‎Marti, cet incognito. Petite chronique d'un grand amour à l'attention des passionnés de la peinture‎

‎Bruxelles, Isy Brachot, 1973 22 x 28, 139 pp., nombreuses illustrations N/B + couleurs, cartonnage éditeur illustré, très bon état‎

‎Marti, cet incognito. Petite chronique d'un grand amour à l'attention des passionnés de la peinture‎

‎Bruxelles, Isy Brachot, 1973. 22 x 28, 139 pp., nombreuses illustrations N/B + couleurs, cartonnage éditeur illustré, très bon état‎

‎Le Double Visage.- Traduit par Paul DE MAN. Dessins de Tjienke DAGNELIE.‎

‎[publisher: Nouvelles Editions de la Toison d'Or]; 1942. in-12, 145 pp., broché, couv.‎

‎Bel exemplaire. [BE-2] ‎

‎Note sur une médaille tournaisienne.‎

‎ Bruxelles, imp. Gobbaerts, 1887, 1 br., couverture muette. in-8 de 6 pp. ; ‎

‎Extrait de la "Revue belge de numismatique", année 1887. ‎

‎Numismatique contemporaine. 1816-1830. Premier mariage de Léopold Ier et mort de sa première femme, la princesse Charlotte. Prise du fort de la Chartreuse, etc., à Liège. Les pauvres reconnaissants à la paroisse de Saint-Nicolas, à Liège.‎

‎ s.l., s.n., s.d. (fin XIXème), 1 br., couverture muette. in-8 de 15 pages non coupées + 2 planches ; ‎

‎Les portraits en médailles des célébrités de la Belgique‎

‎Bruxelles, G. Van Oest 1916 106pp., 27cm., dans la série "Répertoire de documents graphiques relatifs à l'histoire nationale", brochure originale (petit manque de papier au dos), bon état, [contient des centaines de références de médailles, groupés selon l'ordre alphabétique des noms des célébrités belges], B92370‎

‎La plus ancienne gravure en taille-douce exécutée aux Pays-Bas. Lecture‎

‎Bruxelles, [1876] 16pp.+ 2 grandes planches dépliantes, 22cm., signé avec dédicace autographe de l'auteur, extrait des "Bulletins" de l'Académie royale de Belgique (1876), br.muette d'époque (manques de papier et plat inférieur manque), non coupé, texte et intérieur en très bon état, rare, S87367‎

‎Guillaume, tragédie en cinq actes et en vers.‎

‎Bruxelles, Gambier, 1821. 14 x 22, 62 pp., broché, mauvais état (couverture d'attente abîmée, brochage fragile).‎

‎La vie courante, les douze paradis naturels de Belgique, tome 1 : Du cur de l'hiver au clair printemps. Service de l'Education de l'Armée, N° 18.‎

‎Bruxelles, Ministère de la Défense Nationale, 1949. 14 x 22, 63 pp., nombreuses illustrations, broché, bon état.‎

‎L'écume des curs, roman. Collection Durendal, N° 40.‎

‎Bruxelles, Collection Durendal/Paris, P. Lethielleux, 1940. 12 x 19, 200 pp., broché, bon état.‎

‎Martyrologue 40-45. Le calvaire et la mort de 80 prêtres belges et luxembourgeois.‎

‎Arlon, J. Fasbender, 1947. in-12, 405 pp., ill. in-t., broché, jaq. ill.‎

‎Bel exemplaire. [109B-11] ‎

‎L'AFFAIRE KATANGAISE. Etiologie insolite d'une aventure transcontinentale.‎

‎Editions Jean Amalaure, Noves et Leyde sans date vers 1972. In-8 broché couverture illustrée 132 et XXXIpp (notes et annexes). Quelques illustrations. Couverture poussiéreuse, intérieur en bon état et bien complet.‎

‎Ce texte, écrit en 1962, est un témoignage sur les événements belgo-congolais des années 1950 à 1962. (3971)‎

‎NOTRE-DAME DE BANNEUX La vierge des pauvres Préface de S.E. Monseigneur Kerkhofs Rev. Evêque de Liège ‎

‎ Broché - 12,5 x 19 - 109 pp - année1947 - Editions Marechal ‎

‎Vases à bustes, vases à décor zoomorphe et vases cultuels aux serpents dans les anciennes provinces de Belgique et de Germanie‎

