Bruxelles, Editions des "Artistes associes", 1939. in-8, 60 pp, broche, couv.
Tres bel exemplaire . [TX-19]
"IMPRIMERIE COMMUNALE. 1928. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 62 pages - Carte ""Hommage de la ville de louvain"".. . . . Classification Dewey : 949.3-Belgique"
Classification Dewey : 949.3-Belgique
, Louvain, 1928, 62pp., brochure originale, bon état, B11046
Louvain (Belgique), Imprimerie Communale, 1928. "12 x 19, 62 pp., broché, état moyen (couverture défraîchie; papier jauni)."
Louvain, Imprimerie Communale, 1928 - In-8 - Broché - 62 pages - Bon exemplaire
- ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le prix du supplément de port en fonction du poids et du nombre de livres- Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148
Leuven, Fr. Ceuterick 1928 62pp., 19cm., gebroch., goed, zeldzaam, B99033
Bruxelles/ Paris, Dewit/ Gabalda 1919 xi + 506pp., br.orig., B43836
Bruxelles/ Paris, Dewit/ Gabalda 1919 xi + 506pp., br.orig.
Louvain, Ceuterick 1928 62pp., text in English, 19cm., original softcover, good condition, B114784
Editions de l'Institut de Sociologie, Universté Libre de Bruxelles, 1969. 16 x 24, 325 pp., broché, bon état.
préface de A. Doucy.
Bruxelles, Editions S.A. Pharmacobel - S.A. Codipha, 1961. In-8, broché, photos en N&B hors texte, 67 pages.
Bon état. Couverture insolée. [HI-7]
Bruxelles: Crédit Communal, 1989 in-4, 72 pages, illustrations. Broché.
Oeuvres d'art belge contemporain. Au profit des Amis de l'Institut Bordet. Avec un texte de Paul Delvaux et une étude de dessins de Paul Delvaux par Ignace Vandevivere. Exposition: Crédit Communal, Bruxelles, 1989. [M.C.: catalogue d'exposition, Beaux-arts, Belgique]
Bruges/Bruxelles, Librairie St Charles, s.d. (ca 1950). 16 x 22, 159 pp., plusieurs illustrations, broché, bon état.
Bruges, Librairie de l'oeuvre saint-Charles 1936 115pp.avec lettrines et dessins de l'auteur + 5 planches hors-texte, br.orig., 25cm., bel état
Bruxelles, Aux Editions de La Revue Sincère, 1927. 13 x 18, 78 pp., broché, bon état.
May Vervoordt with Michel Gardner and Patrick Vermeulen. Forword by Axel Vervoordt. Photography and recipe adaptation by Jean-Pierre Gabriel
Reference : 61669
, Flammarion (Thames), 2012 HB, 275 x 230 mm, 176 p, 175 Kleurenillustraties, ENG edition, date: Aug. 12, dustjacket, (last copies) !!. ISBN 9782080201102.
In the same understated, covetable style as her husband's interiors, May Vervoordt's recipes bring out the essence of fresh ingredients in simple yet exceptional dishes. The name Vervoordt is synonymous with effortless sophistication and quality. Over the past 25 years, Axel and May Vervoordt have cultivated a reputation for excellence in the fields of art, interior design, and entertaining. Renowned for her prowess as a hostess, May shares 107 seasonal recipes for entertaining in style in this contemporary cookbook. With an emphasis on bringing out the essence of individual ingredients, and cooking in harmony with the seasons for freshness and flavor, May-in typical Vervoordt fashion-demonstrates that simplicity is the ultimate sophistication. Her dishes are easy to prepare, original, and healthful, and still allow the home chef time to enjoy the meal with guests. Grouped by season, the recipes offer a broad selection for all occasions, including Pumpkin-Ginger Tapenade Bruschetta with a Hazelnut Crunch, Mango and Sweet Potato Salad, Lemon-Sage Baked Cod, Sesame-Tarragon Chicken, Carrot-Apple-Ginger Juice, and Chocolate Fondant Cake with Pear Sorbet. Close-ups of the recipes are complemented by lifestyle photographs offering an insider's glimpse into the elegant Vervoordt residence. The interiors blend antique pieces with modern art to create harmoniously contemporary spaces, and provide a stunning backdrop for May's dishes.
