Bruxelles, Palais des Académie, 1949. 16 x 25, 79 pp., nombreux tableaux, broché, bon état.
extrait : Académie Royale de Belgique, Classe des Sciences, Mémoires, collection in-8°, tome 24, fascicule 1.
Bruxelles, Imprimeries Dewarichet, S.N.C., 1957. 16 x 24, 114 pp., broché, bon état (couverture légèrement défraîchie).
Bruxelles, La Renaissance du Livre, 1925. 12 x 19, 252 pp., reliure dos/coins cuir, couverture intégralement conservée, bon état.
, Ansfried Westerlo. s.d., ca 1980-1988., 4 delen in herbonden, blauw kunstleder met goudopdruk, originele covers bewaard, 15x21.5cm., 76+100+84+84+56+112+84+76pp., zeer goede staat.
jaarboek 1980 + 1981+ 1982 + 1983 ; Met oa. 4 artikels van Frans Verbiest: Vergelijkende verklaring van de straatnamen van westerlo. Heultje / Oevel / Oosterwijk / Tongerlo.
Bruxelles, Weissenbruch 1909 14pp., 21cm., sans br., extrait des "Bulletins de la Commission royale d'histoire de Belgique" t.78, peu de rousseurs, L115442
Brussel, Paleis der Academiën 1956 194pp.geïll. + buitentekstills., 26cm., in de reeks "Verhandelingen van de Koninklijke Vlaamse Academie voor wetenschappen, letteren en schone kunsten van België, klasse der wetenschappen" nr.54, B67416
Gent, Broeders van Liefde 2000 454pp., rijkelijk geïllustreerd, 31cm., linnen uitgeversband, stofwikkel, met leeslint, zeer goede staat, R99309
Berchem/ Breda, EPO/ Papieren Tijger 1993 100pp.met ills., 20cm., mooie staat
Leuven, Kritak 1990 176pp.rijkelijk geïll., 27cm., mooie staat
Bruxelles, J.-M. Collet, 1989. in-16, 221 pp., broche, couv. ill. plast.-
Très bel exemplaire. [PM-LP9]
, Pandora Publishers , 2012 Hardcover, 176 pagina's, Nederlands, 300 x 250 mm, Nieuwstaat !! vele foto's en informatie,. ISBN 9789053253262.
Een imposant boek over de geschiedenis, cultuur en toerisme in Schilde en deelgemeente s-Gravenwezel. Hiervoor zijn de archieven van Heemkundige Kring Scilla en Heemkring De Drie Rozen uitgespit. Daarnaast zorgde 'De Vrienden van de Fotografie' - de fotoclub rond de 's-Gravenwezelse fotograaf Piet Van den Heuvel - voor hedendaags fotomateriaal. Voor het co rdineren van het opzoekwerk is beroep gedaan op historicus en professor Roland Baetens. Het resultaat is een prachtig boek dat niet enkel voor de inwoners van Schilde van belang is maar eveneens in het algemeen omdat naast de geschiedenis van de gemeente ook het ontstaan van het landschap en de geschiedenis van de Voorkempen is opgenomen.Naast de hedendaagse foto?s zijn veel oude illustraties opgenomen zoals kaarten, plattegronden van de adellijke domeinen en veel archieffoto?s uit de oude doos. De ruimte tussen de voor- en achtercover en de teksten is ingenomen met een luchtfoto van het grondgebied van de gemeente.
ANTHONISSEN, PETER/ BEYEN, MARNIX/ DE COCK, LUCIEN/ DE MAEYER, JAN/ KWANTEN, GODFRIED/ SAERENS, LIEVEN.
Reference : 9137
, Leuven, Universitaire Pers, 1999., Gebonden, fraai geillustreerde platten, in foudraal, 23x28,5cm, 324pp, geillustreerd in kleur en z/w. ISBN 9061869692.
Een kwestie van stijl. KADOC - artes, n 4.
ANTOINE François, BERNARD Bruno, GALAND Michèle et HEIRWEGH Jean-Jacques
Reference : 84675
ISBN : 2800414324
Bruxelles, Editions de l'Université de Bruxelles, 2008. 16 x 23, 222 pp., broché, très bon état (sauf 1 cachet et 1 signature ex-particulier).
ANTOINE Frédéric, DUMONT Jean-François, MARION Philippe et RINGLET Gabriel
Reference : 42518
ISBN : 2870032188
Bruxelles, Vie Ouvrière/Paris, Chronique Sociale, 1987. 14 x 21, 159 pp., broché, bon état.
"Verviers (Belgique). 13 cm x 19 5 cm. 1961. Broché. 27 pages. Verviers (Belgique) « Temps Mêlés 1961 e. o. tirée à 434 exemplaires. Broché 13 cm x 19 5 cm 27 pages. Poèmes de Antoine Lemoine avec une lettre de Raymond Queneau envoi de l'auteur. Très bon état" "Très bon état"
"1964. Verviers (Belgique) Temps Mêlés n°69 1964 - Agrafé 13 cm x 16 cm 15 pages - Poèmes de Antoine Lemoine- Très bon état"
Gent, Museum D'Hane-Steenhuyse., 1985 Hardcover, 94pp., 21x30cm., ills. in z/w., goede staat.
