, [IT] Silvana , 2014 hardcover 240x170mm, 128p, 100 bw and col. illustrations. English edition ISBN 9788836629206.
Art, Knowledge and Politics on the Eve of the Dutch Revolt Pieter Bruegel the Elder's Fall of the Rebel Angels is the first comprehensive book on one of the most cherished masterpieces of the Royal Museums of Fine Arts of Belgium in Brussels. It argues that with his Fall of the Rebel Angels (1562) Pieter Bruegel (died 1569) turned a traditional devotional theme into an innovative commentary on his own time, and situates the painting within the early modern cultures of knowledge and collecting. More particularly, it exposes that many of the hybrid falling angels are carefully composed of naturalia and artificialia, as they were collected in art and curiosity cabinets of the time. Bruegel's much noted emulation of Jheronymus Bosch was thus only part of his wider interest in collecting, inspecting, and imitating the artistic and natural world around him. This prompts an examination of the world at the time that Bruegel painted the Fall of the Rebel Angels: locally, in the urban and courtly centers of Antwerp and Brussels on the eve of the Dutch revolt, and globally, as the discovery of the New World irreversibly transformed the European perception of art and nature. Painted as a tale of hubris and pride, Bruegel's masterpiece becomes a meditation on the potential and danger of man's pursuit of art, knowledge and politics, a universal theme that has lost nothing of its power today. The lavishly illustrated book is based on extensive research sponsored by the Inter University Attraction Pool project P7/26 'City and Society in the Low Countries (ca. 1200 - ca. 1850)' (Federal Science Policy, Belgium)'.
, merca, 2018 Couverture reliee sous jaquette,HB, 300 x 240 mm, 352 p, 270 illustrations, Texte en Francais. ISBN 9789462302228.
Cet ouvrage focalise devoile une exploration profonde et une nouvelle interpretation des tableaux d'hiver de Pieter Bruegel dit l'Ancien. En appliquant des nouvelles approches methodologiques accompagnees d'efforts de recherche interdisciplinaire a ces grands chefs-d'ouvre de l'art Renaissance flamande, y compris Paysage d'hiver avec patineurs et trappe aux oiseaux (1565) et Le Denombrement de Bethleem (1566), ce livre offre un apercu de la relation du peintre avec son temps, et de la mesure dans laquelle ses paysages d'hiver etaient destines a refleter des situations reelles. Apres avoir retrace la facon dont ces peintures ont ete percues et comprises au fil du temps, les essais proposent de nouvelles perspectives sur des questions telles que de savoir si Bruegel illustre la detresse de la population locale, cruellement eprouvee par les mois d'hiver, ou si Le denombrement de Bethleem renvoie au defi historique a la structure du pouvoir central. Abondamment illustre, Tableaux d'hiver de Bruegel est a la fois un examen approfondi et une celebration de ces images largement admirees. Abondamment illustre, Bruegel et l'Hiver est a la fois un examen approfondi et une celebration de ces tableaux d'hiver largement admirees. Sabine van Sprang est curatrice et Tine Luk Meganck est chercheuse, les deux au Musee Royal des Beaux-Arts de Belgique. Eds: Tine Luk Meganck, Sabine Van Sprang. Texts: Tine Luk Meganck, Erik Aerts, Claire Billen, Wim Blockmans, Hilde Cuvelier,
s.l., s.d. [+/- 1937] 102pp.met enkele illustraties + uitvouwbare kaart in moderne kopie, nieuwe omslag, goed, B85425
Antwerpen, Vlaamse Kapucijnen 2000 192pp., met zw/w illustraties, 24cm., gebroch., mooie staat, R63544
, Vlaamse Kapucijnen Antwerpen, 1997 Hardcover; 199pp., 30.5x21cm., ills. in z/w., goede staat.
Antwerpen, Vlaamse Kapucijnen 1997 199pp., rijkelijk geïllustreerd, 31cm., geïll. uitgeversband, zeer goede staat, B108531
Chez l'auteur. 1941. In-8. Broché. Etat d'usage, 1er plat abîmé, Dos abîmé, Intérieur acceptable. 70 pages. Illustré de photos en noir et blanc hors texte. Manques sur le dos. 1er plat détaché.. . . . Classification Dewey : 949.3-Belgique
Par des documents historiques illustrés de photogravures et carte. Classification Dewey : 949.3-Belgique
Imprimeries Delmas. 1941. In-8. Broché. Etat d'usage, Tâchée, Dos abîmé, Papier jauni. 59 pages - ouvrage illustré de photogravures et d'une carte en noir et blanc hors texte - tâches, déchirures et rousseurs sur les plats - coiffes abîmées.. . . . Classification Dewey : 949.3-Belgique
Classification Dewey : 949.3-Belgique
CHEZ L'AUTEUR. 1941. In-12. Broché. Bon état, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 70 pages. Quelques planches de photos et une carte en noir et blanc hors-texte.. . . . Classification Dewey : 949.3-Belgique
La Vérité par des documents historiques accompagnés de vues de guerre et d'une carte des opérations. Classification Dewey : 949.3-Belgique
delmas. 1941. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 70 pages. Quelques illustrations en noir et blanc, hors texte.. . . . Classification Dewey : 949.3-Belgique
La vérités par des documents histoques. Classification Dewey : 949.3-Belgique
Imprimerie Delmas. Non daté. In-8. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Papier jauni. 59 pages augmentées de quelques photos et d'une carte en noir et blanc, hors texte. Quelques pliures.. . . . Classification Dewey : 949.3-Belgique
Classification Dewey : 949.3-Belgique
France, Tirtiaux Albert, 1941 14 x 23, 70 pp., planches en N/B, broché, bon état
La vérité par des documents historiques illustrés de photogravures et carte, envoi de l'auteur
***. non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 70 pages. Quelque splanche sillustrées en noir et blanc.. . . . Classification Dewey : 949.3-Belgique
Classification Dewey : 949.3-Belgique
CHEZ L'AUTEUR. 1941. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 70 pages. Quelques planches de photos en noir et blanc. Charnières fendues sur les coiffes.. . . . Classification Dewey : 949.3-Belgique
Classification Dewey : 949.3-Belgique
Couverture souple. Broché. 70 pages.
