Antwerpen, J.-E. Buschmann 1922 206pp.+ 10pp.buitentekstills.(waarvan 4 in kleur), 23cm., goede staat
Antwerpen, Buschmann 1922 206pp.+ 10pp.buitentekstills.(waarvan 4 in kleur), 23cm., op luxe-papier, onafgesneden, stempeltje, mooie staat
Antwerpen, J.-E. Buschmann 1919 104pp.+ enkele portretten buitentekst, linnen band, teksten in Nederlands en Frans, 23cm., goede staat, B90073
Louvain/ Tours, Bibliothèque choisie/ Alfred Cattier s.d. 289pp.+ qqs.planches hors-texte, br.orig., 23cm., cachet, [texte en français], T55645
Bruxelles, 1838 24pp.+ 2 planches hors-texte, (Mémoire lu à la séance du 3 mai 1838), publié dans et extrait de "Nouveaux mémoires de l'Académie Royale des sciences et belles-lettres de Bruxelles" Tome XI (11, 1838), in-4
Bruxelles, Labor (" La Noria "), 1997. in-8 (15 X 21,5), 132 pages, illustrations N/B, broche, couverture illustree pelliculee.
Tres bel exemplaire. [BE-2]
Paris, Bruxelles: Editions Gauloises, 1924 in-4, 66 pages, 46 planches. Broché, couv. défr.
Artistes d'aujourd'hui. Cécile Cauterman, Rodolphe Strebelle, Ferdinand Schirren, Alphonse Wansart. (Paris, Bruxelles: Editions Gauloises, 1924). [M.C.: Beaux-arts, Belgique]
Brussel, mercatorfonds, 2009 Softcover with flaps, Pages: 96, Format: 23 x 17 cm, 100 colour illustrations Available language Francais ISBN 9789061539094.
Pearls of Chinese art and tradition are to be found here and there in Belgium too. In the most unexpected places you can meet Chinese symbols and discover contact points between East and West. Chinese Route shows the reader the way past Chinese things worth seeing in Belgium. En route this guide tells the remarkable stories behind the Chinese works of art, monuments, and examples of chinoiserie which can be admired in our country.
Lovanii [Leuven], Typis Martini van Overbeke 1742 343pp., 20cm., modern cart.cover with some traces of use, few foxing, text in Latin, good copy, [Regarding clandistine mariages between protestants and between a protestant and a catholic in the Netherlands and in Belgium], B81818
Bruxelles, Vanitas/Ben Genaux, 1961. 14 x 19, 221 pp., broché + jaquette, broché, bon état (jaquette légèrement défraîchie).
"N° 25 sur 1000 exemplaires numérotés sur vélin; en-têtes, illustrations et culs-de-lampe dessinés par l'auteur; Jaquette de G.-P. Jamme."
Bruxelles, Le Cri (« Biographie »), 1998. fort vol. in-8, 581 p., portr., ill. h.t. n., bibliographie, indes, broché.
Pli au 1er plat et à certaines pages intérieures sinon bel exemplaire. [EMB-@]
Brussel, Paleis der Academiën 1951 53pp.partituren, 30cm., in de reeks "Koninklijke Belgische Academie, klasse der schone kunsten, muziekstukken" boek 1 aflevering 2, originele omslag, goede staat, M66772
Bruxelles, Deltombe 1866 & 1874 8pp. + annexe: 8pp. (Bruxelles, Gobbaerts, 1874), 22cm., br.orig., bon état, rare, M91597
Beno t van Innis / Beno t , Javier L pez de Goicoechea Zabala , Ann Jos phine Meskens
Reference : 63105
, Posture editions 35, 2020 softcover, 128 pages, 21 cm 30 cm nieuw . ISBN 9789491262364.
On Day 1 of the Belgian lockdown in the wake of the coronavirus pandemic Beno t van Innis made a drawing with a black felt-tip pen on an A4 sheet. He sent the drawing to some friends?most of them from the art world?by mail and WhatsApp. On Day 2 of the lockdown, he made a second drawing and again he sent it to his friends and acquaintances. The response was overwhelmingly positive. The drawings were shared on social media and dS Weekblad published an interview and five drawings. The protagonist in these drawings is the artist himself, who reacts to the exceptional situation departing from his own universe. The book Instant Light compiles the entire series of drawings Beno t made in his studio in Brussels. They feature all his favourite subjects: painting, Club Brugge, literature, the world of art and French chanson. The book is published by Posture Editions in a co-production with Be-Part Kortrijk/Waregem, Hof van Busleyden Mechelen and Berg Institute Madrid. The publication is a collection of unique drawings that constitute a personal account of this unprecedented period in our history. It?s as if these stylishly elegant and sometimes virtuoso drawings instantly brighten up this dark page; they also provide an ideal diversion from the countless bad tidings we?re confronted with every day. Beno t van Innis (b. 1960) studied painting with Dan Van Severen at Sint-Lucas in Ghent. Shortly after graduating his drawings were published in De Morgen and De Standaard der Letteren. Since 1989, he has drawn 31 covers for The New Yorker. Beno t is widely known for the eight portraits he created for the tiled walls in the Brussels metro station Maalbeek. This beautiful work of art became the setting for a terrorist attack in 2016. Released at Museum Hof van Busleyden, 2 July 2020 and Be Part Kortrijk, 5 Sep 2020
Antwerp, Oktober Publications, 2024 Hardcover 160 PAGES, 27x18.5cm Illustrated. text English. ISBN 9789083435909.
