 Oorspronkelijk uitgevers omslag, 4 pagina's .
overdruk van tijdschrift geschiedenis en folklore
, Antwerpen : Buschmann, 1859, Oorspronkelijk uitgevers omslag, 20 pp.
Janssens, Jan Frans Jozef
Antwerpen 1975 Mercurius Hardcover
Langue: néerlandais. Anvers, du port romain au port mondial, couverture rigide en lin rouge, avec impression dorée sur le devant et le dos du livre, 447 pages avec de nombreuses illustrations et des planches dépliantes 250 mm x 175 mm, en bon état
Jan van der Hoeve en Bram Silkens Erik Jan Brans, Bas Chamuleau, Karel Leeftink, Marc Machielse, Radboud Mensonides, Hans Sakkers, Robert Jan Soer, Ad Tramper
Reference : 61094
, picture Publishing, 2023 Formaat 210 x 297 mm, hardcover, 248 pagina's. Genaaid, gebonden. nieuwstaat. ISBN 9789492576583.
Dit overzicht van de geschiedenis van Fort Rammekens verschijnt precies 475 jaar nadat men in 1547 met de bouw begon. Toentertijd was het een van de eerste moderne vestingen met bastions in Nederland. Het fort zou niet alleen het eiland Walcheren en de toegang tot de haven van Middelburg beschermen, maar ook de Schelde als poort tot Vlaanderen en Brabant; de economische motor en het bestuurscentrum van het Habsburgse Rijk moesten immers tegen Frankrijk worden verdedigd. De eeuwen erna zou Fort Rammekens verschillende functies vervullen. In de tachtigjarige oorlog was het van essentieel belang voor de controle over Walcheren. De Rede van Rammekens vormde vanaf de Middeleeuwen de belangrijkste havenplaats van het eiland. Als verdediging tegen de Engelsen in de vroeg-negentiende eeuw werd het door Napoleon grondig verbouwd, om tijdens de Tweede Wereldoorlog op last van de Duitse bezetter in een verdedigingslinie tegen de geallieerden op te gaan. Nu heeft Fort Rammekens vooral betekenis als monument van geschiedenis, kunst en natuur. Een cultuurpodium en toeristische attractie in een bijzonder gebied. Staatsbosbeheer ? sinds 1972 eigenaar van het fort ? lost met het verschijnen van dit boek een belofte in: het publiektoegankelijk maken van de onderzoeksgegevens uit de periode 2011-2013 waarin Fort Rammekens een uitgebreide consolidatie onderging. De bouwsporen die bij deze werkzaamheden tevoorschijn kwamen, werpen in combinatie met uitvoerig archiefonderzoek nieuw licht op de geschiedenis van deze doorleefde vesting.
Gent 1993 snoeck-ducaju & zoon Soft cover
Langue: néerlandais. Anvers Histoire d'une métropole 16e - 17e siècle folio, catalogue d'exposition, 383 pages, de nombreuses illustrations, très bon état [Cette description peut avoir été traduite par une IA.]
Gent 1993 snoeck-ducaju & zoon Soft cover
Langue: néerlandais. Anvers Histoire d'une métropole 16e - 17e siècle folio, catalogue d'exposition, 320 x 240 mm, 383 pages, de nombreuses illustrations, en très bon état
Gent 1993 snoeck-ducaju & zoon Soft cover
Langue: néerlandais. Anvers Histoire d'une métropole 16e - 17e siècle folio, couverture souple, catalogue d'exposition, 320 x 240 mm, 383 pages, de nombreuses illustrations, bon état [Cette description peut avoir été traduite par une IA.]
Gent 1993 snoeck-ducaju & zoon Hardcover Very Good
Reliure rigide: Très bon, jaquette: Très bon, 32 x 24 cm, 383 pp., néerlandais, état du livre: Comme neuf [Cette description peut avoir été traduite par une IA.]
Rotterdam, Sound and Vision Interactive, 1998 Bound in black cloth with orange lettering, illustr. editor's dustjacket, 508pp., 17x24.5cm., 18 col. and 110 b/w ills., as new. ISBN 9789075607130.