Livre. Edité par l'auteur, Angoulême, 1941.
Editions Compléments, 1987. 17 x 20, 150 pp., broché, non coupé, très bon état.
"N° 19 sur 300 exemplaires numérotés sur papier bouffant; postface par Thérèse Dauvé."
Bruxelles, Cahiers JEB, 1977. 16 x 24, 220 pp., 3 annexes, broché, bon état.
Gent / Amsterdam, Ludion, 2002 Zachte kaft met flappen, 48pp., 24x30cm, talrijke kleurenillustraties, goede staat. ISBN 9789055443994.
Beknopt overzicht van het leven en werk van Jan van Eyck
Bruxelles, Institut des Arts et Métiers, 1947. 19 x 27, 74 pp., broché, couverture à rabats, très bon état.
Imprimé uniquement sur les pages de droite.
, Peeters Publishers, 2023 softcover, XIV-221 pages, Illustrated. ISBN 9789042950306.
Pieter Bruegel the Elder is best known for his peasant and winter scenes, archetypal images of the Low Countries, but his masterpieces always manage to transcend the local. A defining element in his hybrid landscapes are the Alpine rock formations he observed on his way to or return from Italy. Bruegel travelled to the peninsula around 1552, and his sojourn lasted about two years. Though remarkably little of his artistic production in Italy has been preserved, later compositions demonstrate that Bruegel must have journeyed to Rome, and then as far as Naples and Messina. The purpose of this book is to reassess Bruegel?s encounter with Italy within a broad cultural-historical context and in light of recent scholarship. Communication between Italy and the Low Countries was intense during Bruegel?s time, as were artistic, political, and economic relations. While Italo-Netherlandish ties interconnected Bruegel?s world on multiple levels, Bruegel?s relationship with Italy has mostly been viewed from the perspective of his individual travels. It has often been observed that, unlike many of his fellow artist-travellers, no copies after antique or modern Italian artworks by his hand are known, and that the impact of Bruegel?s encounter with Italy is not immediately evident from his work. Bruegel and Italy/Bruegel e l?Italia rephrases this question: Why, then, Bruegel did travel to Italy? To formulate potential answers, its authors look not only at the master and his work but also consider the cultural and artistic exchange between Italy and the Low Countries before, during, and following Bruegel?s Italian travels. In doing so, they trace the conditions, traditions, and networks that shaped and motivated Bruegel?s dialogue with Italy, opening new avenues in the study of this notoriously under-documented master.
, Peeters Leuven,, 2023 softcover, 245 pages, 25x 17cm. ISBN 9789042950306.
Studia Academiae Belgicae , nr. 3 / In 2019, in commemoration of Pieter Bruegel's death 450 years ago, the Academia Belgica dedicated an international symposium to Bruegel and Italy. The proceedings of this scientific meeting have now been published in the most recent volume of the Acta Academiae Belgicae. Although Bruegel spent about two years in the peninsula, remarkably little of his Italian artistic production has been preserved and the impact of Bruegel's encounter with Italy is not immediately noticeable in his oeuvre. Why then did Bruegel go to Italy? To formulate possible answers, the authors consider not only the master and his work, but also the cultural and artistic exchange between Italy and the Low Countries before, during and after his Italian journey. They trace the conditions, traditions and networks that motivated and shaped Bruegel's dialogue with Italy, thus opening new paths in the research of this famous but very undocumented artist
Leuven, Peeters uitgeverij, 2023 Original publishers paper-covered boards, 245 pages, 25 x 17 cm. English text. *New. ISBN 9789042950306.
Art Architecture kunst kunsttheorie beeldhouwen Kunst Beeldhouwkunst Art Architecture schilderijen conceptueel Schilderkunst Tentoonstellingscatalogus
Kortenberg, André Tobback, Editeur, 1992. 15 x 21, 427 pp., nombreuses illustrations en couleurs et en N/B, broché, très bon état.
André Tobback, Editeur, 1992. 25 x 21, 427 pp., nombreuses illustrations et cartes, broché, très bon état.