‎Verdouche, drôle de corps.‎

‎Bruxelles, Librairie Vanderlinden, 1938. 16 x 22, 130 pp., quelques illustrations, broché, bon état (couverture défraîchie).‎

‎Korte Geschiedenis Van Het Voorafgaande. Met tekeningen van Nicole Montagne. ** gesigneerd / ‎

‎, Uitgeverij de Weideblik, 2005 Gebonden, Hardcover met stofomslag compleet. 62 pp 23,6 x 16,1 x 1 cm ** gesigneerd / opdracht aan Hilde van Mieghem,. ISBN 9789077767207.‎

‎Beeldend kunstenaar en schrijfster Nicole Montagne en C. Breukers maakten met Korte geschiedenis van het voorafgaande een intrigerend dubbelkunstwerk. De gedichten en de tekeningen hebben alle hetzelfde uitgangspunt, de niet anders dan onduidelijk te formuleren vraag: 'Wie ben ik en wat is mijn geschiedenis?' In dichtvorm en in de vorm van tekeningen wordt dit thema door de twee complementaire kunstvormen uitgebeeld.‎

‎SOS Notre Babel-gique.‎

‎Bruxelles, Somadi, 1966 20 x 25, 2 vol., 316 pp., cartonnage éditeur, illustré, bon état‎

‎2000 Ex. Num., illustrations PICHA‎

‎Koen Theys Home-Made Victories ‎

‎, MER. Paper Kunsthalle, 2013 Hardcover, 256 pages , ENG, 290 x 235 mm, illustrations in colour, text in ENG. ISBN 9789490693961.‎

‎S.M.A.K. presents the first major retrospective of the Belgian video artist Koen Theys (°1963, Brussels). Theys was one of the founding fathers of the Belgian video art scene since the early eighties and stood at the cradle of the discourse around video art in Belgium and by extension throughout Europe. In his work Theys combines a thorough substantive and formal research on video art as a medium, with a very expressive - referring to a baroque aesthetic - imagery, often combined with references to the European and Belgian cultural and political history. The work of Theys was collected early by MOMA (New York) and Centre Pompidou (Paris). The book will survey his monumental video and photography-based works from the early 80s until now. Met HOME-MADE VICTORIES brengt S.M.A.K. de eerste grote overzichtstentoonstelling van Koen Theys (°1963, Brussel), een pionier van de Belgische videokunst. De tentoonstelling is opgevat als een doorsnede van Theys' oeuvre van de vroege jaren '80 tot nu.‎

‎Koen Theys Home-Made Victories ‎

‎, MER. Paper Kunsthalle, 2013 Hardcover, 256 pages , ENG, 290 x 235 mm, in good order, illustrations in colour, *** With inscription and signed by the Artist ISBN 9789490693961.‎

‎S.M.A.K. presents the first major retrospective of the Belgian video artist Koen Theys (°1963, Brussels). Theys was one of the founding fathers of the Belgian video art scene since the early eighties and stood at the cradle of the discourse around video art in Belgium and by extension throughout Europe. In his work Theys combines a thorough substantive and formal research on video art as a medium, with a very expressive - referring to a baroque aesthetic - imagery, often combined with references to the European and Belgian cultural and political history. The work of Theys was collected early by MOMA (New York) and Centre Pompidou (Paris). The book will survey his monumental video and photography-based works from the early 80s until now. Met HOME-MADE VICTORIES brengt S.M.A.K. de eerste grote overzichtstentoonstelling van Koen Theys (°1963, Brussel), een pionier van de Belgische videokunst. De tentoonstelling is opgevat als een doorsnede van Theys' oeuvre van de vroege jaren '80 tot nu.‎

‎Dirk Wynants. Designer. I've Always Been Attached to the Globe.‎

‎, Stichting Kunstboek BVBA, 2012 Hardback, 260x210mm, 160p, 100 colour illustrations, English edition. ISBN 9789058564085.‎