Zaltbommel, Bibliotheque Europeenne, 1973. Petit in-8 oblong, 76 cartes en n&b., reliure cartonnage editeur illustrée.- RARE
Bel exemplaire. [BU-11]
Hasselt, Provinciale bibliotheek., 1960 Geniet, 11pp., 24x16cm., goede staat (bibliotheekstempel op cover).
Hasselt, Provinciale bibliotheek., 1962 Geniet, 12pp., 24x16cm., goede staat (bibliotheekstempel op cover).
, Brussel, Studies en verslagen uitgegeven door de Nationale Dienst voor Opgravingen, 1970, Gebrocheerd, 195 x 265mm., 69 pag.
Nr. 118 : Studies en verslagen uitgegeven door de Nationale Dienst voor Opgravingen. In goede staat.
Bruxelles, Académie royale de Belgique 1977 ["publié sous la direction de L. Genicot et P. Tombeur"], 157pp., 28cm., br.orig., bel état, T75596
McGrath, G. Martin, F. Healy, B. Schepers, C. Van de Velde, K. De Clippel
Reference : 48640
, Brepols , 2016 Hardcover with dusjacket, 2 volumes., 944 pages., 362 b/w ill. + 104 colour ill., 175 x 260 mm Languages: English. ISBN 9780905203676.
Corpus Rubenianum Ludwig Burchard XI One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time there emerged a new, secular, genre of art devoted to the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. Still, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is a happy accident of history that so many of these splendid paintings are now widely visible in the great museums of the world.
Turnhout, Brepols, 1996 2 volume set, bound, cloth with orig. dustjacket, 190pp text + 274 pp halftones & 16 p. colour ills., 230 x 290 mm. AS NEW ISBN 9782870330081.
This English language volume on the collegiate church of Saint Peter in Leuven (Louvain), is the eighteenth in the series. In this monograph, the art historian M. Comblen-Sonkes has made an exhaustive study of three altarpieces. Two altarpieces are by Dirk BOUTS, the Holy Sacrament Triptych and the Saint Erasmus Triptych. The author proceeds to a rigorous stylistic and technical analysis with the help of laboratory documents such as X-radiographs and infrared reflectograms. Moreover exceptional archival sources, being the commissioning contract and the receipt of payment to the artist for the Holy Sacrament Triptych, fortunately shed light on the historical context and on the genesis of this type of paintings. The Edelheere Triptych, from which the central panel is a copy of the famous Descent of the Cross made by Rogier van der Weyden for the church of Our Lady outside the Walls in Leuven (now in the Prado), furnishes interesting elements to the issue of copying in the paintings of the fifteenth century Southern Netherlands. Languages: English.
Barbou a Limoges, sans date. Demi-reliure, format grand in-8*, tranches dorees, 314 pages. Quatre lithographies de Poussin et cie, pleine-page, hors-texte.Bon etat.
Les quatres lithos (BACHARACH ruines de l'église VERNER - COBLENTZ, église de SAINT CASTOR - ANVERS et l' ESCAUT - Bains de mer, KURSAAL et jetée d'OSTENDE )
Descriptions et curiosités du Pays-Rhénan, du Palatinat, des Duchés de Bade, de Hesse-Darmstadt, de Nassau, de la Prusse Occidentale et des Pays-Bas; Tableaux des Castels et des Ruines, Aspects des Fleuves et de la Mer du Nord, Peinture des Cités, des monuments, des musées, mémoires autographes de touristes, correspondance des voyageurs, etc. Illustré de 4 jolies photogravures à deux teintes ; Heidelberg, dans la vallée, la ville, cours du Neckar - Amsterdam, vue des rues avec canal - Anvers et Escaut - Bruges, l’Hôtel de Ville et les Halls. Vol in4, relié demi chagrin, petite usure au mors, 27x19, tranches dorée, très bel état intérieur, 314pp. Limoges, barbou frères, circa 1855/60