This book discusses the production and consumption of printed images in an urban environment in the fifteenth and sixteenth centuries, up to 1585. The story begins in the fifteenth century. At some point - no one knows exactly when - prints were suddenly being offered for sale in Antwerp. Initially they may have been brought from other cities by merchants and travellers, but at length the first printmaker established himself in the city. In the sixteenth century Antwerp fast developed into one of the main centres of printmaking in the western world. The author explores the complex way in which the printed image secured a place for itself in the urban fabric. He reconstructs the different traditions from which the print producers evolved, and explains how existing institutions in the city related to the new medium. He traces the way in which the traditional guilds tried to bring practitioners of this 'singular skill', as it was labelled in 1452, into their ranks, and shows how the government tried to gain control of the new medium. He discusses the interplay between printmakers seeking strategies to market their wares, and a public confronted with an interesting array of cheap new products.The reader is given an impression of the variety of prints produced, which have thus far received little attention in art history. Archival research has generated a good deal of detailed new information on the prices of prints, the numbers of impressions made, the costs of printing and colouring, and so forth. Printing Images in Antwerp is an exploration of the impact of printmaking in the sixteenth century. It contains an abundance of new information, not only for print historians but for anyone interested in cultural history.
Antwerpen 1904 Weduwe De Backer Soft cover No Jacket 1st Edition
Langue: néerlandais. Raison du nom d'Anvers Broché, 230 x 150 mm, 38 pp., en bon état.
Anvers Antwerpen 1889 J. B. Van Mol Librairie editeur Hardcover 1st Edition
Les élus d'Anvers depuis mil huit cent trente, résumé des annales communales, parlementaires et législatives 305 x 245 mm, couverture rigide, 475 pages, ouvrage de référence concernant la politique d'Anvers et ses mandataires de 1830 à 1889. Ouvrage de référence très complet, en très bon état, avec quelques taches sur les premières et dernières pages du livre, très rare. [Cette description peut avoir été traduite par une IA.]
, Brepols Publishers, 2007 hardcover, XXV 436 pages., 510 b/w ill. 470 colour ill., 230 x 315 mm, english. ISBN 9781905375257.
This checklist is the first in a series of volumes describing the silver-stained glass roundels and unipartite panels from the 15th to the 18th centuries to be found in public buildings, museums and private collections in the present five provinces of Flanders (Belgium); as well as documented roundels and unipartite panels whose whereabouts are presently unknown or which have been moved to other locations or collections in the past. The checklist also mentions all known related material, and where possible, photographs of this material have been added. As far as the related material is concerned, the relevant publications are also mentioned. The related material includes direct designs, like drawings or engravings, and drawings and roundels which belong to either the same series or which are copies of these series.The present volume covers the Province of Antwerp. The publication of the checklists for the provinces of West Flanders, East Flanders (Vol. 2) and Limburg and Flemish Brabant (Vol.3) are planned for the near future. An inventory of the roundels in The Netherlands is also foreseen. "This handsomely produced and expensively illustrated volume is proof of the fact that Flemish roundels and unipartite panels have now regained the place of honour that they have always deserved." (Penny Hebgin-Barnes, Journal of the British Society of Master Glass Painters and The Journal of Stained Glass, vol. XXXII, 2008, p. 193-194)
, Brepols Publishers, 2011 hardcover, Corpus Vitrearum, Belgium, Checklists (CVBC 2) 631 pages C.J. Berserik, J. Caen Silver-Stained Roundels and Unipartite Panels before the French Revolution Flanders, Vol. 2: The Provinces of East and West Flanders XIV+631 p., 300 b/w ill. + 900 colour ill., 230 x 315 mm, 2011 ISBN: 978-1-905375-31-8 Languages: English ISBN 9781905375318.