‎Dirk Wynants (?°1964) is de oprichter en eigenaar van het vernieuwende Belgische meubelmerk Extremis. Hij is tegelijk de belangrijkste ontwerper van het merk en de bedenker van het briljante branding concept "Tools for Togetherness". Het unieke succesverhaal van Extremis, dat op enkele jaren tijd een internationale reputatie verwierf als trendsetter op het gebied van buitenmeubilair, is sterk gelinkt aan de bevlogen persoonlijkheid en veelzijdige talenten van deze ontwerper-ondernemer, die het klappen van de zweep al heel jong leerde als zoon van een meubelmaker-schrijnwerker. Meer dan wie ook laat hij zich inspireren door een geengageerde visie op design. Hij heeft een duidelijke boodschap. Design is niet zomaar een kwestie van stijliconen of glamourdingen, maar veel meer van innovatieve oplossingen die van de wereld hopelijk een betere plek kunnen maken, vandaar de titel Design Works? Overtuigd maar ook altijd met de moed om vraagtekens te plaatsen. Sinds 2007 bestaat Dirk Wynants Design Works of (dw)2 autonoom en staat het naast Extremis ook open voor externe ontwerpopdrachten. Dirk Wynants sleepte sinds de start van Extremis in 1994 talloze internationale onderscheidingen in de wacht. Van de meest prestigieuze designerkenningen tot awards voor design management, algemeen management en export (waaronder Henry van de Velde Awards, Interior Innovation Award, (IMM Koln), Red Dot Award, International Excellence Design Award). As a son of a cabinet maker, Dirk Wynants (?°1964), was brought up with a nose for good design and a healthy dose of entrepreneurship. He studied interior and furniture design at Sint-Lucas School for Architecture in Ghent (Belgium) and was involved in the distribution of international design brands, until he established Extremis (1994), a label and brand for his own designs. Extremis' outdoor furniture designs quickly grew into an international standard of excellence. Not only the design collection itself has been applauded and awarded many times (with several Henry van de Velde Awards, Interior Innovation Award, (IMM Koln 2005), Red Dot Award 2005, International Excellence Design Award 2007, ao.), the expertise of Extremis in the field of design management, general management and export was praised just as well. In 2007 the creative unit of Extremis continued under the name Dirk Wynants Design Works = (dw)?, to enable the company to take on external design tasks. Dirk Wynants is still managing director and main designer of Extremis, but is also working closely together with other internationally renowned designers.‎

‎100 jaar Heilig-Hartinstituut Annuntiaten Heverlee - Geschiedenis van een school en een congregatie‎

‎Heverlee, Annuntiaten 1994 387pp., rijkelijk geïllustreerd, linnen band met goudopdruk, geïllustreerde stofwikkel met scheurtje, 28cm., schutblad wat beschadigd, goede staat, B53047‎

‎100 jaar Heilig-Hartinstituut Annuntiaten Heverlee - Geschiedenis van een school en een congregatie‎

‎Heverlee, Annuntiaten 1994 387pp., rijkelijk geïllustreerd, linnen band met goudopdruk, geïllustreerde stofwikkel, 28cm., ex-libris op eerste titelp., goede staat, B84672‎

‎Heilig Hartinstituut Heverlee ; levende erfgoedsite, unieke kapel‎

‎Heverlee, VZW Cultureel erfgoed Annuntiaten Heverlee 2010 100pp., rijkelijk geïllustreerd, 22cm., gebroch., mooie staat, B99098‎

‎"Didier Vermeiren"‎

‎"Bruxelles/Nice. 22 cm x 28 cm. 1987. Broché. 108 pages. Bruxelles/Nice La Société des Expositions du Palais des Beaux-Arts et La Villa Arson 1987. e. o. Broché bien complet de la jaquette 22 cm x 28 cm 108 pages illustrations noir et blanc hors-texte. Textes en français allemand et anglais de Christian Besson et Michel Assenmaker expositions bibliographie. Très bon état" "Très bon état (TB)"‎

‎Porträt, Landschaft, Interieur, Jan van Eycks Rolin-Madonna im ästhetischen Kontext‎

‎Tübingen, Gunter Narr Verlag, 1999 Softcover, 294 Seiten, 23 x 15.5 cm. ISBN 9783823357032.‎

‎Porträt, Landschaft, Interieur, Jan van Eycks Rolin-Madonna im ästhetischen Kontext‎

