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La "trahison" du Roi des Belges. La vérité par des documents historiques..
1941 Bordeaux 1941, in-8, 70pp., illustré, br.
Phone number : 33 (0)3 85 53 99 03
Nymphées, ou Jusqu'au rire, ensemble une épître à L. de G. Frick et vingt autres poèmes.
Editions Compléments, 1987. 17 x 20, 150 pp., broché, non coupé, très bon état.
"N° 19 sur 300 exemplaires numérotés sur papier bouffant; postface par Thérèse Dauvé."
La drogue en Belgique. JEB 3/77.
Bruxelles, Cahiers JEB, 1977. 16 x 24, 220 pp., 3 annexes, broché, bon état.
eeuw van Jan van Eyck
Gent / Amsterdam, Ludion, 2002 Zachte kaft met flappen, 48pp., 24x30cm, talrijke kleurenillustraties, goede staat. ISBN 9789055443994.
Beknopt overzicht van het leven en werk van Jan van Eyck
Glanes sur l'éducation.
Bruxelles, Institut des Arts et Métiers, 1947. 19 x 27, 74 pp., broché, couverture à rabats, très bon état.
Imprimé uniquement sur les pages de droite.
Bruegel and Italy - Bruegel & l'Italia / Bruegel and Italy Proceedings of the International Conference held in the Academia Belgica in Rome, 26?28 September 2019
, Peeters Publishers, 2023 softcover, XIV-221 pages, Illustrated. ISBN 9789042950306.
Pieter Bruegel the Elder is best known for his peasant and winter scenes, archetypal images of the Low Countries, but his masterpieces always manage to transcend the local. A defining element in his hybrid landscapes are the Alpine rock formations he observed on his way to or return from Italy. Bruegel travelled to the peninsula around 1552, and his sojourn lasted about two years. Though remarkably little of his artistic production in Italy has been preserved, later compositions demonstrate that Bruegel must have journeyed to Rome, and then as far as Naples and Messina. The purpose of this book is to reassess Bruegel?s encounter with Italy within a broad cultural-historical context and in light of recent scholarship. Communication between Italy and the Low Countries was intense during Bruegel?s time, as were artistic, political, and economic relations. While Italo-Netherlandish ties interconnected Bruegel?s world on multiple levels, Bruegel?s relationship with Italy has mostly been viewed from the perspective of his individual travels. It has often been observed that, unlike many of his fellow artist-travellers, no copies after antique or modern Italian artworks by his hand are known, and that the impact of Bruegel?s encounter with Italy is not immediately evident from his work. Bruegel and Italy/Bruegel e l?Italia rephrases this question: Why, then, Bruegel did travel to Italy? To formulate potential answers, its authors look not only at the master and his work but also consider the cultural and artistic exchange between Italy and the Low Countries before, during, and following Bruegel?s Italian travels. In doing so, they trace the conditions, traditions, and networks that shaped and motivated Bruegel?s dialogue with Italy, opening new avenues in the study of this notoriously under-documented master.
Bruegel and Italy / Bruegel & l'Italia -Proceedings of the International Conference held in the Academia Belgica in Rome, 26-28 September 2019.
, Peeters Leuven,, 2023 softcover, 245 pages, 25x 17cm. ISBN 9789042950306.
Studia Academiae Belgicae , nr. 3 / In 2019, in commemoration of Pieter Bruegel's death 450 years ago, the Academia Belgica dedicated an international symposium to Bruegel and Italy. The proceedings of this scientific meeting have now been published in the most recent volume of the Acta Academiae Belgicae. Although Bruegel spent about two years in the peninsula, remarkably little of his Italian artistic production has been preserved and the impact of Bruegel's encounter with Italy is not immediately noticeable in his oeuvre. Why then did Bruegel go to Italy? To formulate possible answers, the authors consider not only the master and his work, but also the cultural and artistic exchange between Italy and the Low Countries before, during and after his Italian journey. They trace the conditions, traditions and networks that motivated and shaped Bruegel's dialogue with Italy, thus opening new paths in the research of this famous but very undocumented artist
Bérets verts, bérets bruns (1942-1992).
Kortenberg, André Tobback, Editeur, 1992. 15 x 21, 427 pp., nombreuses illustrations en couleurs et en N/B, broché, très bon état.
Bérets verts, Bérets bruns (1942-1992).
André Tobback, Editeur, 1992. 25 x 21, 427 pp., nombreuses illustrations et cartes, broché, très bon état.
"Du Prince au Roi; Les Belges et les opérations humanitaires, partie 9."
André Tobback, 1995. 15 x 21, 174 pp., nombreuses illustrations en N/B, broché, très bon état.
La Prince Baudouin, comment tout a commencé, Les Belges et les opérations humanitaires, partie 7.
Belgique, André Tobback, 1995 15 x 21, 169 pp., nombreuses illustrations en N/B et en couleurs, carte, broché, très bon état.
Manuel pratique des Sociétés Mutualistes.
Bruxelles, Société Belge de Librairie, 1895 17 x 26, 368 pp., broché, non coupé, bon état (cachet du Collège jésuite Saint Stanislas à Mons, couverture abîmée)
Les Maladies Du Betail Du Congo Belge
Bruxelles Ministere Des Colonies 1951 14x22,5 520 pages - broché - coiffes faibles - trés nombreuses photographies - bon etat general
Bon
Les processions et les pèlerinages. Manifestations de notre folklore
Arlon, Editions du Sorbier s.d. 215pp.+ quelques planches hors-texte, 19cm., br.orig., bon état, B89276
Jacques Brel : une vie.
Paris, U.G.E. ("10/18, n° 3360"), 2001. in-16°, 545 pages, index, broche, couverture illustree.
