, Leuven, Davidsfonds, 1957, 259pp.
s.l. [Leuven], Sociologisch onderzoeksinstituut 1971 290pp., geïllustreerd met tabellen en grafieken, gebroch., in de reeks "Studiegroep voor kultuurbevordering" nr.13, 24cm., B97741
Belgie, Kredietbank, 1973 Softcover, originele kartonnen uitgeversomslag, 27.2x21.3 cm., 44 pp., geillustreed in z/w en in kleur.
Een sfeervolle zoektocht naar een heel eigen verleden.
Bruxelles, Palais des Académies 1949 157pp. + quelques illustrations (photos) hors-texte, 26cm., brochure originale, dans la série "Académie royale de Belgique. Classe des sciences. Mémoires collection in-8" Tome 23 fasc.9, bon état, B100855
Leuven, 2001 xii + 338pp., in-4, in de reeks "Katholieke Universiteit Leuven, Faculteit sociale wetenschappen" nr.56, Doctoraal proefschrift, mooie staat, B80195
Rome, Institut historique belge de Rome 1979 xv + 113pp., dans la série "Analecta Vaticano-Belgica, publiés par l'Institut historique belge de Rome, 2e série section A: Nonciature de Flandre" vol.13, brochure originale, 25cm., pour la plupart non coupé, bel état, R55279
Bruxelles, Archives Générales du Royaume, 1948. 16 x 25, 40 pp., broché, bon état (couverture légèrement défraîchie).
Bruxelles, Archives Générales du Royaume, 1960. 15 x 24, 9 + 28 pages, broché, très bon état.
Bruxelles/ Rome, Institut historique belge de Rome 1937 xx + 614pp., dans la série "Analecta Vaticano-Belgica. Documents relatifs aux anciens diocèses de Cambrai, Liège, Thérouanne et Tournai, publiés par l'Institut historique belge de Rome. 2e série: Nonciature de Flandre" volume 4, 26cm., brochure originale, pages toujours non coupées, bon état, poids: 1.2kg., R106226
Leuven, 2000 Complet en 3 volumes, xciii + 365pp. (pagination continuée), Edition originale d'une Dissertation de doctorat en histoire au "Katholieke Universiteit te Leuven", texte en français, texte en typoscript, 30cm., texte frais, bon état, poids: 2.8 kg., R118503
Hasselt, Uitgave in eigen beheer 2024 96pp., geïllustreerd in zw/w, 30x30cm., geïllustreerde omslag, zeer goede staat, ["Meer dan 40 jaar was Herman van Meer actief als architect. Vooral in Limburg verdiende hij zijn sporen in de sector van restauratie en herbestemming. Op het vlak van erfgoedprojecten en monumentenzorg ontving hij doorheen de jaren meerdere prijzen en vermeldingen"], S116650
Mechelen, Drukk. Dierickx-Beke zonen 1862 157 + [3] pp. + frontispice & 5 uitvouwbare genealogische tabellen & 9 platen buiten tekst (waarvan 3 uitvouwbare), 23cm., originele omslag (wat verlies van papier aan uiteinden van rug), grotendeels nog onopengesneden, sporadisch enkele vlekjes, verder in goede staat, zeldzaam, B103153
Antwerpen, Drukk. Van Dieren 1864 31pp., 20cm., moderne blinde omslag, goed, zeldzaam, B93783
Antwerpen, Drukk. Van Dieren 1864 31pp., 20cm., originele omslag, nog onopengesneden, goede staat, zeldzaam, B103152
Malines, Dessain s.d. [début 20e s.] 23pp., br., bon état, [ex.bibl. H.Wagnon ; signé par lui]
VAN METTENYEN Bert, VAN CAUWELAERT Aug., BACCAERT Herman, TIMMERMANS Felix, GRIETENS Juul, CELEN Vitaal, MULS Jozef & KLUYSKENS A.