‎Le TRESOR du PRIEURE d'OIGNIES‎

‎Une plaquette de 16 pages, format 140 x 240 mm, illustrée, brochée couverture couleurs, publiée en 1983, P. Mardaga Editeur, collection "Musées Vivants de Wallonie et de Bruxelles", bon état‎

‎Chefs d'œuvre de l'orfèvrerie mosane‎

‎Roger Nellens 19.3-1.5.1983‎

‎Knokke-Heist, Christian Fayt Art Gallery 1986, 1986 Paperback, 33 pagina's, Nederlands/ Frans, 220 x 220 mm, in goede staat, met 14 illustraties in kleur, .‎

‎Roger Nellens 19.3-1.5.1983‎

‎Albert de Deken, EEN LEVEN IN KLEUR monografie, overzicht. ‎

‎Antwerpen , private edition, 2015 Gebonden, Hardcover, 124 pagina's, met talrijke kleur afbeelding van de schilderijen, 22x24cm. ISBN 9789078322368.‎

‎fraaie uitgave Full color gedrukt met 101 kleurreproducties van zijn kleurrijke werken, biografie.‎

‎Kunstschilder - Tekenaar - Aquarellist Albert De Deken, met een originele tekening.‎

‎Schoten, Gemeentebestuur, 1995 Softcover onder groen geillustreerde kartonomslag, 22 x 20cm., 58pp., illustraties in kleur en z/w. ISBN 9090085408.‎

‎Bevat een originele geaquarelleerde tekening. Boek gesigneerd door de auteur.‎

‎"Chèvremont : Souvenirs; Le culte de Marie; La Maison de retraite; Le Couvent."‎

‎Chèvremont (Belgique), Annales de Notre-Dame de Chèvremont, 1950. 13 x 21, 20 pp., plusieurs illustrations en N/B, broché, bon état.‎

‎Bruegel Success Story: Papers Presented at Symposium XXI for the Study of Underdrawing and Technology in Painting, Brussels, 12-14 September 2018 Hardcover ? 4 januari 2021‎

‎, Peeters leuven,, 2021 Hardcover with dusjacket 550 pages, . Illustrated.31X23cm *Very fine condition ( new). ISBN 9789042943322.‎

‎The Bruegel Success Story. This small phrase evokes the brand invented by the great Pieter Bruegel the Elder (c. 1526/7-69), which was capitalised on by his two sons and many followers. It was the natural theme for a symposium that brought together art historians, scientists and connoisseurs to celebrate the art of Pieter Bruegel and his indelible influence on the generations that followed. The idea for The Bruegel Success Story Colloquium took root at the Royal Institute for Cultural Heritage in Brussels, where Bruegel's most enigmatic painting, the Dulle Griet, was being restored in preparation for the great Bruegel exhibition at the Kunsthistorisches Museum in Vienna in 2018-19. The papers presented at the symposium that now appear as beautifully illustrated essays in this book are the fruit of research by both renowned experts and relative newcomers, all of whom have been profoundly touched by the art of Pieter Bruegel and his progeny.‎

‎APOLOGIES‎

‎CERF 1990 394 pages 14 6x23 4x3 4cm. 1990. Broché. 394 pages.‎

‎Bon état proche du très bon état intérieur propre bonne tenue‎

‎Paul Delvaux. Dessins, aquarelles et encres de Chine. ‎

‎, Galerie Isy Brachot , 1988 Broche, couverture souple, sans pag.(ca. 80pp.), 21.5x30cm., ills. en coul. et n/b., bon etat.‎

‎Marcel Broodthaers. A retrospective.‎

‎New York, Museum Of Modern Art , 2016 Bound, hardcover, 352pp., 24.5x31cm., ills. in col. and b/w., new. ISBN 9780870709623.‎