Bel exemplaire. [BU-11]
Jacques Brel: une vie. DEDICACE
Paris, Robert Laffont, 1984 in-8°, 452 pages, index, broche, couverture illustree.
Dos insole sinon bel exemplaire DEDICACE par l'auteur. [GD8-3][NAN-1]DV-15
Henri De Braekeleer 1840-1888
Antwerpen, KMSKA 1988 224pp.rijkelijk geïllustreerd in kleur en zw/w, 25cm., gebroch., goede staat, S85127
HENRI DE BRAEKELEER. 1840 - 1888.
Antwerpen, Koninklijk Museum voor Schone Kunsten, 1988 softcover , originele uitgeversomslag geillustreerd in kleur, 17x24.5 cm., 224 pp., geillustreerd z/w en in kleur.
Tentoonstellingscatalogus KMSKA 23 oktober 1988 - 8 januari 1989. ; Reputaties, ambities, frustraties, chronologie, opmerkingen, iconografie, gedateerde werken en dateerbare werken, stillevens, etc.
James Ensor paintings and drawings from the collection of the royal museum of fine arts in Antwerp
Schoten / Antwerpen, BAI / KMSK Antwerpen, 2008 hardcover, 22.7x23.6 cm. oblong, 143 pp., rijkelijk geillustreerd in kleur en in z/w. ENGLISH TEXT ISBN 9789085864707.
Few artists of the late nineteenth century produced an oeuvre which is more bizarre, ironic, profound, and rich in interpretive possibilities than that of the Belgian painter James Ensor. His unusual motifs, which became unmistakable symbols of the absurdity of existence, influenced both German Expressionists and French Surrealists. This volume shows all the works from the collection of the Museum of Fine Arts of Antwerp.
VAN LICHT NAAR KLEUR. DE LA LUMIERE A LA COULEUR. RIK WOUTERS EN TIJDGENOTEN. RIK WOUTERS ET CONTEMPORAINS.
Brussel, Mercatorfonds/Dexia Colllectie, 2011 Gebonden, originele gekartonneerd hardcover uitgeversomslag in kleur, 123 pp., 22x26 cm., talrijke illustraties in kleur. ISBN 9789061534426.
De traditionele kunstgeschiedenis groepeert kunstenaars en hun werken in stijlen, scholen, stromingen en bewegingen. Deze categorieen zijn nuttig als referentiekader, maar ze kunnen ten onrechte de indruk doen ontstaan dat de beeldende kunst zich overal gelijktijdig op een rechtlijnige manier ontwikkelt. Begrippen als impressionisme, neo-impressionisme en fauvisme zijn ook op de Belgische kunst van toepassing, maar het onderzoek van het licht en de ontdekking van de kleur verliepen hier anders dan in Frankrijk en leidden, door de combinatie van specifieke culturele en maatschappelijke factoren, tot een kunst met een eigen karakter. De auteurs van dit boek, beiden gespecialiseerd in de Belgische kunst van de 19e en de eerste helft van de 20e eeuw, illustreren dit aan de hand van meesterwerken uit de Dexia collectie. Tweetalige uitgave.
volk ten voeten uit. Naturalisme in Belgie en Europa 1875-1915
Gent, Ludion, 1996 Softcover, 28x24,7cm, 263pp., met 85 kleurrijke portretten en andere zwart-witte afbeeldingen, heel mooi exemplaar. ISBN 9789055440924.
Met Naturalisme: een inleiding tot de historiografie en interpretatie van een mode, naar een soicaal realisme in de beeldhouwkunst, naturalisme en fotografie en catalogus
DE IDEE MAURICE GILLIAMS. EEN SCHRIJVER OVER SCHILDERS,
, Antwerpen, Pandora, 2000, Paperback, geillustreerde papieromslag, frontispice, 170 x 240mm., 266pp., prachtige en zeer uitgebreide illustratie in kleur en z/w, biografisch materiaal in z/w. ISBN 9053252002.
Pandora, Belgian Art Cahiers 8. In dit boek wordt de wijze waarop Gilliams met de beeldende kunsten omging voor het eerst volledig en grondig in kaart gebracht. Als nieuw.
Wonderbaere Reyze na d'uytterste paelen van America, door den zeer eerw. pater Ignatius Toebast, Jesuit, en Missionaris in d'Indien, geboortig van Gend, etc.
tot Gend [Gent]/ Brugge, by J.F. Vander Schueren/ by Joseph Bogaert s.d. [1784-1785] viii + 73 + [i] pp.+ engraved frontispiece (portrait), this is the original 18th century edition, 18cm., modern blind wrappers, text clean and bright, text in Dutch, good condition, rare, [The Jesuit Ignatius Toebast (born in Gent, Belgium, in 1648) was a missionary in New Granada (Columbia), who died as a martyr on the 15th of October 1684 in the city of Hinda ; his hands and feet were cut off by the native Indians, and his body teared through the city's streets. Cfr. De Backer-Sommervogel VIII col.60-61 ; according to De Backer the portrait on the frontispiece is apocryph and the person depicted is Jac. Laynez, by Jér. Wierix // Content of this work: Letters by Toebast from 1680, 1681 and 1683, written in Cadix, Sivilien, Carthago, Santa-Fée and other cities, and some more letters, by other authors, regarding Toebast], R97739
Jo Vanhove (1902-1956).
Bruxelles, Ars Libris, 2002. 25 x 31, 107 pp., nombreuses illustrations en couleurs et en N/B, reliure d'édition pleine toile + jaquette, très bon état.
"Bilingue français/néerlandais; N° 491 sur 600 exemplaires numérotés"