‎Bruxelles, Palais des Académies 1984 310pp.+ 89 planches hors-texte & 2 cartes dépliantes, 25cm., br.orig., jaquette illustrée, dans la série "Académie royale de Belgique. Mémoires de la classe des Beaux-Arts. collection in-8, 2e série" T.XV fasc.2, bon état, B83793‎

‎ARCHAEOLOGIA BELGICA, 240 De mote van Kessenich,‎

‎, Brussel, Studies en verslagen uitgegeven door de Nationale Dienst voor Opgravingen, 1981, Gebrocheerd, 195 x 265mm., 24 pag. ISBN x.‎

‎Nr. 240 : Studies en verslagen uitgegeven door de Nationale Dienst voor Opgravingen. In goede staat.‎

‎Archaeologia Belgica 211 Le Castrum comtal de Chiny‎

‎Brussel 1979 koninklijk instituut voor het kunstpatrimonium Soft cover 1st Edition ‎

‎Archaeologia Belgica 211 Le Castrum comtal de Chiny, 265 x 195 mm, 37 blz , gebrocheerd, , zeer goede staat‎

‎ARCHAEOLOGIA BELGICA,215 L'oppidum du Trinchi a Cugnon, ‎

‎, Brussel, Studies en verslagen uitgegeven door de Nationale Dienst voor Opgravingen, 1979, Gebrocheerd, 195 x 265mm., 24 pag. illustre‎

‎Nr. 215 : Studies en verslagen uitgegeven door de Nationale Dienst voor Opgravingen. In goede staat.‎

‎La Fleur et le Dragon.‎

‎Paris-Liege, Imprimerie du Livre, 1926. in-12°, 213 pp., broche, couv.‎

‎Papier jauni. [TX-11] ‎

‎Vie des Belges dans les tranchées. 14-18 en Belgique.‎

‎Bruxelles, Editions Jourdan, 2014. 11 x 17, 247 pp., broché, très bon état.‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590-1608)‎

‎, Brepols 2021, 2021 2 vols., 536 pages ., 216 x 280 mm , 260 colour ill., English, Hardcover, . FINE ISBN 9782503595702.‎

‎This is Volume I of the three-volume catalogue raisonn of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609?20 and 1621?40. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens?s copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. Anne-Marie Logan is a specialist in Rubens?s drawings and in those of his Flemish contemporaries, especially Van Dyck?s. Kristin Lohse Belkin is a Rubens specialist who has carried out extensive research on the artist.‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue 1-4, - 4-volumes catalogue raisonn of all drawings.‎

‎, Brepols - Harvey Miller, 2021-2023 4 vols., 536 pages + 732 pages, 216 x 280 mm , 260 + 291 colour ill., English, Hardcovers, FINE ISBN 9782503595702.‎

‎This is the 4-volume catalogue raisonn of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621- 40. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. This is Volume II in the three-volume catalogue raisonn of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens?s early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens?s extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.‎

‎Trésors d'art et d'histoire de Waremme et de sa Région.‎

‎Liège, Imprimerie Solédi, 1979. 21 x 23, 179 pp., nombreuses illustrations en N/B, quelques cartes et croquis, broché, bon état (dos gauchi).‎

‎Demoniales. Poeme de Feu.‎

‎Bruxelles, La Sève, 1957. in-8 (21x13cm), broché.‎

‎Bon état. [CA-6] Preface D'Adrien Jans - Dessins de Rik Slabbinck.‎

‎HISTOIRE DE LA GAULE SOUS LA DOMINATION ROMAINE, tomes I & II‎

‎ 1879 Didier et Cie, Paris, 1879, 5° édition. eux volumes in 12 reliés demi-percaline à dos lisse, plats papier marbré, pièces de titre, 448 et 446 pages, bon état.‎

‎ Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.‎

‎Explorons nos Cavernes, présentation des divers problèmes scientifiques d'ordre géologique, préhistorique et biologique qui se posent en Spéléologie avec un appendice consacré au domaine souterrain de la Belgique,‎

‎ Editions du guide de la nature,1950, in-8 broché,couverture souple illustrée, figures et planches dont une h.t. 315pp. bon état,‎