‎Marcel Broodthaers's (Belgian, 1924-1976) extraordinary output across mediums placed him at the center of international activity during the transformative decades of the 1960s and 1970s. Throughout his career, from early objects variously made of mussels, eggshells, and books of his own poetry, to his most ambitious project, the Musee d'Art Moderne. Departement des Aigles, and the Decors made at the end of his life, Broodthaers occupied a unique position, often operating as both innovator and commentator. Setting a precedent for what we call installation art today, his work has had a profound influence on a broad range of contemporary artists, and he remains vitally relevant to cultural discourse at large. Published to accompany the artist's first museum retrospective in New York, Marcel Broodthaers examines the artist's work across all mediums. Essays by the exhibition organizers Christophe Cherix and Manuel Borja-Villel, along with a host of major scholars, including Benjamin H. D. Buchloh, Jean Francois Chevrier, Thierry de Duve, and Doris Krystof provide historical and theoretical context for the artist's work. The book also features new translations of many of Broodthaers's texts.Accompanies a major international exhibition which begins at MoMA - the first retrospective of Broodthaers's work in New York, and the first extensive exhibition on the artist in the U.S. since 1989-1990‎

‎Charles Van Lerberghe - l'homme et l'oeuvre‎

‎, Bruxelles, Office de Publicité, 1943, 79pp., br.orig., dans la série "Collection nationale" vol.30, bon état, T14597‎

‎Van Dyck‎

‎, Phaidon Press Ltd, 1982 Hardcover, 240 pages, English, 315 x 250 mm, in fine state. ISBN 9780714822112.‎

‎René Magritte - A bis Z ‎

‎Leuven, Ludion/Albertina, 2011 Hardcover, 208 Seiten, 27 x 20 cm, Deutsch. *Wie neu. ISBN 9789461300256.‎

‎René Magritte - A bis Z ‎

‎later Flemish pictures : In the collection of her Majesty the Queen‎

‎, Royal Collection Enterprises Limited, 2007 Hardcover, 421 pages, English, 310 x 255 x 40 mm, 240 colour illustrations, Condition as New. ISBN 9781902163635.‎

‎The Royal Collection contains one of the finest and most varied collections of Old Master paintings in the world. The 147 works catalogued in the present volume are by Flemish artists who were active principally in the seventeenth century; they include a large and outstandingly good group of genre paintings by David Teniers the Younger, and other paintings by such diverse artists as Jan Brueghel, Gonzalez Coques, Frans Francken, Frans Snyders, Karl Philips Spierincks and Jan Wildens. The most important group of works, however, are those by Rubens. The full range of the artist's practice is represented in the collection. There are works that are entirely by his hand, and others that were carried out either with known collaborators or with the help of his studio. The introduction to the catalogue gives a fully documented history of the growth of the collection from the early Stuarts to the reign of Queen Victoria. The close relations Charles I enjoyed with Rubens are discussed in detail, and there is a full account of the important acquisitions made by later members of the royal family, notably Frederick, Prince of Wales and George IV.‎

‎Zeven soorten onvoltooidheid' - 'Seven types of unfinishedness' ‎

‎, Posture pockets 05, 2024 PB, 195 x 130 mm, 152 pages, EN-NL edition, Illustrated.*NEW ISBN 9789491262647.‎

‎When is a work of art finished, done, terminated? In this essay, Christophe Van Gerrewey suggests that the incompleteness of art mirrors the un de-cidability of the world, about which the last word hasn't been said yet either. An artwork can be unfinished in seven ways: it is completed by the audience, it suggests a better world, the artist can't leave it behind, it is a collective process, it reflects modesty, it is too utopian (for the time being), or its value has yet to be discovered. The photographs of ateliers and studios that illustrate this essay, show the places where all these thoughts and con-siderations can originate. Van Gerrewey's philosophical essay is enriched in this issue with a photo section. For this image sec-tion, Katrien Daemers photographed fifteen studios of contemporary artists, leaving the artist absent but allowing the (un)completed work to speak all the more. With studio photographs of Nel Aerts, Kasper Bosmans, Ria Bosman, Michael Borremans, Luc Deleu, Jan De Vylder, Sophie Nys ... Christophe Van Gerrewey (1982) is an author, critic and teacher. He published three novels and a collection of essays between 2012 and 2017. He has been an editorial board member of architec-ture magazine OASE since 2010 and, since 2018, of art magazine De Witte Raaf. From 2015 to 2024, he taught architectural theory at EPFL in Switzer-land. In June 2024, the survey work Something Completely Different. Architecture in Belgium will be published by MIT Press (London/Cambridge).‎