This checklist is the second in a series of volumes describing the silver-stained glass roundels and unipartite panels from the Middle Ages to the 18th century found in public buildings, museums and private collections in the present five provinces of Flanders (Belgium). It also includes documented roundels and unipartite panels whose whereabouts are presently unknown and those which have been removed to other locations or collections in the past. The checklist also mentions all known related material. Where possible, photographs of this material have been added. As far as the related material is concerned, the relevant publications are also mentioned. This material includes models, drawings, engravings, and roundels which belong either to the same series or to those which are copies of these series. The present volume covers the Provinces of East and West Flanders (more or less the former County of Flanders). The first checklist, concerning the Province of Antwerp, was published in 2007. Additional volumes for the Provinces of Flemish Brabant and Limburg (Vol. 3), and the one with Addenda (Vol. 4) are in the planning stage. The former County of Flanders, with the cities of Bruges and Ghent, must once have displayed huge quantities of stained glass, which for the most part have been lost or relocated. The causes and reasons for this loss include natural calamities, fires, deliberate destruction and neglect. Most of the surviving roundels are now in foreign collections: on the continent; in Great Britain; or in the United States of America. It is worthy of note that great efforts have been made in the USA and Great Britain to compile and publish checklists of silver-stained roundels and other small panels, originating from the Low Countries, whilst here, where they were produced, this series is the first genuine overview that has ever been published. During the 15th and 16th centuries roundels and small panels played an important role as 'public relations' gifts among the upper classes, the church and its associated religious orders. As these gifts played a very significant role in social life, demand for these items was very high. It is clear that the manufacture of roundels and small panels was a substantial part of the earnings of these glass workshops, which also produced monumental windows. The most popular themes were predominantly religious, but also included heraldic, secular, mythological and allegorical subjects. The seasons and months and labours of the year were also commonly found. In the late 16th and the 17th centuries the range of iconographical subjects became more secular with, among other themes, representations of professions. Heraldry also remained very important, and in the second half of the 17th and the beginning of the 18th centuries nearly all roundels and panels depicted armorials and included the name of their donors.
, Brepols Publishers, 2014 hardcover, Corpus Vitrearum, Belgium, Checklists (CVBC 2)XIV+548 pages., 230 x 315 mm; English ISBN 9789079528240.
This book gives an extensive description of the silver-stained glass roundels and unipartite panels from the 15th to the 18th century to be found in public buildings, museums and private collections in the Flemish Provinces Limburg and Flemish Brabant. This checklist is the first in a series of volumes describing the silver-stained glass roundels and unipartite panels from the 15th to the 18th centuries to be found in public buildings, museums and private collections in the present five provinces of Flanders (Belgium); as well as documented roundels and unipartite panels whose whereabouts are presently unknown or which have been moved to other locations or collections in the past. The checklist also mentions all known related material, and where possible, photographs of this material have been added. As far as the related material is concerned, the relevant publications are also mentioned. The related material includes direct designs, like drawings or engravings, and drawings and roundels which belong to either the same series or which are copies of these series. The present volume covers the Provinces Limburg and Flemish Brabant. An inventory of the roundels in The Netherlands is also foreseen.
, Brepols Publishers, 2007 -2021 Set of 5 volumes of this monumental work; hardcovers, XXV 2703 pages , 1807 colour ill., 230 x 315 mm, English.FINE. ISBN 9781905375257.
5 volumes describing the silver-stained glass roundels and unipartite panels from the 15th to the 18th centuries to be found in public buildings, museums and private collections in the present five provinces of Flanders (Belgium); as well as documented roundels and unipartite panels whose whereabouts are presently unknown or which have been moved to other locations or collections in the past. The checklist also mentions all known related material, and where possible, photographs of this material have been added. As far as the related material is concerned, the relevant publications are also mentioned. The related material includes direct designs, like drawings or engravings, and drawings and roundels which belong to either the same series or which are copies of these series.The present volume covers the Province of Antwerp. The publication of the checklists for the provinces of West Flanders, East Flanders (Vol. 2) and Limburg and Flemish Brabant (Vol.3) are planned for the near future. An inventory of the roundels in The Netherlands is also foreseen. "This handsomely produced and expensively illustrated volume is proof of the fact that Flemish roundels and unipartite panels have now regained the place of honour that they have always deserved." (Penny Hebgin-Barnes, Journal of the British Society of Master Glass Painters and The Journal of Stained Glass, vol. XXXII, 2008, p. 193-194) volumes; Vol. 1: The Province of Antwerp + Vol. 2: The Provinces of East and West Flanders + Vol. 3: The Provinces of Flemish Brabant and Limburg + Vol. 4: Addenda + Vol. 5: Medium-Sized Panels and Fragments of Large Stained-Glass Windows .
Antwerpen 1907 J.E.Buschmann Hardcover
Langue: néerlandais. Anciens bâtiments d'Anvers couverture rigide, dos avec impression dorée sur le dos en lin du livre, 114 pages 210 mm x 140 mm, en bon état
Antwerpen 1907 Volksuniversiteit van Antwerpen Soft cover 1st Edition
Anciens bâtiments d'Anvers couverture souple originale, 114 pages 210 mm x 140 mm, en bon état [Cette description peut avoir été traduite par une IA.]