Reference : T76502
(1906)
Antwerpen, Vlaamsche Arbeid 1906-1907 pp.129-160, 27cm., originele omslag, enkele roestvlekjes, goed, [bevat o.a.: TIMMERMANS Felix, Het na-licht fragment (gedicht, p.144), T76502
Antwerpen, Mercatorfonds 1989 368pp.rijkelijk geïllustreerd vnl. in kleur, 34cm., linnen band, geïllustreerde stofwikkel, in etui, mooie staat, [Tekst in het Nederlands, text in Dutch], S84307
, Antwerpen, Fonds Mercator, 1989., grand In-4 relie pleine toile blanche pour le dos, marron pour les plats, etui, 372pp.bon etat !! Texte en Francais / .258 Photographies en noir et en couleurs + petites ill. en noir dans le catalogue en fin de volume.Sous etui cartonne ISBN 9061532116.
In his early work, David had followed Haarlem artists such as Dirk Bouts, Albert van Oudewater and Geertgen tot Sint Jans, though he had already given evidence of superior power as a colourist. To this early period belong the St John of the Kaufmann collection in Berlin and the Saltings St Jerome. In Bruges he studied and copied masterpieces by the Van Eycks, Rogier van der Weyden, and Hugo van der Goes. Here he came directly under the influence of Memling, the master whom he followed most closely. It was from him that David acquired a solemnity of treatment, greater realism in the rendering of human form, and an orderly arrangement of figures. Texte en Francais
Turnhout, Keuppens-Van Steenbergen 1923 96pp. + 13 platen buiten tekst, 19cm., blinde omslag, goed, B102781
Leuven, Leuven University Press 1994 vi + 330pp.with ills., 24cm., in the series "Mediaevalia Lovaniensia" Series 1 Studia 25, softcover, fine condition, B74597
Bruxelles, Imprimerie Anciens Etablissements Auguste Puvrez, 1932. 20 x 28, 207 pp., reliure dos/coins cuir, bon état (état d'usage).
extrait des Novelles, Corpus Juris Belgici.
Leuven, Kadoc 1990 392pp.met enkele zw/w ills., 23cm., gebroch., in de reeks "Kadoc-studies" nr.9, goede staat, B88186
, Brepols - Harvey Miller, 2016 Hardcover with dusjacket, 360 pages, 107 b/w ill. + 81 colour ill., 180 x 265 mm, Hardback. Languages: English.*NEW ISBN 9781909400436.
Peter Paul Rubens and Jan Brueghel the Elder were collaborating as painters as early as c. 1598, before Rubens's stay in Italy, but the most important period of their alliance spans from 1609 to 1621. After the death of Jan Brueghel the Elder in 1625, his son Jan the Younger continued the partnership with Rubens until the latter's death in 1640. The collaborative oeuvre of Rubens and Brueghel can be roughly divided into three groups: Madonnas in garlands of flowers, interiors with allegories, and landscapes with mythological and religious themes. Following his Italian sojourn and after his appointment as court painter to the Archdukes Albert and Isabella in 1609, Rubens also developed artistic relationships with other colleagues including Paul Bril and Frans Snyders. Works in collaboration with Brueghel from this period include the beautiful Mars Disarmed by Venus (Los Angeles, J. Paul Getty Museum), the Garden of Eden (The Hague, Mauritshuis) and the Louvre Madonna, made for Cardinal Federico Borromeo. The culmination of the two men's creative relationship is the five-part series of the Allegories of the Senses of 1617-1618 (Madrid, Prado), which lies at the heart of the present volume. The cycle depicts the Five Senses against a backdrop of princely splendour and is an extraordinary feat both artistically and in terms of its iconography. During the twenties Brueghel and Rubens co-produced multiple landscapes with history scenes, mainly in response to the demand for such works from a growing regular clientele. Diana?s Departure for the Hunt and Sleeping Diana and Nymphs (Paris, Musee de la Chasse et de la Nature) are fine examples. Although Rubens maintained lifelong working partnerships with other artists, the works he produced in conjunction with Brueghel form a special group, reflecting the personal friendship that existed between the two men. The author is curator of Old Masters at the Royal Museum of Fine Arts in Antwerp. She has been working on the subject of collaborations between Rubens and Brueghel for several years.
Brussel, Commissariaat-Generaal voor de Internationale Culturele Samenwerking, 1983**, 1983 Originele geillustreerde uitgeversomslag in kleur, 29,5x21cm, 42pp, geillustreerd in kleur en z/w.
In goede staat.
, Hamme, Maurits Tilley fonds, 1986., Gebonden in linnen, met omslag, 23,5x29,5cm, 191pp.
Monografie van deze schilder, in goede conditie,