Gesigneerd door de kunstenaar.
, Bij de auteur, 1980, Hardcover, 135pp., 21.5x30.5cm., ills. in z/w., zeer goede staat. Met handtekening van de kunstenaar.
Pentekeningen met tekst van Beatrix Baillieul
, , 1992 Hardcover - 305 x 220 - 119 pagina's. Geschiedenis > Oost-Vlaanderen, in Nieuwstaat ! mooie tekeningen van Meiresonne, Antoine.
Groot Oudenaarde - Tentoonstelling: Oudenaarde, Stadhuis, van 31 oktober tot 12 november 1992
, MER - Borgerhoff & Lamberigts, 2023 Hardcover 21 26 cm, 176 pages, Illustrated. Fine. ISBN 9789464759822.
Johan Clarysse culls and paints images, unbiased, guided only by their potential for leaving a lasting impression on the viewer. To this end, imagery is assessed for its tension and contrasts, for its ability or inability to convey meaning, as well as for the presence of any unsettling enigmas. That is, drama without any restrictive narrative. Tension without any apparent curve. Clarysse?s work stands out because of its unique language, the use of soft, muted colours, its existential themes and the numerous references to the world of film, art, literature and psychology. As Clarysse himself puts it: ?Because my paintings often revolve around psychological tipping points and carry an emotional charge, I choose sober, non- primary colours. In this way, I avoid overstatement. A quality that, of course, is also decisive when writing poetry. [?] I distance myself from so-called primary colours, make a plea for what I call ?metropolitan colours, colours from the slums, shrouded in shabby coats and housed in damp rooms?. Give me Naples yellow, grey dog, sizzling ore, kinky red or Cinderella pink?? This Obscure Object presents an overview of both paintings and drawings from the last decade and seamlessly picks up where his last book Walden & other suspicions ended.
Puurs, Baete, 1980 Gebonden, blauw kunstleder met goudopdruk, 343pp., 16x25cm., talrijke ills. in z/w., zeer goede staat.
In-12, broché, couverture papier bleu d'origine, 16 p. Antwerpen, by G.J. Bincken, 1815.
Christelijke bijzondere devoties. Datum afgeleid van p. 11.Rare. Un unique exemplaire recensé dans le monde (WorldCat). Très bon exemplaire.
Phone number : 33 01 47 07 40 60
, Ashmolean Museum, Oxford, 2024 Softcover, 244 pages, ENG. edition; 280 x 220 mm, NEW , 180 colored illustrations / 10 b/w. ISBN 9781910807590.
Many of the drawings coming from Antwerp are registered on the Flemish Government's Masterpieces List and will not be shown again for the next five to ten years to protect them from fading Highlights will include a sketchbook in which a young Rubens has copied Holbein's Dance of Death woodcuts, intricate pen and ink drawings by Pieter Bruegel, meticulously drawn miniatures by Joris Hoefnagel, portrait studies by Anthony van Dyck, and a rare survival of a friendship album containing numerous drawings and poems dedicated to its owner Two recently discovered drawings by Rubens will also be included, a design for a book-illustration on optics and an anatomical study of three legs. This catalogue will accompany the Bruegel to Rubens exhibition held at the Ashmolean Museum in Oxford between 22 March and 23 June 2024. Through a selection of over 100 world-class drawings created by Flemish artists in the sixteenth and seventeenth centuries, an insightful and comprehensive overview will be given into how these drawn sheets were used as part of artistic practice, within or beyond the artist's studio. By revealing the drawings' function, rather than on their attribution or iconography, these sheets will become more fully understood through the eyes of contemporary readers. Identifying how and why these sheets were created will render these artworks more accessible to a wider audience. The three main essays will each deal with one of the principal functions of drawings at the time: studies (copies and sketches), designs for other artworks (paintings, prints, tapestries, metalwork, stained glass, sculpture and architecture), and finally the independent drawings. Each essay will discuss the relevant works within their functional context and compared with other related objects. Introductory chapters will focus on what precisely can be considered a drawing, including its materials, media and techniques, in addition to an attempt to explain the notion of Flanders and Flemish art. Emphasis will be placed throughout the catalogue on how Flemish artists collaborated in creating the most astonishing artworks of their time, unveiling their networks and friendships, as well as their travels across Europe, revealing their international importance. The exhibition is a partnership with the Museum Plantin-Moretus in Antwerp and will bring together for the first time the most stunning drawings from both the Ashmolean and the Plantin-Moretus collections, in addition to further loans from renowned Antwerp and Oxford institutions like the Rubenshuis and Christ Church Picture Gallery. Many of the sheets coming from Antwerp are registered on the Flemish Government's Masterpieces List and will not be shown again for the next five to ten years to protect them from fading. Prominent artists featured in this catalogue include Pieter Bruegel the Elder, Peter Paul Rubens, Anthony van Dyck, and Jacques Jordaens, among many others.