Ben Storms is one of Belgium's most promising contemporary designers. Since 2013, he has been working on an international oeuvre in collectible design, at the intersection between applied design and the autonomous visual arts. He has created furniture for Delvaux, Alexander Wang and Cartier, and his work is included in the permanent collections of the Design Museum Gent and CID Grand Hornu, among others. Storms stands out above all for his idiosyncratic handling of materiality. In his creations, he honours
Bentein Jean-Marie, Editeur, 1975. 16 x 24, 87 pp., nombreuses illustrations en N/B, broché, bon état (couverture légèrement défraîchie).
"long envoi de l'artiste à Isabelle et Jo Gerard; édition originale signée par l'auteur; exemplaire N° 75."
Anvers, 1971. Hardcover + DW in-4°, XII-175 pages de texte suivi de 238 planches photographiques, cartonnage pleine toile d"editeur sous jaquette illustree.
Tres bel exemplaire. [PLG-3]! Text in French.
, , PB ,192 pages, ENG edition, 280 x 240 mm, NEW, 65 coloured illustrations, . ISBN 9781898519492.
The art of Peter Paul Rubens (1577-1640) is synonymous with the female nude, with the term 'Rubenesque' first coined in the 19th century to describe a voluptuous female body. Yet remarkably, there has never been a focused study of Rubens' depictions of women, making this book, and the exhibition that it will accompany, a first. Bringing together a diverse range of paintings and drawings from throughout the artist's career and from a range of international lenders, the exhibition at Dulwich Picture Gallery (October 2023 - January 2024) will challenge the popular assumption that Rubens only painted one type of woman. Instead, it will present a more nuanced view of the varied and essential role that women played in the artist's life and work, uniting and contributing to recent scholarly developments in subjects such as the identities of Rubens' sitters, 17th century artistic theory and practice, and Rubens' treatment of the human body. Rubens evidently enjoyed painting the female figure, especially in its sensual and unclothed form. But his women are never mere bodies trapped by the male gaze, on the contrary; they are proud and complex heroines, full of character and gravitas. No other male artist has created such potent images of female power, assurance, determination, commitment, and beauty. Providing a catalogue for the works in the exhibition and featuring three introductory essays that contextualise Rubens' work, this publication will both contribute to the existing corpus of scholarly literature on Rubens and introduce his masterpieces to new audiences, discussing them in the context of current debates around sexuality, power and feminism.
Bruxelles, Editions de l"Université de Bruxelles ("Histoire"), 2010. grand in-8 (24x16), 158 pp, illustrations, broche, couv. illustree.- 9782800414720
Passages surlignés au marqueur fluo sinon bel exemplaire. [TX-22] A partir d'un épisode troublé de l'histoire de l'industrie cinématographique belge, cette étude s'attache aux rapports ambigus entre art, finances et idéologie, proposant une histoire sociale des productions culturelles.
BERCKMOES Michiel & STRUYFS Marc (BOONE Marc & DE RIDDER-SYMOENS Hilde, eindred.)
Reference : B84147
(1993)
Gent, Maatschappij voor Geschiedenis en Oudheidkunde te Gent 1993 315pp., 24cm., in de reeks "Verhandelingen der Maatschappij voor geschiedenis en oudheidkunde te Gent" nr.XVIII (18), [bevat o.m. de Indices op de Handelingen en Bulletin 1894-1990], goede staat, B84147
Antwerpen, Kluwer rechtswetenschappen 1990 xviii + 1290pp., 25cm., linnen uitgeversband (licht bevlekt), stempeltje op eerste blanco blad, goede staat, ISBN 90-6321-596-7, J94529
, Tielt, Lannoo, 1988 rijkelijk geillustreerd., gebonden linnen met omslagwikkel, in-4, 191pp., ISBN 9020915665.
Geo Sempels vertelt over zijn werken. Met handgeschreven opdracht van de schilder.
Edition Genèse, 2018. 14 x 21, 268 pp., broché, très bon état.
Envoi autographe pleine page de l'auteur.
Paris, Pascuito, 2009. in-8, 390 pages, broche, couverture illustree.- 9782350850665
Tres bel exemplaire. [NV-15]